Songs like Out Of The Danger Zone - Degarmo And Key Album Version by DeGarmo & Key
Based on a tempo of (+/- 10%) and a similar genre
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Mylon & Broken Heart
Denomination Demolition
95 bpm • A Maj • 03:18 • -11db
10% Popularity • 57% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 57% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Resurrection Band
Reach of Love
95 bpm • A min • 06:04 • -11db
11% Popularity • 60% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
11% Popularity • 60% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 25% Positiveness
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Whiteheart
How Many Times (Seventy Times Seven)
95 bpm • D Maj • 04:24 • -14.68db
24% Popularity • 73% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 73% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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DeGarmo & Key
Out Of The Danger Zone - Degarmo And Key...
95 bpm • A Maj • 02:51 • -10.04db
11% Popularity • 33% Danceability • 83% Energy • 78% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 33% Danceability • 83% Energy • 78% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Peacock
Dear Friend - The Secret Of Time Album V...
95 bpm • A Maj • 04:33 • -17db
8% Popularity • 68% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 68% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 66% Positiveness
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Big Tent Revival
Famine or Feast
95 bpm • A Maj • 03:36 • -5.59db
12% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kim Boyce
I Just Want to Celebrate
94 bpm • B min • 03:35 • -14db
9% Popularity • 68% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 68% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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John Elefante
Corridors
94 bpm • A# Maj • 04:40 • -6.65db
17% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Benny Hester
Whoever Touches You
96 bpm • C Maj • 03:41 • -12.84db
13% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Gibson
Heart Of Gold
96 bpm • A# Maj • 02:58 • -12.5db
12% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Leslie Phillips
You're the Same
96 bpm • B Maj • 03:22 • -23.28db
11% Popularity • 64% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 64% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Big Tent Revival
Here with Me
95 bpm • G Maj • 03:57 • -7db
15% Popularity • 54% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 54% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Clay Crosse
Saving The World
96 bpm • A# Maj • 04:21 • -8.02db
21% Popularity • 58% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 58% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 88% Positiveness
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John Elefante
Take Me to the River
96 bpm • A Maj • 04:22 • -6.42db
11% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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First Call
Someday
96 bpm • G Maj • 04:23 • -10.07db
10% Popularity • 42% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 42% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Greg X Volz
Break out of the Trance
94 bpm • C# Maj • 03:38 • -7.1db
12% Popularity • 66% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 66% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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DANIEL BAND
I'm Sorry
94 bpm • G# Maj • 04:12 • -6.9db
9% Popularity • 30% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 30% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Out Of The Grey
Write My Life
97 bpm • A min • 04:11 • -7.77db
10% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Steve Archer
Through His Eyes Of Love
94 bpm • A# Maj • 04:24 • -11.68db
16% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Holy Soldier
Promise Man - Promise Man Album Version
97 bpm • G# Maj • 04:35 • -8.63db
24% Popularity • 52% Danceability • 68% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
24% Popularity • 52% Danceability • 68% Energy • 10% Liveness
6% Instrumentalness • 34% Positiveness
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Margaret Becker
Find Me - Very Best Of Margaret Becker A...
97 bpm • A# Maj • 03:42 • -12.69db
15% Popularity • 71% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
15% Popularity • 71% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Resurrection Band
Autograph
98 bpm • E min • 04:03 • -9.55db
8% Popularity • 38% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 38% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kenny Marks
Make It Right
98 bpm • G# Maj • 04:27 • -10.38db
13% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Out Of The Grey
All We Need
97 bpm • E min • 04:54 • -10.19db
19% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Caedmon's Call
Hope to Carry On - 2006 Remaster
92 bpm • C# Maj • 02:49 • -5.83db
18% Popularity • 49% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 49% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Steve Taylor
This Disco (Used To Be A Cute Cathedral)
98 bpm • F min • 04:05 • -10.65db
13% Popularity • 76% Danceability • 64% Energy • 17% Liveness
1% Instrumentalness • 93% Positiveness
13% Popularity • 76% Danceability • 64% Energy • 17% Liveness
1% Instrumentalness • 93% Positiveness
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Geoff Moore & The Distance
Home Run
92 bpm • G Maj • 03:53 • -6db
24% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Sweet Comfort Band
Nothing Can Separate Us
98 bpm • C Maj • 04:23 • -7.98db
23% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Nouveaux
All That Glitters
98 bpm • E min • 04:06 • -7.48db
13% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Out Of The Grey
Walk By Faith
92 bpm • G Maj • 04:04 • -7.66db
17% Popularity • 57% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 57% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Whiteheart
Over Me
98 bpm • C Maj • 05:17 • -12.29db
21% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Daniel Amos
Ain't Gonna Fight It
98 bpm • D Maj • 04:29 • -14.94db
12% Popularity • 51% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 51% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Kenny Marks
I'll Be a Friend to You
92 bpm • A Maj • 03:10 • -9.95db
19% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Wes King
By His Wounds
92 bpm • D Maj • 04:18 • -20.48db
8% Popularity • 46% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 46% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Wayne Watson
Peace That Passes Understanding
92 bpm • C Maj • 04:03 • -9.6db
17% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Greg X Volz
All I Can Do
98 bpm • G Maj • 04:39 • -6.9db
17% Popularity • 66% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 66% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Bloodgood
Top of the Mountain
99 bpm • A min • 06:22 • -6.28db
21% Popularity • 49% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 49% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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DeGarmo & Key
Six, Six, Six
99 bpm • A Maj • 03:52 • -14db
12% Popularity • 75% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 75% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Audio Adrenaline
Hands And Feet
99 bpm • D Maj • 04:08 • -4.54db
34% Popularity • 52% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 52% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Gibson
Jesus Loves Ya
99 bpm • C# Maj • 06:26 • -11db
15% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 72% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Wes King
Common Creed
99 bpm • F# Maj • 04:34 • -8.92db
13% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Aaron & Jeoffrey
There's Always Room
99 bpm • A Maj • 03:50 • -5.83db
9% Popularity • 69% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 69% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Rez Band
Gameroom
91 bpm • B min • 04:27 • -6.14db
10% Popularity • 40% Danceability • 94% Energy • 99% Liveness
2% Instrumentalness • 50% Positiveness
10% Popularity • 40% Danceability • 94% Energy • 99% Liveness
2% Instrumentalness • 50% Positiveness
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Margaret Becker
This I Know - Soul Album Version
91 bpm • D Maj • 03:15 • -9.14db
22% Popularity • 65% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 65% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Resurrection Band
Someone Sleeps
99 bpm • A min • 05:21 • -15db
15% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Audio Adrenaline
My God
100 bpm • A min • 03:39 • -7.61db
7% Popularity • 64% Danceability • 72% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 64% Danceability • 72% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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Clay Crosse
It Must Have Been Your Hands
100 bpm • B Maj • 04:01 • -8.92db
14% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Nouveaux
Holding My Own
100 bpm • D Maj • 04:15 • -7.08db
12% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Benny Hester
When God Ran
100 bpm • E Maj • 05:03 • -14.06db
28% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Liaison
Kick It Down
90 bpm • E min • 03:21 • -6.53db
19% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Whiteheart
Bye Bye Babylon
100 bpm • A min • 04:06 • -9.83db
22% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Wayne Watson
Almighty
101 bpm • F Maj • 04:42 • -7db
26% Popularity • 59% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 59% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 48% Positiveness
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Rez Band
Waves
90 bpm • C Maj • 02:57 • -13.34db
19% Popularity • 42% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 42% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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The Union of Sinners and Saints
Rise Up
101 bpm • G# Maj • 04:40 • -5.09db
25% Popularity • 43% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Wes King
Simplify
101 bpm • A Maj • 05:21 • -8db
13% Popularity • 63% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 63% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Liaison
You Are His Main Concern
101 bpm • F Maj • 03:51 • -7.11db
14% Popularity • 55% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 55% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Kenny Marks
Right Where You Are
101 bpm • F# min • 04:10 • -10db
11% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Wayne Watson
Watercolour Ponies
101 bpm • C# min • 04:41 • -13db
23% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Big Tent Revival
Star in the Book of Life
102 bpm • G Maj • 03:10 • -6.85db
11% Popularity • 57% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 57% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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John Elefante
The Stream
102 bpm • G Maj • 04:40 • -5.91db
9% Popularity • 52% Danceability • 85% Energy • 89% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 52% Danceability • 85% Energy • 89% Liveness
0% Instrumentalness • 57% Positiveness
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Leon Patillo
Star of the Morning
102 bpm • D# Maj • 03:48 • -9db
21% Popularity • 58% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 58% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Kerry Livgren
Whiskey Seed
88 bpm • G Maj • 05:34 • -14.5db
9% Popularity • 31% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 31% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Stonehill
Coming Back Soon
102 bpm • D Maj • 04:41 • -6db
9% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Charlie Peacock
One Man Gets Around - Everything That's ...
102 bpm • E Maj • 04:15 • -9db
12% Popularity • 58% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 58% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Bloodgood
Accept the Lamb
88 bpm • D min • 03:45 • -4.82db
14% Popularity • 49% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 49% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Nouveaux
We Believe
102 bpm • F Maj • 03:23 • -6.86db
16% Popularity • 64% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 64% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Wes King
The Love Of Christ
102 bpm • F Maj • 04:10 • -12.5db
18% Popularity • 53% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 53% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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The Kry
I Know Everything About You
102 bpm • G# Maj • 04:18 • -9.23db
10% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Clay Crosse
Time To Believe
88 bpm • G Maj • 04:10 • -12.56db
14% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Kerry Livgren
Wandering Spirit
87 bpm • F min • 04:06 • -11.18db
11% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Out Of The Grey
Steady Me
104 bpm • D Maj • 03:39 • -7.35db
24% Popularity • 69% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 69% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Taylor
I Just Wanna Know - On The Fritz Album V...
104 bpm • F Maj • 04:39 • -13.79db
11% Popularity • 70% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 70% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Aaron & Jeoffrey
The Keys, Please
104 bpm • C Maj • 03:03 • -6.64db
13% Popularity • 88% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 88% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Margaret Becker
The Hunger Stays
87 bpm • A Maj • 04:14 • -12.59db
9% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cindy Morgan
Listen
104 bpm • B min • 03:45 • -6db
15% Popularity • 64% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 64% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Sheila Walsh
Mystery
104 bpm • A# Maj • 03:29 • -13db
9% Popularity • 64% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 64% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Wayne Watson
Friend of a Wounded Heart
105 bpm • C Maj • 05:25 • -10db
28% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Resurrection Band
Altar of Pain
86 bpm • B min • 03:17 • -9.82db
15% Popularity • 58% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 58% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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DANIEL BAND
Walk On the Water
105 bpm • A Maj • 03:38 • -6.73db
13% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
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Keith Green
Lies
105 bpm • G Maj • 03:41 • -14.32db
18% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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The Union of Sinners and Saints
I Still Believe
105 bpm • G Maj • 04:17 • -9.5db
15% Popularity • 62% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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DeGarmo & Key
Aliens & Strangers - The Pledge Album Ve...
106 bpm • A Maj • 03:04 • -9.78db
14% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Wayne Watson
Walk in the Dark
105 bpm • G Maj • 04:02 • -8.82db
13% Popularity • 63% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 63% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Russ Taff
I Still Believe
105 bpm • D Maj • 04:31 • -13.65db
26% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Out Of The Grey
Cry For Help
106 bpm • A min • 03:17 • -9.43db
9% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Morgan Cryar
Pray In The USA
106 bpm • C Maj • 03:33 • -7db
13% Popularity • 65% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 65% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Randy Stonehill
Hymn
85 bpm • E Maj • 02:46 • -17.44db
19% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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DeGarmo & Key
Love Is All You Need - This Ain't Hollyw...
85 bpm • A min • 03:49 • -14.05db
4% Popularity • 68% Danceability • 34% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 68% Danceability • 34% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Wayne Watson
When God's People Pray
106 bpm • C Maj • 05:21 • -9.18db
20% Popularity • 50% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 50% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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First Call
Breaking Through
107 bpm • E Maj • 04:15 • -10.7db
11% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Altar Boys
Unconditional Love
107 bpm • G Maj • 03:36 • -10.47db
10% Popularity • 52% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 52% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Steve Taylor
It's A Personal Thing - On The Fritz Alb...
84 bpm • D# Maj • 02:58 • -11.84db
12% Popularity • 65% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 65% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Stonehill
Turning Thirty
85 bpm • G Maj • 03:47 • -16.39db
16% Popularity • 30% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 30% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Margaret Becker
True Devotion
107 bpm • C# min • 04:14 • -9db
12% Popularity • 66% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 66% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Wayne Watson
The Narrow Way
85 bpm • D Maj • 04:06 • -16.66db
9% Popularity • 60% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Susan Ashton
Down On My Knees
84 bpm • D Maj • 04:15 • -13.43db
23% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Geoff Moore & The Distance
More Than Gold - Greatest Hits Album Ver...
107 bpm • G Maj • 04:19 • -8.95db
10% Popularity • 57% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 57% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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DeGarmo & Key
Competition - Commander Sozo Album Versi...
107 bpm • G Maj • 03:46 • -11.42db
11% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
