Songs like Orientalia: II. Andante assai by Vissarion Shebalin
Based on a tempo of (+/- 10%) and a similar genre
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Clara Schumann
Piano Sonata in G Minor: II. Adagio
137 bpm • A# Maj • 03:06 • -30.49db
11% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
11% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Vissarion Shebalin
Orientalia: II. Andante assai
137 bpm • C Maj • 02:26 • -20.28db
3% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Brahms
Albumblatt in A Minor
138 bpm • D min • 02:20 • -24.66db
29% Popularity • 44% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
29% Popularity • 44% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 67: No. 3 Andante...
136 bpm • A# Maj • 02:21 • -26db
11% Popularity • 22% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Lasst Mich Alein, Op. 82, B.157
136 bpm • B Maj • 04:18 • -26.55db
16% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alfons Szczerbiński
4 Chansons sans paroles, Op. 14: No. 2, ...
138 bpm • G min • 01:49 • -28db
20% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
20% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Vissarion Shebalin
String Quartet No. 5 in F Major, Op. 33:...
137 bpm • F Maj • 07:19 • -16.44db
0% Popularity • 37% Danceability • 14% Energy • 14% Liveness
81% Instrumentalness • 20% Positiveness
0% Popularity • 37% Danceability • 14% Energy • 14% Liveness
81% Instrumentalness • 20% Positiveness
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Jean Barrière
Six Cello Sonatas, Book 4, Sonata No. 4 ...
138 bpm • G Maj • 04:30 • -30.12db
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
47% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
47% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Samuel Barber
Cello Sonata, Op. 6: III. Allegro appass...
138 bpm • C Maj • 05:41 • -19db
18% Popularity • 29% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
18% Popularity • 29% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Masques et Bergamasques Suite, Op. 112: ...
135 bpm • F Maj • 03:47 • -22.57db
6% Popularity • 31% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Amy Beach
4 Sketches, Op. 15: No. 4. Fireflies
135 bpm • A min • 03:08 • -33.43db
16% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
16% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
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Vissarion Shebalin
4 Pieces: No. 2, Gavotte
139 bpm • B min • 01:31 • -18.89db
0% Popularity • 44% Danceability • 5% Energy • 5% Liveness
1% Instrumentalness • 44% Positiveness
0% Popularity • 44% Danceability • 5% Energy • 5% Liveness
1% Instrumentalness • 44% Positiveness
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Gaetano Donizetti
String Quartet in D - Arr. for string or...
135 bpm • A Maj • 06:51 • -18db
5% Popularity • 27% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
5% Popularity • 27% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Johann Baptist Vanhal
Symphony in C Minor, Bryan Cm2: II. Anda...
139 bpm • F min • 03:43 • -27db
41% Popularity • 33% Danceability • 1% Energy • 10% Liveness
40% Instrumentalness • 10% Positiveness
41% Popularity • 33% Danceability • 1% Energy • 10% Liveness
40% Instrumentalness • 10% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Vissarion Shebalin
4 Pieces: No. 1, Improvisation
139 bpm • G# Maj • 02:45 • -21.27db
0% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
140 bpm • G# Maj • 04:52 • -22.25db
0% Popularity • 24% Danceability • 11% Energy • 16% Liveness
69% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 16% Liveness
69% Instrumentalness • 4% Positiveness
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Antonín Dvořák
4 Lieder, Op. 82, B. 157: I. Lasst mich ...
140 bpm • B Maj • 04:25 • -26.38db
25% Popularity • 18% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Liszt
Liszt: 6 Consolations, S. 172: No. 2 in ...
140 bpm • E Maj • 03:56 • -28.15db
19% Popularity • 35% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
19% Popularity • 35% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Bernhard Henrik Crusell
Concerto in E-Flat Major, Op. 1: II. Ada...
133 bpm • G# Maj • 03:40 • -31db
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
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Vissarion Shebalin
5 Choruses on Poems by Pushkin, Op. 42: ...
134 bpm • A# min • 01:53 • -33.94db
0% Popularity • 18% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Suite for Cello and Orchestra, Op. 16: I...
141 bpm • G min • 03:31 • -28.76db
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Bassoon & Cello in B-Flat Maj...
132 bpm • F Maj • 05:49 • -25.76db
40% Popularity • 23% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 23% Positiveness
40% Popularity • 23% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 23% Positiveness
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Tekla Bądarzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Gabriel Fauré
3 mélodies, Op. 7: I. Après un Reve (A...
131 bpm • F min • 02:28 • -21.14db
9% Popularity • 24% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Vissarion Shebalin
Petite Waltz
140 bpm • F Maj • 02:30 • -19.79db
0% Popularity • 54% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
0% Popularity • 54% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
131 bpm • D Maj • 01:30 • -32db
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34 No. 14 (Arr. for Violin...
130 bpm • E min • 05:39 • -29db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Violin Concerto in A Minor, Op. 82: I. M...
130 bpm • F Maj • 04:19 • -30.76db
20% Popularity • 20% Danceability • 4% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Vissarion Shebalin
Concert Piece
133 bpm • A Maj • 04:23 • -18.01db
0% Popularity • 41% Danceability • 19% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
0% Popularity • 41% Danceability • 19% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 2 in F-Sharp Minor, ...
144 bpm • B min • 04:01 • -25.21db
10% Popularity • 18% Danceability • 5% Energy • 12% Liveness
11% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 12% Liveness
11% Instrumentalness • 8% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7 Po...
130 bpm • F# Maj • 02:49 • -25db
16% Popularity • 40% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
16% Popularity • 40% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Francis Poulenc
Trio for Piano, Oboe and Bassoon: III. R...
130 bpm • C# Maj • 03:27 • -16db
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Edvard Grieg
6 Songs, Op. 4 (Transcr. D. Müller-Scho...
129 bpm • A min • 02:37 • -26db
15% Popularity • 24% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Vissarion Shebalin
11 Variations on a Theme by Glinka: Var....
141 bpm • E min • 01:29 • -37.78db
0% Popularity • 53% Danceability • 0% Energy • 7% Liveness
79% Instrumentalness • 8% Positiveness
0% Popularity • 53% Danceability • 0% Energy • 7% Liveness
79% Instrumentalness • 8% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
129 bpm • G Maj • 02:46 • -28db
27% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
27% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Edward Gregson
4 Pictures for Piano Duet: No. 2, Quite ...
129 bpm • A min • 01:13 • -29db
25% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
25% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Vissarion Shebalin
(Plyassovaya) Dance
142 bpm • A Maj • 02:25 • -14.58db
0% Popularity • 57% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
0% Popularity • 57% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Antonín Dvořák
Klid, Op. 68 No. 5, B. 182 (Silent Woods...
127 bpm • C# Maj • 06:19 • -29.58db
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Jacques Ibert
6 Pièces pour harpe à pédales: II. Sc...
123 bpm • C# Maj • 03:26 • -28.16db
29% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
123 bpm • F Maj • 03:44 • -24.83db
12% Popularity • 28% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Vissarion Shebalin
Violin Sonata, Op. 51 No. 1: IV. Allegro
132 bpm • A Maj • 04:22 • -19.95db
0% Popularity • 40% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 44% Positiveness
0% Popularity • 40% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 44% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
122 bpm • F Maj • 03:12 • -30db
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
122 bpm • G Maj • 03:59 • -33.32db
31% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 102: No. 4 Andant...
119 bpm • G min • 02:46 • -21.96db
12% Popularity • 30% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
► Preview
Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
121 bpm • C Maj • 02:20 • -24.91db
14% Popularity • 30% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Vissarion Shebalin
4 Light Pieces: No. 3, Minuet
144 bpm • E min • 01:25 • -20.34db
0% Popularity • 52% Danceability • 6% Energy • 9% Liveness
29% Instrumentalness • 50% Positiveness
0% Popularity • 52% Danceability • 6% Energy • 9% Liveness
29% Instrumentalness • 50% Positiveness
► Preview
Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Georges Bizet
Bizet: Petite suite from "Jeux d'enfants...
117 bpm • A# Maj • 03:27 • -30db
31% Popularity • 18% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
117 bpm • A# Maj • 03:37 • -36.08db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Vissarion Shebalin
4 Pieces: No. 4, Scherzo
145 bpm • G Maj • 01:58 • -19.17db
0% Popularity • 52% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 61% Positiveness
0% Popularity • 52% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 61% Positiveness
► Preview
Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 102: No. 5 Allegr...
161 bpm • A Maj • 01:00 • -16.98db
13% Popularity • 60% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
13% Popularity • 60% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
45% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
45% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Amy Beach
3 Compositions, Op. 40 (version for cell...
168 bpm • D Maj • 03:15 • -33db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto
168 bpm • C# Maj • 03:07 • -26.52db
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Vissarion Shebalin
Concertino For Horn And Orchestra No. 2,...
128 bpm • C Maj • 04:35 • -25.27db
0% Popularity • 20% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Vladimir Rebikov
Valse Mignon
167 bpm • G Maj • 01:06 • -23db
30% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
30% Popularity • 26% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
► Preview
Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
170 bpm • A# Maj • 03:10 • -30.44db
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Robert Schumann
Violin Sonata No. 3, WoO 2: III. Interme...
171 bpm • F Maj • 03:14 • -26.89db
4% Popularity • 9% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
4% Popularity • 9% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Vissarion Shebalin
Cello Sonata Op. 51 No. 3: II. Vivace
128 bpm • E min • 04:08 • -19.49db
0% Popularity • 42% Danceability • 18% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
0% Popularity • 42% Danceability • 18% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Dora Pejačević
Blumenleben, Op. 19: No. 2, Veilchen
171 bpm • A# Maj • 02:34 • -34.41db
14% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Nikolai Medtner
Canzona Serenata, Op. 38 No. 6
172 bpm • F min • 04:37 • -26.39db
11% Popularity • 22% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Pauline Viardot
6 Morceaux: No. 3, Berceuse
172 bpm • G Maj • 02:36 • -28db
11% Popularity • 21% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Vissarion Shebalin
Cello Sonata Op. 51 No. 3: III. Andante
126 bpm • C# min • 05:32 • -20db
0% Popularity • 28% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Christoph Willibald Gluck
Orpheus' Lament & Dance of the Blessed S...
172 bpm • D min • 04:40 • -28.27db
21% Popularity • 34% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 34% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
172 bpm • B Maj • 06:45 • -23.75db
8% Popularity • 14% Danceability • 6% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Beau Soir, L. 6
172 bpm • F# min • 02:15 • -28db
30% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
► Preview
Mstislav Rostropovich
Rostropovitch: Humoresque, Op. 5
173 bpm • C Maj • 02:05 • -21.43db
25% Popularity • 34% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 60% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Vissarion Shebalin
Suite No. 1, Op. 18: IV. Dance
118 bpm • B min • 03:36 • -19.2db
0% Popularity • 31% Danceability • 13% Energy • 10% Liveness
31% Instrumentalness • 42% Positiveness
0% Popularity • 31% Danceability • 13% Energy • 10% Liveness
31% Instrumentalness • 42% Positiveness
► Preview
Henry Purcell
Lost is my quiet forever, Z. 502 (arr. J...
173 bpm • G min • 02:36 • -23.49db
13% Popularity • 9% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Felix Mendelssohn
6 Songs, Op. 34: 2. Auf Flügeln des Ges...
174 bpm • D Maj • 02:32 • -19.67db
1% Popularity • 16% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
1% Popularity • 16% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: I. Widmung (Arr. for Ce...
175 bpm • F Maj • 02:06 • -24.61db
8% Popularity • 15% Danceability • 5% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
8% Popularity • 15% Danceability • 5% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
