Songs like Ornament III by Stefan Heidtmann
Based on a tempo of (+/- 10%) and a similar genre
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Lawrence Fields
New Season Blues
137 bpm • A# Maj • 06:39 • -15.37db
13% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
13% Popularity • 40% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 56% Positiveness
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Stefan Heidtmann
All the Things You Are
137 bpm • G min • 03:19 • -19.9db
0% Popularity • 29% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Sonia Cugini
Melody 2
136 bpm • E Maj • 02:14 • -19.69db
10% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Erlend Skomsvoll Trio
Rimfrost
138 bpm • A min • 08:02 • -21.66db
12% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
12% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Urban Regensburger
After the Love Has Gone
138 bpm • A# Maj • 06:11 • -19.43db
8% Popularity • 39% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
8% Popularity • 39% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Diego Rivera
Pee Wee
136 bpm • C# Maj • 04:12 • -16.08db
14% Popularity • 48% Danceability • 12% Energy • 11% Liveness
40% Instrumentalness • 11% Positiveness
14% Popularity • 48% Danceability • 12% Energy • 11% Liveness
40% Instrumentalness • 11% Positiveness
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Travel Collective
OSAKA BRIDGES
138 bpm • F# Maj • 05:27 • -14.45db
0% Popularity • 39% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
0% Popularity • 39% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Easy Camel Trio
ゆかいな鍛冶屋
138 bpm • F Maj • 02:32 • -15.9db
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
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Stefan Heidtmann
Lady Jane
139 bpm • D# min • 05:51 • -20.82db
1% Popularity • 39% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
1% Popularity • 39% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Anthony D'Alessandro
Outbreak
139 bpm • G Maj • 05:07 • -9.57db
9% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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Empirical
Saha World
136 bpm • D# Maj • 06:06 • -15.11db
9% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Relaxing Jazz Music
Boogie Woogie for Edward
135 bpm • A# Maj • 03:02 • -25.48db
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
19% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Tim Chernikoff
Shores of Nazare
135 bpm • C# min • 07:12 • -18.4db
9% Popularity • 49% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 49% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Doctor 3
Mi ritorni in mente
139 bpm • A min • 05:05 • -20.88db
12% Popularity • 41% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 9% Positiveness
12% Popularity • 41% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 9% Positiveness
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Elena Maque
Weightless
139 bpm • A# min • 03:41 • -11.65db
18% Popularity • 36% Danceability • 30% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
18% Popularity • 36% Danceability • 30% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
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Tom Media
If I Could Go Back
135 bpm • G Maj • 04:37 • -21.11db
10% Popularity • 57% Danceability • 25% Energy • 19% Liveness
85% Instrumentalness • 19% Positiveness
10% Popularity • 57% Danceability • 25% Energy • 19% Liveness
85% Instrumentalness • 19% Positiveness
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Beto Paciello
11 Moons
135 bpm • B min • 07:35 • -12.88db
22% Popularity • 48% Danceability • 37% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
22% Popularity • 48% Danceability • 37% Energy • 11% Liveness
34% Instrumentalness • 24% Positiveness
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Massimo Colombo
To McCoy
135 bpm • A# min • 00:58 • -14.44db
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Ares Tavolazzi
Labirynth
135 bpm • G min • 06:57 • -14.88db
7% Popularity • 44% Danceability • 38% Energy • 15% Liveness
15% Instrumentalness • 49% Positiveness
7% Popularity • 44% Danceability • 38% Energy • 15% Liveness
15% Instrumentalness • 49% Positiveness
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Yoav Eshed
Sad Song For Happy Times
139 bpm • F Maj • 04:45 • -16.05db
15% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
15% Popularity • 40% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Stefan Heidtmann
Cathedrals, Pt. 6
135 bpm • D# min • 06:33 • -37.54db
0% Popularity • 16% Danceability • 2% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
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Tobin Mueller
Waltzing Night into Day
139 bpm • C# Maj • 07:19 • -14.08db
31% Popularity • 30% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
31% Popularity • 30% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
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Kaira
Weight of Scales
139 bpm • F# Maj • 09:47 • -10.96db
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
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Antonio Zambrini
Ola Martinho
139 bpm • G Maj • 05:30 • -15.09db
16% Popularity • 32% Danceability • 37% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
16% Popularity • 32% Danceability • 37% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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Frank Cassara
Dharma
139 bpm • D Maj • 06:17 • -16.2db
9% Popularity • 38% Danceability • 28% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
9% Popularity • 38% Danceability • 28% Energy • 11% Liveness
46% Instrumentalness • 35% Positiveness
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Gregg Kallor
There's a Rhythm
134 bpm • E Maj • 04:46 • -17.97db
10% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
10% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Stefan Heidtmann
Under My Thumb
135 bpm • A min • 05:58 • -19.9db
2% Popularity • 42% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
2% Popularity • 42% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Francesca Tandoi
Right On
140 bpm • F Maj • 04:08 • -14.04db
7% Popularity • 36% Danceability • 52% Energy • 20% Liveness
81% Instrumentalness • 44% Positiveness
7% Popularity • 36% Danceability • 52% Energy • 20% Liveness
81% Instrumentalness • 44% Positiveness
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Marlene Rosenberg
Togetherness
134 bpm • G min • 04:29 • -17.13db
9% Popularity • 45% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
9% Popularity • 45% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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Nicola Bottos
Down the Hill
134 bpm • B min • 06:18 • -19.09db
14% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
14% Popularity • 44% Danceability • 27% Energy • 11% Liveness
62% Instrumentalness • 20% Positiveness
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Lage Lund
En La Orilla Del Mundo
134 bpm • B Maj • 06:28 • -16.8db
16% Popularity • 46% Danceability • 11% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
16% Popularity • 46% Danceability • 11% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
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ピアノジャズ 贅沢
セレクト-リラックス
140 bpm • E min • 02:03 • -22.28db
19% Popularity • 78% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
19% Popularity • 78% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
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Stefan Heidtmann
Movements
134 bpm • F Maj • 03:39 • -19.22db
0% Popularity • 76% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 69% Positiveness
0% Popularity • 76% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 69% Positiveness
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The Groove Trio
Old Fashioned
140 bpm • D# Maj • 04:55 • -17.48db
8% Popularity • 45% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
8% Popularity • 45% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Klas Lindquist Nonet
Dream
140 bpm • C Maj • 04:12 • -10.17db
12% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
12% Popularity • 41% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Xavi Torres
QS 01 - Setmanes
140 bpm • F# Maj • 02:07 • -15.27db
17% Popularity • 48% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
17% Popularity • 48% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
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Arne Torvik Trio
Longing For The Woods
141 bpm • A# min • 06:00 • -17.47db
16% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Rodrigo Recabarren
Lazo
133 bpm • F min • 03:31 • -17.48db
17% Popularity • 39% Danceability • 21% Energy • 37% Liveness
93% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 21% Energy • 37% Liveness
93% Instrumentalness • 20% Positiveness
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Stefan Heidtmann
Visions (Reminiscence)
133 bpm • F Maj • 03:53 • -22.39db
0% Popularity • 43% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
0% Popularity • 43% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Italian Social Club
The Flowers of Evil
141 bpm • C# Maj • 03:27 • -24.07db
14% Popularity • 68% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
14% Popularity • 68% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
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ピアノジャズ 贅沢
BGM-リラックス
141 bpm • G Maj • 02:02 • -22.66db
21% Popularity • 67% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
21% Popularity • 67% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Travel Collective
NO BLACK TIE IN KUALA LUMPUR
133 bpm • C Maj • 04:47 • -11.07db
0% Popularity • 50% Danceability • 46% Energy • 15% Liveness
7% Instrumentalness • 22% Positiveness
0% Popularity • 50% Danceability • 46% Energy • 15% Liveness
7% Instrumentalness • 22% Positiveness
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Jasper Somsen
Twin Flames
141 bpm • G Maj • 02:44 • -17.24db
12% Popularity • 45% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
12% Popularity • 45% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
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Douglas Brown
Slonimsky Made Me Do It
133 bpm • F min • 06:03 • -9.36db
10% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
10% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
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Yes! Trio
Spring Sings
133 bpm • F Maj • 08:09 • -19.71db
19% Popularity • 62% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
19% Popularity • 62% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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Devin Gray
Protect Our Environment
133 bpm • C Maj • 03:25 • -17.55db
10% Popularity • 39% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 39% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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Tobin Mueller
Ghostly Bells (Of Independence)
133 bpm • D Maj • 06:14 • -17.59db
7% Popularity • 43% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
7% Popularity • 43% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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Travel Collective
RAIN IN SEOUL
141 bpm • C Maj • 05:19 • -9.5db
1% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 34% Positiveness
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Rufus Reid
I Can't Explain
133 bpm • A# min • 05:48 • -17.84db
10% Popularity • 50% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
10% Popularity • 50% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Danae Olano
Ausencia
142 bpm • A# min • 05:56 • -17.79db
11% Popularity • 46% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
11% Popularity • 46% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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Jacob Bredahl Djursaa
338
132 bpm • D# Maj • 04:03 • -13.72db
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Enrico Pieranunzi
Triolude 1
132 bpm • C min • 03:47 • -22.11db
10% Popularity • 35% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 37% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 37% Positiveness
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Stefan Heidtmann
Snippet #3
132 bpm • D min • 03:18 • -21.16db
0% Popularity • 50% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 50% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Jacky Terrasson
First Child
132 bpm • A# min • 02:24 • -19.42db
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Matthew Rotker-Lynn
Talking In Circles
132 bpm • D Maj • 06:40 • -14.61db
13% Popularity • 43% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
13% Popularity • 43% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Ruhig Pomeriggio Jazz
Treu Pausa Pranzo - Geräusche
142 bpm • F min • 02:01 • -22.54db
21% Popularity • 70% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 70% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Trio Del Norte
Forever Home
142 bpm • F# Maj • 04:17 • -20.65db
8% Popularity • 49% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
8% Popularity • 49% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Xavi Torres
QS 16 - Luz
143 bpm • A# Maj • 05:06 • -17.26db
7% Popularity • 33% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
7% Popularity • 33% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
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Stefan Heidtmann
To John
142 bpm • G# Maj • 03:35 • -17.39db
0% Popularity • 56% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 56% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Yotam Silberstein
Stella By Starlight
131 bpm • E min • 04:14 • -20.86db
19% Popularity • 56% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
19% Popularity • 56% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
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Owls
Walzer Der Tanzenden Pfauenfeder
131 bpm • C Maj • 05:33 • -16.31db
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 23% Positiveness
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 23% Positiveness
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Summer Camargo
Tenderness Within
130 bpm • B min • 07:06 • -13.7db
13% Popularity • 41% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
13% Popularity • 41% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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おしゃれな カフェミュージック
世界-BGM
144 bpm • D# Maj • 02:48 • -20.16db
10% Popularity • 64% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 64% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Berliner Luft Quartet
Carroll Street
130 bpm • B min • 04:43 • -14.5db
53% Popularity • 37% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
53% Popularity • 37% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Stefan Heidtmann
Wings of Icaros
132 bpm • G# min • 07:15 • -14.42db
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
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Niels Lan Doky
Children's Song
145 bpm • C Maj • 06:28 • -23.75db
21% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
21% Popularity • 52% Danceability • 19% Energy • 97% Liveness
84% Instrumentalness • 30% Positiveness
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Travel Collective
PARIS EN TGV
130 bpm • C min • 05:05 • -11.54db
0% Popularity • 68% Danceability • 48% Energy • 16% Liveness
83% Instrumentalness • 40% Positiveness
0% Popularity • 68% Danceability • 48% Energy • 16% Liveness
83% Instrumentalness • 40% Positiveness
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Francesca Tandoi
Ninaom
130 bpm • F min • 04:57 • -14db
8% Popularity • 44% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
8% Popularity • 44% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Adrien Varachaud Quartet
Brother Rudolph
130 bpm • F Maj • 07:16 • -11.57db
8% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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LBT
Narrativ
130 bpm • F min • 05:02 • -15.52db
10% Popularity • 50% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
10% Popularity • 50% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
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Stefan Heidtmann
Mystery in a Silver Shadow
144 bpm • F Maj • 06:43 • -16.46db
0% Popularity • 28% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Denis Beganovic
Il Suo Ultimo Silenzio
130 bpm • C min • 03:12 • -16.67db
13% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Danilo Rea
Ancora ancora ancora
129 bpm • F min • 04:05 • -16.15db
14% Popularity • 47% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
14% Popularity • 47% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
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Teres
A Delightful Dine
129 bpm • F Maj • 02:07 • -26.38db
12% Popularity • 42% Danceability • 5% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
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Svante Söderqvist
Michel
146 bpm • G min • 03:58 • -16.07db
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Ova Wunsch
KissWorm
146 bpm • A# min • 03:21 • -14.59db
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Stefan Heidtmann
Cathedrals, Pt. 8
144 bpm • C Maj • 10:34 • -26.33db
0% Popularity • 23% Danceability • 6% Energy • 10% Liveness
34% Instrumentalness • 17% Positiveness
0% Popularity • 23% Danceability • 6% Energy • 10% Liveness
34% Instrumentalness • 17% Positiveness
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Jasper Somsen
Resonance from the Past
146 bpm • A Maj • 04:52 • -17.91db
8% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
8% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Anat Fort Trio
Into It
147 bpm • B min • 04:35 • -22.95db
12% Popularity • 55% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
12% Popularity • 55% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Saphena Trio
Judicious
128 bpm • C Maj • 02:14 • -17.51db
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Michael J McEvoy
Reflections
128 bpm • F min • 04:29 • -15db
8% Popularity • 33% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Black Door Band
The Caramel Tree
147 bpm • G Maj • 03:48 • -20.97db
11% Popularity • 35% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
11% Popularity • 35% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Stefan Heidtmann
Ruby Tuesday
130 bpm • F Maj • 06:04 • -25.63db
4% Popularity • 50% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 33% Positiveness
4% Popularity • 50% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 33% Positiveness
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Petter Bergander Trio
Days To Come
127 bpm • G Maj • 05:19 • -21.21db
35% Popularity • 51% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
35% Popularity • 51% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Francesca Tandoi
Lethargy
127 bpm • F# Maj • 05:00 • -13.65db
8% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
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Markos Chaidemenos
Remains
127 bpm • F min • 04:31 • -15.53db
15% Popularity • 48% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 48% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Lisa Hilton
Jagged Lil' Blues
149 bpm • C# Maj • 05:19 • -16.46db
11% Popularity • 52% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
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Barry Velleman
Mr. Sandman
127 bpm • G Maj • 03:31 • -22.32db
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Stefan Heidtmann
Monticello
129 bpm • B min • 05:29 • -21.57db
1% Popularity • 57% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 20% Positiveness
1% Popularity • 57% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 20% Positiveness
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Lunaria
Sheer Despair (Interlude)
126 bpm • A# Maj • 01:06 • -17.26db
26% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
26% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Stringspace
Have A Little Faith In Me (instrumental)
126 bpm • G Maj • 03:59 • -17.09db
13% Popularity • 67% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
13% Popularity • 67% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Magnus Lindgren
Heartbeat
126 bpm • C min • 04:39 • -9.47db
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Jon Lloyd Quartet
Flux
126 bpm • C min • 06:09 • -16.97db
9% Popularity • 44% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
9% Popularity • 44% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Travel Collective
HANGIN OUT IN SANYA
125 bpm • D Maj • 04:20 • -15.42db
0% Popularity • 67% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
0% Popularity • 67% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
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Stefan Heidtmann
Pendulum 5
128 bpm • C# min • 08:09 • -7.56db
0% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Petter Bergander Trio
Watershed
150 bpm • G min • 04:17 • -17.39db
9% Popularity • 39% Danceability • 42% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
9% Popularity • 39% Danceability • 42% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
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Pearl Street Trio
Evening Sun
126 bpm • G Maj • 03:20 • -21.97db
14% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
14% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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André Mehmari
Evanescente
125 bpm • D min • 05:24 • -20.31db
7% Popularity • 55% Danceability • 23% Energy • 27% Liveness
87% Instrumentalness • 14% Positiveness
7% Popularity • 55% Danceability • 23% Energy • 27% Liveness
87% Instrumentalness • 14% Positiveness
