Songs like Osteroratorium (Easter Oratorio): Part III: Recitative: Indessen wollen wir dein Siegesfest (Tenor) by Carl Heinrich Graun
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: IV. Ar...
80 bpm • G# min • 06:59 • -21.09db
14% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Heinrich Graun
Der Tod Jesu, Pt. 2: Recitative: Da steh...
80 bpm • E Maj • 02:22 • -25.22db
1% Popularity • 37% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 37% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Belshazzar HWV 61, Act I: Air - O sacred...
80 bpm • D Maj • 04:46 • -21.59db
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: III. Qu...
80 bpm • D# Maj • 02:43 • -15.88db
12% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Marie Leclair
Ouvertures and Trio Sonatas, Op. 13, Son...
80 bpm • A# Maj • 01:58 • -20.21db
16% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
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Johann Stamitz
Symphony in E-Flat Major, Op. 3 No. 4, W...
81 bpm • B min • 02:30 • -23.82db
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
2. Notenbüchlein für Anna Magdalena Ba...
81 bpm • E min • 01:25 • -21.09db
10% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Heinrich Graun
Der Tod Jesu: Chorus: Du, dessen Augen f...
79 bpm • B min • 00:51 • -26.28db
0% Popularity • 32% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV7: Agnus Dei
79 bpm • C# Maj • 02:14 • -23.68db
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: I. Te Deum
79 bpm • A# Maj • 05:39 • -9.92db
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
81 bpm • D# Maj • 01:49 • -21.69db
20% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
20% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Trio Sonata No. 5 in D Major, Op. 2, Tri...
81 bpm • D# min • 03:14 • -18.65db
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 1 in C Major, BWV 1...
81 bpm • B Maj • 02:56 • -24.97db
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
2% Popularity • 33% Danceability • 3% Energy • 16% Liveness
5% Instrumentalness • 35% Positiveness
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Carl Heinrich Graun
Te Deum: IX. Et rege eos
81 bpm • G# Maj • 02:47 • -17.86db
0% Popularity • 33% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
0% Popularity • 33% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Christoph Graupner
Oboe d'amore Concerto in C Major, GWV 30...
79 bpm • F# Maj • 02:14 • -24.55db
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: IV. Qui...
79 bpm • F min • 01:23 • -25db
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pyrrhus, Acte III Scène 1: Ritournelle
81 bpm • G# Maj • 00:59 • -17.31db
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Jesu meine Freude, TWV 1:966: VII. Wie b...
81 bpm • D# Maj • 01:13 • -19.92db
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Nach dir, Herr, verlanget mich, BWV 150:...
79 bpm • G# Maj • 01:30 • -13.98db
12% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Heinrich Graun
Montezuma, Act II Scene 9: Act II Scene ...
81 bpm • A# Maj • 03:21 • -21.64db
0% Popularity • 30% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 12% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: I. Stabat Mater
79 bpm • B min • 02:05 • -18db
15% Popularity • 22% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 8% Positiveness
15% Popularity • 22% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
79 bpm • F# Maj • 04:49 • -17.56db
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
Rameau : Les Indes galantes : Act 4 "Ré...
81 bpm • D Maj • 03:49 • -19.86db
8% Popularity • 27% Danceability • 18% Energy • 21% Liveness
12% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 21% Liveness
12% Instrumentalness • 26% Positiveness
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Richard Slater
8 Pieces for Flute and Organ: No. 4. Flu...
81 bpm • F Maj • 02:04 • -21.05db
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: III. R...
79 bpm • E Maj • 00:44 • -19.64db
13% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Heinrich Graun
Osteroratorium (Easter Oratorio): Part I...
80 bpm • B Maj • 04:14 • -23.37db
2% Popularity • 24% Danceability • 9% Energy • 26% Liveness
39% Instrumentalness • 55% Positiveness
2% Popularity • 24% Danceability • 9% Energy • 26% Liveness
39% Instrumentalness • 55% Positiveness
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George Frideric Handel
Joseph and his Brethren HWV 59, Symphony...
79 bpm • F# Maj • 01:41 • -22.1db
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
78 bpm • A Maj • 03:50 • -21.39db
8% Popularity • 39% Danceability • 11% Energy • 13% Liveness
38% Instrumentalness • 61% Positiveness
8% Popularity • 39% Danceability • 11% Energy • 13% Liveness
38% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: VI. A...
78 bpm • D# min • 04:14 • -15.13db
13% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
13% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Reprise d...
81 bpm • F Maj • 01:48 • -19.89db
10% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
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Carl Heinrich Graun
Silla / Act 2: "No, no di Libia fra l'ar...
81 bpm • B min • 03:14 • -13.72db
1% Popularity • 52% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 52% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
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Antonio Caldara
Ave Regina Caelorum: II. Gaude Virgo
78 bpm • F# Maj • 01:21 • -16.61db
18% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 32% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part One:...
78 bpm • E min • 04:22 • -17.17db
8% Popularity • 23% Danceability • 15% Energy • 12% Liveness
14% Instrumentalness • 28% Positiveness
8% Popularity • 23% Danceability • 15% Energy • 12% Liveness
14% Instrumentalness • 28% Positiveness
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Arcangelo Corelli
Concerto in C Minor, Op. 6 No. 3: III. G...
78 bpm • D# min • 01:38 • -24.75db
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: II. A...
78 bpm • F# min • 01:40 • -12db
11% Popularity • 29% Danceability • 33% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
11% Popularity • 29% Danceability • 33% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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Carl Heinrich Graun
Montezuma, Act I Scene 1: Act I Scene 1:...
78 bpm • G# Maj • 00:56 • -25.85db
0% Popularity • 47% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 47% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Georg Muffat
Concerto Grosso No. 1 in D Minor, "Bona ...
78 bpm • E Maj • 01:21 • -19.65db
16% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 14% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Maria Veracini
Ouverture No. 6 in G Minor: II. Largo
78 bpm • A Maj • 02:17 • -15.64db
17% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
17% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
82 bpm • B min • 02:51 • -13.29db
14% Popularity • 15% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: VI. Dominus a de...
82 bpm • C# min • 02:45 • -19.29db
21% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Carl Heinrich Graun
L'Orfeo / Act 1: "Il mar s'inalza e frem...
78 bpm • G# Maj • 06:02 • -17.38db
2% Popularity • 45% Danceability • 18% Energy • 19% Liveness
5% Instrumentalness • 33% Positiveness
2% Popularity • 45% Danceability • 18% Energy • 19% Liveness
5% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
78 bpm • F# min • 02:51 • -15.22db
10% Popularity • 36% Danceability • 20% Energy • 25% Liveness
3% Instrumentalness • 35% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 25% Liveness
3% Instrumentalness • 35% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Nicola Porpora
Polifemo: Aria: Vo presagendo - Galatea,...
83 bpm • C# min • 02:05 • -14.24db
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 33% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: En...
77 bpm • F# Maj • 01:08 • -24.52db
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 19% Liveness
10% Instrumentalness • 21% Positiveness
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George Frideric Handel
The "Brockes" Passion: 1. "Mich vom Stri...
82 bpm • F# min • 05:41 • -14.13db
18% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Carl Heinrich Graun
Der Tod Jesu, Pt. 2: Chorus: Wie herrlic...
83 bpm • B Maj • 01:20 • -26.12db
1% Popularity • 12% Danceability • 4% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
1% Popularity • 12% Danceability • 4% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
► Preview
Johann Sebastian Bach
Messe h-Moll, BWV 232: XV. Credo "Et in ...
78 bpm • F# Maj • 04:19 • -19.74db
11% Popularity • 24% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 24% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Charivari Agréable
Henry Purcell: Two in one upon a Ground
77 bpm • G# min • 03:42 • -21.82db
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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John Blow
Sonata in A Major for Two Violins and Ba...
77 bpm • G# Maj • 01:07 • -23.74db
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
22% Popularity • 24% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 20% Positiveness
► Preview
António Pereira da Costa
Concerto VI in B Minor: I. Largo
77 bpm • A Maj • 01:15 • -18.35db
16% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54: Part II: And th...
83 bpm • B min • 03:30 • -18.34db
7% Popularity • 17% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
7% Popularity • 17% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
► Preview
Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Aria: So stehet ein...
83 bpm • C# Maj • 07:04 • -22.81db
2% Popularity • 40% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 40% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Johann Sebastian Bach
2. Notenbüchlein für Anna Magdalena Ba...
77 bpm • A Maj • 01:21 • -17.57db
10% Popularity • 28% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 28% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Christoph Willibald Gluck
Alceste, Wq. 44 (Excerpts): Parez vos fr...
84 bpm • G Maj • 08:49 • -28.66db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in F minor, Wq 63/6: I. Finale
84 bpm • D Maj • 05:56 • -30.73db
10% Popularity • 30% Danceability • 3% Energy • 14% Liveness
14% Instrumentalness • 31% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 14% Liveness
14% Instrumentalness • 31% Positiveness
► Preview
Francesco Geminiani
12 Concerti grossi After Corelli, No. 4 ...
84 bpm • C# min • 01:43 • -21.77db
6% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
6% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: VI. Suscitans a ...
76 bpm • G# Maj • 02:25 • -29.07db
18% Popularity • 28% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 28% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Carl Heinrich Graun
Der Tod Jesu, Pt. 2: Accompagnato: Es st...
84 bpm • F# min • 02:55 • -25.01db
1% Popularity • 21% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 21% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Markus-Passion, BWV 247: No. 2...
77 bpm • G# min • 05:42 • -25.3db
10% Popularity • 12% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Christoph Graupner
Concerto, GWV 308: III. Largo
76 bpm • A# min • 01:20 • -20.21db
17% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
17% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
84 bpm • B min • 06:28 • -22.04db
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: I. Rec...
85 bpm • G# Maj • 01:10 • -20.27db
16% Popularity • 24% Danceability • 2% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 2% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: V. Quis sicut Do...
76 bpm • B Maj • 01:45 • -19.55db
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Aria: Ihr weichgesc...
84 bpm • D Maj • 08:15 • -27.25db
2% Popularity • 21% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: III. ...
76 bpm • F# Maj • 04:42 • -16.29db
14% Popularity • 7% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Andrea Fioroni
Andante in E Minor (pipe organ)
85 bpm • A min • 02:11 • -40.29db
8% Popularity • 12% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
76 bpm • C# Maj • 02:27 • -18.86db
20% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Charpentier : Concert pour 4 parties de ...
85 bpm • C# min • 01:50 • -26.87db
9% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
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Johann Gottlieb Graun
Concerto grosso in G Major: I. Allegro n...
85 bpm • F# Maj • 06:51 • -25.07db
0% Popularity • 35% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
0% Popularity • 35% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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Carl Heinrich Graun
Der Tod Jesu: Aria: So stehet ein Berg G...
83 bpm • C# Maj • 05:59 • -21.16db
0% Popularity • 40% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 40% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Johann Sebastian Bach
2. Notenbüchlein für Anna Magdalena Ba...
77 bpm • F# Maj • 01:12 • -21.18db
10% Popularity • 44% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 44% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Caldara
Sinfonia Nо. 3 in fa minore (La morte d...
85 bpm • G# Maj • 01:21 • -18.3db
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade: Air pour les T...
85 bpm • A# min • 01:31 • -27.86db
8% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
8% Popularity • 55% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 71% Positiveness
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Georg Philipp Telemann
Brockes-Passion, TWV 5:1, Teil I: No. 5,...
75 bpm • D Maj • 01:27 • -19.65db
8% Popularity • 33% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Giovanni Bononcini
Laudate Pueri: VII. Gloria Patri
85 bpm • A Maj • 02:08 • -22.46db
16% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
16% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Carl Heinrich Graun
Trio in D Major: II. Andante
83 bpm • D Maj • 02:04 • -23.07db
0% Popularity • 42% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 33% Positiveness
0% Popularity • 42% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Psaume 51 Tilge, Höchster, Meine Sünde...
77 bpm • F min • 03:14 • -29.26db
9% Popularity • 12% Danceability • 2% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
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George Frideric Handel
Joseph and his Brethren HWV 59, Symphony...
85 bpm • D# min • 01:19 • -20.76db
20% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
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Dietrich Buxtehude
Trio Sonata in C Major, BuxWV 256: II. A...
75 bpm • B Maj • 01:43 • -15.26db
15% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
15% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
Elias, Op. 70: Teil II: Sei stille dem H...
86 bpm • C Maj • 02:55 • -25.53db
7% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Die Auferstehung und Himmelfa...
74 bpm • C# min • 02:54 • -25.42db
8% Popularity • 11% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 6% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
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Carl Heinrich Graun
Der Tod Jesu: Chorus: Unsere Seele ist g...
77 bpm • E min • 02:55 • -22.06db
0% Popularity • 20% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Duet: So ist ...
76 bpm • E min • 04:27 • -17.81db
12% Popularity • 22% Danceability • 12% Energy • 45% Liveness
28% Instrumentalness • 16% Positiveness
12% Popularity • 22% Danceability • 12% Energy • 45% Liveness
28% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Credo, RV. 591: Coro "Et incarnatus est"
86 bpm • G# Maj • 01:18 • -19.42db
11% Popularity • 15% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: V. Chorus...
74 bpm • B Maj • 01:37 • -18db
15% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
15% Popularity • 26% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Georg Philipp Telemann
Kommt her zu mir alle, TVWV 1:1008: XIV....
86 bpm • G# min • 02:21 • -19.83db
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
74 bpm • F# Maj • 02:19 • -28.13db
15% Popularity • 29% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
15% Popularity • 29% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Carl Heinrich Graun
Montezuma, Act I Scene 4: Act I Scene 4:...
77 bpm • G Maj • 03:33 • -21.22db
0% Popularity • 34% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
85 bpm • D min • 04:49 • -16.64db
9% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
9% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
86 bpm • C min • 03:47 • -24.43db
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Georg Anton Kreusser
6. Aria: Ein Gebet um neue Stärke
74 bpm • A Maj • 04:16 • -18.21db
17% Popularity • 32% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 32% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Juravit Dominus: ...
74 bpm • A# min • 01:12 • -20.39db
19% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
87 bpm • F# Maj • 04:22 • -20.83db
13% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
13% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Carl Heinrich Graun
Wer ist der, so von Edom kömmt BWV 1167...
74 bpm • D# min • 06:55 • -19.2db
7% Popularity • 7% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
