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Our July In The Rain - Stripped
Songs like
Our July In The Rain - Stripped
by
He Is We
Based on a tempo of (+/- 10%) and a similar genre
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Camera Can't Lie
Last Dance
140 bpm • G Maj • 04:13 • -4db
21% Popularity • 41% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ally Burnett
We Would've Broken up Once You Heard Thi...
140 bpm • D Maj • 03:47 • -6.55db
13% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lee DeWyze
Me And My Jealousy
140 bpm • F# Maj • 03:34 • -4.34db
17% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Carter Hulsey
Black and Blue
140 bpm • E Maj • 03:43 • -9.24db
11% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Faber Drive
You and I Tonight
140 bpm • F Maj • 03:41 • -4.22db
42% Popularity • 45% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Reeves
Entwined.
140 bpm • G Maj • 03:56 • -11.47db
10% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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He Is We
Our July In The Rain
140 bpm • F# Maj • 04:06 • -4.73db
33% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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This Wild Life
Over It
140 bpm • C Maj • 03:38 • -5.42db
32% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Louisa Wendorff
Arrow
140 bpm • G# min • 04:46 • -7.61db
8% Popularity • 49% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Never Shout Never
Dare4distance
140 bpm • E Maj • 02:47 • -7db
37% Popularity • 53% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Marianas Trench
Porcelain
140 bpm • E Maj • 04:02 • -9db
36% Popularity • 23% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Blake Stratton
I'm Gonna Be (500 Miles)
140 bpm • A# Maj • 04:54 • -12.93db
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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He Is We
Blame It on the Rain - Acoustic
140 bpm • D Maj • 03:22 • -21.53db
16% Popularity • 64% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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This Wild Life
History
140 bpm • G# Maj • 03:52 • -6.53db
37% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Scene Aesthetic
The Man I Am
140 bpm • E Maj • 03:54 • -9.66db
20% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cady Groves
The Life of a Pirate
140 bpm • D# Maj • 02:59 • -7.49db
13% Popularity • 62% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Cider Sky
Where to Now
140 bpm • C# Maj • 03:12 • -9db
18% Popularity • 43% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Lee DeWyze
Brooklyn Bridge
140 bpm • C Maj • 03:45 • -4.17db
18% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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He Is We
Our July In The Rain - Stripped
140 bpm • F# Maj • 03:58 • -7.88db
19% Popularity • 70% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Maybe Next Summer
You're Mine
141 bpm • G Maj • 03:00 • -11db
30% Popularity • 40% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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The Heyday
Lost With You
142 bpm • E Maj • 04:21 • -9.94db
7% Popularity • 56% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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The Workday Release
A Starlit Sky
138 bpm • F Maj • 02:48 • -9db
31% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Erick Baker
The Last Time
142 bpm • E min • 05:34 • -9.17db
10% Popularity • 28% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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We Are The In Crowd
Both Sides Of The Story
138 bpm • G# Maj • 02:59 • -4db
31% Popularity • 55% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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He Is We
His Name
142 bpm • E Maj • 03:09 • -6.54db
32% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Sky Sailing
Brielle
138 bpm • A# Maj • 04:06 • -7db
38% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Every Avenue
There Tonight
142 bpm • D# Maj • 03:29 • -6db
29% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Walker
Midnight Starlight
138 bpm • G# Maj • 04:14 • -6.35db
24% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Cab
Take My Hand
138 bpm • A# Maj • 03:27 • -4db
35% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Scene Aesthetic
Such Great Heights
138 bpm • D Maj • 03:49 • -6.33db
14% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Benton Paul
Don't Go
138 bpm • G Maj • 03:14 • -14db
10% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Automatic Loveletter
Click Your Heels (3 Times and Repeat, Th...
138 bpm • G Maj • 05:05 • -7.11db
9% Popularity • 46% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Workday Release
Summer Love
138 bpm • E Maj • 02:53 • -8.27db
17% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cady Groves
Refrain
142 bpm • E Maj • 02:43 • -8.96db
12% Popularity • 42% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Jason Walker
Cry
143 bpm • F Maj • 04:12 • -7.94db
32% Popularity • 30% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Scene Aesthetic
If You're A Bird
138 bpm • C Maj • 03:50 • -6.89db
10% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Belle
Replace Me
137 bpm • G# Maj • 04:18 • -6.52db
23% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lee DeWyze
A Song About Love
144 bpm • F Maj • 02:50 • -7.41db
16% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Cartel
The Minstrel's Prayer
136 bpm • C# Maj • 04:38 • -8db
30% Popularity • 51% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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He Is We
Dear Adam
144 bpm • A Maj • 04:02 • -5.66db
17% Popularity • 49% Danceability • 94% Energy • 7% Liveness
9% Instrumentalness • 49% Positiveness
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Marianas Trench
One Love
144 bpm • D Maj • 04:01 • -4.77db
43% Popularity • 56% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Scene Aesthetic
Humans
143 bpm • F# Maj • 04:09 • -9.38db
26% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Greyson Chance
Waiting Outside The Lines
136 bpm • C# Maj • 03:51 • -5.27db
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Stars of Track and Field
End Of All Time
136 bpm • C Maj • 03:35 • -7db
35% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Toby Lightman
Holding a Heart (Stripped Version) [Bonu...
136 bpm • D Maj • 03:57 • -5db
11% Popularity • 54% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cady Groves
Oil and Water
144 bpm • G Maj • 04:16 • -5.81db
10% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Devon Werkheiser
If Eyes Could Speak
136 bpm • A Maj • 03:29 • -5db
30% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Us The Duo
Heartbreak
136 bpm • E Maj • 04:56 • -15db
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Cinematic Sunrise
You Told Me You Loved Me
145 bpm • A Maj • 04:26 • -7db
22% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Quietdrive
Body Out of Bed
145 bpm • F Maj • 02:56 • -6.64db
18% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Marianas Trench
Fallout - Acoustic
145 bpm • D Maj • 04:12 • -12.75db
18% Popularity • 48% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Jesse McCartney
The Other Guy
145 bpm • F# Maj • 03:39 • -6.49db
32% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cady Groves
Fly
145 bpm • C# Maj • 02:55 • -7.27db
10% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
34% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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This Wild Life
Ripped Away
145 bpm • A Maj • 03:47 • -6db
38% Popularity • 64% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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He Is We
Kiss It Better
145 bpm • F# Maj • 04:05 • -7.34db
38% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Marianas Trench
Beside You
145 bpm • E Maj • 03:38 • -8db
34% Popularity • 26% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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SayWeCanFly
Love Note for a Rainy Day
135 bpm • A Maj • 03:02 • -4.96db
18% Popularity • 52% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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The Spill Canvas
All over You - Acoustic
135 bpm • A# min • 03:06 • -5.68db
22% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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This Wild Life
Roots and Branches (Meant To Be Alone)
135 bpm • C Maj • 03:38 • -5.99db
26% Popularity • 56% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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He Is We
Radio
135 bpm • G Maj • 04:06 • -8.69db
33% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The Scene Aesthetic
Love Story
135 bpm • C# Maj • 03:33 • -6.94db
12% Popularity • 65% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Cam Nacson
Maybe, Maybe.
135 bpm • E Maj • 03:47 • -9db
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Us The Duo
Take Me Home
145 bpm • B Maj • 04:17 • -10.48db
37% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Faber Drive
By Your Side
134 bpm • F# Maj • 04:00 • -5.84db
34% Popularity • 48% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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This Wild Life
Puppy Love
135 bpm • B Maj • 02:40 • -7.42db
41% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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He Is We
Fall
135 bpm • D Maj • 03:39 • -5db
26% Popularity • 59% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Spill Canvas
Our Song - Acoustic Version
134 bpm • C Maj • 03:51 • -4.24db
16% Popularity • 54% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Owl City
Lonely Lullaby
134 bpm • F# Maj • 04:30 • -10.81db
31% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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This Wild Life
Concrete
135 bpm • A# Maj • 04:03 • -5.92db
34% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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For The Foxes
The River
134 bpm • F Maj • 03:45 • -8.83db
12% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Brighten
Forever in Love
134 bpm • D Maj • 05:15 • -12.37db
12% Popularity • 57% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Rival Summers
If You Only Knew
134 bpm • F# Maj • 03:58 • -6.46db
9% Popularity • 46% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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We Are The In Crowd
For The Win (Acoustic)
133 bpm • G# Maj • 03:29 • -5.27db
16% Popularity • 61% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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SayWeCanFly
The Art Of Anesthesia
148 bpm • F Maj • 05:07 • -4db
28% Popularity • 48% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Parade The Day
Growing Old
148 bpm • E Maj • 03:11 • -6db
24% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Cab
Vegas Skies
148 bpm • A Maj • 04:37 • -6.07db
42% Popularity • 38% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Allen
Amazing
148 bpm • A Maj • 03:43 • -8.4db
12% Popularity • 53% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Meg & Dia
Bored of Your Love
148 bpm • C Maj • 03:02 • -6.13db
13% Popularity • 52% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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He Is We
And Run
148 bpm • D Maj • 03:42 • -5.36db
24% Popularity • 73% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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My Favorite Highway
The Chase
148 bpm • B Maj • 04:04 • -4.73db
16% Popularity • 55% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Christian Burghardt
Whiskey and Wine
132 bpm • D Maj • 03:14 • -7db
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Peter Bradley Adams
Between Us
149 bpm • C# min • 04:26 • -12.7db
33% Popularity • 50% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 18% Positiveness
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Mree
Against the Current
149 bpm • D Maj • 03:56 • -9.61db
9% Popularity • 45% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Plug In Stereo
Frozen Heart
131 bpm • G Maj • 03:38 • -7.51db
7% Popularity • 62% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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This Wild Life
No More Bad Days
131 bpm • G Maj • 03:36 • -8.43db
39% Popularity • 55% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Sherwood
The Only Song
150 bpm • D Maj • 03:20 • -10.27db
20% Popularity • 60% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Jason Walker
Shouldn't Be a Good In Goodbye
150 bpm • G# Maj • 03:23 • -5.81db
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Bradley Adams
Always
150 bpm • F Maj • 03:59 • -12db
24% Popularity • 54% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
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Sky Sailing
Sailboats
150 bpm • F Maj • 04:19 • -9.98db
33% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
84% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Gabrielle Aplin
Reverse
150 bpm • G min • 04:10 • -10.26db
17% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Camera Can't Lie
Days & Days - EP Version
130 bpm • C Maj • 03:58 • -10.2db
8% Popularity • 51% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Automatic Loveletter
Trade Places
130 bpm • G Maj • 05:16 • -6.81db
11% Popularity • 58% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Anberlin
A Day Late - Acoustic
130 bpm • E Maj • 04:15 • -11.4db
22% Popularity • 63% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Reed Deming
Crash Test Dummy (Broken)
130 bpm • E Maj • 03:02 • -5db
27% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Marianas Trench
Ever After
130 bpm • F# Maj • 06:34 • -5.93db
44% Popularity • 30% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Our July In The Rain - Stripped