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Out of Reach
Songs like
Out of Reach
by
Klaus Johann Grobe
Based on a tempo of (+/- 10%) and a similar genre
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Siriusmo
La Bouche
115 bpm • G Maj • 02:45 • -7.43db
16% Popularity • 83% Danceability • 62% Energy • 4% Liveness
11% Instrumentalness • 72% Positiveness
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Fujiya & Miyagi
Serotonin Rushes
115 bpm • F min • 04:16 • -6.73db
35% Popularity • 78% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 53% Positiveness
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Klaus Johann Grobe
An diesem Abend
115 bpm • D min • 05:19 • -7.61db
10% Popularity • 69% Danceability • 77% Energy • 13% Liveness
43% Instrumentalness • 73% Positiveness
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Villagers
The Waves - Psychemagik Remix
115 bpm • D Maj • 06:03 • -6.34db
21% Popularity • 76% Danceability • 78% Energy • 52% Liveness
64% Instrumentalness • 24% Positiveness
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Peter Kernel
Men of the Women
115 bpm • D Maj • 03:56 • -7db
30% Popularity • 61% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Extra Credit
It's Over
115 bpm • E min • 07:37 • -7.9db
19% Popularity • 64% Danceability • 83% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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Hearts Hearts
Sun
115 bpm • A min • 03:49 • -5db
11% Popularity • 78% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Klangstof
Blank Page
115 bpm • D Maj • 03:52 • -8db
28% Popularity • 63% Danceability • 83% Energy • 18% Liveness
75% Instrumentalness • 24% Positiveness
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Klaus Johann Grobe
Out of Reach
115 bpm • A# min • 04:54 • -9db
22% Popularity • 61% Danceability • 89% Energy • 13% Liveness
73% Instrumentalness • 93% Positiveness
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Fujiya & Miyagi
Feeling the Effects (of Saturday Night)
115 bpm • C# Maj • 03:47 • -8db
17% Popularity • 83% Danceability • 63% Energy • 5% Liveness
56% Instrumentalness • 85% Positiveness
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The Wants
Clearly a Crisis
115 bpm • B Maj • 03:07 • -2.18db
10% Popularity • 72% Danceability • 68% Energy • 44% Liveness
33% Instrumentalness • 77% Positiveness
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Donny Benét
Sex Tourist
115 bpm • D Maj • 05:28 • -9.4db
22% Popularity • 61% Danceability • 87% Energy • 31% Liveness
42% Instrumentalness • 47% Positiveness
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Jaakko Eino Kalevi
No End
115 bpm • A min • 04:32 • -12db
29% Popularity • 53% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
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Klangstof
Blank Page - Radio Edit
115 bpm • E min • 03:20 • -8.18db
8% Popularity • 64% Danceability • 82% Energy • 10% Liveness
73% Instrumentalness • 25% Positiveness
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TVAM
These Are Not Your Memories
116 bpm • E Maj • 03:20 • -5.88db
23% Popularity • 38% Danceability • 81% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Klaus Johann Grobe
Du + Ich
115 bpm • C Maj • 03:37 • -9.01db
14% Popularity • 73% Danceability • 55% Energy • 18% Liveness
45% Instrumentalness • 62% Positiveness
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Django Django
Kick the Devil Out
114 bpm • G Maj • 03:19 • -6db
17% Popularity • 73% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Shaun Ryder
Close the Dam
114 bpm • F# min • 04:01 • -6.78db
32% Popularity • 91% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Fujiya & Miyagi
Subliminal
114 bpm • A# min • 03:14 • -9db
14% Popularity • 86% Danceability • 42% Energy • 17% Liveness
68% Instrumentalness • 52% Positiveness
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The Phenomenal Handclap Band
15 To 20 - Radio Edit
114 bpm • C# Maj • 04:03 • -9.28db
18% Popularity • 84% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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First Hate
The One
114 bpm • A# Maj • 04:34 • -7.64db
27% Popularity • 70% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 32% Positiveness
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Klaus Johann Grobe
Zu Spaet
115 bpm • A min • 03:09 • -8.92db
15% Popularity • 88% Danceability • 57% Energy • 20% Liveness
47% Instrumentalness • 84% Positiveness
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Poni Hoax
The Wild
114 bpm • D min • 04:16 • -6.2db
32% Popularity • 84% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sophie Hunger
I Opened A Bar
114 bpm • G Maj • 03:52 • -8db
30% Popularity • 77% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Django Django
Got Me Worried
116 bpm • A min • 03:36 • -6.27db
18% Popularity • 71% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 35% Positiveness
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The Juan Maclean
I've Waited For So Long
116 bpm • C# Maj • 06:17 • -5.4db
31% Popularity • 71% Danceability • 92% Energy • 9% Liveness
67% Instrumentalness • 74% Positiveness
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Steve Mason
Words in My Head
114 bpm • D min • 04:59 • -5.65db
25% Popularity • 31% Danceability • 91% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Klaus Johann Grobe
Downtown - Single Edit
116 bpm • F Maj • 04:06 • -7.46db
15% Popularity • 69% Danceability • 86% Energy • 13% Liveness
65% Instrumentalness • 79% Positiveness
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Fujiya & Miyagi
Personal Space
117 bpm • C# min • 04:02 • -7.45db
14% Popularity • 79% Danceability • 74% Energy • 14% Liveness
17% Instrumentalness • 50% Positiveness
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Loose Meat
Daisy Chain
117 bpm • D Maj • 04:40 • -9.95db
16% Popularity • 63% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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New Young Pony Club
Now I'm Your Gun
117 bpm • E min • 04:13 • -8.67db
17% Popularity • 67% Danceability • 82% Energy • 7% Liveness
68% Instrumentalness • 76% Positiveness
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Radiotapes
Perfect Silence
113 bpm • F# min • 03:32 • -5.99db
16% Popularity • 71% Danceability • 66% Energy • 17% Liveness
4% Instrumentalness • 46% Positiveness
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Cut Chemist
Home Away from Home
117 bpm • F min • 03:22 • -5db
24% Popularity • 70% Danceability • 62% Energy • 12% Liveness
54% Instrumentalness • 31% Positiveness
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Klaus Johann Grobe
Downtown - Extended Version
116 bpm • A# Maj • 06:29 • -6.82db
27% Popularity • 69% Danceability • 86% Energy • 11% Liveness
60% Instrumentalness • 78% Positiveness
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Fujiya & Miyagi
Little Stabs At Happiness
113 bpm • A# min • 03:57 • -7.21db
31% Popularity • 78% Danceability • 69% Energy • 19% Liveness
79% Instrumentalness • 66% Positiveness
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Sylvie Kreusch
Please To Devon
117 bpm • G Maj • 04:00 • -5.85db
18% Popularity • 62% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Oum Shatt
Power to the Women of the Morning Shift ...
113 bpm • F# min • 03:01 • -6.7db
15% Popularity • 77% Danceability • 53% Energy • 10% Liveness
20% Instrumentalness • 58% Positiveness
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Donny Benét
One Night in Paradise
113 bpm • G# min • 04:20 • -8.89db
33% Popularity • 73% Danceability • 63% Energy • 11% Liveness
44% Instrumentalness • 63% Positiveness
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Rats On Rafts
Cashmere Carey
117 bpm • A min • 03:38 • -5.98db
18% Popularity • 72% Danceability • 87% Energy • 10% Liveness
12% Instrumentalness • 98% Positiveness
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Klaus Johann Grobe
Ein guter Tag
117 bpm • G Maj • 04:55 • -7.87db
21% Popularity • 56% Danceability • 58% Energy • 17% Liveness
89% Instrumentalness • 94% Positiveness
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Groove Armada
Tripwire
113 bpm • C Maj • 03:53 • -5.29db
30% Popularity • 80% Danceability • 70% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
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Marsmobil
Heels Much Too High
118 bpm • B min • 02:55 • -8db
10% Popularity • 90% Danceability • 36% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
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Oum Shatt
Power to the Women of the Morning Shift
113 bpm • F# min • 03:09 • -8db
39% Popularity • 78% Danceability • 53% Energy • 8% Liveness
51% Instrumentalness • 60% Positiveness
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LA Priest
Night Train
112 bpm • G Maj • 03:58 • -8.38db
23% Popularity • 72% Danceability • 64% Energy • 14% Liveness
77% Instrumentalness • 90% Positiveness
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Thomas Azier
Freed From Desire
118 bpm • E min • 03:24 • -7.12db
16% Popularity • 64% Danceability • 89% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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North Downs
Nightlife Blues
118 bpm • C min • 03:47 • -6db
32% Popularity • 60% Danceability • 76% Energy • 10% Liveness
28% Instrumentalness • 46% Positiveness
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EOB
Brasil
118 bpm • A# Maj • 08:27 • -15db
28% Popularity • 36% Danceability • 40% Energy • 13% Liveness
54% Instrumentalness • 8% Positiveness
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Blancmange
What's the Time?
118 bpm • G Maj • 04:28 • -6.53db
26% Popularity • 81% Danceability • 68% Energy • 9% Liveness
55% Instrumentalness • 67% Positiveness
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Wargirl
Little Girl
118 bpm • E Maj • 03:09 • -5.22db
15% Popularity • 63% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Low Island
Long Answer
118 bpm • C# Maj • 03:55 • -6.08db
10% Popularity • 74% Danceability • 81% Energy • 64% Liveness
3% Instrumentalness • 95% Positiveness
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Febueder
Stilts
118 bpm • A# Maj • 02:24 • -8.8db
19% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Donny Benét
Reach The Top
118 bpm • E min • 06:34 • -8.21db
28% Popularity • 77% Danceability • 75% Energy • 11% Liveness
70% Instrumentalness • 61% Positiveness
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WhoMadeWho
Space for Rent
118 bpm • B Maj • 05:05 • -8.22db
44% Popularity • 79% Danceability • 69% Energy • 21% Liveness
45% Instrumentalness • 35% Positiveness
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SUUNS
UN-NO
118 bpm • C Maj • 03:43 • -11.11db
27% Popularity • 72% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Teleman
Strange Combinations
112 bpm • G Maj • 03:18 • -9.43db
33% Popularity • 84% Danceability • 46% Energy • 9% Liveness
40% Instrumentalness • 79% Positiveness
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Keep Dancing Inc
Start up Nation
112 bpm • C Maj • 03:19 • -6.08db
21% Popularity • 62% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Keshavara
5forty5
112 bpm • B min • 03:43 • -5.46db
8% Popularity • 71% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Oum Shatt
Delta
112 bpm • D Maj • 03:39 • -7.3db
18% Popularity • 61% Danceability • 83% Energy • 9% Liveness
30% Instrumentalness • 92% Positiveness
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Soulwax
Do You Want to Get Into Trouble? - Edit
112 bpm • B min • 03:35 • -5.99db
23% Popularity • 76% Danceability • 76% Energy • 10% Liveness
29% Instrumentalness • 92% Positiveness
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Odd Beholder
Isometry - Hundreds Remix
112 bpm • G Maj • 04:22 • -8db
19% Popularity • 84% Danceability • 55% Energy • 8% Liveness
28% Instrumentalness • 50% Positiveness
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Klaus Johann Grobe
Geschichten aus erster Hand
118 bpm • B min • 04:03 • -8.14db
15% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Warmduscher
Disco Peanuts
118 bpm • A# min • 03:45 • -7db
34% Popularity • 69% Danceability • 74% Energy • 42% Liveness
8% Instrumentalness • 93% Positiveness
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The Limiñanas
Salvation
118 bpm • A Maj • 03:20 • -5.55db
44% Popularity • 52% Danceability • 81% Energy • 13% Liveness
8% Instrumentalness • 16% Positiveness
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Beak>
Allé Sauvage
119 bpm • E min • 07:23 • -12db
21% Popularity • 59% Danceability • 50% Energy • 17% Liveness
76% Instrumentalness • 22% Positiveness
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Soulwax
My Tired Eyes
112 bpm • B min • 04:17 • -6.86db
25% Popularity • 70% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
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Parcels
Everyroad
111 bpm • D Maj • 08:35 • -12db
42% Popularity • 49% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 25% Positiveness
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Psymon Spine
Jumprope
119 bpm • A min • 02:33 • -6.84db
33% Popularity • 87% Danceability • 60% Energy • 5% Liveness
15% Instrumentalness • 77% Positiveness
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Hypnolove
Simple, Classic, Beautiful
119 bpm • D Maj • 04:12 • -9db
11% Popularity • 70% Danceability • 75% Energy • 16% Liveness
87% Instrumentalness • 34% Positiveness
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Automatic
Calling It
119 bpm • D Maj • 02:29 • -6.15db
41% Popularity • 68% Danceability • 73% Energy • 37% Liveness
60% Instrumentalness • 66% Positiveness
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Bent
To Be Loved
119 bpm • E min • 04:24 • -6db
26% Popularity • 66% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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audiobooks
Friends In The Bubble Bath
111 bpm • E min • 04:37 • -5.79db
20% Popularity • 52% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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ex.girls
Autopilot
111 bpm • D Maj • 04:26 • -8.47db
31% Popularity • 90% Danceability • 77% Energy • 6% Liveness
14% Instrumentalness • 88% Positiveness
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International Music
Metallmädchen
119 bpm • D Maj • 03:19 • -10.44db
23% Popularity • 42% Danceability • 48% Energy • 24% Liveness
2% Instrumentalness • 63% Positiveness
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Teleman
Submarine Life
111 bpm • G min • 05:31 • -6.4db
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
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Africa Express
Become The Tiger
110 bpm • D Maj • 03:11 • -9db
28% Popularity • 60% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 72% Positiveness
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LA Priest
What Moves - Soulwax Remix
110 bpm • E Maj • 05:07 • -7db
28% Popularity • 72% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 84% Positiveness
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JOON
E.T.
120 bpm • E min • 03:27 • -8.34db
20% Popularity • 61% Danceability • 48% Energy • 6% Liveness
2% Instrumentalness • 36% Positiveness
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Sneaks
Look Like That
120 bpm • G Maj • 03:17 • -7.67db
39% Popularity • 81% Danceability • 73% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Camilla Sparksss
Womanized
120 bpm • E Maj • 04:33 • -7.04db
10% Popularity • 57% Danceability • 81% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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PVA
Divine Intervention
120 bpm • G Maj • 03:46 • -6db
24% Popularity • 63% Danceability • 84% Energy • 5% Liveness
8% Instrumentalness • 34% Positiveness
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LSSNS
Tempest
120 bpm • C min • 04:11 • -6.71db
9% Popularity • 65% Danceability • 88% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
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Buvette
Now or Never
120 bpm • G min • 04:12 • -8.47db
19% Popularity • 70% Danceability • 79% Energy • 17% Liveness
21% Instrumentalness • 13% Positiveness
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Klaus Johann Grobe
Ohne mich
120 bpm • C Maj • 03:20 • -8.02db
17% Popularity • 55% Danceability • 75% Energy • 22% Liveness
28% Instrumentalness • 92% Positiveness
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Planningtorock
Living It Out
120 bpm • A min • 04:30 • -7db
26% Popularity • 77% Danceability • 80% Energy • 13% Liveness
5% Instrumentalness • 44% Positiveness
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Erlend Øye
Sheltered Life
120 bpm • F min • 03:49 • -9.79db
27% Popularity • 80% Danceability • 87% Energy • 12% Liveness
10% Instrumentalness • 95% Positiveness
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Warpaint
New Song - Soulwax Remix
120 bpm • C Maj • 06:48 • -7db
20% Popularity • 73% Danceability • 81% Energy • 8% Liveness
18% Instrumentalness • 69% Positiveness
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Poni Hoax
Belladonna
120 bpm • G Maj • 03:26 • -7.5db
10% Popularity • 55% Danceability • 86% Energy • 8% Liveness
65% Instrumentalness • 78% Positiveness
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The Units
High Pressure Days (Rory Phillips Remix)
120 bpm • G Maj • 05:25 • -4.97db
26% Popularity • 74% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Klaus Johann Grobe
Von Gestern
120 bpm • F# min • 04:36 • -8.48db
15% Popularity • 80% Danceability • 65% Energy • 9% Liveness
26% Instrumentalness • 79% Positiveness
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Snapped Ankles
The Invisible Real That Hurts
120 bpm • G Maj • 04:44 • -8.54db
20% Popularity • 65% Danceability • 70% Energy • 28% Liveness
73% Instrumentalness • 47% Positiveness
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Deep Sea Arcade
Learning To Fly
120 bpm • C Maj • 04:49 • -6db
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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VoX LoW
Some Words of Faith
120 bpm • F Maj • 04:30 • -6.88db
29% Popularity • 61% Danceability • 76% Energy • 13% Liveness
50% Instrumentalness • 32% Positiveness
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Maranta
Radiate
120 bpm • C# Maj • 05:32 • -9.09db
1% Popularity • 62% Danceability • 62% Energy • 25% Liveness
80% Instrumentalness • 16% Positiveness
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Simple Symmetry
Oh Lord
120 bpm • F Maj • 04:45 • -9db
9% Popularity • 50% Danceability • 76% Energy • 10% Liveness
9% Instrumentalness • 21% Positiveness
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Ghostpoet
I Grow Tired But Dare Not Fall Asleep
120 bpm • D# min • 04:35 • -8.47db
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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DBFC
Autonomic
120 bpm • F Maj • 07:20 • -9.27db
29% Popularity • 68% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Prince Rama
Love in Kontrol
120 bpm • A# Maj • 04:32 • -3.91db
7% Popularity • 51% Danceability • 87% Energy • 21% Liveness
2% Instrumentalness • 45% Positiveness
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Fujiya & Miyagi
Dying Swan Act
120 bpm • C# Maj • 03:50 • -7.92db
9% Popularity • 89% Danceability • 58% Energy • 3% Liveness
9% Instrumentalness • 74% Positiveness
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Holy Fuck
Free Gloss
120 bpm • A# Maj • 06:25 • -7.23db
28% Popularity • 53% Danceability • 91% Energy • 36% Liveness
77% Instrumentalness • 48% Positiveness
► Preview
Joakim
Forever Young
120 bpm • C# Maj • 03:54 • -8db
28% Popularity • 66% Danceability • 79% Energy • 10% Liveness
22% Instrumentalness • 16% Positiveness
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Out of Reach