Songs like Oualé by -M-
Based on a tempo of (+/- 10%) and a similar genre
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Hubert-Félix Thiéfaine
Les filles du sud
143 bpm • D Maj • 05:03 • -6.52db
14% Popularity • 46% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 46% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Je suis moi
143 bpm • E min • 03:20 • -5.37db
16% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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-M-
Oualé
143 bpm • A# Maj • 04:04 • -20.16db
9% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ours
La Cafard des fanfares
144 bpm • B min • 04:18 • -9db
13% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Clara Luciani
Qu'est-ce que t'es beau
142 bpm • C Maj • 03:59 • -6.36db
37% Popularity • 70% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 70% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Tété
À la faveur de l'automne
142 bpm • G Maj • 03:43 • -7.19db
53% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tiken Jah Fakoly
Ouvrez les frontières - Acoustic Versio...
142 bpm • G# min • 02:53 • -6.64db
31% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Guérir
143 bpm • A min • 05:15 • -7db
13% Popularity • 38% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 38% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Da Silva
L'indécision
142 bpm • B min • 03:05 • -5.45db
54% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Camille
Je ne mâche pas mes mots
142 bpm • C Maj • 02:37 • -9.52db
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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-M-
Océan
142 bpm • C# min • 03:50 • -8.92db
14% Popularity • 65% Danceability • 81% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
14% Popularity • 65% Danceability • 81% Energy • 10% Liveness
52% Instrumentalness • 62% Positiveness
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Arnaud Fleurent-Didier
Imbécile heureux
142 bpm • F Maj • 03:25 • -9.71db
15% Popularity • 58% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 58% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Daniel Darc
La taille de mon âme
144 bpm • A min • 03:44 • -13.41db
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Grand Corps Malade
Te manquer
145 bpm • E min • 04:06 • -8.01db
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Les absents ont toujours tort
145 bpm • G# Maj • 02:31 • -12.32db
15% Popularity • 60% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 60% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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France Gall
Quand on n'a plus rien à perdre - Remas...
146 bpm • B min • 03:43 • -8db
39% Popularity • 66% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 66% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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-M-
L'autre paradis
144 bpm • G min • 03:50 • -13.33db
20% Popularity • 57% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
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Seb Martel
MattJam
146 bpm • E min • 02:07 • -14.99db
6% Popularity • 29% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 26% Positiveness
6% Popularity • 29% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 26% Positiveness
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Clara Luciani
CÅ“ur
140 bpm • E Maj • 03:49 • -5.92db
49% Popularity • 46% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 46% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Les Innocents
Love qui peut
146 bpm • F Maj • 03:40 • -8db
21% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Gyraf
O mon ami
140 bpm • A min • 03:04 • -10.18db
6% Popularity • 68% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 68% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Louis Chedid
Tu peux compter sur moi
140 bpm • G# Maj • 02:34 • -10.56db
22% Popularity • 77% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 77% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ours
Petit jeu
140 bpm • D# Maj • 03:17 • -7.03db
28% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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William Sheller
Comme je m'ennuie de toi
140 bpm • C Maj • 02:35 • -9db
25% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
25% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Délivre
146 bpm • E min • 02:52 • -14.09db
10% Popularity • 52% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
10% Popularity • 52% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
33% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Philippe Katerine
Duo (avec Angèle et Chilly Gonzales)
140 bpm • B min • 03:58 • -10.88db
44% Popularity • 75% Danceability • 48% Energy • 19% Liveness
5% Instrumentalness • 66% Positiveness
44% Popularity • 75% Danceability • 48% Energy • 19% Liveness
5% Instrumentalness • 66% Positiveness
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Michel Berger
Le paradis blanc - Remasterisé en 2002
140 bpm • A# min • 06:36 • -11.32db
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Grand Corps Malade
À Montréal
139 bpm • G min • 03:08 • -8.32db
19% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Saez
L'oiseau liberté
139 bpm • E min • 06:06 • -15.31db
34% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Anne ma soeur Anne
138 bpm • G min • 02:11 • -10.51db
14% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Hubert-Félix Thiéfaine
Infinitives voiles
148 bpm • E min • 05:52 • -6.84db
16% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Arnaud Fleurent-Didier
Ne sois pas trop exigeant
138 bpm • D min • 05:15 • -12.08db
10% Popularity • 32% Danceability • 47% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
10% Popularity • 32% Danceability • 47% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
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Michel Berger
Je reviens de loin - Remasterisé en 200...
139 bpm • E min • 02:36 • -9.59db
19% Popularity • 40% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 40% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Jeanne Cherhal
Un couple normal
138 bpm • D Maj • 04:45 • -9.03db
25% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lady Sir
Je rêve d'ailleurs
148 bpm • E Maj • 04:04 • -10.13db
35% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
35% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
35% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
35% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Pauline Croze
T'es beau
138 bpm • C# min • 02:43 • -10.19db
52% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Grand Corps Malade
La traversée
148 bpm • G# Maj • 04:19 • -5.59db
39% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Clara Ysé
Lettre à M
137 bpm • A# min • 02:22 • -10.41db
46% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Saez
Que tout est noir
137 bpm • D# Maj • 05:36 • -15.65db
26% Popularity • 53% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 53% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Tarmac
Tordu Tour Du Monde
137 bpm • G Maj • 02:23 • -21.22db
27% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
27% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
40% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
40% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Alain Souchon
Bonjour tristesse
149 bpm • C Maj • 03:23 • -10db
14% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Alain Chamfort
Les microsillons
137 bpm • A Maj • 03:55 • -17db
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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-M-
Les mots bleus - Live 2020
150 bpm • A min • 03:31 • -11.49db
22% Popularity • 79% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 79% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Mano Solo
Je suis venu vous voir
137 bpm • D# Maj • 03:54 • -9db
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Clara Luciani
Bovary
150 bpm • C Maj • 03:04 • -9.06db
30% Popularity • 48% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
30% Popularity • 48% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Grand Corps Malade
Quand nous aurons cent ans
150 bpm • C# Maj • 02:57 • -9.1db
15% Popularity • 57% Danceability • 59% Energy • 10% Liveness
58% Instrumentalness • 65% Positiveness
15% Popularity • 57% Danceability • 59% Energy • 10% Liveness
58% Instrumentalness • 65% Positiveness
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Camille
Langue
136 bpm • G# Maj • 02:51 • -19.16db
18% Popularity • 54% Danceability • 16% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
18% Popularity • 54% Danceability • 16% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Da Silva
Les plus belles lettres
150 bpm • C min • 03:00 • -7.17db
35% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Arthur H
Est-ce que tu aimes ?
136 bpm • E min • 03:30 • -7db
38% Popularity • 72% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
38% Popularity • 72% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Hubert-Félix Thiéfaine
Trois poèmes pour Annabel Lee
136 bpm • D# min • 05:16 • -8.75db
23% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jacques Higelin
La rousse au chocolat
136 bpm • C Maj • 03:42 • -10db
23% Popularity • 30% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 30% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Buridane
Vice et vertu
151 bpm • F# min • 03:48 • -12.02db
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Tu peux compter sur moi
151 bpm • G Maj • 02:21 • -8.51db
23% Popularity • 61% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 61% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Noé Preszow
Faire les choses bien
135 bpm • B min • 03:44 • -9.69db
45% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 76% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Mademoiselle K
Plus le cœur à ça
136 bpm • A min • 04:18 • -10.51db
23% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Hubert-Félix Thiéfaine
Angélus
136 bpm • C# min • 03:19 • -5.44db
23% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Dutronc
Aragon
135 bpm • D min • 03:56 • -6.16db
26% Popularity • 64% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
26% Popularity • 64% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Noir Désir
Des armes
135 bpm • E min • 02:48 • -13.86db
41% Popularity • 39% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Qui de nous deux ?
135 bpm • F Maj • 04:17 • -6.58db
14% Popularity • 41% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 41% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Jeanne Cherhal
Comme Je T'Attends
135 bpm • F# Maj • 02:38 • -17db
27% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Alain Souchon
Ecoutez d'où ma peine vient
152 bpm • B min • 03:02 • -8db
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
28% Popularity • 66% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 64% Positiveness
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Saez
On n'a pas la thune
152 bpm • A# Maj • 02:57 • -9.99db
43% Popularity • 69% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 69% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Ibrahim Maalouf
Bambino
134 bpm • A Maj • 03:40 • -10.87db
34% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 73% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Têtes Raides
Oublie cette chanson
152 bpm • A# min • 02:24 • -11.95db
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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-M-
C'est pas ta faute
134 bpm • A Maj • 03:46 • -11.45db
24% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jeanne Cherhal
Douze fois par an
134 bpm • A min • 02:32 • -13db
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Oh oui je t'aime
134 bpm • C# min • 02:47 • -6.2db
16% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 66% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Saez
À nos amours
133 bpm • D# Maj • 05:32 • -15.92db
41% Popularity • 60% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
41% Popularity • 60% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Michel Berger
Vivre
133 bpm • G Maj • 03:56 • -7.49db
53% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Stephan Eicher
Autour De Ton Cou
154 bpm • A min • 03:04 • -9.96db
31% Popularity • 39% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 39% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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-M-
Bonoboo
133 bpm • C# min • 03:07 • -10.21db
21% Popularity • 68% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 68% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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William Sheller
Vienne
133 bpm • G# Maj • 04:25 • -13.22db
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Louis, Matthieu, Joseph & Anna Chedid
Ce qu'ils deviennent
132 bpm • F Maj • 03:39 • -8.39db
28% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Da Silva
La traversée
132 bpm • A min • 01:54 • -11.22db
37% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Marie-Flore
Sur la pente
132 bpm • A min • 03:59 • -9.88db
24% Popularity • 46% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Michel Jonasz
Les vacances au bord de la mer
132 bpm • D# Maj • 02:51 • -13.92db
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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-M-
À tes souhaits
133 bpm • A min • 02:58 • -7.33db
28% Popularity • 65% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 65% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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NACH
Lève-toi
132 bpm • F# min • 04:33 • -7.38db
12% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 60% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Les Rita Mitsouko
Alors c'est quoi
132 bpm • G Maj • 03:41 • -6db
29% Popularity • 53% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 53% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Alain Souchon
Presque
132 bpm • B Maj • 03:16 • -8.44db
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Véronique Sanson
Vole - Version 2020
132 bpm • A min • 03:13 • -5.65db
43% Popularity • 69% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 69% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Albin de la Simone
J'aime Lire
132 bpm • G# Maj • 03:22 • -8.21db
21% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
39% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
39% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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-M-
Superchérie
132 bpm • G Maj • 03:43 • -9.63db
46% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Michel Berger
Pour me comprendre - Remasterisé en 200...
132 bpm • E min • 03:37 • -8.31db
34% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 41% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Clarika
Lâche-Moi
132 bpm • G min • 03:20 • -9.14db
10% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jeanne Cherhal
L'An 40
156 bpm • F# Maj • 03:08 • -11.37db
28% Popularity • 35% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
28% Popularity • 35% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
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Charlelie Couture
Partie sans rien dire
131 bpm • C min • 03:29 • -15db
25% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Les Rita Mitsouko
Communiqueur d'amour
156 bpm • E min • 03:46 • -5db
29% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
29% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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-M-
Le Bonheur
155 bpm • B Maj • 03:06 • -11db
32% Popularity • 43% Danceability • 28% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
32% Popularity • 43% Danceability • 28% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
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Grand Turn
Escape
131 bpm • F# Maj • 03:18 • -3.92db
7% Popularity • 50% Danceability • 82% Energy • 41% Liveness
45% Instrumentalness • 30% Positiveness
7% Popularity • 50% Danceability • 82% Energy • 41% Liveness
45% Instrumentalness • 30% Positiveness
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Les Innocents
J'ai couru
156 bpm • F# min • 03:05 • -7db
20% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness