Songs like Ornette by Roscoe Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Pete La Roca
Sin Street
75 bpm • G Maj • 07:17 • -10db
8% Popularity • 31% Danceability • 55% Energy • 16% Liveness
4% Instrumentalness • 13% Positiveness
8% Popularity • 31% Danceability • 55% Energy • 16% Liveness
4% Instrumentalness • 13% Positiveness
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John Zorn
Gevurah
75 bpm • G# Maj • 06:55 • -21.07db
21% Popularity • 71% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
21% Popularity • 71% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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McCoy Tyner
A Prayer For My Family
75 bpm • G min • 04:46 • -20.18db
15% Popularity • 22% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
15% Popularity • 22% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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The Lounge Lizards
Travel
75 bpm • A# min • 05:31 • -18.83db
13% Popularity • 50% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 13% Positiveness
13% Popularity • 50% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 13% Positiveness
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Cecil Taylor
Air - Remastered
75 bpm • D Maj • 08:39 • -15.82db
14% Popularity • 40% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
14% Popularity • 40% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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Roscoe Mitchell
Ornette
75 bpm • C Maj • 05:25 • -7.95db
13% Popularity • 28% Danceability • 65% Energy • 22% Liveness
46% Instrumentalness • 33% Positiveness
13% Popularity • 28% Danceability • 65% Energy • 22% Liveness
46% Instrumentalness • 33% Positiveness
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Roy Haynes Quartet
Moon Ray
76 bpm • A min • 06:41 • -12db
18% Popularity • 52% Danceability • 42% Energy • 21% Liveness
14% Instrumentalness • 38% Positiveness
18% Popularity • 52% Danceability • 42% Energy • 21% Liveness
14% Instrumentalness • 38% Positiveness
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Ned Rothenberg
Shudder to Think
76 bpm • A# Maj • 03:47 • -22db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Gil Evans
Time Of The Barracudas
73 bpm • G# Maj • 07:26 • -15.68db
22% Popularity • 24% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 24% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Lounge Lizards
Three Crowns of Wood
77 bpm • G# Maj • 04:03 • -9.25db
10% Popularity • 33% Danceability • 47% Energy • 23% Liveness
14% Instrumentalness • 53% Positiveness
10% Popularity • 33% Danceability • 47% Energy • 23% Liveness
14% Instrumentalness • 53% Positiveness
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Paul Bley Trio
Figfoot
77 bpm • F min • 03:25 • -26.2db
16% Popularity • 45% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 50% Positiveness
16% Popularity • 45% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 50% Positiveness
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Cecil Taylor
Tales (8 Whisps)
76 bpm • C# min • 07:14 • -23.41db
10% Popularity • 44% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
10% Popularity • 44% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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![Oobina (Little Big Horn) [Montreal, Soprano and Bass] cover art](https://i.scdn.co/image/ab67616d00001e02d951064de741144d4336c9f1)
Roscoe Mitchell
Oobina (Little Big Horn) [Montreal, Sopr...
76 bpm • C Maj • 04:41 • -24.66db
0% Popularity • 46% Danceability • 0% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 46% Danceability • 0% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Kaja Draksler
Helix GA
73 bpm • C Maj • 02:18 • -14.04db
10% Popularity • 47% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 66% Positiveness
10% Popularity • 47% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 66% Positiveness
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Bill Dixon
Silences For Jack Moore
77 bpm • B min • 02:22 • -29db
12% Popularity • 46% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 46% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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The Lounge Lizards
Au Contraire Arto
73 bpm • D Maj • 03:26 • -17.26db
15% Popularity • 43% Danceability • 40% Energy • 6% Liveness
54% Instrumentalness • 55% Positiveness
15% Popularity • 43% Danceability • 40% Energy • 6% Liveness
54% Instrumentalness • 55% Positiveness
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George Lewis
Shadowgraph, 5 (sextet)
77 bpm • F Maj • 11:26 • -26.27db
0% Popularity • 45% Danceability • 7% Energy • 4% Liveness
4% Instrumentalness • 20% Positiveness
0% Popularity • 45% Danceability • 7% Energy • 4% Liveness
4% Instrumentalness • 20% Positiveness
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Derek Bailey
Third Stream Boogaloo
77 bpm • E min • 02:35 • -18.21db
12% Popularity • 43% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 38% Energy • 9% Liveness
13% Instrumentalness • 32% Positiveness
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Roscoe Mitchell
EP 7849
76 bpm • A Maj • 08:13 • -20.14db
2% Popularity • 22% Danceability • 26% Energy • 19% Liveness
66% Instrumentalness • 5% Positiveness
2% Popularity • 22% Danceability • 26% Energy • 19% Liveness
66% Instrumentalness • 5% Positiveness
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Albert Ayler
Love Flower
73 bpm • B min • 03:32 • -12.58db
7% Popularity • 29% Danceability • 58% Energy • 32% Liveness
67% Instrumentalness • 31% Positiveness
7% Popularity • 29% Danceability • 58% Energy • 32% Liveness
67% Instrumentalness • 31% Positiveness
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Jack DeJohnette
Leave Don't Go Away - Live
78 bpm • E min • 10:19 • -20.45db
1% Popularity • 27% Danceability • 33% Energy • 70% Liveness
82% Instrumentalness • 28% Positiveness
1% Popularity • 27% Danceability • 33% Energy • 70% Liveness
82% Instrumentalness • 28% Positiveness
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Kenny Wheeler
Nicolette
72 bpm • B min • 08:36 • -16db
22% Popularity • 36% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
22% Popularity • 36% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Azar Lawrence
Fatisha
72 bpm • D min • 04:07 • -12.56db
13% Popularity • 27% Danceability • 24% Energy • 35% Liveness
4% Instrumentalness • 21% Positiveness
13% Popularity • 27% Danceability • 24% Energy • 35% Liveness
4% Instrumentalness • 21% Positiveness
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Conference Call
The Path
78 bpm • B min • 04:18 • -14db
8% Popularity • 36% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 13% Positiveness
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Roscoe Mitchell
Jamaican Farewell
74 bpm • C# Maj • 05:43 • -20.3db
0% Popularity • 15% Danceability • 2% Energy • 36% Liveness
9% Instrumentalness • 5% Positiveness
0% Popularity • 15% Danceability • 2% Energy • 36% Liveness
9% Instrumentalness • 5% Positiveness
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Paul Bley Trio
Violin
78 bpm • C# Maj • 02:56 • -29.28db
16% Popularity • 34% Danceability • 3% Energy • 18% Liveness
62% Instrumentalness • 18% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 18% Liveness
62% Instrumentalness • 18% Positiveness
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Andrew Hill
Smoke Stack - Remastered 2003/Rudy Van G...
78 bpm • F# Maj • 05:00 • -12db
10% Popularity • 35% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 35% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Tony Williams
Two Pieces Of One: Red - Remastered 1999...
78 bpm • C Maj • 08:06 • -17.16db
15% Popularity • 45% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
15% Popularity • 45% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Sun Ra & His Arkestra
Strange Celestial Road - Live, Detroit, ...
71 bpm • G# Maj • 06:41 • -13.74db
11% Popularity • 44% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 44% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Petter Eldh
Byågz
79 bpm • C Maj • 02:43 • -13.73db
14% Popularity • 25% Danceability • 28% Energy • 17% Liveness
39% Instrumentalness • 17% Positiveness
14% Popularity • 25% Danceability • 28% Energy • 17% Liveness
39% Instrumentalness • 17% Positiveness
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Roscoe Mitchell
Eeltwo Pt. 2 - Kalamazoo, Tenor
77 bpm • A# min • 06:27 • -21.53db
1% Popularity • 53% Danceability • 1% Energy • 73% Liveness
36% Instrumentalness • 43% Positiveness
1% Popularity • 53% Danceability • 1% Energy • 73% Liveness
36% Instrumentalness • 43% Positiveness
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Chico Hamilton
A Trip
79 bpm • C# Maj • 06:34 • -12.84db
16% Popularity • 67% Danceability • 50% Energy • 16% Liveness
84% Instrumentalness • 49% Positiveness
16% Popularity • 67% Danceability • 50% Energy • 16% Liveness
84% Instrumentalness • 49% Positiveness
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Horace Tapscott
For Fats
79 bpm • G# Maj • 02:24 • -17db
15% Popularity • 43% Danceability • 39% Energy • 7% Liveness
33% Instrumentalness • 34% Positiveness
15% Popularity • 43% Danceability • 39% Energy • 7% Liveness
33% Instrumentalness • 34% Positiveness
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Andrew Hill
Spectrum - Rudy Van Gelder Edition/1999 ...
79 bpm • B min • 09:47 • -12.45db
13% Popularity • 42% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 42% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Roland Kirk Quartet
Slippery Hippery Flippery
80 bpm • F min • 04:55 • -17.97db
9% Popularity • 31% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 31% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Jack DeJohnette
This - Live
80 bpm • C Maj • 12:13 • -29.97db
1% Popularity • 21% Danceability • 7% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 7% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Roscoe Mitchell
Panoply
77 bpm • C# Maj • 07:36 • -13.34db
1% Popularity • 30% Danceability • 89% Energy • 32% Liveness
86% Instrumentalness • 6% Positiveness
1% Popularity • 30% Danceability • 89% Energy • 32% Liveness
86% Instrumentalness • 6% Positiveness
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Grachan Moncur III
Air Raid - 2008 Remaster
80 bpm • B min • 09:19 • -10db
15% Popularity • 47% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 47% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 15% Positiveness
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Jimmy Giuffre
So Low
70 bpm • G# Maj • 02:48 • -14.45db
13% Popularity • 59% Danceability • 13% Energy • 12% Liveness
26% Instrumentalness • 26% Positiveness
13% Popularity • 59% Danceability • 13% Energy • 12% Liveness
26% Instrumentalness • 26% Positiveness
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McCoy Tyner
Message From The Nile
80 bpm • F Maj • 12:22 • -12.83db
19% Popularity • 31% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 31% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Randy Weston
A Night In Medina
80 bpm • A Maj • 04:43 • -15db
18% Popularity • 49% Danceability • 26% Energy • 19% Liveness
91% Instrumentalness • 11% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 19% Liveness
91% Instrumentalness • 11% Positiveness
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Ivo Perelman
Spirit World
70 bpm • C min • 04:08 • -11.37db
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 41% Positiveness
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 41% Positiveness
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Roscoe Mitchell
Move Toward The Light
78 bpm • G min • 03:21 • -21.18db
0% Popularity • 33% Danceability • 8% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
0% Popularity • 33% Danceability • 8% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
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Sylvain Darrifourcq
Charbon
80 bpm • C# Maj • 05:10 • -13.19db
9% Popularity • 38% Danceability • 42% Energy • 17% Liveness
77% Instrumentalness • 31% Positiveness
9% Popularity • 38% Danceability • 42% Energy • 17% Liveness
77% Instrumentalness • 31% Positiveness
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Joe Zawinul
In a Silent Way
70 bpm • A Maj • 04:45 • -14.89db
20% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
20% Popularity • 17% Danceability • 23% Energy • 24% Liveness
73% Instrumentalness • 9% Positiveness
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Anthony Braxton
N-WH-70 (Opus 38A)
70 bpm • G min • 06:27 • -18.15db
9% Popularity • 36% Danceability • 21% Energy • 13% Liveness
39% Instrumentalness • 4% Positiveness
9% Popularity • 36% Danceability • 21% Energy • 13% Liveness
39% Instrumentalness • 4% Positiveness
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Otomo Yoshihide's New Jazz Quintet
Serene
81 bpm • A min • 08:39 • -12db
8% Popularity • 10% Danceability • 13% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 13% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Roland Kirk Quartet
Once In A While
81 bpm • D# Maj • 03:58 • -17.46db
23% Popularity • 42% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 49% Positiveness
23% Popularity • 42% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 49% Positiveness
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Roscoe Mitchell
Linefine Lyon Seven
79 bpm • A# Maj • 08:03 • -14.24db
0% Popularity • 45% Danceability • 44% Energy • 9% Liveness
60% Instrumentalness • 71% Positiveness
0% Popularity • 45% Danceability • 44% Energy • 9% Liveness
60% Instrumentalness • 71% Positiveness
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McCoy Tyner
Valley Of Life
81 bpm • G min • 05:17 • -18.71db
16% Popularity • 34% Danceability • 37% Energy • 16% Liveness
72% Instrumentalness • 45% Positiveness
16% Popularity • 34% Danceability • 37% Energy • 16% Liveness
72% Instrumentalness • 45% Positiveness
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Cecil Taylor
Enter, Evening (Soft Line Structure)
81 bpm • C# min • 11:06 • -18.99db
12% Popularity • 33% Danceability • 19% Energy • 29% Liveness
21% Instrumentalness • 29% Positiveness
12% Popularity • 33% Danceability • 19% Energy • 29% Liveness
21% Instrumentalness • 29% Positiveness
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Dave Holland Quartet
Now Here (Nowhere)
81 bpm • A# min • 04:35 • -21db
11% Popularity • 40% Danceability • 12% Energy • 12% Liveness
24% Instrumentalness • 13% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 12% Liveness
24% Instrumentalness • 13% Positiveness
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Borah Bergman
Grab It
69 bpm • A# Maj • 05:19 • -9.74db
0% Popularity • 38% Danceability • 65% Energy • 71% Liveness
91% Instrumentalness • 52% Positiveness
0% Popularity • 38% Danceability • 65% Energy • 71% Liveness
91% Instrumentalness • 52% Positiveness
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Max Roach
The Drum Also Waltzes - Mono
81 bpm • F min • 03:37 • -21.53db
13% Popularity • 54% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
13% Popularity • 54% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Roscoe Mitchell
Slow Ride Two
80 bpm • D# Maj • 03:56 • -16.68db
0% Popularity • 39% Danceability • 2% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Jan Garbarek Quartet
MYB
81 bpm • G Maj • 01:51 • -30.24db
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 19% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 19% Positiveness
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Freddie Hubbard
Suite Sioux
81 bpm • C Maj • 08:44 • -13.7db
24% Popularity • 51% Danceability • 46% Energy • 21% Liveness
2% Instrumentalness • 42% Positiveness
24% Popularity • 51% Danceability • 46% Energy • 21% Liveness
2% Instrumentalness • 42% Positiveness
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Bennie Maupin
Winds Of Change
81 bpm • D Maj • 01:30 • -12.6db
24% Popularity • 21% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 6% Positiveness
24% Popularity • 21% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 6% Positiveness
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Michel Lambert
Haie d'eau II
81 bpm • C# Maj • 05:35 • -16.5db
8% Popularity • 31% Danceability • 38% Energy • 20% Liveness
11% Instrumentalness • 7% Positiveness
8% Popularity • 31% Danceability • 38% Energy • 20% Liveness
11% Instrumentalness • 7% Positiveness
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Cecil Taylor
E.B. - Remastered
82 bpm • G min • 09:55 • -16db
8% Popularity • 40% Danceability • 36% Energy • 16% Liveness
10% Instrumentalness • 60% Positiveness
8% Popularity • 40% Danceability • 36% Energy • 16% Liveness
10% Instrumentalness • 60% Positiveness
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Max Roach
Equipoise
82 bpm • A Maj • 06:21 • -13db
31% Popularity • 30% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 50% Positiveness
31% Popularity • 30% Danceability • 44% Energy • 11% Liveness
8% Instrumentalness • 50% Positiveness
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Ron Carter
Third Plane - Instrumental
82 bpm • F Maj • 05:51 • -15db
17% Popularity • 46% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 56% Positiveness
17% Popularity • 46% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 56% Positiveness
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Evan Parker
WW1
69 bpm • G# min • 03:20 • -13.13db
19% Popularity • 31% Danceability • 29% Energy • 6% Liveness
84% Instrumentalness • 48% Positiveness
19% Popularity • 31% Danceability • 29% Energy • 6% Liveness
84% Instrumentalness • 48% Positiveness
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World Saxophone Quartet
Quinn Chapel A. M. E. Church
82 bpm • C Maj • 01:03 • -10.96db
19% Popularity • 23% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
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McCoy Tyner
Smitty's Place
82 bpm • F min • 05:22 • -19.16db
8% Popularity • 46% Danceability • 26% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
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Freddie Hubbard
Delphia
82 bpm • F Maj • 07:19 • -15.57db
24% Popularity • 40% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 19% Positiveness
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Cecil Taylor
Bemsha Swing
82 bpm • G min • 07:27 • -17db
13% Popularity • 46% Danceability • 26% Energy • 35% Liveness
33% Instrumentalness • 57% Positiveness
13% Popularity • 46% Danceability • 26% Energy • 35% Liveness
33% Instrumentalness • 57% Positiveness
► Preview
Enrico Rava
Katcharpari
82 bpm • C# Maj • 04:11 • -13db
13% Popularity • 44% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
13% Popularity • 44% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
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Sonny Sharrock
Portrait of Linda in Three Colors, All B...
82 bpm • A Maj • 08:37 • -12.8db
14% Popularity • 20% Danceability • 68% Energy • 22% Liveness
39% Instrumentalness • 33% Positiveness
14% Popularity • 20% Danceability • 68% Energy • 22% Liveness
39% Instrumentalness • 33% Positiveness
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Chico Hamilton
Jim-Jeannie
82 bpm • G Maj • 05:48 • -9.56db
8% Popularity • 22% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 22% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Matthew Shipp Quartet
First Step
68 bpm • G# Maj • 03:24 • -14.72db
9% Popularity • 26% Danceability • 19% Energy • 13% Liveness
30% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 19% Energy • 13% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Andrew Hill
Erato - 2006 Remaster
68 bpm • C min • 03:59 • -16db
22% Popularity • 33% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
22% Popularity • 33% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Gary Bartz
Sifa Zote
83 bpm • G min • 06:28 • -11.11db
10% Popularity • 41% Danceability • 55% Energy • 27% Liveness
23% Instrumentalness • 50% Positiveness
10% Popularity • 41% Danceability • 55% Energy • 27% Liveness
23% Instrumentalness • 50% Positiveness
► Preview
Grachan Moncur III
Evolution - 2008 Remaster
83 bpm • A min • 12:24 • -12db
10% Popularity • 45% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 45% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Roscoe Mitchell
CARDS 11-11-2020
68 bpm • C Maj • 08:46 • -15.51db
0% Popularity • 18% Danceability • 13% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 13% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Arthur Blythe
Slidin' Through
83 bpm • F Maj • 09:38 • -10db
18% Popularity • 44% Danceability • 70% Energy • 9% Liveness
5% Instrumentalness • 56% Positiveness
18% Popularity • 44% Danceability • 70% Energy • 9% Liveness
5% Instrumentalness • 56% Positiveness
► Preview
McCoy Tyner
Enlightenment Suite, Part 1: Genesis
83 bpm • G Maj • 10:02 • -13.5db
8% Popularity • 25% Danceability • 67% Energy • 73% Liveness
71% Instrumentalness • 33% Positiveness
8% Popularity • 25% Danceability • 67% Energy • 73% Liveness
71% Instrumentalness • 33% Positiveness
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Andrew Hill
Illusion - Alternate Take
83 bpm • C Maj • 06:30 • -18.95db
21% Popularity • 51% Danceability • 22% Energy • 16% Liveness
86% Instrumentalness • 50% Positiveness
21% Popularity • 51% Danceability • 22% Energy • 16% Liveness
86% Instrumentalness • 50% Positiveness
► Preview
Herbie Hancock
Quasar
83 bpm • C Maj • 07:22 • -17.03db
16% Popularity • 27% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
16% Popularity • 27% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
► Preview
The Lounge Lizards
John Zorn's S&M Circus
83 bpm • A# Maj • 06:13 • -13.3db
10% Popularity • 38% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
10% Popularity • 38% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
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Jaki Byard
Hazy Eve
83 bpm • B Maj • 04:33 • -21db
11% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Bill Evans
Symbiosis, 1st Movement: Moderato. Vario...
84 bpm • C Maj • 05:16 • -16.59db
24% Popularity • 44% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
24% Popularity • 44% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Sun Ra & His Arkestra
The Mystery of Two
84 bpm • A# min • 05:45 • -13.64db
9% Popularity • 28% Danceability • 46% Energy • 13% Liveness
30% Instrumentalness • 55% Positiveness
9% Popularity • 28% Danceability • 46% Energy • 13% Liveness
30% Instrumentalness • 55% Positiveness
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Bennie Maupin
Excursion
84 bpm • F Maj • 04:52 • -12db
12% Popularity • 12% Danceability • 66% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 66% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Roscoe Mitchell
Rub
84 bpm • F min • 04:09 • -27.66db
0% Popularity • 36% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Ralph Towner
Nimbus
84 bpm • G min • 06:25 • -15.26db
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
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Cecil Taylor
Choral of Voice (Elesion)
84 bpm • C# Maj • 07:20 • -18.14db
9% Popularity • 32% Danceability • 33% Energy • 15% Liveness
76% Instrumentalness • 69% Positiveness
9% Popularity • 32% Danceability • 33% Energy • 15% Liveness
76% Instrumentalness • 69% Positiveness
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Matana Roberts
Song for Eulalie
67 bpm • G# Maj • 08:26 • -12.5db
8% Popularity • 27% Danceability • 23% Energy • 36% Liveness
51% Instrumentalness • 17% Positiveness
8% Popularity • 27% Danceability • 23% Energy • 36% Liveness
51% Instrumentalness • 17% Positiveness
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Pete La Roca
Love Planet
84 bpm • A# min • 05:42 • -13.29db
9% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wayne Shorter
Mahjong - Rudy Van Gelder 24 Bit Masteri...
84 bpm • C min • 07:44 • -8.77db
24% Popularity • 36% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 36% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Roscoe Mitchell
Silver Shadows
67 bpm • F# min • 03:43 • -42.08db
0% Popularity • 34% Danceability • 0% Energy • 4% Liveness
24% Instrumentalness • 10% Positiveness
0% Popularity • 34% Danceability • 0% Energy • 4% Liveness
24% Instrumentalness • 10% Positiveness
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Curtis Amy
Katanga
84 bpm • D# min • 03:06 • -18.77db
12% Popularity • 43% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
12% Popularity • 43% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
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Roland Kirk Quartet
Black Diamond
66 bpm • C Maj • 05:20 • -19.48db
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Maurice McIntyre
Humility In The Light Of Creator
85 bpm • D# min • 02:42 • -17.28db
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
52% Instrumentalness • 22% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
52% Instrumentalness • 22% Positiveness
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Pete La Roca
Malaguena - Remastered 2004
66 bpm • B Maj • 09:02 • -8.55db
17% Popularity • 29% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 29% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 43% Positiveness
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Wayne Shorter
Storm
85 bpm • G# min • 08:17 • -11.59db
8% Popularity • 28% Danceability • 81% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
8% Popularity • 28% Danceability • 81% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
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Evan Parker
WW5
66 bpm • D# Maj • 01:45 • -13.81db
15% Popularity • 44% Danceability • 10% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 44% Danceability • 10% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Sonny Sharrock
Bialero
85 bpm • G min • 04:51 • -15db
15% Popularity • 23% Danceability • 52% Energy • 17% Liveness
27% Instrumentalness • 50% Positiveness
15% Popularity • 23% Danceability • 52% Energy • 17% Liveness
27% Instrumentalness • 50% Positiveness