Songs like Orontea: Act III, scene 11 by Antonio Cesti
Based on a tempo of (+/- 10%) and a similar genre
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Monsieur de Sainte-Colombe
Prélude pour Mr. Vaquelin (Improvisatio...
49 bpm • C# min • 01:48 • -28.05db
30% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Antonio Cesti
La Dori, Act III: Invitto sire
50 bpm • G Maj • 01:23 • -14.18db
0% Popularity • 56% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 56% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: II. Adag...
45 bpm • A Maj • 03:59 • -17.46db
20% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Antonio Caldara
Stabat Mater: IV. Sancta Mater
53 bpm • B min • 01:03 • -21.91db
39% Popularity • 26% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 3% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Cantata "Christ lag in Todesbanden", BWV...
58 bpm • E min • 03:52 • -21.27db
21% Popularity • 11% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben, BuxWV 62
56 bpm • D min • 06:57 • -21db
25% Popularity • 31% Danceability • 10% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
25% Popularity • 31% Danceability • 10% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
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Andreas Scholl
O Quam Tristis
58 bpm • F# min • 02:54 • -14db
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Antonio Cesti
Orontea: "Intorno all'idol mio" - 1953 V...
53 bpm • E min • 03:55 • -17.46db
0% Popularity • 23% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 23% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
O Solitude, My Sweetest Choice!, Z. 406:...
59 bpm • E min • 06:05 • -26db
14% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Trio Sonata in C Major, RV 82: II. Largh...
59 bpm • C min • 03:28 • -28db
27% Popularity • 52% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 16% Positiveness
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Reynaldo Hahn
Poème de Théophile de Viau: À Chloris
59 bpm • D# Maj • 02:48 • -22db
29% Popularity • 31% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: IV....
59 bpm • G min • 01:55 • -16db
48% Popularity • 56% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 64% Positiveness
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Alessandro Stradella
San Giovanni Battista: Overture
61 bpm • D Maj • 01:54 • -14db
22% Popularity • 47% Danceability • 17% Energy • 23% Liveness
20% Instrumentalness • 33% Positiveness
22% Popularity • 47% Danceability • 17% Energy • 23% Liveness
20% Instrumentalness • 33% Positiveness
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Antonio Cesti
La Dori, Act III: Oronte misero
58 bpm • E min • 02:11 • -14.76db
0% Popularity • 30% Danceability • 21% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 21% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
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Michel Richard Delalande
Miserere: II. Amplius lava me - Tibi sol...
62 bpm • B min • 02:30 • -17.02db
12% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : In exitu Israel : "Mare vi...
62 bpm • C# Maj • 01:14 • -17db
23% Popularity • 26% Danceability • 29% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
23% Popularity • 26% Danceability • 29% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Bach, JS: St John Passion, BWV 245, Pt. ...
63 bpm • E min • 06:40 • -25.58db
14% Popularity • 26% Danceability • 3% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 3% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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John Shrapnel
Music: Stolzel: Bist Du Bei Mir
64 bpm • D# Maj • 02:25 • -19db
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
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Alessandro Stradella
San Giovanni Battista: Sinfonia
64 bpm • C# Maj • 02:14 • -24.36db
30% Popularity • 50% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 64% Positiveness
30% Popularity • 50% Danceability • 11% Energy • 8% Liveness
4% Instrumentalness • 64% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
31% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
31% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Alessandro Scarlatti
La Giuditta: Dormi o fulmine
63 bpm • D Maj • 06:40 • -22.35db
28% Popularity • 39% Danceability • 2% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 39% Danceability • 2% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Cesti
Orontea : Intorno all'idol mio
66 bpm • D# min • 06:54 • -19.76db
2% Popularity • 23% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 23% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Ottone in Villa, RV 729 / Act 2: "Leggi ...
65 bpm • A# Maj • 05:50 • -20.53db
12% Popularity • 21% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Michel Richard Delalande
Dies iræ, S. 31: Dies iræ
66 bpm • B min • 01:16 • -17db
19% Popularity • 18% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Il Seminario Musicale
Serse: Aria: Ombra mai fu
66 bpm • B Maj • 02:39 • -25.33db
20% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Zelenka: Laetatus sum, ZWV 90: V. Gloria...
66 bpm • A# min • 02:20 • -13.42db
12% Popularity • 23% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 2, In H...
66 bpm • C Maj • 02:06 • -23.68db
22% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Ciaccona, Op. 2, No. 12
66 bpm • F# Maj • 04:35 • -19db
18% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Concerto per la solennità di San Lorenz...
66 bpm • F# min • 03:03 • -27.2db
12% Popularity • 15% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Cesti
Sinfonia (La Dori)
67 bpm • C# Maj • 01:37 • -22.77db
1% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Si dolce è 'l martire
67 bpm • D min • 05:55 • -18db
11% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: When I Am Laid ...
68 bpm • C# min • 04:04 • -19db
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
O cessate di piagarmi
68 bpm • E min • 02:16 • -27db
28% Popularity • 29% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 29% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Georg Philipp Telemann
Germanicus: Rimembranza crudel
69 bpm • B min • 06:09 • -20.27db
10% Popularity • 25% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: I. Nulla in ...
69 bpm • E Maj • 07:25 • -22.63db
30% Popularity • 34% Danceability • 6% Energy • 22% Liveness
51% Instrumentalness • 13% Positiveness
30% Popularity • 34% Danceability • 6% Energy • 22% Liveness
51% Instrumentalness • 13% Positiveness
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Giovanni Bononcini
Bononcini: La costanza non gradita nel d...
69 bpm • F min • 05:17 • -16.3db
18% Popularity • 25% Danceability • 16% Energy • 49% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 25% Danceability • 16% Energy • 49% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Cesti
La Dori, Act I: Ola
67 bpm • G min • 00:47 • -16.84db
0% Popularity • 50% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 50% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308: Pur t...
69 bpm • G Maj • 04:03 • -17.49db
9% Popularity • 34% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Leonardo Vinci
L‘Ernelinda / Act 2: "Sorge talora fos...
69 bpm • G# Maj • 06:15 • -10.3db
7% Popularity • 24% Danceability • 36% Energy • 14% Liveness
6% Instrumentalness • 20% Positiveness
7% Popularity • 24% Danceability • 36% Energy • 14% Liveness
6% Instrumentalness • 20% Positiveness
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Montserrat Figueras
Lamento D'Ariana, 1608 (Monteverdi)
70 bpm • E Maj • 11:35 • -21.13db
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728 / Act 1: "Sol da...
69 bpm • E min • 09:49 • -25db
18% Popularity • 29% Danceability • 5% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 5% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Cesti
La Dori, Act II: Vaga mia, che notte
68 bpm • G Maj • 08:35 • -15.27db
0% Popularity • 29% Danceability • 19% Energy • 43% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 29% Danceability • 19% Energy • 43% Liveness
0% Instrumentalness • 21% Positiveness
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Nicola Porpora
Polifemo, HelN 31: Alto Giove - Arr. for...
71 bpm • D# min • 04:29 • -20db
12% Popularity • 26% Danceability • 10% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 10% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: II. A...
71 bpm • C# min • 03:36 • -18.49db
27% Popularity • 24% Danceability • 6% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act III: "Thy H...
71 bpm • B min • 04:37 • -21.6db
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
La fida ninfa, RV 714, Act II, Scene 3: ...
69 bpm • E min • 09:07 • -18db
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Antonio Cesti
Sù Lieti Scherzate (L'Argia)
69 bpm • G# Maj • 01:42 • -13.5db
0% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act II - "Se piet...
72 bpm • F min • 09:47 • -20.36db
10% Popularity • 24% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Ich steh mit einem Fuss im Grabe, BWV 15...
72 bpm • E Maj • 02:20 • -16.08db
20% Popularity • 17% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat mater do...
72 bpm • A min • 04:50 • -24db
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Pur ti miro
72 bpm • F# Maj • 04:57 • -25db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Barbara Strozzi
Strozzi: Arie, Op. 8 No. 6: "Che si può...
73 bpm • C Maj • 09:28 • -13.65db
15% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Antonio Cesti
Intorno all'idol mio
70 bpm • E min • 03:02 • -19.02db
2% Popularity • 24% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 24% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: 4. "Cum dederit" (...
73 bpm • G min • 04:03 • -19.28db
18% Popularity • 25% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
► Preview
Henry Purcell
O solitude, my sweetest choice, Z. 406
73 bpm • B min • 06:01 • -17db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Antonio Cesti
L'Argia: II. S'un guardo mi vines
70 bpm • E min • 03:58 • -16.23db
0% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Domenico Sarro
Concerto XI in A Minor from 24 Concerti ...
73 bpm • G# min • 01:45 • -18.09db
18% Popularity • 48% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
18% Popularity • 48% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
► Preview
Nicola Porpora
Polifemo: Alto Giove
73 bpm • E min • 09:11 • -22db
18% Popularity • 22% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
74 bpm • A Maj • 05:26 • -24.59db
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater in F Minor, RV 621: I. Stab...
74 bpm • E min • 03:49 • -22.24db
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Alessandro Parisotti
Tu mancavi a tormentarmi (arr. A. Pariso...
74 bpm • C min • 03:54 • -21.23db
0% Popularity • 19% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Antonio Cesti
La Dori, Act II: E con si fieri accenti
71 bpm • F Maj • 05:07 • -15.54db
0% Popularity • 28% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 28% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Thomas Hengelbrock
Miserere in C minor: Misere III
75 bpm • G Maj • 01:44 • -15.58db
16% Popularity • 31% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
16% Popularity • 31% Danceability • 20% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Christoph Willibald Gluck
Paride ed Elena, Wq. 39: Oh, del mio dol...
75 bpm • F# min • 02:57 • -20db
7% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Jordi Savall
Si Dolce È Il Tormento (Libro Nono)
75 bpm • F Maj • 03:10 • -22.44db
18% Popularity • 34% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Antonio Vivaldi
Andromeda Liberata (Serenata Veneziana),...
75 bpm • A min • 09:44 • -20.92db
19% Popularity • 21% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
19% Popularity • 21% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Barbara Strozzi
Strozzi: Ariette a voce sola, Op. 6: XVI...
75 bpm • A Maj • 02:38 • -13.71db
9% Popularity • 40% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 40% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Antonio Cesti
Cesti / Orch Murez & Langot: Orontea, Ac...
71 bpm • C# min • 03:53 • -17.96db
4% Popularity • 28% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
4% Popularity • 28% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Tomaso Albinoni
Concerto a 5 in D Minor, Op. 9, No. 2 fo...
75 bpm • A# Maj • 05:25 • -20.05db
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Sì dolce è'l tormento, SV 332
75 bpm • A# min • 04:06 • -30.97db
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Agostino Steffani
Stabat Mater: Fac ut portem Christi mort...
75 bpm • C min • 01:03 • -15.41db
28% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
28% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
75 bpm • G# min • 04:02 • -24.36db
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Nicola Porpora
Polifemo, Act III Scene V: Alto giove
76 bpm • D# min • 09:17 • -16db
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Antonio Cesti
La Dori, Act III: Figlio, figlio, ove va...
72 bpm • E min • 01:03 • -15db
0% Popularity • 55% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 55% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Henri d'Anglebert
D'Anglebert: Suite No. 3 en ré mineur: ...
76 bpm • G# min • 04:01 • -28.74db
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308: Obliv...
76 bpm • G min • 02:39 • -23db
21% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version à 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Bernardo Pasquini
Sant'Agnese: Vaga rosa (Aria)
77 bpm • C# min • 03:34 • -26.56db
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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Alessandro Scarlatti
Scarlatti, A: Griselda, Act 2: "Mi rived...
76 bpm • B min • 05:24 • -20db
9% Popularity • 27% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
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Antonio Cesti
La Dori, Act I: Pur convien ch'io ti
72 bpm • D min • 03:52 • -18.22db
0% Popularity • 28% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 28% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: V. Agnus Dei
77 bpm • F Maj • 05:36 • -23.26db
21% Popularity • 7% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Francesco Araia
La forza dell’amore e dell’odio: "Va...
77 bpm • E min • 07:18 • -17.48db
25% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 02:15 • -23db
25% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Giovanni Legrenzi
Antioco il Grande: Se tu sarai felice (A...
77 bpm • G# Maj • 01:56 • -18.6db
12% Popularity • 25% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Antonio Cesti
Orontea: Intorno all'idol mio
74 bpm • E min • 03:08 • -21.99db
0% Popularity • 24% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: IV. Pie Jesu
77 bpm • A# Maj • 03:45 • -33.23db
22% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
12% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Riccardo Broschi
Merope: Chi non sente al mio dolore
77 bpm • D# Maj • 08:00 • -17.54db
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Act IV, Scene 4: ...
77 bpm • C# Maj • 05:32 • -20.26db
11% Popularity • 9% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
22% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Antonio Cesti
La Dori, Act III: S'io son vecchia e mal...
74 bpm • A min • 02:07 • -11.69db
0% Popularity • 45% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 45% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
