Songs like Ostinato vo' seguire: Ostinato vo' seguire by Marchetto Cara
Based on a tempo of (+/- 10%) and a similar genre
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Gilles Binchois
Chansons: Je me recommande humblement
107 bpm • C# Maj • 01:54 • -16db
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Marchetto Cara
Ostinato vo' seguire: Ostinato vo' segui...
107 bpm • G Maj • 03:21 • -17.58db
13% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Juan del Encina
Todos los bienes del mundo
107 bpm • A min • 03:02 • -14db
17% Popularity • 48% Danceability • 45% Energy • 7% Liveness
9% Instrumentalness • 60% Positiveness
17% Popularity • 48% Danceability • 45% Energy • 7% Liveness
9% Instrumentalness • 60% Positiveness
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John Dowland
The Earle of Essex Galiard from Lachrima...
107 bpm • F min • 01:30 • -23db
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Passereau
Il est bel et bon
107 bpm • G# min • 01:19 • -19.88db
12% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Giovanni Felice Sances
Lagrimosa beltÃ
107 bpm • G Maj • 03:33 • -25db
10% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Marco Beasley
Ostinato vo' seguire
107 bpm • G Maj • 02:37 • -15db
1% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bartolomeo Tromboncino
Sú, sú leva, alza le ciglia
107 bpm • A# Maj • 03:28 • -21.53db
8% Popularity • 56% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 56% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Claudio Monteverdi
Zefiro torna
107 bpm • F Maj • 05:38 • -14db
14% Popularity • 50% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 50% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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John Dowland
I Saw my Lady Weep
107 bpm • F# min • 04:04 • -23.01db
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Thomas Crecquillon
Petite fleur coincte et jolye
107 bpm • C Maj • 03:09 • -25.33db
2% Popularity • 30% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 24% Positiveness
2% Popularity • 30% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 24% Positiveness
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Marchetto Cara
Fugga pur chi vol amore
107 bpm • D Maj • 02:29 • -20.93db
6% Popularity • 49% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 49% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Filippo Azzaiolo
Chi passa per 'sta strada: Chi passa per...
107 bpm • F Maj • 02:22 • -19db
5% Popularity • 48% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
5% Popularity • 48% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Stephen Stubbs
Improvisation II on the Folia bass
107 bpm • B Maj • 06:44 • -23.25db
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Barbara Strozzi
Amor dormiglione
106 bpm • A Maj • 03:55 • -9.45db
18% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Giovanni Battista Bassani
La Morte Delusa: III. Se splende in un s...
108 bpm • A Maj • 03:23 • -22.66db
0% Popularity • 46% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 46% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Marchetto Cara
Io non compro più speranza
106 bpm • D Maj • 02:03 • -20.66db
4% Popularity • 52% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 52% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Praetorius
Terpsichore*: La Bouree
106 bpm • D Maj • 02:30 • -15.22db
17% Popularity • 65% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 65% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Marco Beasley
Serenata
108 bpm • G Maj • 03:37 • -15.91db
1% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Tarquinio Merula
Nigra sum
106 bpm • G Maj • 04:05 • -23.08db
1% Popularity • 32% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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Giovanni Girolamo Kapsberger
Capona / Ciaconna
106 bpm • C Maj • 04:02 • -15.08db
16% Popularity • 62% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 59% Positiveness
16% Popularity • 62% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 59% Positiveness
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Heinrich Isaac
Innsbruck ich muss dich lassen
109 bpm • C Maj • 02:47 • -25.83db
0% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
19% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
19% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Marco Beasley
Tarantella del Passariello
105 bpm • G min • 03:33 • -21.64db
2% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
17% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
17% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Giovanni Felice Sances
Tempo fù ch’io t’amai
105 bpm • G Maj • 05:27 • -23.16db
1% Popularity • 35% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 35% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Giacomo Gorzanis
Padoana del detto
105 bpm • D min • 01:52 • -22.51db
0% Popularity • 53% Danceability • 28% Energy • 16% Liveness
87% Instrumentalness • 52% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 16% Liveness
87% Instrumentalness • 52% Positiveness
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Girolamo Fantini
Prima entrata imperiale
109 bpm • C min • 03:34 • -19.13db
0% Popularity • 52% Danceability • 40% Energy • 57% Liveness
81% Instrumentalness • 27% Positiveness
0% Popularity • 52% Danceability • 40% Energy • 57% Liveness
81% Instrumentalness • 27% Positiveness
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John Dowland
Now, o now, I needs must part
105 bpm • E Maj • 04:32 • -22.5db
8% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 31% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Marco Beasley
L'amor, donna, ch'io te porto
109 bpm • G min • 01:43 • -17.11db
3% Popularity • 70% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
3% Popularity • 70% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Strozzi
Diporti di Euterpe, Op. 7: Lagrime mie
105 bpm • D# min • 09:48 • -25db
10% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Maurizio Cazzati
Regina coeli
105 bpm • F Maj • 04:07 • -20.28db
2% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Marchetto Cara
Mal un muta per effecto
109 bpm • C Maj • 03:11 • -16.45db
2% Popularity • 58% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 58% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Francesco Manelli
Acceso mio cuore (Ciaconna)
109 bpm • C Maj • 02:42 • -24.61db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Johann Christoph Bach
Der Mensch, vom Weibe geboren
109 bpm • G min • 03:38 • -23db
12% Popularity • 28% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Michael Praetorius
Terpsichore*: a. Volte b. Volte c. Volte
105 bpm • G Maj • 03:02 • -18db
12% Popularity • 63% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 63% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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John Johnson
Rogero
109 bpm • G Maj • 01:40 • -27.25db
20% Popularity • 44% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 30% Positiveness
20% Popularity • 44% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 30% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Marchetto Cara
Non e tempo
110 bpm • F Maj • 01:46 • -12.56db
1% Popularity • 54% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
1% Popularity • 54% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
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Adam Jarzębski
Venite exsultemus, concerto a due voci
110 bpm • D min • 05:57 • -20.34db
0% Popularity • 29% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
0% Popularity • 29% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
19% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
19% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Anónima
Di, perra mora
110 bpm • G# min • 03:28 • -11.39db
12% Popularity • 74% Danceability • 42% Energy • 9% Liveness
60% Instrumentalness • 89% Positiveness
12% Popularity • 74% Danceability • 42% Energy • 9% Liveness
60% Instrumentalness • 89% Positiveness
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John Dowland
Can She Excuse My Wrongs with Virtue's C...
110 bpm • A min • 02:49 • -22.22db
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Giorgio Mainerio
La saporita
110 bpm • E min • 03:33 • -20.79db
1% Popularity • 39% Danceability • 32% Energy • 15% Liveness
91% Instrumentalness • 66% Positiveness
1% Popularity • 39% Danceability • 32% Energy • 15% Liveness
91% Instrumentalness • 66% Positiveness
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Marchetto Cara
Bona dies, bona sera
110 bpm • F Maj • 01:11 • -21db
1% Popularity • 66% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 66% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kiya Tabassian
Fronni d'alia - Ey Sareban
104 bpm • A min • 07:52 • -16.62db
6% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
6% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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16th century
La Folia
110 bpm • F Maj • 02:14 • -28db
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Jacopo Fogliano
L'amor, donna, ch'io te porto: L'amor, d...
104 bpm • A# Maj • 01:50 • -22.6db
4% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Marco Beasley
Cammina cammina
111 bpm • A min • 01:45 • -15.24db
5% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Athanasius Kircher
Antidotum tarantulae
111 bpm • A min • 02:01 • -31.99db
21% Popularity • 43% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
21% Popularity • 43% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Montserrat Figueras
O Lux: Prosa - Flavit Auster (Codex De L...
103 bpm • C Maj • 03:21 • -18db
14% Popularity • 26% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Maria Trabaci
Canzon francese terza
103 bpm • A# min • 03:53 • -16.04db
1% Popularity • 25% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
1% Popularity • 25% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Jan AntonÃn Losy
Lute Suite in A Minor: II. Allemande
111 bpm • G min • 03:03 • -28.37db
14% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
14% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Clément Janequin
L'amour, la mort et la vie
111 bpm • D# Maj • 01:50 • -24db
11% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Giuseppe Giamberti
Virgo prudentissima
111 bpm • A# Maj • 03:11 • -17.49db
4% Popularity • 27% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 13% Positiveness
4% Popularity • 27% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 13% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
22% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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John Playford
The English Dancing Master: Parson's Far...
112 bpm • C Maj • 01:51 • -22.5db
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
102 bpm • G Maj • 04:35 • -21.17db
11% Popularity • 36% Danceability • 5% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
11% Popularity • 36% Danceability • 5% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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Orlande de Lassus
Bonjour, mon cœur
102 bpm • G Maj • 01:11 • -12.92db
16% Popularity • 31% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
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Marco Beasley
Per fuggir d'Amor le punte
112 bpm • D min • 03:14 • -20.04db
1% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Giorgio Mainerio
Tedesca (Seconda)
112 bpm • C Maj • 02:16 • -17.54db
1% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
24% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
24% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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Marchetto Cara
Poichè in van mia mente sogna
113 bpm • D Maj • 02:26 • -15.31db
2% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
38% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Adam Jarzębski
Concerto terzo, a due voci
102 bpm • A min • 03:12 • -20.7db
1% Popularity • 26% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
1% Popularity • 26% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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John Dowland
The First Booke of Songes: No. 9, Go cry...
101 bpm • G# min • 06:29 • -22.85db
8% Popularity • 16% Danceability • 5% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
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Giorgio Mainerio
Ballo milanese
102 bpm • C Maj • 02:33 • -28.09db
0% Popularity • 52% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 13% Positiveness
0% Popularity • 52% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 13% Positiveness
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Paolo Pandolfo
Toccata di tutti musici
113 bpm • D min • 03:07 • -20db
23% Popularity • 25% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Marco Beasley
Compendium Tarantulae
113 bpm • C Maj • 04:13 • -18.29db
1% Popularity • 53% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 66% Positiveness
1% Popularity • 53% Danceability • 32% Energy • 7% Liveness
86% Instrumentalness • 66% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nicolò Corradini
Spargite flores
113 bpm • C Maj • 04:40 • -24.57db
1% Popularity • 34% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 34% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Giorgio Mainerio
Ungaresca
113 bpm • C Maj • 03:25 • -16.24db
1% Popularity • 30% Danceability • 40% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 40% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Paolo Pandolfo
Foliandalus
113 bpm • G min • 07:31 • -26db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Luigi Rossi
Rossi: L'Orfeo, Act 2: "A l'imperio d'Am...
113 bpm • B Maj • 01:18 • -14db
9% Popularity • 53% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 53% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Claudio Monteverdi
Sfogava con le stelle
113 bpm • D min • 03:34 • -22.94db
12% Popularity • 21% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Cristofano Malvezzi
All'imperio d'Amore: 2. O fortunato gior...
113 bpm • G min • 03:12 • -15db
10% Popularity • 22% Danceability • 26% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 26% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Marchetto Cara
Non e tempo d'aspectare
100 bpm • F Maj • 03:11 • -22.09db
1% Popularity • 49% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
1% Popularity • 49% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Giorgio Mainerio
Gagliarda
114 bpm • A Maj • 01:50 • -20.29db
1% Popularity • 50% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 50% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Giovanni Battista Bassani
La Morte Delusa: I. Sinfonia avanti l'or...
114 bpm • G Maj • 02:02 • -22.68db
0% Popularity • 58% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
0% Popularity • 58% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Giacomo Gorzanis
Passo e mezzo Antico Primo
100 bpm • C min • 02:41 • -27db
0% Popularity • 60% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 60% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Public Domain
Vicariota
114 bpm • A# min • 05:21 • -24.45db
0% Popularity • 36% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
0% Popularity • 36% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Massimiliano Neri
Sonata Sesta à 5
114 bpm • C Maj • 04:39 • -18.24db
0% Popularity • 36% Danceability • 21% Energy • 8% Liveness
70% Instrumentalness • 25% Positiveness
0% Popularity • 36% Danceability • 21% Energy • 8% Liveness
70% Instrumentalness • 25% Positiveness
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Giuseppe De Vittorio
Stu pettu è fattu cimbalu d'amuri
100 bpm • G min • 04:30 • -24db
10% Popularity • 50% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 50% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Emireno, R.345.32: II. Senti, senti ch�...
100 bpm • D min • 01:56 • -21.18db
0% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
31% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
31% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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The Hilliard Ensemble
Missa "Mille Regretz": Gloria (Morales)
100 bpm • B Maj • 04:08 • -20.31db
7% Popularity • 16% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
7% Popularity • 16% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Adam Jarzębski
Cantate Joh. Gabrielis, concerto a due v...
100 bpm • G min • 03:40 • -22.53db
0% Popularity • 26% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
0% Popularity • 26% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
