Songs like Othello by Yussef Dayes
Based on a tempo of (+/- 10%) and a similar genre
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![Turismo [Feat. Julia Shuren] cover art](https://i.scdn.co/image/ab67616d00001e02283645517aa596c6e3a5d645)
Butcher Brown
Turismo [Julia Shuren]
127 bpm • A min • 01:53 • -7.73db
29% Popularity • 65% Danceability • 92% Energy • 9% Liveness
82% Instrumentalness • 61% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 9% Liveness
82% Instrumentalness • 61% Positiveness
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Yussef Kamaal
Lowrider - Mixed
128 bpm • C# Maj • 03:02 • -7.96db
32% Popularity • 54% Danceability • 79% Energy • 10% Liveness
86% Instrumentalness • 89% Positiveness
32% Popularity • 54% Danceability • 79% Energy • 10% Liveness
86% Instrumentalness • 89% Positiveness
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Alfa Mist
Door
126 bpm • D min • 04:07 • -11.62db
42% Popularity • 50% Danceability • 51% Energy • 12% Liveness
46% Instrumentalness • 24% Positiveness
42% Popularity • 50% Danceability • 51% Energy • 12% Liveness
46% Instrumentalness • 24% Positiveness
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Kamaal Williams
The Guvna
128 bpm • A# min • 04:00 • -12.09db
29% Popularity • 69% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
29% Popularity • 69% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Yussef Dayes
Othello
126 bpm • A Maj • 06:12 • -11db
25% Popularity • 41% Danceability • 83% Energy • 9% Liveness
76% Instrumentalness • 25% Positiveness
25% Popularity • 41% Danceability • 83% Energy • 9% Liveness
76% Instrumentalness • 25% Positiveness
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Underground Canopy
Stoopid Game
126 bpm • A min • 04:18 • -12.32db
39% Popularity • 62% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
39% Popularity • 62% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Butcher Brown
VA Noir
127 bpm • G Maj • 01:45 • -9db
34% Popularity • 71% Danceability • 51% Energy • 25% Liveness
35% Instrumentalness • 26% Positiveness
34% Popularity • 71% Danceability • 51% Energy • 25% Liveness
35% Instrumentalness • 26% Positiveness
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Yussef Kamaal
Lowrider
126 bpm • F min • 04:28 • -10db
38% Popularity • 53% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Chiminyo
Slk
129 bpm • G# min • 04:56 • -11.06db
13% Popularity • 48% Danceability • 53% Energy • 71% Liveness
65% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 53% Energy • 71% Liveness
65% Instrumentalness • 47% Positiveness
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Surprise Chef
Drinking from the Cup of Bob Knob
129 bpm • D min • 03:59 • -10.59db
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
46% Popularity • 60% Danceability • 34% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
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Yussef Dayes
Rhythms of Xango - Live at Joshua Tree
129 bpm • F# Maj • 01:58 • -18.72db
34% Popularity • 70% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 35% Positiveness
34% Popularity • 70% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 35% Positiveness
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Jeremy Talon
Stank Face Patrol
125 bpm • F min • 03:15 • -7.32db
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
30% Popularity • 76% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Oscar Jerome
Gravitate
125 bpm • G# min • 05:42 • -9db
35% Popularity • 71% Danceability • 71% Energy • 17% Liveness
13% Instrumentalness • 85% Positiveness
35% Popularity • 71% Danceability • 71% Energy • 17% Liveness
13% Instrumentalness • 85% Positiveness
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Theo Croker
ROYAL CONVERSATION
125 bpm • C Maj • 04:45 • -10.6db
24% Popularity • 56% Danceability • 73% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
24% Popularity • 56% Danceability • 73% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
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Alfa Mist
Falling
125 bpm • E min • 04:12 • -14.76db
33% Popularity • 43% Danceability • 29% Energy • 19% Liveness
83% Instrumentalness • 11% Positiveness
33% Popularity • 43% Danceability • 29% Energy • 19% Liveness
83% Instrumentalness • 11% Positiveness
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Melodiesinfonie
Waterdrops - Outro
129 bpm • C Maj • 01:32 • -18.28db
41% Popularity • 52% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
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Gotts Street Park
Tell Me Why
129 bpm • B Maj • 03:51 • -10.83db
51% Popularity • 76% Danceability • 27% Energy • 11% Liveness
25% Instrumentalness • 36% Positiveness
51% Popularity • 76% Danceability • 27% Energy • 11% Liveness
25% Instrumentalness • 36% Positiveness
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Kamaal Williams
Dogtown
125 bpm • C# min • 06:30 • -13.41db
34% Popularity • 33% Danceability • 78% Energy • 9% Liveness
87% Instrumentalness • 63% Positiveness
34% Popularity • 33% Danceability • 78% Energy • 9% Liveness
87% Instrumentalness • 63% Positiveness
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Ruby Rushton
Yardley Suite
125 bpm • A# min • 03:55 • -11.42db
31% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
31% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
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Terrace Martin
Final Thought
124 bpm • A# min • 10:06 • -8.67db
17% Popularity • 47% Danceability • 63% Energy • 26% Liveness
89% Instrumentalness • 18% Positiveness
17% Popularity • 47% Danceability • 63% Energy • 26% Liveness
89% Instrumentalness • 18% Positiveness
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Alfa Mist
What If / Interlude
124 bpm • F min • 01:24 • -14db
53% Popularity • 51% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 42% Positiveness
53% Popularity • 51% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 42% Positiveness
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Melodiesinfonie
Light
130 bpm • D min • 02:18 • -8.18db
43% Popularity • 72% Danceability • 36% Energy • 30% Liveness
16% Instrumentalness • 75% Positiveness
43% Popularity • 72% Danceability • 36% Energy • 30% Liveness
16% Instrumentalness • 75% Positiveness
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Kokoroko
Carry Me Home
130 bpm • A# min • 05:27 • -10.84db
44% Popularity • 41% Danceability • 75% Energy • 41% Liveness
64% Instrumentalness • 80% Positiveness
44% Popularity • 41% Danceability • 75% Energy • 41% Liveness
64% Instrumentalness • 80% Positiveness
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JSPHYNX
Reflex
130 bpm • A min • 07:55 • -9db
21% Popularity • 41% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
21% Popularity • 41% Danceability • 74% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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Joe Armon-Jones
Easy Now
124 bpm • F# Maj • 02:52 • -12.19db
37% Popularity • 54% Danceability • 60% Energy • 42% Liveness
87% Instrumentalness • 27% Positiveness
37% Popularity • 54% Danceability • 60% Energy • 42% Liveness
87% Instrumentalness • 27% Positiveness
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Athletic Progression
Convoy
130 bpm • D# min • 04:31 • -9.76db
29% Popularity • 57% Danceability • 38% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
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Marquis Hill
Cleanse - (The Waters) - Braxton Cook
124 bpm • F# Maj • 04:11 • -8.99db
31% Popularity • 47% Danceability • 67% Energy • 22% Liveness
3% Instrumentalness • 45% Positiveness
31% Popularity • 47% Danceability • 67% Energy • 22% Liveness
3% Instrumentalness • 45% Positiveness
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Makaya McCraven
Inner Flight
131 bpm • E min • 03:02 • -14.83db
35% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
35% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Harleighblu
Untitled - Interlude
130 bpm • G# min • 01:32 • -9.46db
38% Popularity • 52% Danceability • 46% Energy • 38% Liveness
97% Instrumentalness • 61% Positiveness
38% Popularity • 52% Danceability • 46% Energy • 38% Liveness
97% Instrumentalness • 61% Positiveness
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Yussef Dayes
Gelato
131 bpm • G Maj • 04:46 • -13.9db
37% Popularity • 63% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
37% Popularity • 63% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Kamaal Williams
Save Me
123 bpm • A# min • 05:58 • -8.54db
24% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
24% Popularity • 74% Danceability • 72% Energy • 11% Liveness
66% Instrumentalness • 81% Positiveness
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Joe Armon-Jones
SE Discotheque
123 bpm • F min • 04:12 • -16.48db
31% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
31% Popularity • 53% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Kokoroko
Uman
123 bpm • G min • 05:12 • -10db
38% Popularity • 68% Danceability • 62% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
38% Popularity • 68% Danceability • 62% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
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DOMi & JD BECK
MOON
123 bpm • F min • 04:31 • -10.8db
40% Popularity • 68% Danceability • 75% Energy • 25% Liveness
91% Instrumentalness • 78% Positiveness
40% Popularity • 68% Danceability • 75% Energy • 25% Liveness
91% Instrumentalness • 78% Positiveness
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corto.alto
EJS
131 bpm • G min • 02:13 • -10.51db
28% Popularity • 58% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 40% Positiveness
28% Popularity • 58% Danceability • 65% Energy • 14% Liveness
47% Instrumentalness • 40% Positiveness
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Resavoir
Escalator - Demo Version
131 bpm • B min • 02:45 • -12.56db
33% Popularity • 59% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 44% Positiveness
33% Popularity • 59% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 44% Positiveness
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Kinkajous
Black Idiom, Pt. 1
131 bpm • G min • 02:32 • -12.59db
30% Popularity • 46% Danceability • 43% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 46% Danceability • 43% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Yussef Dayes
For My Ladies
131 bpm • C# min • 05:41 • -11db
45% Popularity • 46% Danceability • 48% Energy • 20% Liveness
92% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 48% Energy • 20% Liveness
92% Instrumentalness • 42% Positiveness
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Tom Misch
I Did It For You
122 bpm • D Maj • 04:01 • -11.11db
42% Popularity • 60% Danceability • 67% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
42% Popularity • 60% Danceability • 67% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Kokoroko
Adwa
123 bpm • A min • 05:56 • -10.3db
41% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
41% Popularity • 48% Danceability • 80% Energy • 31% Liveness
77% Instrumentalness • 69% Positiveness
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Athletic Progression
Jupiter
122 bpm • C Maj • 02:48 • -15db
34% Popularity • 39% Danceability • 56% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
34% Popularity • 39% Danceability • 56% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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I Am An Instrument
Part II
132 bpm • E min • 01:20 • -18.52db
53% Popularity • 77% Danceability • 26% Energy • 14% Liveness
82% Instrumentalness • 65% Positiveness
53% Popularity • 77% Danceability • 26% Energy • 14% Liveness
82% Instrumentalness • 65% Positiveness
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NIJI
Somewhere in the Middle
122 bpm • B min • 03:04 • -4.79db
13% Popularity • 61% Danceability • 95% Energy • 47% Liveness
92% Instrumentalness • 60% Positiveness
13% Popularity • 61% Danceability • 95% Energy • 47% Liveness
92% Instrumentalness • 60% Positiveness
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Arjuna Oakes
Escapism
132 bpm • C# Maj • 03:31 • -15.45db
22% Popularity • 70% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
22% Popularity • 70% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Hiatus Kaiyote
Rose Water
122 bpm • C Maj • 03:59 • -9db
42% Popularity • 41% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 41% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Yazmin Lacey
From A Lover
133 bpm • A# min • 02:55 • -7.15db
47% Popularity • 63% Danceability • 83% Energy • 15% Liveness
66% Instrumentalness • 72% Positiveness
47% Popularity • 63% Danceability • 83% Energy • 15% Liveness
66% Instrumentalness • 72% Positiveness
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Underground Canopy
Hors d'Oeuvre
121 bpm • C# Maj • 05:39 • -12.52db
26% Popularity • 58% Danceability • 65% Energy • 10% Liveness
78% Instrumentalness • 35% Positiveness
26% Popularity • 58% Danceability • 65% Energy • 10% Liveness
78% Instrumentalness • 35% Positiveness
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Joe Armon-Jones
Tanner's Tango
121 bpm • G# min • 04:45 • -9.75db
23% Popularity • 50% Danceability • 58% Energy • 31% Liveness
66% Instrumentalness • 61% Positiveness
23% Popularity • 50% Danceability • 58% Energy • 31% Liveness
66% Instrumentalness • 61% Positiveness
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Ebi Soda
Libre
121 bpm • C# min • 03:39 • -9.68db
33% Popularity • 49% Danceability • 73% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
33% Popularity • 49% Danceability • 73% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Gotts Street Park
Shiloh
134 bpm • B min • 02:39 • -13.46db
35% Popularity • 78% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 52% Positiveness
35% Popularity • 78% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 52% Positiveness
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Ezra Collective
Reason in Disguise
134 bpm • B Maj • 03:41 • -13db
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
6% Instrumentalness • 65% Positiveness
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
6% Instrumentalness • 65% Positiveness
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![Tojo (Eun Remix) [feat. Demae] cover art](https://i.scdn.co/image/ab67616d00001e02a6cd2dc6665449e0fd3a026b)
Kokoroko
Tojo (Eun Remix)
120 bpm • B min • 02:44 • -13.09db
33% Popularity • 66% Danceability • 61% Energy • 66% Liveness
69% Instrumentalness • 32% Positiveness
33% Popularity • 66% Danceability • 61% Energy • 66% Liveness
69% Instrumentalness • 32% Positiveness
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Move 78
Follow the Earworm
134 bpm • C min • 02:35 • -13db
45% Popularity • 72% Danceability • 73% Energy • 41% Liveness
95% Instrumentalness • 93% Positiveness
45% Popularity • 72% Danceability • 73% Energy • 41% Liveness
95% Instrumentalness • 93% Positiveness
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Underground Canopy
Danse Dorée
120 bpm • A min • 02:45 • -12.89db
42% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
42% Popularity • 65% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Javier Santiago
Tomorrow
120 bpm • B Maj • 06:01 • -9.18db
16% Popularity • 30% Danceability • 71% Energy • 16% Liveness
75% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 71% Energy • 16% Liveness
75% Instrumentalness • 19% Positiveness
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Snazzback
Ruins Everything
134 bpm • E min • 04:01 • -8.28db
19% Popularity • 58% Danceability • 81% Energy • 13% Liveness
61% Instrumentalness • 53% Positiveness
19% Popularity • 58% Danceability • 81% Energy • 13% Liveness
61% Instrumentalness • 53% Positiveness
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Joe Armon-Jones
Midnite Oil - Sparkzzz
120 bpm • A# min • 03:16 • -15.74db
45% Popularity • 70% Danceability • 37% Energy • 35% Liveness
90% Instrumentalness • 40% Positiveness
45% Popularity • 70% Danceability • 37% Energy • 35% Liveness
90% Instrumentalness • 40% Positiveness
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Melodiesinfonie
Orion - Interlude
120 bpm • D# min • 01:21 • -11.55db
39% Popularity • 78% Danceability • 52% Energy • 9% Liveness
18% Instrumentalness • 91% Positiveness
39% Popularity • 78% Danceability • 52% Energy • 9% Liveness
18% Instrumentalness • 91% Positiveness
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Matthew Halsall
Mountains, Trees and Seas
120 bpm • B min • 05:06 • -12.85db
38% Popularity • 72% Danceability • 42% Energy • 43% Liveness
89% Instrumentalness • 42% Positiveness
38% Popularity • 72% Danceability • 42% Energy • 43% Liveness
89% Instrumentalness • 42% Positiveness
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Terrace Martin
Sweeter
120 bpm • G min • 07:06 • -10.55db
14% Popularity • 74% Danceability • 29% Energy • 12% Liveness
40% Instrumentalness • 32% Positiveness
14% Popularity • 74% Danceability • 29% Energy • 12% Liveness
40% Instrumentalness • 32% Positiveness
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Javier Santiago
River Song
120 bpm • C# min • 07:25 • -5.57db
21% Popularity • 48% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
21% Popularity • 48% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Tara Lily
6 Feet Down
120 bpm • D min • 02:48 • -12.17db
39% Popularity • 59% Danceability • 46% Energy • 11% Liveness
57% Instrumentalness • 16% Positiveness
39% Popularity • 59% Danceability • 46% Energy • 11% Liveness
57% Instrumentalness • 16% Positiveness
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Yussef Dayes
Chasing the Drum
135 bpm • G# Maj • 05:40 • -10.59db
38% Popularity • 64% Danceability • 70% Energy • 11% Liveness
33% Instrumentalness • 72% Positiveness
38% Popularity • 64% Danceability • 70% Energy • 11% Liveness
33% Instrumentalness • 72% Positiveness
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corto.alto
Hello
120 bpm • A min • 02:55 • -10.15db
27% Popularity • 59% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 23% Positiveness
27% Popularity • 59% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 23% Positiveness
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Tanhai Collective
The Interlude
120 bpm • C# Maj • 00:56 • -12db
42% Popularity • 75% Danceability • 75% Energy • 8% Liveness
95% Instrumentalness • 65% Positiveness
42% Popularity • 75% Danceability • 75% Energy • 8% Liveness
95% Instrumentalness • 65% Positiveness
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Kamaal Williams
Repercussions
135 bpm • D min • 04:22 • -15.77db
27% Popularity • 73% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
27% Popularity • 73% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
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Matthew Halsall
An Ever Changing View
135 bpm • C Maj • 06:32 • -12.02db
48% Popularity • 70% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
48% Popularity • 70% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Reuben James
Peaches & Whiskey
135 bpm • C# Maj • 01:52 • -14.76db
43% Popularity • 55% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
43% Popularity • 55% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Yussef Kamaal
Remembrance
135 bpm • G# min • 09:00 • -10.1db
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Moses Yoofee Trio
OCEAN
135 bpm • E min • 03:12 • -8.45db
31% Popularity • 22% Danceability • 75% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
31% Popularity • 22% Danceability • 75% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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Yazmin Lacey
Flylo Tweet
136 bpm • A Maj • 02:00 • -11.29db
39% Popularity • 41% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 41% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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oreglo
levels
136 bpm • C min • 06:06 • -7.2db
20% Popularity • 64% Danceability • 71% Energy • 20% Liveness
59% Instrumentalness • 36% Positiveness
20% Popularity • 64% Danceability • 71% Energy • 20% Liveness
59% Instrumentalness • 36% Positiveness
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Alfa Mist
Foreword
136 bpm • D min • 06:43 • -9.3db
37% Popularity • 32% Danceability • 69% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 69% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
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Yussef Dayes
Jamaican Links
136 bpm • A# Maj • 01:45 • -13.54db
40% Popularity • 60% Danceability • 50% Energy • 80% Liveness
26% Instrumentalness • 66% Positiveness
40% Popularity • 60% Danceability • 50% Energy • 80% Liveness
26% Instrumentalness • 66% Positiveness
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Underground Canopy
Feelm Intermission
136 bpm • C Maj • 01:04 • -13.78db
58% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
58% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Moses Yoofee Trio
RICHMOND
119 bpm • A# min • 04:12 • -8.24db
31% Popularity • 52% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
31% Popularity • 52% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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DARGZ
Something I'm Used To
118 bpm • C# Maj • 01:10 • -11.09db
52% Popularity • 61% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
52% Popularity • 61% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Don Glori
Dlareme
118 bpm • F Maj • 06:07 • -11.93db
41% Popularity • 66% Danceability • 68% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
41% Popularity • 66% Danceability • 68% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Azamiah
Bedroom
118 bpm • C# Maj • 06:07 • -14.68db
27% Popularity • 67% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 62% Positiveness
27% Popularity • 67% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 62% Positiveness
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Yussef Dayes
Early Dayes
118 bpm • C# Maj • 00:34 • -23.6db
34% Popularity • 29% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 29% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 14% Positiveness
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Kamaal Williams
Stings
118 bpm • A# Maj • 04:50 • -12.94db
29% Popularity • 44% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 20% Positiveness
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Nubya Garcia
The Message Continues
117 bpm • C# Maj • 06:44 • -10.33db
35% Popularity • 43% Danceability • 58% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
35% Popularity • 43% Danceability • 58% Energy • 8% Liveness
74% Instrumentalness • 34% Positiveness
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Underground Canopy
Feelm
138 bpm • D min • 04:06 • -10.51db
43% Popularity • 62% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
43% Popularity • 62% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Kokoroko
Soul Searching
117 bpm • C# Maj • 03:35 • -9.46db
33% Popularity • 40% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
33% Popularity • 40% Danceability • 74% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
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Snazzback
Reading
138 bpm • E min • 10:05 • -14.07db
15% Popularity • 49% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
15% Popularity • 49% Danceability • 44% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Yoni Mayraz
The Master Wore a White Robe
138 bpm • A min • 03:06 • -9.16db
22% Popularity • 28% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 28% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Kamaal Williams
1989
117 bpm • F# Maj • 03:22 • -12db
31% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
31% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
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Ezra Collective
Dark Side Riddim
117 bpm • A# min • 05:14 • -8.16db
36% Popularity • 73% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 66% Positiveness
36% Popularity • 73% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 66% Positiveness
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Okvsho
Moksha/Liberation
117 bpm • C# Maj • 04:46 • -11.56db
26% Popularity • 68% Danceability • 62% Energy • 8% Liveness
58% Instrumentalness • 6% Positiveness
26% Popularity • 68% Danceability • 62% Energy • 8% Liveness
58% Instrumentalness • 6% Positiveness
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Tom Misch
Lift Off
139 bpm • C# Maj • 05:18 • -9.88db
43% Popularity • 49% Danceability • 57% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
43% Popularity • 49% Danceability • 57% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
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Laura Misch
Hide To Seek
116 bpm • C# min • 04:46 • -12.18db
43% Popularity • 54% Danceability • 62% Energy • 36% Liveness
57% Instrumentalness • 32% Positiveness
43% Popularity • 54% Danceability • 62% Energy • 36% Liveness
57% Instrumentalness • 32% Positiveness
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Butcher Brown
Nice
139 bpm • D Maj • 01:39 • -11.47db
39% Popularity • 50% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 50% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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Bokoya
Soft Herbs
139 bpm • G# Maj • 01:02 • -16.53db
49% Popularity • 40% Danceability • 49% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
49% Popularity • 40% Danceability • 49% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
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Okvsho
Between Us
140 bpm • C# min • 02:54 • -10.68db
40% Popularity • 69% Danceability • 36% Energy • 8% Liveness
76% Instrumentalness • 29% Positiveness
40% Popularity • 69% Danceability • 36% Energy • 8% Liveness
76% Instrumentalness • 29% Positiveness
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The Brothers Nylon
Beach Comber
140 bpm • G Maj • 01:58 • -9.54db
43% Popularity • 66% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
43% Popularity • 66% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Golden Mean
Miniature
140 bpm • F Maj • 01:28 • -13.29db
27% Popularity • 61% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 72% Positiveness
27% Popularity • 61% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 72% Positiveness
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corto.alto
Bye
140 bpm • G# min • 04:53 • -11.11db
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
