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Ordinary
Songs like
Ordinary
by
Joriah Kwamé
Based on a tempo of (+/- 10%) and a similar genre
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Blixemi
Could Never Be
110 bpm • G Maj • 02:58 • -5.72db
31% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Varian
Ready As I'll Ever Be
110 bpm • D min • 02:03 • -5.03db
61% Popularity • 61% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Ethan Nestor
When I Met You
110 bpm • C# Maj • 03:19 • -11db
31% Popularity • 54% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Joriah Kwamé
It Gets Better - Live
110 bpm • B min • 03:54 • -12.62db
7% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking (Reprise)
110 bpm • G# Maj • 02:46 • -7.29db
60% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Penelope Scott
Sweet Hibiscus Tea
110 bpm • F Maj • 02:25 • -7.46db
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Blixemi
Frost
110 bpm • G# Maj • 03:30 • -6.61db
31% Popularity • 71% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Underberg
It Starts With Sorry
111 bpm • F Maj • 01:30 • -6.85db
72% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Donna Murphy
Mother Knows Best (Reprise)
111 bpm • C# Maj • 01:38 • -10.68db
61% Popularity • 55% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Joriah Kwamé
Ordinary
110 bpm • E Maj • 03:20 • -7.36db
43% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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George Salazar
Michael in the Bathroom
111 bpm • E Maj • 05:21 • -16db
18% Popularity • 64% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Justine's Mic
Villain - English Version
109 bpm • A min • 03:07 • -7.21db
39% Popularity • 78% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Blixemi
And He Runs
110 bpm • D min • 03:22 • -7.88db
35% Popularity • 78% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Renée Elise Goldsberry
The Key
111 bpm • B min • 02:07 • -7.04db
33% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Joriah Kwamé
Perfect
111 bpm • E Maj • 03:12 • -8.78db
11% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Stanke
A Story Told
111 bpm • C# Maj • 02:30 • -10.31db
37% Popularity • 51% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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George Salazar
The Goodbye Song
111 bpm • D# Maj • 06:01 • -13.85db
29% Popularity • 48% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jessica Keenan Wynn
The Me Inside of Me
111 bpm • A# min • 05:15 • -9.33db
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Blixemi
One Not Two
110 bpm • C Maj • 03:49 • -6.72db
29% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Oublaire
Colorless
108 bpm • D Maj • 02:39 • -12.58db
21% Popularity • 63% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mandy Moore
I'd Give Anything
112 bpm • G Maj • 01:37 • -11.21db
34% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Varian
Let Me Make You Proud (Reprise)
112 bpm • C# Maj • 01:02 • -8db
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Joriah Kwamé
Before We Go (Reprise)
108 bpm • F Maj • 01:28 • -11.3db
11% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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MathematicPony
Time Adventure
108 bpm • A min • 02:11 • -11.12db
54% Popularity • 78% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Sanders
Won't Say I'm in Love (Mashup)
112 bpm • G Maj • 03:13 • -10.03db
35% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Evan Todd
Blue
108 bpm • F# min • 02:47 • -5.2db
55% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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fin
Abandon Ship
108 bpm • D min • 03:49 • -8.62db
52% Popularity • 61% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Joriah Kwamé
You Got Me
112 bpm • G# Maj • 02:45 • -12.62db
15% Popularity • 63% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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PEGGY
Falling for the Villain
107 bpm • G Maj • 03:38 • -8.51db
45% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Egg
sorry haha i fell asleep
114 bpm • C Maj • 02:37 • -21.55db
54% Popularity • 52% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Lin-Manuel Miranda
We Know
114 bpm • B Maj • 02:22 • -10.38db
63% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking
106 bpm • D# Maj • 03:24 • -6.5db
65% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Cameron Diaz
Little Girls
114 bpm • B min • 02:17 • -4.4db
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Laureli Amadeus
Camilo's Interlude
106 bpm • C min • 01:47 • -20.34db
28% Popularity • 86% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Cringe and the Lizards
Bi Wife Energy
106 bpm • F min • 00:58 • -16.42db
37% Popularity • 94% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
48% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Egg
putting a spin on listen before i go
106 bpm • C Maj • 02:12 • -17.93db
33% Popularity • 75% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Sanders
Birds
106 bpm • F Maj • 03:29 • -9.12db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joriah Kwamé
Before We Go
115 bpm • F Maj • 03:17 • -7.38db
14% Popularity • 59% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Kimiko Glenn
Battle Round
115 bpm • D Maj • 02:19 • -11.79db
30% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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36 Questions
Our Word
115 bpm • G# min • 05:17 • -9db
52% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Egg
putting a spin on hey there delilah
115 bpm • F min • 03:35 • -21.11db
51% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Laureli Amadeus
On The Inside
115 bpm • C Maj • 02:54 • -21.3db
17% Popularity • 92% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Joriah Kwamé
My Apocalypse Baby
115 bpm • F Maj • 04:20 • -11.59db
0% Popularity • 78% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Madds Buckley
Hawk In The Night
105 bpm • B Maj • 03:59 • -8.32db
35% Popularity • 48% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Caitlin Cook
Conversations with Strangers
105 bpm • D Maj • 03:50 • -6.74db
44% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Katherine Lynn-Rose
In the Clouds
115 bpm • C Maj • 03:25 • -18db
27% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sterling K. Brown
What We Have Is You
115 bpm • D# Maj • 01:26 • -9db
42% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rob Rokicki
Take the Weight
116 bpm • D Maj • 02:59 • -7.93db
26% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Joriah Kwamé
Sitting with Sondheim
115 bpm • A# min • 03:51 • -17.06db
1% Popularity • 56% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Madds Buckley
Reach
105 bpm • D Maj • 03:06 • -9.27db
35% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kimiko Glenn
Hootenanny Chorale
105 bpm • E Maj • 01:39 • -7.35db
27% Popularity • 32% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Chxrlotte
Come With Me
116 bpm • C# Maj • 02:36 • -8.74db
54% Popularity • 72% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Joriah Kwamé
Fast Forward (Interlude)
105 bpm • C# Maj • 01:19 • -20.13db
0% Popularity • 50% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Allie Grace
Origin Story
116 bpm • F# Maj • 03:45 • -6.58db
6% Popularity • 58% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
55% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Krystina Alabado
Go Tonight
104 bpm • G# Maj • 04:41 • -9.39db
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sam Haft
Stolas Sings
104 bpm • G min • 01:41 • -11.88db
50% Popularity • 40% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
41% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Leslie Odom Jr.
The World Was Wide Enough
117 bpm • F Maj • 05:02 • -12.78db
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Sushi Soucy
Welcome to the Loser's Club
117 bpm • G Maj • 01:36 • -14.96db
36% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Spence Hood
So You Wanna Marry Daisy
103 bpm • G# min • 03:29 • -6db
47% Popularity • 46% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Rachael Cell
Keep Walkin' - Live
117 bpm • C# Maj • 02:54 • -8.71db
2% Popularity • 64% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Laureli Amadeus
We Don't Talk About Bruno (Reprise)
103 bpm • D min • 01:16 • -20.58db
21% Popularity • 74% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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SIX
Get Down
103 bpm • E min • 04:13 • -9.91db
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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George Salazar
The Answer
117 bpm • D Maj • 04:54 • -16db
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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36 Questions
We Both
118 bpm • G Maj • 05:10 • -7.9db
32% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Carrie Compere
D.O.A.
118 bpm • G# Maj • 03:13 • -4.72db
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Honey Ironic
Dating the Villain
118 bpm • G# Maj • 03:46 • -12.2db
36% Popularity • 69% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Ruthless Ruth
Listen Up
118 bpm • C min • 02:49 • -6.92db
19% Popularity • 52% Danceability • 51% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Kaden MacKay
Don't You Dare (Make Me Fall in Love Wit...
119 bpm • C Maj • 04:03 • -15.1db
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Kimiko Glenn
The Next Thing
119 bpm • G Maj • 03:14 • -7.34db
30% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Blixemi
Way to You
120 bpm • B Maj • 03:44 • -9.08db
28% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Rapunzel
Set Yourself Free
120 bpm • A# Maj • 02:15 • -5db
37% Popularity • 50% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Will Connolly
Cecily Smith (Bonus Track)
120 bpm • G Maj • 04:49 • -13.07db
41% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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emmy curie
Heroes
120 bpm • C Maj • 02:34 • -16.79db
39% Popularity • 76% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Katherine Lynn-Rose
Saving Face
120 bpm • E Maj • 03:01 • -9.08db
30% Popularity • 40% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Pablo David Laucerica
doing ok.
101 bpm • A Maj • 02:19 • -12db
38% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kanaya
Violence
120 bpm • C# Maj • 03:19 • -14.47db
37% Popularity • 51% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Blixemi
I'm Not Fine
120 bpm • E Maj • 03:04 • -7.79db
34% Popularity • 79% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Random Encounters
My Own Little Nightmare
120 bpm • A# min • 04:56 • -11.96db
25% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Lindsay Mendez
The Ballad of Sara Berry
120 bpm • G# min • 04:49 • -7.98db
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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trashyinferno
Don't Look Back/Don't Wait for Me
120 bpm • E min • 04:28 • -10.09db
19% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ordinary