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Our Last Holiday
Songs like
Our Last Holiday
by
Mark Diamond
Based on a tempo of (+/- 10%) and a similar genre
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Mark Diamond
Our Last Holiday
125 bpm • A Maj • 02:41 • -14.81db
5% Popularity • 67% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Timothy Edward Carpenter
TV
125 bpm • C# Maj • 03:28 • -14db
26% Popularity • 70% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 25% Positiveness
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John Lingard
We're Almost Home
125 bpm • A# Maj • 03:27 • -13db
30% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Michl
Tell Her
125 bpm • A Maj • 02:23 • -13.04db
29% Popularity • 34% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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jed and the valentine
Call Me on Your Way
125 bpm • G# Maj • 03:38 • -8.61db
14% Popularity • 61% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Fins Ara
Veer
125 bpm • F Maj • 03:09 • -11.35db
27% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Diamond
Hold It Still
126 bpm • F Maj • 03:33 • -8.24db
6% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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MARG
i hope she breaks your heart.
126 bpm • E Maj • 01:29 • -12db
36% Popularity • 69% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
40% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Novo Amor
Birthplace
126 bpm • C# Maj • 03:10 • -9.87db
53% Popularity • 74% Danceability • 33% Energy • 10% Liveness
59% Instrumentalness • 39% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Jordan Whitlock
Young
126 bpm • C Maj • 03:26 • -15.17db
7% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Angus Maude
I'm Happy You Exist
126 bpm • A# Maj • 03:05 • -10.66db
32% Popularity • 66% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
28% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Liza Anne
1,000 Years
126 bpm • C Maj • 03:39 • -9db
37% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hunter Metts
Paper Moon
123 bpm • C min • 02:50 • -13db
39% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Mark Diamond
Lighthouse
127 bpm • G# min • 02:27 • -15.55db
14% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Torri Weidinger
I would
127 bpm • D Maj • 04:06 • -14.62db
8% Popularity • 46% Danceability • 14% Energy • 32% Liveness
9% Instrumentalness • 28% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Cole Swensen
10 Years,
127 bpm • F# Maj • 04:46 • -13.02db
13% Popularity • 52% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Tommy Ashby
Floorboards
127 bpm • G# Maj • 02:47 • -13.28db
20% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Steinza
The Former (Piano Version)
123 bpm • G Maj • 03:11 • -12db
34% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mark Diamond
Voices
123 bpm • C Maj • 02:45 • -9.53db
5% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Hunter Metts
Thread
127 bpm • D# min • 03:12 • -12.18db
32% Popularity • 36% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Bulger
Dawn to 9pm
123 bpm • E Maj • 03:53 • -14.97db
17% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Annie Omalley
katch me
128 bpm • C# Maj • 03:58 • -10db
24% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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Corey Kilgannon
Hospital Hymns
122 bpm • D# Maj • 05:12 • -18.24db
24% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Diamond
Moonshot
127 bpm • D# Maj • 03:28 • -10.24db
6% Popularity • 67% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
47% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Novo Amor
Anatome
128 bpm • G# Maj • 05:19 • -11.6db
35% Popularity • 56% Danceability • 45% Energy • 22% Liveness
55% Instrumentalness • 15% Positiveness
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The Careful Ones
Fall Apart
128 bpm • E Maj • 02:48 • -11.22db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
22% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Swimmingly
Fred Astaire
128 bpm • A Maj • 02:46 • -11.67db
17% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Kong
Meteor Showers
122 bpm • D# Maj • 04:14 • -10.63db
34% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Corey Kilgannon
Macaroni Song
122 bpm • A# Maj • 03:48 • -13db
37% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
23% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
58% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Diamond
Whiskey (Lost Recording #5)
129 bpm • C Maj • 04:36 • -8.7db
20% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Plested
Lost for Words
129 bpm • A# Maj • 03:21 • -8db
30% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Colouring
I Can't Make You Love Me
121 bpm • F Maj • 04:37 • -15.79db
37% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Honeywater
Wonder
130 bpm • D Maj • 04:55 • -10db
31% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jake Etheridge
Summer Storms
130 bpm • B Maj • 03:49 • -13db
26% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mark Diamond
Weapons (Stripped) [Lost Recording #3]
121 bpm • E min • 04:23 • -10db
24% Popularity • 58% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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FINNEAS
Luck Pusher
130 bpm • A Maj • 02:43 • -12.19db
37% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Aquilo
Who Are You
130 bpm • C# Maj • 03:04 • -10db
41% Popularity • 37% Danceability • 49% Energy • 15% Liveness
23% Instrumentalness • 20% Positiveness
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Tyler Edwards
Delta
130 bpm • A Maj • 03:42 • -14.45db
31% Popularity • 65% Danceability • 25% Energy • 24% Liveness
2% Instrumentalness • 22% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
37% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Diamond
Perfect Places
129 bpm • G Maj • 02:49 • -11.27db
6% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
28% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Ragsdale
Flora's Letter
120 bpm • A Maj • 02:35 • -12.92db
19% Popularity • 40% Danceability • 26% Energy • 10% Liveness
75% Instrumentalness • 13% Positiveness
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Peter Manos
Out of Love
120 bpm • C# Maj • 02:44 • -16.58db
39% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
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normal the kid
the song i wrote for you,
120 bpm • G Maj • 04:02 • -14.78db
30% Popularity • 78% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Etheridge
What You Want To
120 bpm • C Maj • 02:40 • -9.85db
29% Popularity • 57% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Diamond
Heaven
120 bpm • E Maj • 03:19 • -7.56db
21% Popularity • 58% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nic Jeffrey
Before I Go
120 bpm • B min • 04:48 • -15.36db
15% Popularity • 66% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Adam Ragsdale
Fossil
120 bpm • B min • 05:42 • -14db
10% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
48% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Justin Lee
Meet Me There
120 bpm • E Maj • 02:05 • -15.74db
38% Popularity • 72% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Hot Left Pole
The Right Way
120 bpm • D Maj • 02:40 • -21.86db
38% Popularity • 74% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Mark Diamond
5 Years Later
130 bpm • C Maj • 01:28 • -19.74db
43% Popularity • 45% Danceability • 6% Energy • 13% Liveness
25% Instrumentalness • 33% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Morgan Harper-Jones
Lie to Me
131 bpm • C Maj • 03:25 • -17.62db
34% Popularity • 58% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Novo Amor
Anniversary
120 bpm • B Maj • 04:43 • -9.8db
41% Popularity • 33% Danceability • 32% Energy • 20% Liveness
20% Instrumentalness • 6% Positiveness
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køra
Favourite Song
131 bpm • A Maj • 03:26 • -28.73db
30% Popularity • 43% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Corey Kilgannon
Berlin
131 bpm • A# Maj • 03:39 • -8.99db
24% Popularity • 34% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Mark Diamond
Believe In
130 bpm • A# Maj • 02:44 • -15.55db
7% Popularity • 60% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jessie Reid
Stay With Me
131 bpm • F# min • 03:01 • -18.28db
16% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
47% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Genevieve Stokes
Surface Tension - Stripped
119 bpm • A min • 03:34 • -15db
35% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Joy Oladokun
Poison
131 bpm • A Maj • 04:56 • -8.88db
26% Popularity • 36% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Mark Diamond
Fade to Black (Stripped) [Lost Recording...
120 bpm • C# min • 03:30 • -8.41db
19% Popularity • 66% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Isobel Knight
Home Is You
131 bpm • G Maj • 03:08 • -15.18db
16% Popularity • 50% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
53% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Honeywater
So Little Time
132 bpm • D Maj • 03:40 • -8.71db
28% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ethan DeRose
Listening to Frank (Extended)
132 bpm • G Maj • 06:17 • -14.23db
13% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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sød ven
reborn
132 bpm • C min • 03:44 • -16.35db
33% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Andy Leon
Zanesville, Ohio
119 bpm • G Maj • 02:47 • -14.53db
23% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Timid, the Brave
Time to Go
132 bpm • F# Maj • 04:30 • -15.07db
11% Popularity • 58% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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Nick Wilson
Miles Apart
118 bpm • D Maj • 03:44 • -12.56db
41% Popularity • 54% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Corey Kilgannon
The Fighter
132 bpm • A Maj • 02:23 • -15.47db
25% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Common Jack
The Lake
132 bpm • G# min • 02:09 • -15.47db
31% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Hazlett
Couldn't Be Done
118 bpm • G# Maj • 04:16 • -12.24db
32% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Metts
Ships Passing By
118 bpm • G# Maj • 03:39 • -14.99db
29% Popularity • 35% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Corey Kilgannon
Nook Song
118 bpm • D min • 01:48 • -15.54db
39% Popularity • 69% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 87% Positiveness
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George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
45% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Noah Floersch
Regarding Your Departure
133 bpm • F# Maj • 03:16 • -17.96db
18% Popularity • 50% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Our Last Holiday