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Osteroratorium (Easter Oratorio): Part II: Accompa...
Songs like
Osteroratorium (Easter Oratorio): Part II: Accompagnato: O grossr Holl- und Todesuberwinder (Bass)
by
Carl Heinrich Graun
Based on a tempo of (+/- 10%) and a similar genre
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Georg Philipp Telemann
Christus hat einmal für die Sünde geli...
173 bpm • D# min • 00:59 • -23.56db
15% Popularity • 26% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
176 bpm • F# Maj • 03:25 • -17.1db
7% Popularity • 24% Danceability • 4% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 9.,...
177 bpm • B min • 01:01 • -18.84db
20% Popularity • 18% Danceability • 29% Energy • 16% Liveness
55% Instrumentalness • 28% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
177 bpm • D# min • 02:52 • -16.39db
17% Popularity • 24% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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František Tůma
Motettum de tempore: III. Recitativo. In...
177 bpm • D# Maj • 01:11 • -27.38db
9% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Heinrich Graun
Concerto in D Major: IV. Menuet
170 bpm • C# Maj • 02:19 • -21.29db
2% Popularity • 39% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 69% Positiveness
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Alessandro Marcello
La Lontananza: Aria: Lontananza Crudel
180 bpm • B min • 09:05 • -21.01db
8% Popularity • 13% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel In Egypt, HWV 54: 1. Prelude
170 bpm • F# min • 01:45 • -34.74db
11% Popularity • 8% Danceability • 1% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Johann Friedrich Fasch
Trumpet Concerto in D Major, FWV L:D1: I...
180 bpm • C# Maj • 01:25 • -22db
29% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Johann Gottlieb Graun
Oboe d'amore Concerto in D Major: III. A...
180 bpm • G# Maj • 05:15 • -25.33db
0% Popularity • 28% Danceability • 6% Energy • 7% Liveness
64% Instrumentalness • 44% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
167 bpm • B min • 02:13 • -27.69db
30% Popularity • 10% Danceability • 3% Energy • 14% Liveness
29% Instrumentalness • 16% Positiveness
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Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Chorus: Wen hab' ic...
170 bpm • A Maj • 01:11 • -23.88db
3% Popularity • 16% Danceability • 12% Energy • 17% Liveness
87% Instrumentalness • 35% Positiveness
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Antonio Caldara
Missa Dolorosa: IV. Sanctus
168 bpm • D# min • 01:06 • -18.49db
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: VII. Dum...
163 bpm • B min • 01:47 • -21.16db
11% Popularity • 14% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Friedrich Fasch
Overture for Orchestra in D Major, FWV K...
182 bpm • C# Maj • 05:18 • -17.41db
10% Popularity • 26% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Stabat Mater, RV 621: Amen
185 bpm • E min • 00:57 • -21.68db
13% Popularity • 27% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Georg Philipp Telemann
Ino, TWV 20:41: Ino, TWV 20:41: No. 3b, ...
162 bpm • C# Maj • 02:11 • -22.92db
12% Popularity • 24% Danceability • 1% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Heinrich Graun
Silla, GraunWV B:I:27, Act I Scene 2: Be...
170 bpm • G# min • 02:06 • -13.23db
1% Popularity • 38% Danceability • 25% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Stamitz
Symphony in E-Flat Major, Op. 3 No. 4, W...
159 bpm • D Maj • 02:55 • -17.37db
12% Popularity • 45% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 78% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in A Minor...
159 bpm • G# min • 04:18 • -23.3db
3% Popularity • 33% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: III. Presto
159 bpm • C# Maj • 01:30 • -15.14db
16% Popularity • 44% Danceability • 34% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: VII. Rigaudon
154 bpm • F# min • 01:36 • -18.17db
24% Popularity • 42% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 58% Positiveness
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Giovanni Legrenzi
La morte del cor penitente, Pt. 1: Sinfo...
192 bpm • C min • 01:54 • -19db
18% Popularity • 7% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 7% Positiveness
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Carl Heinrich Graun
Osteroratorium (Easter Oratorio): Part I...
169 bpm • C# Maj • 03:00 • -23.96db
0% Popularity • 16% Danceability • 4% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 3 in C Major, Wq. 182: I. A...
150 bpm • G# min • 02:36 • -15.36db
13% Popularity • 37% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Carl Heinrich Graun
Osteroratorium (Easter Oratorio): Part I...
166 bpm • C# Maj • 01:16 • -24.48db
2% Popularity • 35% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Chorus: Du, dessen ...
164 bpm • B min • 01:11 • -27.11db
17% Popularity • 12% Danceability • 7% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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Carl Heinrich Graun
Silla, GraunWV B:I:27, Act II Scene 3: Q...
161 bpm • A Maj • 04:02 • -10.04db
0% Popularity • 28% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: VI. Aria
153 bpm • F# min • 02:34 • -18.31db
13% Popularity • 21% Danceability • 14% Energy • 28% Liveness
90% Instrumentalness • 31% Positiveness
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Carl Heinrich Graun
Montezuma, Act II Scene 5: Act II Scene ...
150 bpm • D Maj • 00:36 • -19.9db
0% Popularity • 41% Danceability • 46% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
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Osteroratorium (Easter Oratorio): Part II: Accompa...