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Origins
Songs like
Origins
by
Niamh Crowther
Based on a tempo of (+/- 10%) and a similar genre
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Ed Wells
Young
83 bpm • D Maj • 05:26 • -15.52db
12% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jennifer Kamikazi
To the Brim
83 bpm • B Maj • 02:54 • -12.02db
18% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Scott Helman
Machine - Spotify Sessions
83 bpm • D Maj • 03:42 • -8.66db
17% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Barnes
Nebraska
83 bpm • F# Maj • 03:39 • -12.54db
10% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Niamh Crowther
Origins
83 bpm • F Maj • 03:41 • -4.04db
2% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Cornell
Poison and Wine
83 bpm • C Maj • 03:22 • -12.45db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Marcus Alexander
Silence
83 bpm • A# Maj • 03:18 • -10.37db
8% Popularity • 77% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Silver Trees
Paper Hearts
83 bpm • C# Maj • 03:19 • -8db
30% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Om Shankar
Flower Line
82 bpm • F Maj • 03:17 • -10db
17% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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James Vincent McMorrow
Evil - West Hollywood, May 2015
84 bpm • G Maj • 03:49 • -13.14db
2% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lauren Aquilina
Fools - Live At RAK Studios
82 bpm • D Maj • 03:54 • -7.8db
14% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Allen
Old Friend
84 bpm • D Maj • 02:28 • -13.72db
12% Popularity • 47% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Percy Falls
Our Time
82 bpm • G Maj • 04:49 • -7.97db
9% Popularity • 53% Danceability • 59% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Holley Maher
Love Is Big Enough
82 bpm • B min • 03:54 • -11.11db
11% Popularity • 29% Danceability • 21% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Gareth Dunlop
Hide and Seek
84 bpm • G min • 03:32 • -11.71db
22% Popularity • 56% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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The Mayries
Waterfall
82 bpm • G min • 03:01 • -9.32db
26% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Keywest
This Is Heartbreak
84 bpm • D Maj • 03:12 • -8db
34% Popularity • 65% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Corey Kilgannon
The Hollow in Retrospect
84 bpm • D Maj • 04:24 • -10.7db
21% Popularity • 23% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Scott
Gold
84 bpm • G Maj • 03:48 • -11.67db
35% Popularity • 26% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Chasing Grace
Very Little Good
82 bpm • A# min • 03:24 • -11.43db
12% Popularity • 29% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Andy Kong
Clarity
84 bpm • D# Maj • 03:21 • -12.59db
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Katie Buxton
You Flew
82 bpm • D Maj • 03:08 • -9.54db
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Scott Helman
Machine
81 bpm • D Maj • 02:53 • -7.71db
33% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The RockAteers
Hold Me There
82 bpm • A# Maj • 03:33 • -6.82db
8% Popularity • 30% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Allman Brown
Hold On
81 bpm • D Maj • 03:26 • -12.87db
15% Popularity • 51% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 18% Positiveness
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Corey Harper
Reeling
81 bpm • C Maj • 04:37 • -25db
19% Popularity • 53% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Jepettos
Stereo
85 bpm • E Maj • 03:06 • -9.15db
16% Popularity • 57% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Daily Emily Routine
Come Home The Tide Rose
81 bpm • C# Maj • 02:38 • -11.24db
5% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Adam French
Punchbag Love - Demo
85 bpm • C# Maj • 03:51 • -9.87db
11% Popularity • 43% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Mario Jose
Tell Me Now
81 bpm • F Maj • 03:18 • -8.09db
7% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Lauren Aquilina
Echoes
85 bpm • D Maj • 03:58 • -7.75db
15% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Ryan O'Shaughnessy
Entertainment & Warmth
81 bpm • B Maj • 03:38 • -12.23db
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Kel
Nightfall
81 bpm • D Maj • 04:48 • -10.98db
11% Popularity • 31% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Martin Luke Brown
65 Roses
85 bpm • C Maj • 03:17 • -13db
14% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Taylor John Williams
Upside
85 bpm • F min • 04:23 • -12.63db
11% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Majik
Real - Skeleton Mix
80 bpm • B min • 03:25 • -17db
17% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Liv Dawson
Reflection
86 bpm • F# Maj • 03:57 • -9.03db
20% Popularity • 56% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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SAYGRACE
How To Love Me
80 bpm • G# Maj • 03:31 • -6db
31% Popularity • 45% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Jesse Mann
Chocolate
80 bpm • C# Maj • 03:40 • -7.92db
24% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Paul McDonald
Watch Me
86 bpm • B Maj • 03:30 • -12.82db
20% Popularity • 58% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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The Dunwells
Will You Wait For Me
80 bpm • C Maj • 03:20 • -14.32db
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Andy Kong
Ticket Home
80 bpm • G# Maj • 04:30 • -7db
19% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Secret Nation
Best of Me (Acoustic)
80 bpm • A Maj • 04:26 • -15.39db
15% Popularity • 61% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Ryan O'Shaughnessy
No Need to Worry
80 bpm • G# min • 05:28 • -13.64db
11% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frances
Say It Again - Acoustic
80 bpm • E Maj • 03:01 • -9.82db
38% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lennon & Maisy
Up and Up
80 bpm • C Maj • 03:42 • -7.37db
32% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Major Myjah
Chemical Kids
87 bpm • E Maj • 02:31 • -12.98db
11% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Keywest
Jigsaw Heart
79 bpm • A min • 04:00 • -6.95db
13% Popularity • 25% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Boatkeeper
Faraway Tree
87 bpm • D# Maj • 04:02 • -12db
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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salute
Light Up - Acoustic
87 bpm • G Maj • 03:24 • -12.01db
13% Popularity • 67% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Alex Preston
The Light Was Already Here
79 bpm • F# Maj • 03:42 • -12db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Workday Release
Blue Skies
79 bpm • E Maj • 03:42 • -8.92db
12% Popularity • 44% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Dan Hyde
Love
79 bpm • C# Maj • 06:15 • -16db
18% Popularity • 39% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 6% Positiveness
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Josh Devine
Never Fade
79 bpm • A# Maj • 03:23 • -9db
16% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Parson James
Slow Dance With The Devil
79 bpm • C# Maj • 03:27 • -6db
31% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Allman Brown
Your Love
87 bpm • C Maj • 03:20 • -10.34db
14% Popularity • 25% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Leah Nobel
Secret Room
87 bpm • A# Maj • 03:20 • -12.13db
17% Popularity • 48% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Kilgannon
Unable
79 bpm • A Maj • 03:29 • -9.99db
15% Popularity • 26% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hannah Gill
Distance
79 bpm • D Maj • 03:23 • -9.81db
9% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Barnes
Tennyson
88 bpm • G# Maj • 06:13 • -8db
14% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Speight
Medicine
78 bpm • F# Maj • 02:57 • -7.3db
21% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Charlie Allen
Five Twenty Seven
88 bpm • E min • 02:15 • -12db
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Josefson
Winter Song
78 bpm • C Maj • 03:21 • -14.59db
13% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ingrid Michaelson
Drink You Gone
78 bpm • C Maj • 03:44 • -9.42db
8% Popularity • 30% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sleeping At Last
Countdowns
88 bpm • D# Maj • 03:47 • -11.27db
33% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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North.
Things I Do
78 bpm • C# Maj • 04:07 • -13.32db
16% Popularity • 69% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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loren north
Where I Am
78 bpm • A# Maj • 03:32 • -14.4db
13% Popularity • 63% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Jeffrey James
Waiting for the Breakdown
78 bpm • C Maj • 03:35 • -9db
11% Popularity • 48% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Speight
One More Night
78 bpm • G# Maj • 02:47 • -13.57db
13% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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David Luning
Different Piano Song
78 bpm • C# Maj • 04:19 • -12.49db
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
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The Banner Days
My Beloved
89 bpm • A min • 03:43 • -11.55db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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VACAY
Howlin' Wind
89 bpm • G Maj • 02:57 • -8db
5% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Joshua Hyslop
Everything Unsaid
89 bpm • G Maj • 03:12 • -16.01db
27% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Firewoodisland
All in Line
89 bpm • B min • 03:07 • -10.96db
9% Popularity • 56% Danceability • 41% Energy • 26% Liveness
1% Instrumentalness • 15% Positiveness
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Grace Pitts
Another Love
77 bpm • C Maj • 03:26 • -13.52db
27% Popularity • 38% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mandy Harvey
Mara's Song
77 bpm • A Maj • 03:03 • -9.01db
23% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Guest and the Host
Best Friend
77 bpm • D Maj • 02:54 • -11.66db
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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VACAY
Moving You
89 bpm • G Maj • 03:45 • -6.33db
11% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Madison Letter
The Words
77 bpm • F# Maj • 03:56 • -9db
16% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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VOLKOREN
1996
77 bpm • C# Maj • 02:40 • -21.76db
10% Popularity • 62% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joel Baker
Out of the Two
90 bpm • F Maj • 04:18 • -8.97db
13% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Lennon & Maisy
Lean On
90 bpm • C# Maj • 02:34 • -7.42db
28% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Amber Run
(Your Love Keeps Lifting Me) Higher and ...
77 bpm • G Maj • 02:57 • -11.95db
22% Popularity • 40% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Oh Honey
A Thousand Times
90 bpm • G# Maj • 03:48 • -10db
22% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Daniel Ahearn
Wanted to Be Loved - Acoustic
90 bpm • A min • 03:06 • -13.95db
24% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jill Andrews
A Way to You Again
76 bpm • C Maj • 04:12 • -12.48db
11% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Craig Gallagher
Stay
76 bpm • D Maj • 03:50 • -9.82db
8% Popularity • 35% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Donovan Woods
Empty Rooms
76 bpm • F Maj • 03:01 • -16.29db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Secret Nation
Best of Me
91 bpm • A Maj • 03:44 • -8.77db
10% Popularity • 65% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Flannel Graph
Secret Notes and Curfews
76 bpm • D Maj • 03:34 • -22.38db
13% Popularity • 47% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joy Williams
Someone to Love You (Acoustic)
75 bpm • C Maj • 04:13 • -10.5db
24% Popularity • 31% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Beach
Bite My Tongue - Acoustic
92 bpm • B Maj • 04:22 • -9.75db
15% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Isaac
Every Time We Kissed
75 bpm • C Maj • 03:43 • -14.96db
14% Popularity • 63% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Fevers
They Don't Lie
75 bpm • A Maj • 03:50 • -10db
14% Popularity • 41% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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Erick Baker
Dear Amanda
75 bpm • G min • 04:58 • -13.75db
9% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nomadeline
Count Me Down
75 bpm • B Maj • 03:24 • -11db
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
10% Instrumentalness • 32% Positiveness
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Frances
Don't Worry About Me - Radio Edit
75 bpm • D Maj • 03:13 • -12.5db
24% Popularity • 66% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Johnnyswim
Let It Matter
75 bpm • F min • 03:50 • -7.23db
25% Popularity • 55% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
James Quick
Ten & True
75 bpm • F min • 04:17 • -11db
15% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Origins