Songs like Orphan Girl by Emmylou Harris
Based on a tempo of (+/- 10%) and a similar genre
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Liam Clancy
Catch the Wind
142 bpm • D Maj • 04:12 • -9db
29% Popularity • 30% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 30% Danceability • 52% Energy • 73% Liveness
0% Instrumentalness • 61% Positiveness
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Lori McKenna
A Mother Never Rests
142 bpm • A Maj • 02:45 • -10.63db
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Emmylou Harris
Orphan Girl
142 bpm • A Maj • 03:14 • -9.98db
27% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mavis Staples
Wrote A Song For Everyone
141 bpm • F Maj • 03:47 • -7.3db
30% Popularity • 48% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 48% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Lindi Ortega
Cigarettes & Truckstops
143 bpm • C Maj • 04:28 • -9.14db
4% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Uncle Tupelo
Moonshiner
143 bpm • C Maj • 04:23 • -13.75db
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Band
The Last Waltz Suite: Evangeline
141 bpm • A Maj • 03:10 • -7.29db
31% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Diana Jones
My Beloved
141 bpm • B Maj • 03:29 • -9.65db
9% Popularity • 62% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
9% Popularity • 62% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
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Tom Waits
Long Way Home
141 bpm • A# Maj • 03:10 • -16db
46% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 66% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Nitty Gritty Dirt Band
The Lowlands
143 bpm • C# min • 03:50 • -12.52db
24% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jeffrey Foucault
One Red Rose
141 bpm • F# Maj • 03:17 • -16.71db
31% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Patty Griffin
Little Fire
143 bpm • A Maj • 04:07 • -9.84db
21% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 42% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Bruce Cockburn
Closer To The Light
144 bpm • B min • 04:10 • -18.33db
28% Popularity • 54% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
28% Popularity • 54% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Carrie Rodriguez
Your Lonely Heart
144 bpm • E Maj • 02:58 • -6.54db
14% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Jason Isbell
Tecumseh Valley
144 bpm • C Maj • 04:40 • -14.91db
36% Popularity • 51% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Rodney Crowell
Closer To Heaven
140 bpm • D Maj • 05:20 • -11.43db
11% Popularity • 51% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
11% Popularity • 51% Danceability • 38% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
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The Jayhawks
All The Right Reasons
144 bpm • F# Maj • 03:24 • -9db
37% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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John Gorka
Let Them In
140 bpm • D Maj • 04:53 • -12.23db
12% Popularity • 39% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
12% Popularity • 39% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Dolly Parton
Those Memories of You - 2015 Remaster
140 bpm • E Maj • 04:00 • -14.61db
47% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 58% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Lori McKenna
Humble & Kind
145 bpm • D# Maj • 04:03 • -13db
39% Popularity • 58% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 58% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
38% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
38% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
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Mark Knopfler
Rollin' On
145 bpm • G# min • 04:12 • -8.05db
37% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 67% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Allison Moorer
I'm the One to Blame
139 bpm • E Maj • 02:28 • -13.15db
16% Popularity • 50% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Linda Ronstadt
Falling Down
139 bpm • G# Maj • 03:15 • -6db
12% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kate Wolf
All He Ever Saw Was You
145 bpm • G Maj • 04:09 • -19.26db
6% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lori McKenna
The Time I've Wasted
145 bpm • F Maj • 03:33 • -11.26db
52% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ramblin' Jack Elliott
Rex's Blues
145 bpm • D# Maj • 02:38 • -14.06db
10% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Emmylou Harris
Kern River
145 bpm • F# Maj • 04:00 • -12.87db
20% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Don Williams
If I Needed You
146 bpm • C Maj • 03:35 • -18.63db
44% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
37% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jakob Dylan
We Don't Live Here Anymore
138 bpm • D min • 04:23 • -13.45db
16% Popularity • 52% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 40% Positiveness
16% Popularity • 52% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 40% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
52% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mark Knopfler
I Dug Up A Diamond
138 bpm • B min • 03:35 • -9.12db
41% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Emmylou Harris
Easy from Now On - 2003 Remaster
138 bpm • D# Maj • 03:09 • -11db
25% Popularity • 48% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 48% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Hoyt Axton
I Dream Of Highways
138 bpm • G Maj • 02:35 • -18.21db
30% Popularity • 54% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
30% Popularity • 54% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Dolly Parton
Waltz Across Texas Tonight - Unreleased ...
146 bpm • A# Maj • 03:51 • -6.83db
20% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 46% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Darrell Scott
A Father's Song
146 bpm • C Maj • 03:51 • -14.2db
10% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Nanci Griffith
Speed of the Sound of Loneliness
146 bpm • C Maj • 04:20 • -13.87db
48% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rodney Crowell
Banks Of The Old Bandera
146 bpm • C Maj • 03:41 • -12.43db
10% Popularity • 44% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 44% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Emmylou Harris
Broken Man's Lament
138 bpm • B Maj • 05:03 • -12.46db
13% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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John Gorka
I Know
138 bpm • G Maj • 02:35 • -15.44db
25% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 73% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Linda Ronstadt
Raise the Dead
147 bpm • D Maj • 03:18 • -7.18db
15% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Linda Thompson
If I Were a Bluebird
138 bpm • B Maj • 06:50 • -13db
21% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Jayhawks
What Led Me To This Town
137 bpm • C# min • 04:09 • -10.84db
29% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bruce Robison
This Will Be Our Year
137 bpm • A# Maj • 02:22 • -7.7db
32% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Emmylou Harris
Sailing Round the Room
146 bpm • A Maj • 05:31 • -11.9db
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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John Gorka
The Gypsy Life
147 bpm • C Maj • 04:26 • -17.57db
19% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bap Kennedy
Shimnavale
137 bpm • D Maj • 05:06 • -8.66db
8% Popularity • 51% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 51% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Linda Thompson
Give Me a Sad Song
147 bpm • A# Maj • 03:56 • -10.07db
8% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Mark Knopfler
Belle Starr
137 bpm • C Maj • 03:04 • -4.9db
35% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 64% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Lori McKenna
The Bird & The Rifle
137 bpm • D Maj • 04:24 • -12.52db
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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James McMurtry
Lights of Cheyenne
148 bpm • G# Maj • 06:40 • -11db
30% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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John Gorka
Love Is Our Cross To Bear
137 bpm • C min • 04:16 • -18db
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kate & Anna McGarrigle
Heart Like a Wheel
148 bpm • D# Maj • 03:12 • -17db
30% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Admiral Freebee
Coming Of The Knight
136 bpm • D Maj • 03:44 • -11.18db
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tara Nevins
Stars Fell On Alabama
148 bpm • A min • 02:56 • -9db
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rodney Crowell
God I'm Missing You
148 bpm • B Maj • 03:54 • -15.22db
26% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Madison Violet
The Ransom
136 bpm • A# Maj • 03:37 • -8.89db
21% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Gorka
I Saw a Stranger With Your Hair
136 bpm • A Maj • 03:47 • -18.86db
10% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dolly Parton
My Dear Companion - 2015 Remaster
149 bpm • C Maj • 02:56 • -14.92db
30% Popularity • 32% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 32% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Dylan
Delia
149 bpm • D Maj • 05:39 • -13.82db
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -10.57db
45% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
45% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Ted Hawkins
Cold & Bitter Tears
135 bpm • A# Maj • 02:14 • -15db
29% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The War And Treaty
Here is Where the Loving is at
149 bpm • A Maj • 04:20 • -6.98db
26% Popularity • 41% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 41% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Be Good Tanyas
Rain And Snow
150 bpm • G Maj • 04:01 • -9.28db
41% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
41% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
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Lori McKenna
Wreck You
134 bpm • A Maj • 03:18 • -13.58db
35% Popularity • 48% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Emmylou Harris
Boy from Tupelo
134 bpm • C Maj • 03:48 • -9.49db
20% Popularity • 67% Danceability • 60% Energy • 9% Liveness
37% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 60% Energy • 9% Liveness
37% Instrumentalness • 54% Positiveness
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Bob Dylan
The Love That Faded
151 bpm • C# Maj • 02:29 • -9.5db
16% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Carlene Carter
Little Black Train
150 bpm • E Maj • 02:49 • -8.72db
15% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Nitty Gritty Dirt Band
You Ain't Going Nowhere
134 bpm • G Maj • 03:52 • -13.33db
41% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Kate Wolf
The Trumpet Vine
151 bpm • B Maj • 04:29 • -17db
22% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
22% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Mark Knopfler
All The Roadrunning - Live At Gibson Amp...
151 bpm • C# Maj • 05:20 • -10.82db
23% Popularity • 34% Danceability • 40% Energy • 81% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 34% Danceability • 40% Energy • 81% Liveness
0% Instrumentalness • 28% Positiveness
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Po' Girl
Mercy
134 bpm • A# Maj • 04:56 • -10db
26% Popularity • 54% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 47% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 47% Positiveness
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The Bootleggers
Fire in the Blood / Snake Song
151 bpm • C min • 04:25 • -11.94db
31% Popularity • 32% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 32% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Lori McKenna
Numbered Doors
133 bpm • G# Maj • 03:44 • -8.54db
31% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Nitty Gritty Dirt Band
Oh Cumberland
134 bpm • F Maj • 04:21 • -11.76db
12% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Mickey Newbury
She Even Woke Me Up to Say Goodbye
151 bpm • D Maj • 03:59 • -17.28db
19% Popularity • 33% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 33% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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The Milk Carton Kids
White Girl
133 bpm • D Maj • 03:44 • -12.14db
20% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Ray LaMontagne
New York City's Killing Me
152 bpm • A# Maj • 04:13 • -8.02db
38% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Linda Ronstadt
Sisters of Mercy
133 bpm • C# Maj • 03:58 • -12.55db
19% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Maria McKee
Am I The Only One (Who's Ever Felt This ...
133 bpm • C Maj • 02:53 • -12.44db
18% Popularity • 57% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 57% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Margo Price
Hands of Time
152 bpm • D Maj • 06:09 • -8.48db
31% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Laura Cantrell
Do You Ever Think of Me
133 bpm • A Maj • 02:44 • -5.57db
12% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 62% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Ryan Adams
Oh My Sweet Carolina
132 bpm • D Maj • 04:56 • -14.65db
47% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sandy Denny
Tomorrow Is A Long Time
133 bpm • E Maj • 03:54 • -12.29db
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Thompson
From Galway to Graceland
132 bpm • A Maj • 03:29 • -10db
25% Popularity • 49% Danceability • 32% Energy • 36% Liveness
6% Instrumentalness • 37% Positiveness
25% Popularity • 49% Danceability • 32% Energy • 36% Liveness
6% Instrumentalness • 37% Positiveness
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The Be Good Tanyas
Junkie Song
132 bpm • G Maj • 03:49 • -13db
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Karl Blau
If I Need You
153 bpm • B Maj • 03:54 • -9.15db
14% Popularity • 52% Danceability • 61% Energy • 57% Liveness
75% Instrumentalness • 70% Positiveness
14% Popularity • 52% Danceability • 61% Energy • 57% Liveness
75% Instrumentalness • 70% Positiveness
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Emmylou Harris
Shores of White Sand
131 bpm • A# Maj • 04:20 • -10.61db
19% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Steve Forbert
The American In Me
131 bpm • E Maj • 03:57 • -10.51db
12% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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John Gorka
I Saw A Stranger With Your Hair
131 bpm • A Maj • 04:03 • -17db
23% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Bragg
The L&N Don't Stop Here Anymore
154 bpm • F Maj • 04:29 • -10.45db
20% Popularity • 45% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmie Dale Gilmore
Santa Fe Thief
131 bpm • D Maj • 05:02 • -11.29db
12% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jonathan Byrd
The Law and the Lonesome
130 bpm • C min • 04:36 • -14.6db
8% Popularity • 41% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Emmylou Harris
All My Tears
131 bpm • A Maj • 03:41 • -11.58db
35% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Rhiannon Giddens
Don't Let It Trouble Your Mind
154 bpm • D# Maj • 03:39 • -9db
27% Popularity • 48% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 48% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Kate Wolf
September Song
130 bpm • F# Maj • 04:07 • -20db
23% Popularity • 53% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 53% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
