Songs like Our Eyes by Lucy Rose
Based on a tempo of (+/- 10%) and a similar genre
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Lucy Rose
Red Face
161 bpm • C min • 03:33 • -8db
24% Popularity • 37% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 37% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Winston
Dead End
161 bpm • C Maj • 04:16 • -5db
10% Popularity • 48% Danceability • 74% Energy • 69% Liveness
4% Instrumentalness • 67% Positiveness
10% Popularity • 48% Danceability • 74% Energy • 69% Liveness
4% Instrumentalness • 67% Positiveness
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CLAIRE
My Audacity
160 bpm • D Maj • 03:32 • -5.19db
9% Popularity • 52% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 52% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Chela
Zero
160 bpm • F# min • 03:51 • -6db
16% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Japanese Wallpaper
Between Friends
160 bpm • F Maj • 03:52 • -9db
22% Popularity • 44% Danceability • 66% Energy • 10% Liveness
52% Instrumentalness • 40% Positiveness
22% Popularity • 44% Danceability • 66% Energy • 10% Liveness
52% Instrumentalness • 40% Positiveness
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Night Beds
Me Liquor and God
160 bpm • C Maj • 03:28 • -8db
21% Popularity • 42% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 42% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Rose
Our Eyes
161 bpm • C Maj • 03:12 • -6db
23% Popularity • 42% Danceability • 86% Energy • 35% Liveness
4% Instrumentalness • 66% Positiveness
23% Popularity • 42% Danceability • 86% Energy • 35% Liveness
4% Instrumentalness • 66% Positiveness
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Gossling
Big Love
160 bpm • A Maj • 03:53 • -10.56db
9% Popularity • 60% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Kinds
Hands Up
163 bpm • A min • 03:08 • -5.32db
9% Popularity • 72% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 72% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Wildcat! Wildcat!
Straight to the Top
164 bpm • C Maj • 03:49 • -4.29db
21% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
21% Popularity • 49% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Rina Mushonga
Bullet
158 bpm • F Maj • 03:49 • -6.58db
7% Popularity • 29% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 29% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Hartman
Monster Lead Me Home
164 bpm • C Maj • 03:57 • -6.02db
35% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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BLØSH
When Love Is Alive
165 bpm • F Maj • 03:26 • -8.5db
10% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Elizabeth Rose
Sensibility
158 bpm • A# Maj • 03:57 • -7.13db
11% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Rose
For You
157 bpm • C# min • 03:17 • -9db
16% Popularity • 39% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 39% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Lily & Madeleine
Hourglass
166 bpm • C# min • 03:54 • -8.65db
14% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Banfi
Happy When You Go
166 bpm • G# min • 03:22 • -8.2db
16% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Hobbs
Wishful Thinking
156 bpm • C min • 03:43 • -8.14db
10% Popularity • 61% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 61% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Dan Croll
Swim
156 bpm • F# min • 03:18 • -9db
21% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Gentlemen Hall
All Our Love
154 bpm • B Maj • 03:46 • -5.29db
18% Popularity • 42% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 42% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Avaberee
Can't Get You off My Mind
170 bpm • C# min • 03:25 • -7db
8% Popularity • 42% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 42% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lucy Rose
I Can't Change It All
153 bpm • D Maj • 03:53 • -12.83db
15% Popularity • 26% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 26% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Will Joseph Cook
Hearse
170 bpm • C Maj • 02:57 • -4.83db
6% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Strong Asian Mothers
The More That I
152 bpm • D min • 04:04 • -5.08db
15% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Audrey Air
Strawberry Syrup Sixteens
152 bpm • F# min • 03:38 • -9.9db
10% Popularity • 63% Danceability • 70% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
10% Popularity • 63% Danceability • 70% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
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Ladyhawke
Let It Roll
152 bpm • F min • 03:08 • -5.09db
13% Popularity • 64% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 64% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Lesands
Restless Lover
172 bpm • C Maj • 03:36 • -8.97db
13% Popularity • 52% Danceability • 59% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
13% Popularity • 52% Danceability • 59% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
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Lucy Rose
Cover Up
152 bpm • C Maj • 03:25 • -6.66db
8% Popularity • 66% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 66% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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kp
Where Did You Go
150 bpm • C# min • 04:00 • -8.71db
16% Popularity • 52% Danceability • 48% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness
16% Popularity • 52% Danceability • 48% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness
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Tei Shi
Go Slow
150 bpm • B Maj • 03:32 • -9.44db
7% Popularity • 72% Danceability • 45% Energy • 35% Liveness
8% Instrumentalness • 60% Positiveness
7% Popularity • 72% Danceability • 45% Energy • 35% Liveness
8% Instrumentalness • 60% Positiveness
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Vaults
Lifespan
150 bpm • C# min • 03:48 • -7db
38% Popularity • 50% Danceability • 66% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness
38% Popularity • 50% Danceability • 66% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness
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Monarchy
Dancing in the Corner
150 bpm • C Maj • 04:44 • -9db
13% Popularity • 72% Danceability • 27% Energy • 50% Liveness
53% Instrumentalness • 46% Positiveness
13% Popularity • 72% Danceability • 27% Energy • 50% Liveness
53% Instrumentalness • 46% Positiveness
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Shura
What Happened To Us?
150 bpm • C# Maj • 04:09 • -6.28db
29% Popularity • 54% Danceability • 82% Energy • 13% Liveness
5% Instrumentalness • 51% Positiveness
29% Popularity • 54% Danceability • 82% Energy • 13% Liveness
5% Instrumentalness • 51% Positiveness
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Lucy Rose
Nebraska - IDRIS Remix
172 bpm • E min • 03:50 • -8.99db
8% Popularity • 46% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 46% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Dan Croll
Only Ghost
150 bpm • B Maj • 02:59 • -5.42db
22% Popularity • 49% Danceability • 76% Energy • 36% Liveness
12% Instrumentalness • 29% Positiveness
22% Popularity • 49% Danceability • 76% Energy • 36% Liveness
12% Instrumentalness • 29% Positiveness
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Janelle Kroll
24 hrs
174 bpm • A Maj • 04:01 • -5.15db
12% Popularity • 57% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
12% Popularity • 57% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Delilah
Shades of Grey
150 bpm • G# Maj • 03:53 • -8.01db
19% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kacy Hill
Foreign Fields
174 bpm • F# Maj • 03:43 • -11.5db
27% Popularity • 29% Danceability • 38% Energy • 24% Liveness
22% Instrumentalness • 13% Positiveness
27% Popularity • 29% Danceability • 38% Energy • 24% Liveness
22% Instrumentalness • 13% Positiveness
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Twin Shadow
I'm Ready
174 bpm • A# Maj • 03:32 • -6.48db
19% Popularity • 42% Danceability • 72% Energy • 35% Liveness
1% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 72% Energy • 35% Liveness
1% Instrumentalness • 13% Positiveness
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Lucy Rose
No Good At All
175 bpm • C Maj • 03:43 • -14.72db
26% Popularity • 67% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
26% Popularity • 67% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Banoffee
Ninja
148 bpm • C# Maj • 03:27 • -9.96db
18% Popularity • 58% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Little May
Sold
148 bpm • C# min • 04:10 • -6.52db
15% Popularity • 46% Danceability • 73% Energy • 17% Liveness
48% Instrumentalness • 46% Positiveness
15% Popularity • 46% Danceability • 73% Energy • 17% Liveness
48% Instrumentalness • 46% Positiveness
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Rationale
Something for Nothing
176 bpm • A min • 03:20 • -5.55db
26% Popularity • 52% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 52% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Olympia
Tourists
176 bpm • G Maj • 03:20 • -2.33db
15% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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D.I.D
Flush
147 bpm • C# Maj • 04:34 • -8.97db
13% Popularity • 36% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 36% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Aspaul
Indiana
177 bpm • G# Maj • 03:39 • -6db
13% Popularity • 56% Danceability • 79% Energy • 7% Liveness
7% Instrumentalness • 43% Positiveness
13% Popularity • 56% Danceability • 79% Energy • 7% Liveness
7% Instrumentalness • 43% Positiveness
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MAALA
In The Air
178 bpm • G# Maj • 03:59 • -6.25db
22% Popularity • 56% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 56% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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James Vincent McMorrow
Rising Water
146 bpm • A# Maj • 04:56 • -10.54db
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
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DWNTWN
Til Tomorrow
145 bpm • C# min • 03:42 • -6.61db
24% Popularity • 55% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 55% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Huntar
Autumn
145 bpm • C# Maj • 03:38 • -7.67db
8% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Rose
Like That
144 bpm • B min • 03:42 • -7.95db
7% Popularity • 41% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 41% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Bombay Bicycle Club
Home By Now
180 bpm • C# Maj • 04:34 • -6.23db
40% Popularity • 35% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Fryars
In My Arms
144 bpm • G# min • 03:45 • -8db
8% Popularity • 62% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 67% Positiveness
8% Popularity • 62% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 67% Positiveness
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Matthew And The Atlas
Pale Sun Rose
180 bpm • C# min • 03:04 • -8db
36% Popularity • 45% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
36% Popularity • 45% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Will Joseph Cook
Message
180 bpm • G Maj • 03:51 • -7.97db
20% Popularity • 38% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 38% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Poema
Forget You in LA
143 bpm • D# Maj • 04:07 • -7db
20% Popularity • 51% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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St. Lucia
Love Somebody
143 bpm • C min • 05:00 • -6.83db
30% Popularity • 56% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Vaults
Hurricane
142 bpm • B Maj • 03:18 • -6.54db
32% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Foxes
Night Glo
142 bpm • G Maj • 04:25 • -8.44db
21% Popularity • 34% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 34% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Gabrielle Aplin
Sweet Nothing
183 bpm • A Maj • 02:53 • -4.87db
27% Popularity • 42% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 42% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ardyn
Help Me on My Way
141 bpm • C Maj • 03:45 • -9.06db
14% Popularity • 68% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
14% Popularity • 68% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Jack Garratt
Weathered
141 bpm • C Maj • 04:34 • -7db
44% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Shannon Saunders
Back Around
140 bpm • A min • 02:56 • -5.27db
8% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Little May
Home
141 bpm • G min • 03:39 • -7.55db
22% Popularity • 56% Danceability • 72% Energy • 12% Liveness
33% Instrumentalness • 42% Positiveness
22% Popularity • 56% Danceability • 72% Energy • 12% Liveness
33% Instrumentalness • 42% Positiveness
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Y.O.U.
Heavy Crown
140 bpm • G Maj • 03:05 • -4.93db
14% Popularity • 71% Danceability • 82% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
14% Popularity • 71% Danceability • 82% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Lucy Rose
Middle of the Bed
140 bpm • B min • 03:11 • -9db
39% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
39% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
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Kele
Stay the Night
140 bpm • A# Maj • 04:14 • -10.21db
9% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Sykes
Anybody Out There
140 bpm • G# min • 03:01 • -4.14db
9% Popularity • 60% Danceability • 76% Energy • 30% Liveness
3% Instrumentalness • 52% Positiveness
9% Popularity • 60% Danceability • 76% Energy • 30% Liveness
3% Instrumentalness • 52% Positiveness
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Jack Garratt
Far Cry
140 bpm • G min • 03:54 • -6.49db
29% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Eves The Behavior
Electrical
186 bpm • F min • 03:34 • -7.34db
17% Popularity • 39% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 39% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Lilt
Don't Tell Me
139 bpm • E min • 04:01 • -10.66db
13% Popularity • 55% Danceability • 55% Energy • 7% Liveness
51% Instrumentalness • 21% Positiveness
13% Popularity • 55% Danceability • 55% Energy • 7% Liveness
51% Instrumentalness • 21% Positiveness
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Lucy Rose
Middle of the Bed - Radio Edit
140 bpm • G Maj • 03:13 • -9.37db
11% Popularity • 64% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 64% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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The Staves
Steady
139 bpm • B min • 03:28 • -8db
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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AYER
Fight Your Fire
138 bpm • F Maj • 03:25 • -6.15db
14% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mystery Jets
Telomere
138 bpm • C min • 03:53 • -7db
29% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Great Good Fine Ok
Say It All
138 bpm • G Maj • 03:26 • -7.65db
20% Popularity • 63% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 63% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Yumi Zouma
Catastrophe
138 bpm • G Maj • 04:48 • -9.91db
26% Popularity • 70% Danceability • 48% Energy • 11% Liveness
18% Instrumentalness • 57% Positiveness
26% Popularity • 70% Danceability • 48% Energy • 11% Liveness
18% Instrumentalness • 57% Positiveness
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Lucy Rose
Is This Called Home
139 bpm • F# Maj • 03:51 • -15.46db
22% Popularity • 32% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 15% Positiveness
22% Popularity • 32% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 15% Positiveness
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DWNTWN
Heroine
138 bpm • C Maj • 03:23 • -10.86db
22% Popularity • 59% Danceability • 51% Energy • 26% Liveness
3% Instrumentalness • 22% Positiveness
22% Popularity • 59% Danceability • 51% Energy • 26% Liveness
3% Instrumentalness • 22% Positiveness
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Cajsa Siik
State of Low
137 bpm • F# Maj • 02:45 • -10.83db
9% Popularity • 70% Danceability • 39% Energy • 17% Liveness
29% Instrumentalness • 54% Positiveness
9% Popularity • 70% Danceability • 39% Energy • 17% Liveness
29% Instrumentalness • 54% Positiveness
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Kita Alexander
My Own Way
138 bpm • G Maj • 03:31 • -6.92db
31% Popularity • 81% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 81% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Believe in Giants
We'll Never Be Alone
193 bpm • B min • 03:28 • -6.42db
10% Popularity • 39% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 39% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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MishCatt
Jonny
204 bpm • B min • 03:04 • -4.95db
16% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lucy Rose
All I've Got
139 bpm • C Maj • 03:19 • -10.27db
21% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness