Songs like Organ Sonata No. 1: II. Phantasie. Frei - Lebhaft by Paul Hindemith
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
3 Corali, P. 167: No. 2, Andante con mot...
74 bpm • G Maj • 01:08 • -38.9db
19% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
19% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
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Paul Hindemith
Ludus Tonalis: XVII. Interludium (Allegr...
74 bpm • B Maj • 01:28 • -24.82db
3% Popularity • 25% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
3% Popularity • 25% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Max Reger
Variation 6: Sostenuto (quasi adagietto)
74 bpm • D Maj • 02:07 • -26db
18% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
18% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
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Alban Berg
Piano Sonata, Op. 1
74 bpm • E min • 08:36 • -23db
11% Popularity • 28% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 22: 1. Andante molto
74 bpm • C# Maj • 03:06 • -21.84db
18% Popularity • 20% Danceability • 6% Energy • 14% Liveness
44% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 6% Energy • 14% Liveness
44% Instrumentalness • 6% Positiveness
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London Conchord Ensemble
Trio for Piano, Oboe and Bassoon: Rondo ...
74 bpm • C# Maj • 03:03 • -20db
14% Popularity • 36% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
14% Popularity • 36% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Anton Bruckner
Symphony No. 7 in E Major, WAB 107 (Ed. ...
74 bpm • F Maj • 10:11 • -15db
26% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 20% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
75 bpm • G# Maj • 01:23 • -28.96db
27% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Béla Bartók
Bartók / Arr. Székely: 3 Hungarian Fol...
73 bpm • D min • 01:36 • -24db
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Fauré / Arr. Auber: Fantaisie, Op. 79
75 bpm • C Maj • 05:20 • -22db
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
75 bpm • A# Maj • 03:58 • -32db
16% Popularity • 30% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella, K 034: II. Serenata
75 bpm • C min • 02:52 • -34.13db
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Adagio (Takt 22...
73 bpm • F# Maj • 09:36 • -25db
9% Popularity • 7% Danceability • 6% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 6% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Paul Hindemith
Ludus Tonalis: XX. Fuga decima in Des (A...
73 bpm • C# min • 01:24 • -30.8db
3% Popularity • 36% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 49% Positiveness
3% Popularity • 36% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 49% Positiveness
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Emma Johnson
Violin Sonata (version for clarinet and ...
73 bpm • D# Maj • 06:08 • -27db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Alban Berg
Lyrische Suite: I. Allegretto giovale
76 bpm • A# min • 03:11 • -21.58db
9% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
76 bpm • A# Maj • 08:49 • -19.63db
5% Popularity • 21% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
5% Popularity • 21% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Paul Hindemith
Sonata No. 1 for Piano: II. Im Zeitmass ...
76 bpm • A# Maj • 09:42 • -24.72db
2% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
2% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: III. Molto...
76 bpm • C min • 03:06 • -19db
13% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
13% Popularity • 26% Danceability • 29% Energy • 17% Liveness
84% Instrumentalness • 19% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: II....
76 bpm • E Maj • 04:56 • -18.93db
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 18% Energy • 35% Liveness
87% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale
76 bpm • E min • 04:49 • -22.27db
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • D# Maj • 04:23 • -27.17db
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Frederick Delius
Fantastic Dance
72 bpm • G Maj • 03:36 • -19db
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 13% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
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Paul Hindemith
Ludus Tonalis: XVIII. Fuga nona in B (Mo...
76 bpm • G min • 02:17 • -28.14db
3% Popularity • 35% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
3% Popularity • 35% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Alexander von Zemlinsky
String Quartet No. 4, Op. 25, "Suite": I...
76 bpm • D# min • 03:10 • -26db
13% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Francis Poulenc
Sinfonietta, FP 141: I. Allegro con fuoc...
72 bpm • F Maj • 07:54 • -21db
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Gaily, but not quick
76 bpm • D Maj • 02:04 • -22.45db
30% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
30% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: II...
72 bpm • G Maj • 06:19 • -38db
9% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 13% Liveness
74% Instrumentalness • 5% Positiveness
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Charles Koechlin
Sonate, Op. 71: II. Nocturne – Presque...
77 bpm • D# Maj • 03:00 • -26db
9% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Cello Concerto in B Minor, Op. 104: III....
77 bpm • B Maj • 01:31 • -22.02db
19% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Sextet for Piano and Winds, FP ...
76 bpm • E min • 07:20 • -15.76db
10% Popularity • 29% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: III. Forl...
72 bpm • B min • 06:18 • -25.77db
12% Popularity • 40% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 40% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
77 bpm • A# Maj • 04:41 • -18.94db
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
17% Popularity • 34% Danceability • 26% Energy • 24% Liveness
85% Instrumentalness • 25% Positiveness
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Alexander Scriabin
3 Pieces, Op. 45: I. Feuillet d'Album
71 bpm • D# Maj • 01:24 • -34db
20% Popularity • 40% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
20% Popularity • 40% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 12% Positiveness
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Florent Schmitt
La Tragédie de Salomé, Op. 50: V. Quat...
77 bpm • E Maj • 02:33 • -25.61db
18% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Francis Poulenc
Trio for Oboe, Bassoon and Piano: 3. Ron...
71 bpm • C# Maj • 03:08 • -19.91db
11% Popularity • 39% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 66% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 66% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Paul Hindemith
Symphonie Mathis der Maler: Finale
77 bpm • D# min • 00:52 • -21.98db
3% Popularity • 27% Danceability • 0% Energy • 14% Liveness
40% Instrumentalness • 19% Positiveness
3% Popularity • 27% Danceability • 0% Energy • 14% Liveness
40% Instrumentalness • 19% Positiveness
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Alexander Scriabin
Symphony No.1 in E Major, Op. 26: I. Len...
71 bpm • E Maj • 06:51 • -33db
13% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 8% Liveness
7% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk-Song: 3. Lar...
77 bpm • D min • 01:31 • -24.89db
2% Popularity • 18% Danceability • 4% Energy • 18% Liveness
95% Instrumentalness • 23% Positiveness
2% Popularity • 18% Danceability • 4% Energy • 18% Liveness
95% Instrumentalness • 23% Positiveness
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Rebecca Clarke
Passacaglia
78 bpm • C min • 05:12 • -21.28db
8% Popularity • 18% Danceability • 6% Energy • 8% Liveness
57% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 8% Liveness
57% Instrumentalness • 9% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: III. Assez len...
78 bpm • B Maj • 02:48 • -21db
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 13% Positiveness
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Anton Webern
Symphony, Op. 21: I. Ruhig, schreitend
78 bpm • G Maj • 07:34 • -36db
14% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonic Metamorphoses On Themes By Car...
77 bpm • A# Maj • 04:36 • -13.76db
0% Popularity • 30% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
0% Popularity • 30% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51 (arr. Rogal-Levitsky): ...
77 bpm • D# Maj • 03:56 • -37db
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Pierre Boulez
Boulez : Notations : 1 - Modéré - Fant...
78 bpm • C# Maj • 02:34 • -32db
7% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
27% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
► Preview
Max Reger
Variation 8: Molto sostenuto
78 bpm • E Maj • 05:55 • -28db
8% Popularity • 7% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
Andre Caplet
Children's Corner (arr. A. Caplet for or...
78 bpm • D Maj • 02:59 • -34db
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 2% Energy • 13% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
78 bpm • F# Maj • 06:41 • -29db
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Debussy: Première rapsodie in B-Flat Ma...
78 bpm • D# min • 08:29 • -24.49db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Alban Berg
Violin Concerto "To the Memory of an Ang...
70 bpm • G Maj • 11:20 • -27db
20% Popularity • 23% Danceability • 5% Energy • 22% Liveness
49% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 5% Energy • 22% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
78 bpm • G# Maj • 03:28 • -22db
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Pierre Boulez
12 Notations pour piano: I Fantasque - M...
79 bpm • C# Maj • 01:06 • -36.93db
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
► Preview
Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Claude Debussy
La mer, L. 109: III. Dialogue of the Win...
78 bpm • C# Maj • 08:08 • -21db
26% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Rebecca Clarke
Viola Sonata: I. Impetuoso
79 bpm • F Maj • 08:54 • -21db
17% Popularity • 19% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 9% Energy • 19% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Paul Hindemith
Ludus Tonalis: III. Interludium (Moderat...
70 bpm • B min • 01:17 • -19.49db
4% Popularity • 18% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
4% Popularity • 18% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: I. Allegr...
79 bpm • C Maj • 04:38 • -31db
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Paul Hindemith
Ludus Tonalis: XIV. Fuga septima in As (...
69 bpm • F min • 01:58 • -34.35db
3% Popularity • 18% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
3% Popularity • 18% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Schoenberg: 6 Little Piano Pieces, Op. 1...
69 bpm • A min • 01:14 • -35db
30% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 7% Liveness
81% Instrumentalness • 13% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
36% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
36% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: III. P...
79 bpm • G Maj • 03:57 • -22.53db
24% Popularity • 38% Danceability • 26% Energy • 6% Liveness
84% Instrumentalness • 20% Positiveness
24% Popularity • 38% Danceability • 26% Energy • 6% Liveness
84% Instrumentalness • 20% Positiveness
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Igor Stravinsky
The Rite of Spring, K15, Pt. 1: I. Intro...
69 bpm • G Maj • 03:18 • -27.41db
30% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Carl Nielsen
Symphony No. 4, Op. 29 "The Inextinguish...
80 bpm • A min • 10:46 • -19.9db
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 10% Danceability • 14% Energy • 65% Liveness
88% Instrumentalness • 5% Positiveness
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Paul Hindemith
Ludus Tonalis: XXV. Postludium (Solenne,...
69 bpm • G# Maj • 03:38 • -26.87db
2% Popularity • 29% Danceability • 3% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
2% Popularity • 29% Danceability • 3% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Witold Lutosławski
3 Fragmente: II. Ulysse en Itaque
80 bpm • G min • 01:33 • -27db
19% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
19% Popularity • 19% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
69 bpm • G min • 02:38 • -18db
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Paul Hindemith
Ludus Tonalis: I. Praeludium (Moderato -...
69 bpm • C# Maj • 03:38 • -26db
6% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
6% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Sextet in D Minor, Op. 70, TH 118 "Souve...
80 bpm • D min • 06:47 • -18.03db
16% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
16% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# Maj • 02:03 • -36.26db
32% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: III. ...
69 bpm • C min • 09:01 • -30.27db
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C Major, Op. 26:...
80 bpm • C Maj • 09:02 • -20db
8% Popularity • 28% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: III. Très...
80 bpm • B Maj • 09:47 • -29.61db
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Carl Reinecke
Reinecke: Flute Sonata, Op. 167 "Undine"...
68 bpm • E min • 07:02 • -27.52db
12% Popularity • 16% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
