Songs like Our Borrowed Time by Alexander Roeder
Based on a tempo of (+/- 10%) and a similar genre
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Pinar Toprak
Heart of the Beast
90 bpm • D Maj • 02:37 • -7.77db
19% Popularity • 42% Danceability • 85% Energy • 20% Liveness
96% Instrumentalness • 22% Positiveness
19% Popularity • 42% Danceability • 85% Energy • 20% Liveness
96% Instrumentalness • 22% Positiveness
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Antti Martikainen
Escalation
90 bpm • D Maj • 02:03 • -8.79db
11% Popularity • 42% Danceability • 96% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
11% Popularity • 42% Danceability • 96% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Aakaash Rao
Pandora's Heart
90 bpm • C# Maj • 02:16 • -13.55db
25% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
25% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
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Will Savino
Hordebreaker
90 bpm • E min • 03:06 • -10.88db
19% Popularity • 62% Danceability • 91% Energy • 6% Liveness
92% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 91% Energy • 6% Liveness
92% Instrumentalness • 50% Positiveness
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Tim Wynn
Break the Line
90 bpm • F min • 01:30 • -12db
27% Popularity • 56% Danceability • 64% Energy • 9% Liveness
59% Instrumentalness • 50% Positiveness
27% Popularity • 56% Danceability • 64% Energy • 9% Liveness
59% Instrumentalness • 50% Positiveness
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Filippo Beck Peccoz
The Death of Noboru
90 bpm • G# Maj • 04:35 • -15.84db
8% Popularity • 63% Danceability • 40% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
8% Popularity • 63% Danceability • 40% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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Alexander Roeder
Rest Your Head
90 bpm • C Maj • 02:11 • -19.06db
8% Popularity • 50% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 50% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Kevin Riepl
Lawgiver
90 bpm • D Maj • 02:06 • -21db
26% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
26% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
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Grant Kirkhope
Solar Collector
90 bpm • E Maj • 04:42 • -19.51db
9% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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J.D. Spears
The Fall of Lionspire
90 bpm • D Maj • 01:05 • -16.07db
8% Popularity • 34% Danceability • 44% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Tim Wynn
Retaliation
90 bpm • C Maj • 01:57 • -16.37db
27% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Todd Masten
Hazulu
90 bpm • G min • 01:25 • -15.46db
26% Popularity • 16% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Tilman Sillescu
A Future Named Hope
90 bpm • D min • 02:43 • -13.82db
11% Popularity • 55% Danceability • 32% Energy • 14% Liveness
10% Instrumentalness • 32% Positiveness
11% Popularity • 55% Danceability • 32% Energy • 14% Liveness
10% Instrumentalness • 32% Positiveness
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Brad Derrick
A Desert Born in Twilight
89 bpm • C Maj • 05:33 • -14db
19% Popularity • 10% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Bobby Tahouri
Locating the Source
89 bpm • F min • 01:45 • -17.5db
9% Popularity • 21% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Jamie Christopherson
Fury of The Victims
91 bpm • A Maj • 02:03 • -9.98db
13% Popularity • 35% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
13% Popularity • 35% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Valkyrion
Sigrun
91 bpm • C Maj • 02:11 • -9.62db
13% Popularity • 44% Danceability • 72% Energy • 30% Liveness
92% Instrumentalness • 36% Positiveness
13% Popularity • 44% Danceability • 72% Energy • 30% Liveness
92% Instrumentalness • 36% Positiveness
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Everrune
Dragon Slayer
91 bpm • A Maj • 01:55 • -11.18db
18% Popularity • 39% Danceability • 67% Energy • 35% Liveness
86% Instrumentalness • 11% Positiveness
18% Popularity • 39% Danceability • 67% Energy • 35% Liveness
86% Instrumentalness • 11% Positiveness
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Markus Schmidt
Dominion
90 bpm • G Maj • 02:21 • -15.59db
8% Popularity • 13% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 13% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Glenn Stafford
Islands Crestfall
92 bpm • G# Maj • 01:52 • -13.44db
10% Popularity • 16% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Gergely Buttinger
The Landing Site (Action)
92 bpm • E Maj • 02:52 • -15.95db
10% Popularity • 73% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Jason Graves
Infiltrating the Bunker
88 bpm • G# Maj • 02:38 • -20.93db
19% Popularity • 39% Danceability • 25% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
19% Popularity • 39% Danceability • 25% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
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Paradox Interactive
You Maniacs! You Built It up!
92 bpm • C Maj • 05:06 • -10.74db
9% Popularity • 56% Danceability • 54% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
9% Popularity • 56% Danceability • 54% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Pawel Perepelica
Devoured by Darkness
88 bpm • E min • 02:01 • -18.18db
19% Popularity • 15% Danceability • 34% Energy • 12% Liveness
98% Instrumentalness • 9% Positiveness
19% Popularity • 15% Danceability • 34% Energy • 12% Liveness
98% Instrumentalness • 9% Positiveness
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Alexander Roeder
Our Borrowed Time
90 bpm • C Maj • 02:08 • -13.88db
9% Popularity • 35% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Peter McConnell
Mechagon Workshop
88 bpm • C# Maj • 01:10 • -12.59db
10% Popularity • 59% Danceability • 38% Energy • 11% Liveness
35% Instrumentalness • 43% Positiveness
10% Popularity • 59% Danceability • 38% Energy • 11% Liveness
35% Instrumentalness • 43% Positiveness
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Matthias Wolf
Starvation Cove (The Passage DLC)
88 bpm • D min • 01:26 • -19.48db
12% Popularity • 36% Danceability • 26% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 26% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Michael Sciabbarrasi
Labyrinth
92 bpm • E min • 01:51 • -12.06db
10% Popularity • 35% Danceability • 90% Energy • 18% Liveness
72% Instrumentalness • 56% Positiveness
10% Popularity • 35% Danceability • 90% Energy • 18% Liveness
72% Instrumentalness • 56% Positiveness
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Paradox Interactive
Encounter
88 bpm • A Maj • 02:44 • -9.19db
9% Popularity • 48% Danceability • 71% Energy • 23% Liveness
82% Instrumentalness • 68% Positiveness
9% Popularity • 48% Danceability • 71% Energy • 23% Liveness
82% Instrumentalness • 68% Positiveness
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Arnaud Roy
The BattleField III
93 bpm • F min • 02:36 • -17.86db
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
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Alexander Roeder
Tumbling Raindrops
90 bpm • C Maj • 02:08 • -13.88db
8% Popularity • 35% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
8% Popularity • 35% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Scorewizard
Duel
93 bpm • D# Maj • 01:06 • -12.33db
24% Popularity • 53% Danceability • 53% Energy • 18% Liveness
86% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 53% Energy • 18% Liveness
86% Instrumentalness • 35% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
87 bpm • C Maj • 01:35 • -26.95db
9% Popularity • 47% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 47% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 8% Positiveness
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Dmitry V. Silantyev
Templars of the Ivory Labyrinth
87 bpm • F Maj • 01:48 • -16.29db
15% Popularity • 31% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
15% Popularity • 31% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Theophany
Kena's Spirit Dive
93 bpm • A min • 05:31 • -18.1db
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Bill Brown
Counter Attack
93 bpm • C# Maj • 02:13 • -9.54db
12% Popularity • 54% Danceability • 57% Energy • 18% Liveness
97% Instrumentalness • 23% Positiveness
12% Popularity • 54% Danceability • 57% Energy • 18% Liveness
97% Instrumentalness • 23% Positiveness
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Alexander Roeder
Forces of Nature
90 bpm • A# Maj • 02:08 • -16.69db
11% Popularity • 27% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
11% Popularity • 27% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Jason Graves
Isles of Judgement
87 bpm • D# Maj • 03:04 • -14.96db
8% Popularity • 15% Danceability • 41% Energy • 20% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 15% Danceability • 41% Energy • 20% Liveness
82% Instrumentalness • 9% Positiveness
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Oleksa Lozowchuk
Someone I Once Knew
94 bpm • D min • 02:37 • -13.51db
15% Popularity • 33% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
15% Popularity • 33% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Sorastro
To Arms!
95 bpm • C Maj • 03:03 • -8.18db
19% Popularity • 29% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
19% Popularity • 29% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
95 bpm • F min • 01:33 • -11.65db
9% Popularity • 49% Danceability • 47% Energy • 37% Liveness
85% Instrumentalness • 40% Positiveness
9% Popularity • 49% Danceability • 47% Energy • 37% Liveness
85% Instrumentalness • 40% Positiveness
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Bill Brown
The Necropolis
95 bpm • C Maj • 03:17 • -14.16db
15% Popularity • 15% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Bear McCreary
Flesh and Bone
95 bpm • F Maj • 04:06 • -16.12db
16% Popularity • 30% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 30% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Markus Schmidt
Barracudas
89 bpm • D min • 02:04 • -9.45db
10% Popularity • 68% Danceability • 61% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness
10% Popularity • 68% Danceability • 61% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness
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Alexander Roeder
A Spirit of the Forest
86 bpm • B Maj • 03:26 • -11.48db
3% Popularity • 22% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
3% Popularity • 22% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Richard Beddow
Troy - Behold a Terrible Beauty
95 bpm • D min • 02:36 • -18.23db
17% Popularity • 27% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Gareth Coker
Typhon's Lair
95 bpm • G# Maj • 04:19 • -12.98db
8% Popularity • 45% Danceability • 50% Energy • 25% Liveness
94% Instrumentalness • 28% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 25% Liveness
94% Instrumentalness • 28% Positiveness
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Dmitry V. Silantyev
Crusade Victory Theme
95 bpm • F min • 01:34 • -15.96db
16% Popularity • 33% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 33% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Matt Dunkley
Tavern Fight
95 bpm • A# Maj • 02:39 • -12.55db
12% Popularity • 45% Danceability • 58% Energy • 27% Liveness
95% Instrumentalness • 46% Positiveness
12% Popularity • 45% Danceability • 58% Energy • 27% Liveness
95% Instrumentalness • 46% Positiveness
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Markus Schmidt
Perfect Order
93 bpm • G min • 01:07 • -15.57db
9% Popularity • 46% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Stan LePard
Jormag's World
95 bpm • B Maj • 03:14 • -12.05db
8% Popularity • 28% Danceability • 83% Energy • 25% Liveness
97% Instrumentalness • 15% Positiveness
8% Popularity • 28% Danceability • 83% Energy • 25% Liveness
97% Instrumentalness • 15% Positiveness
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Tim Wynn
Refugee
95 bpm • G Maj • 02:13 • -19.36db
17% Popularity • 52% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 37% Positiveness
17% Popularity • 52% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 37% Positiveness
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Simon Ravn
Bleeding Earth
85 bpm • A# Maj • 02:23 • -24.33db
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Valkyrion
Serpent Scale
95 bpm • D Maj • 02:05 • -12.82db
24% Popularity • 42% Danceability • 83% Energy • 65% Liveness
88% Instrumentalness • 31% Positiveness
24% Popularity • 42% Danceability • 83% Energy • 65% Liveness
88% Instrumentalness • 31% Positiveness
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Markus Schmidt
Desolation Waltz
93 bpm • C Maj • 02:16 • -16.85db
7% Popularity • 44% Danceability • 36% Energy • 16% Liveness
77% Instrumentalness • 14% Positiveness
7% Popularity • 44% Danceability • 36% Energy • 16% Liveness
77% Instrumentalness • 14% Positiveness
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Scorewizard
Dead Men Tell No Tales
95 bpm • D Maj • 01:52 • -9.67db
19% Popularity • 49% Danceability • 51% Energy • 18% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 49% Danceability • 51% Energy • 18% Liveness
92% Instrumentalness • 9% Positiveness
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Bill Brown
Reincarnation of Tragedy
85 bpm • G# Maj • 02:12 • -8.36db
14% Popularity • 31% Danceability • 40% Energy • 13% Liveness
48% Instrumentalness • 6% Positiveness
14% Popularity • 31% Danceability • 40% Energy • 13% Liveness
48% Instrumentalness • 6% Positiveness
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Soundcritters
Bloodred Dreamflower
85 bpm • D min • 03:34 • -13.07db
7% Popularity • 30% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
7% Popularity • 30% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Dmitry V. Silantyev
Kenabres Battle Theme
85 bpm • A# Maj • 01:42 • -13.66db
14% Popularity • 50% Danceability • 66% Energy • 33% Liveness
97% Instrumentalness • 66% Positiveness
14% Popularity • 50% Danceability • 66% Energy • 33% Liveness
97% Instrumentalness • 66% Positiveness
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Valkyrion
No Fear
85 bpm • C min • 01:54 • -8.41db
14% Popularity • 18% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 30% Positiveness
14% Popularity • 18% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 30% Positiveness
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Markus Schmidt
The Old World Order
93 bpm • F min • 02:20 • -14.7db
8% Popularity • 43% Danceability • 57% Energy • 26% Liveness
97% Instrumentalness • 34% Positiveness
8% Popularity • 43% Danceability • 57% Energy • 26% Liveness
97% Instrumentalness • 34% Positiveness
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Epic Foundry
Magnum Bellum
85 bpm • D min • 01:53 • -7.73db
18% Popularity • 42% Danceability • 67% Energy • 12% Liveness
5% Instrumentalness • 59% Positiveness
18% Popularity • 42% Danceability • 67% Energy • 12% Liveness
5% Instrumentalness • 59% Positiveness
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Celestial Aeon Project
Eye of the Beholder
85 bpm • C Maj • 02:12 • -13.05db
17% Popularity • 28% Danceability • 57% Energy • 22% Liveness
88% Instrumentalness • 34% Positiveness
17% Popularity • 28% Danceability • 57% Energy • 22% Liveness
88% Instrumentalness • 34% Positiveness
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Bear McCreary
Blood on the Scales
84 bpm • C# Maj • 05:17 • -16.08db
15% Popularity • 36% Danceability • 52% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
15% Popularity • 36% Danceability • 52% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Dmitry V. Silantyev
Worldwound Battle Theme
85 bpm • A Maj • 01:55 • -14.46db
11% Popularity • 52% Danceability • 58% Energy • 33% Liveness
92% Instrumentalness • 41% Positiveness
11% Popularity • 52% Danceability • 58% Energy • 33% Liveness
92% Instrumentalness • 41% Positiveness
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Valkyrion
Giant Enemy Crab
96 bpm • D Maj • 01:43 • -7.88db
15% Popularity • 51% Danceability • 48% Energy • 21% Liveness
92% Instrumentalness • 8% Positiveness
15% Popularity • 51% Danceability • 48% Energy • 21% Liveness
92% Instrumentalness • 8% Positiveness
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Tilman Sillescu
Confidence
96 bpm • A min • 02:00 • -19.59db
8% Popularity • 53% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
8% Popularity • 53% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Everrune
Dancing Steel
96 bpm • A# min • 01:02 • -12db
17% Popularity • 60% Danceability • 76% Energy • 15% Liveness
68% Instrumentalness • 66% Positiveness
17% Popularity • 60% Danceability • 76% Energy • 15% Liveness
68% Instrumentalness • 66% Positiveness
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Russell Brower
SHA (Spirits of Hatred)
84 bpm • C Maj • 03:50 • -13.24db
25% Popularity • 9% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Alexander Roeder
The Soultree
97 bpm • E min • 01:54 • -9.18db
2% Popularity • 28% Danceability • 77% Energy • 31% Liveness
84% Instrumentalness • 7% Positiveness
2% Popularity • 28% Danceability • 77% Energy • 31% Liveness
84% Instrumentalness • 7% Positiveness
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Dmitry V. Silantyev
Greengates Battle Theme
85 bpm • B min • 01:52 • -13.18db
12% Popularity • 51% Danceability • 72% Energy • 13% Liveness
95% Instrumentalness • 48% Positiveness
12% Popularity • 51% Danceability • 72% Energy • 13% Liveness
95% Instrumentalness • 48% Positiveness
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Borough Bound
Guts Match
97 bpm • G# Maj • 02:21 • -10.87db
22% Popularity • 61% Danceability • 76% Energy • 19% Liveness
72% Instrumentalness • 88% Positiveness
22% Popularity • 61% Danceability • 76% Energy • 19% Liveness
72% Instrumentalness • 88% Positiveness
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Markus Schmidt
Industrial Landscapes
93 bpm • C min • 03:03 • -10.25db
11% Popularity • 33% Danceability • 49% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 33% Danceability • 49% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
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Everrune
Grinder
97 bpm • C min • 00:59 • -13.53db
14% Popularity • 58% Danceability • 61% Energy • 20% Liveness
63% Instrumentalness • 26% Positiveness
14% Popularity • 58% Danceability • 61% Energy • 20% Liveness
63% Instrumentalness • 26% Positiveness
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P.T. Adamczyk
Conclave Of Lords
83 bpm • G min • 02:05 • -21.82db
22% Popularity • 19% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
22% Popularity • 19% Danceability • 29% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Jason Hayes
The Firstborn
83 bpm • A Maj • 03:44 • -14.42db
18% Popularity • 24% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dmitry V. Silantyev
Heart of the Fallen Land
85 bpm • E min • 01:45 • -16.12db
15% Popularity • 28% Danceability • 47% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
15% Popularity • 28% Danceability • 47% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Funcom Soundtrack
Among the Grasses
83 bpm • A Maj • 02:42 • -15.75db
20% Popularity • 17% Danceability • 14% Energy • 7% Liveness
73% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 14% Energy • 7% Liveness
73% Instrumentalness • 7% Positiveness
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Markus Schmidt
Grinding Teeth
86 bpm • C min • 01:06 • -9.87db
9% Popularity • 51% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
9% Popularity • 51% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Pinar Toprak
Pandora Will Be Free
97 bpm • F# Maj • 02:14 • -14.87db
16% Popularity • 13% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Armin Haas
Blood Money (Land of Lions DLC)
97 bpm • E min • 01:38 • -12.52db
9% Popularity • 41% Danceability • 39% Energy • 8% Liveness
72% Instrumentalness • 22% Positiveness
9% Popularity • 41% Danceability • 39% Energy • 8% Liveness
72% Instrumentalness • 22% Positiveness
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Stan LePard
Forming a New Legion
83 bpm • G Maj • 02:42 • -16.25db
8% Popularity • 31% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 31% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Dmitry V. Silantyev
Cascade of Fire
85 bpm • F Maj • 01:37 • -16.83db
15% Popularity • 36% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
15% Popularity • 36% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Alexander Röder
By the Sword and the Bow
83 bpm • D Maj • 08:08 • -17.01db
12% Popularity • 25% Danceability • 41% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
12% Popularity • 25% Danceability • 41% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
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Alexander Roeder
Where Are My Sleeping Pills?
95 bpm • G Maj • 02:16 • -21.9db
6% Popularity • 44% Danceability • 41% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
6% Popularity • 44% Danceability • 41% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
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Everrune
Through It All
83 bpm • G min • 01:19 • -9.09db
15% Popularity • 34% Danceability • 51% Energy • 9% Liveness
97% Instrumentalness • 48% Positiveness
15% Popularity • 34% Danceability • 51% Energy • 9% Liveness
97% Instrumentalness • 48% Positiveness
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Chance Thomas
Bring It
98 bpm • A# min • 01:44 • -12.89db
13% Popularity • 63% Danceability • 44% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 63% Danceability • 44% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Breakdown Epiphanies
Hoggart's Hideout (Brigands)
98 bpm • D min • 05:13 • -13.86db
15% Popularity • 29% Danceability • 40% Energy • 29% Liveness
87% Instrumentalness • 37% Positiveness
15% Popularity • 29% Danceability • 40% Energy • 29% Liveness
87% Instrumentalness • 37% Positiveness
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Mikhail Kotov
Demonic and Divine
84 bpm • G Maj • 02:18 • -14.36db
13% Popularity • 49% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
13% Popularity • 49% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Celestial Aeon Project
Stormfront
82 bpm • D Maj • 01:55 • -10.36db
13% Popularity • 30% Danceability • 75% Energy • 26% Liveness
87% Instrumentalness • 66% Positiveness
13% Popularity • 30% Danceability • 75% Energy • 26% Liveness
87% Instrumentalness • 66% Positiveness
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Markus Schmidt
Growing Seeds
83 bpm • G min • 02:13 • -12.48db
14% Popularity • 11% Danceability • 43% Energy • 14% Liveness
76% Instrumentalness • 16% Positiveness
14% Popularity • 11% Danceability • 43% Energy • 14% Liveness
76% Instrumentalness • 16% Positiveness
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Paradox Interactive
Frostjord Battlefield
98 bpm • C# Maj • 02:13 • -10.43db
12% Popularity • 40% Danceability • 82% Energy • 22% Liveness
98% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 82% Energy • 22% Liveness
98% Instrumentalness • 19% Positiveness
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Filippo Beck Peccoz
A Fateful Meeting
82 bpm • G# Maj • 04:44 • -16.47db
10% Popularity • 58% Danceability • 37% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Breakdown Epiphanies
Making a Name
98 bpm • D Maj • 01:33 • -20.58db
7% Popularity • 37% Danceability • 20% Energy • 19% Liveness
89% Instrumentalness • 10% Positiveness
7% Popularity • 37% Danceability • 20% Energy • 19% Liveness
89% Instrumentalness • 10% Positiveness
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Dmitry V. Silantyev
Kenabres in Flames
82 bpm • G min • 01:02 • -14.31db
21% Popularity • 26% Danceability • 29% Energy • 21% Liveness
93% Instrumentalness • 20% Positiveness
21% Popularity • 26% Danceability • 29% Energy • 21% Liveness
93% Instrumentalness • 20% Positiveness
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Gareth Coker
Lux Theme
82 bpm • B min • 03:13 • -15.99db
14% Popularity • 39% Danceability • 37% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
14% Popularity • 39% Danceability • 37% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Alexander Roeder
Inside the Womb
99 bpm • C min • 02:12 • -24.9db
9% Popularity • 28% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
9% Popularity • 28% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
