Songs like Oso Agapiomaste Ta Dyo by Manolis Mitsias
Based on a tempo of (+/- 10%) and a similar genre
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Giannis Haroulis
Stis Haravges Xehnieme
126 bpm • G min • 03:11 • -7.95db
36% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Giota Lidia
Nihtose Horis Feggari
126 bpm • A Maj • 03:08 • -7db
17% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Alkistis Protopsalti
O Aggelos Mou
126 bpm • D# Maj • 04:23 • -7.91db
38% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Spyros Zagoraios
E De La Magen - Remastered
126 bpm • A min • 02:51 • -6db
32% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Kaiti Homata
Ta Karavakia
126 bpm • A Maj • 02:34 • -9db
16% Popularity • 71% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 71% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Thanos Mikroutsikos
Chartini Zoi
126 bpm • E Maj • 03:46 • -9.48db
4% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Tolis Voskopoulos
Prin Hathi To Oniro Mas
126 bpm • B min • 03:21 • -14db
40% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Manolis Mitsias
Stin Elefsina Mia Fora
126 bpm • F# Maj • 02:41 • -12db
31% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Stellakis Perpiniadis
Αραπίνες
126 bpm • E min • 03:05 • -9db
18% Popularity • 56% Danceability • 39% Energy • 14% Liveness
11% Instrumentalness • 66% Positiveness
18% Popularity • 56% Danceability • 39% Energy • 14% Liveness
11% Instrumentalness • 66% Positiveness
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Nikos Papazoglou
Apopse Siopili
126 bpm • F min • 04:06 • -9db
27% Popularity • 73% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 73% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Stavros Xarhakos
Matia Vourkomena
126 bpm • A Maj • 02:57 • -7db
30% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Sokratis Malamas
To Zitianoksylo
126 bpm • F# min • 03:39 • -9.62db
31% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Aleka Kanellidou
Na Mi Se Do Pote Na Klapsis
126 bpm • E min • 03:10 • -12db
13% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Nikos Xilouris
Itane Mia Fora
126 bpm • C Maj • 03:18 • -15.19db
40% Popularity • 56% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 56% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Rena Koumioti
Proti Fora
127 bpm • B min • 02:17 • -5db
43% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Tzeni Vanou
Se Vlepo Sto Potiri Mou
125 bpm • C min • 02:27 • -8.86db
35% Popularity • 47% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 47% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Póli Pánou
To Kalderimi (Kokkina Fanaria)
125 bpm • C Maj • 03:37 • -7db
19% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Nikos Papazoglou
Kalimera
125 bpm • A min • 03:35 • -11db
25% Popularity • 82% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 82% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Spyros Zagoraios
To Pitsirikaki
127 bpm • G Maj • 03:01 • -7.78db
25% Popularity • 77% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 77% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Mihalis Violaris
Sta Heili Mas Akoma To Fili
127 bpm • G min • 03:05 • -6.57db
28% Popularity • 63% Danceability • 55% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 26% Liveness
1% Instrumentalness • 74% Positiveness
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Aleka Mavili
Afto To Agori Me Ta Matia Ta Melia
127 bpm • G Maj • 02:28 • -5.3db
17% Popularity • 62% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 62% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Giannis Ploutarhos
Ipirhan Orki
125 bpm • A min • 03:04 • -6.05db
38% Popularity • 75% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 75% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Themis Adamantidis
Revegion
127 bpm • A# min • 03:15 • -6.35db
41% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Mihalis Menidiatis
Ida Ta Matia Sou Klammena
125 bpm • A min • 03:02 • -10db
26% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Michalis Daskalakis
Einai Eytyhis O Anthropos
127 bpm • C Maj • 05:20 • -7db
1% Popularity • 67% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 67% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 52% Positiveness
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Mihalis Violaris
Varka Horis Pania
127 bpm • D min • 02:35 • -4db
32% Popularity • 62% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 62% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Dionysis Savvopoulos
Sou Milo Kai Kokkinizeis
125 bpm • E min • 03:39 • -9.04db
34% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Angela Dimitriou
Ine Kati Haraktires
127 bpm • A min • 03:20 • -13db
31% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Manolis Mitsias
To Zeibekiko Tou Kosma
128 bpm • A# Maj • 03:31 • -9.89db
6% Popularity • 65% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 65% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Manolis Aggelopoulos
Otan Koimatai O Dystyhis
128 bpm • A# min • 03:02 • -5.02db
24% Popularity • 54% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 54% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Vicky Mosholiou
Den Xero Poso S' Agapo
124 bpm • A min • 03:00 • -9.81db
33% Popularity • 60% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 60% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Manos Papadakis
Synnefiasmeni Kyriaki
124 bpm • D Maj • 03:30 • -6db
34% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Manos Loizos
T' Akordeon
124 bpm • F Maj • 02:41 • -12.06db
28% Popularity • 52% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 52% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Pix Lax
Anoites Agapes
128 bpm • G min • 04:26 • -15db
42% Popularity • 50% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 50% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Mihalis Menidiatis
Ligo Ligo Tha Me Sinithisis
128 bpm • G min • 02:50 • -9db
30% Popularity • 64% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 64% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Despina Vandi
Ena Tsigaro Diadromi
124 bpm • A# min • 04:13 • -5.6db
45% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Themis Adamantidis
Hartina Oneira
124 bpm • A# min • 03:26 • -5.59db
40% Popularity • 78% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 78% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Pashalis Terzis
Epistrofes-Katastrofes
128 bpm • C min • 03:12 • -5.96db
38% Popularity • 70% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 70% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Vicky Mosholiou
Ximeromata
124 bpm • E min • 03:09 • -12db
21% Popularity • 73% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 73% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Manolis Mitsias
Pou Tha Pai Pou Tha Vgi
128 bpm • E min • 02:06 • -13.22db
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Vassilis Tsitsanis
Tis Gerakinas Gios
124 bpm • D min • 04:02 • -10db
26% Popularity • 58% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Poly Panou
Ti Sou 'Kana Kai Pineis
124 bpm • C min • 02:21 • -6db
40% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 62% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Filippos Nikolaou
Otan
124 bpm • E min • 03:11 • -10db
19% Popularity • 39% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 39% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
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Stratos Dionisiou
Kalitera Mazi Sou Ke Trelos
128 bpm • D# min • 03:37 • -10.99db
37% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 67% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Nikos Ziogalas
Vassiliki
128 bpm • E min • 03:25 • -5.35db
34% Popularity • 56% Danceability • 87% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 56% Danceability • 87% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
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Manolis Mitsias
O Alitis
128 bpm • C Maj • 02:55 • -14db
7% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Prodromos Tsaousakis
To Pitsirikaki
123 bpm • F Maj • 03:25 • -7db
29% Popularity • 66% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 66% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Grigoris Bithikotsis
Ta Matoklada Sou Laboun
129 bpm • F min • 03:04 • -10.21db
33% Popularity • 79% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 79% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Anna Vissi
Treno
123 bpm • C# min • 04:49 • -5.83db
43% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Giorgos Zampetas
Eim' Aitos Horis Ftera
129 bpm • B min • 02:01 • -6.29db
26% Popularity • 75% Danceability • 54% Energy • 8% Liveness
18% Instrumentalness • 64% Positiveness
26% Popularity • 75% Danceability • 54% Energy • 8% Liveness
18% Instrumentalness • 64% Positiveness
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Stamatis Kokotas
Pes Pos M' Adamoses
123 bpm • C min • 03:31 • -12db
33% Popularity • 40% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Manolis Mitsias
Poios Antehei Apopse Monos
129 bpm • C min • 04:52 • -5.69db
2% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Angela Dimitriou
Ourane
129 bpm • C# Maj • 03:54 • -9.15db
24% Popularity • 60% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 60% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Heimerinoi Kolymvites
Syxnazeis Sto Mikro Kafe
129 bpm • C min • 02:22 • -9.75db
36% Popularity • 56% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 56% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Póli Pánou
Pare To Dahtilidi Mou
129 bpm • B Maj • 02:54 • -14db
17% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Grigoris Bithikotsis
Matia Vourkomena
123 bpm • F Maj • 03:01 • -8.08db
28% Popularity • 51% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 51% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Manolis Aggelopoulos
O Prosfygas
122 bpm • E min • 03:05 • -6.75db
16% Popularity • 53% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 53% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Giannis Poulopoulos
Methys' Apopse Ato Koritsi Mou
122 bpm • E min • 03:12 • -7db
40% Popularity • 73% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 73% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Gerasimos Evangelatos
Mehri To Telos
130 bpm • E min • 03:57 • -8.18db
35% Popularity • 76% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 76% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Mihalis Violaris
Ta Mavra Mathkia
122 bpm • G Maj • 03:13 • -5.47db
20% Popularity • 65% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 65% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Nikos Papazoglou
Ah Ellada - Live From Lykavittos
122 bpm • E Maj • 04:01 • -6.86db
33% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Manolis Mitsias
Hare San Erthis
122 bpm • D min • 03:11 • -6.66db
1% Popularity • 52% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 52% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Angela Dimitriou
Kane Stin Akri
122 bpm • C min • 03:58 • -7.73db
31% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Giannis Poulopoulos
Kamaroula Mia Stalia
122 bpm • D Maj • 02:36 • -7.46db
39% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Viky Moscholiou
Den ksero poso s'agapo
122 bpm • E min • 03:04 • -4.22db
33% Popularity • 69% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 69% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Giorgos Zampetas
Pou 'sai Thanasi
122 bpm • B min • 03:18 • -12db
35% Popularity • 79% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 79% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Pashalis Terzis
Ehi Ena Feggari Apopse
122 bpm • F min • 03:38 • -5.16db
41% Popularity • 75% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 75% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Manolis Mitsias
Pare Ton Ilektriko
130 bpm • D Maj • 02:54 • -8.05db
13% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Manolis Lidakis
Fylla Alkalika
122 bpm • C min • 03:51 • -11.94db
29% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Mihalis Violaris
To Delfinokoritso
122 bpm • G Maj • 03:16 • -5.76db
33% Popularity • 77% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 77% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Manolis Aggelopoulos
Agapes Mou Perastikes
122 bpm • C min • 03:22 • -7db
32% Popularity • 52% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 52% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Giorgos Zampetas
Sto Lefko Pyrgo
122 bpm • G Maj • 03:00 • -7.76db
30% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Sokratis Malamas
Hameno Rouho
122 bpm • A Maj • 04:03 • -8.26db
29% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 58% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Manolis Mitsias
O Paradisos Mou
122 bpm • A# Maj • 03:14 • -9.51db
2% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Vicky Mosholiou
Pai Pai
131 bpm • D# Maj • 02:57 • -14.82db
19% Popularity • 74% Danceability • 30% Energy • 10% Liveness
22% Instrumentalness • 70% Positiveness
19% Popularity • 74% Danceability • 30% Energy • 10% Liveness
22% Instrumentalness • 70% Positiveness
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Vassilis Tsitsanis
Apopse Stis Akrogialies
122 bpm • F Maj • 03:21 • -7.32db
27% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Fotini Velesiotou
De Les Kouveda - Live
121 bpm • D Maj • 06:01 • -6.58db
4% Popularity • 39% Danceability • 59% Energy • 83% Liveness
0% Instrumentalness • 36% Positiveness
4% Popularity • 39% Danceability • 59% Energy • 83% Liveness
0% Instrumentalness • 36% Positiveness
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Ta paidia ap'tin Patra
Pikranes Ton Fantaro
121 bpm • F# min • 02:27 • -8.54db
13% Popularity • 71% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 71% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Sokratis Malamas
Sta Ipa Ola
121 bpm • E min • 03:12 • -8.13db
43% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Giorgos Zampetas
Chilia Peristeria
131 bpm • A# Maj • 02:56 • -10.21db
23% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Manolis Mitsias
Sou 'Ho Etimi Signomi
122 bpm • D Maj • 03:34 • -7.19db
5% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
5% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Linos Kokotos
Apokommata
121 bpm • E min • 03:06 • -12.06db
2% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Panos Gavalas
Pou Na Girnas
121 bpm • C# Maj • 02:48 • -8db
21% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Estoudiantina Neas Ionias
Pada Thlimmeni Haravgi
121 bpm • B min • 03:38 • -9db
26% Popularity • 55% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 55% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Nikos Papazoglou
O Monahos Anthropos
121 bpm • C Maj • 03:30 • -10.25db
30% Popularity • 70% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 70% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Nama
Na Dioxo Ta Synnefa
121 bpm • C# min • 03:06 • -8.59db
40% Popularity • 76% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 76% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Nikos Xilouris
Barba Gianni Makrigianni
121 bpm • F Maj • 02:04 • -10db
19% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Mihalis Violaris
Mia Lemessiani
121 bpm • E Maj • 02:51 • -5.75db
23% Popularity • 66% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
23% Popularity • 66% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
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Notis Sfakianakis
Ma Esi Me Kes
132 bpm • F# min • 03:25 • -13.04db
40% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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![Phaliriotissa [1937] - Φαληριώτισσα cover art](https://i.scdn.co/image/ab67616d00001e025485392dadd9c45b47f53f86)
Stratos Pagioumtzis
Phaliriotissa [1937] - Φαληριώτ�...
132 bpm • D Maj • 03:24 • -9db
11% Popularity • 62% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 62% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Sofia Vossou
To Filaraki
132 bpm • C Maj • 04:36 • -14db
36% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Nikos Ziogalas
Vasiliki
132 bpm • E min • 02:57 • -7.36db
43% Popularity • 68% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Lefteris Pantazis
To Oreotero Plasma
132 bpm • F min • 04:04 • -6.13db
32% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Manolis Mitsias
Oso Agapiomaste Ta Dio
132 bpm • G Maj • 02:21 • -9.52db
14% Popularity • 65% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 65% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Kaiti Homata
Na Dioxo Ta Synnefa
132 bpm • D min • 02:44 • -12db
24% Popularity • 80% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 80% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Mihalis Violaris
Ta Tzitzikia
120 bpm • F Maj • 03:44 • -4.48db
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Giannis Miliokas
Roz
132 bpm • B min • 03:48 • -10db
36% Popularity • 62% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 62% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Ta paidia ap'tin Patra
Voithia Gitoni
132 bpm • C Maj • 02:31 • -4.16db
5% Popularity • 73% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
5% Popularity • 73% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
