Songs like Out of the Races and Onto the Tracks by The Rapture
Based on a tempo of (+/- 10%) and a similar genre
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Les Savy Fav
Sleepless in Silverlake
122 bpm • D Maj • 03:41 • -4.13db
13% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 62% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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!!!
When the Going Gets Tough, the Tough Get...
122 bpm • B min • 06:16 • -7.47db
18% Popularity • 79% Danceability • 75% Energy • 5% Liveness
45% Instrumentalness • 65% Positiveness
18% Popularity • 79% Danceability • 75% Energy • 5% Liveness
45% Instrumentalness • 65% Positiveness
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New Young Pony Club
Ice Cream
122 bpm • A min • 03:08 • -5.79db
46% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The Black Angels
Don't Play With Guns
122 bpm • F# Maj • 03:42 • -6db
7% Popularity • 41% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 41% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 21% Positiveness
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The Rapture
Out of the Races and Onto the Tracks
122 bpm • A Maj • 04:03 • -5.68db
38% Popularity • 60% Danceability • 78% Energy • 23% Liveness
12% Instrumentalness • 69% Positiveness
38% Popularity • 60% Danceability • 78% Energy • 23% Liveness
12% Instrumentalness • 69% Positiveness
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Ought
Beautiful Blue Sky
123 bpm • G Maj • 07:43 • -6db
36% Popularity • 62% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
36% Popularity • 62% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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The Kills
Cat Claw
121 bpm • E min • 03:32 • -2.99db
29% Popularity • 58% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 58% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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!!!
All My Heroes Are Weirdos
122 bpm • A Maj • 03:04 • -5.89db
24% Popularity • 50% Danceability • 99% Energy • 8% Liveness
5% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 99% Energy • 8% Liveness
5% Instrumentalness • 61% Positiveness
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Shopping
The Hype
121 bpm • D Maj • 03:55 • -6.04db
28% Popularity • 63% Danceability • 81% Energy • 5% Liveness
59% Instrumentalness • 82% Positiveness
28% Popularity • 63% Danceability • 81% Energy • 5% Liveness
59% Instrumentalness • 82% Positiveness
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Obits
Two-Headed Coin
123 bpm • A min • 04:16 • -7db
12% Popularity • 63% Danceability • 77% Energy • 58% Liveness
26% Instrumentalness • 72% Positiveness
12% Popularity • 63% Danceability • 77% Energy • 58% Liveness
26% Instrumentalness • 72% Positiveness
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The Rapture
Open Up Your Heart
122 bpm • F Maj • 05:22 • -12.4db
20% Popularity • 58% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
20% Popularity • 58% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Blonde Redhead
In Particular
121 bpm • F# Maj • 06:05 • -9.4db
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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The Kills
Impossible Tracks
121 bpm • C# min • 03:41 • -7db
41% Popularity • 69% Danceability • 86% Energy • 37% Liveness
38% Instrumentalness • 48% Positiveness
41% Popularity • 69% Danceability • 86% Energy • 37% Liveness
38% Instrumentalness • 48% Positiveness
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!!!
Pardon My Freedom
121 bpm • A Maj • 05:51 • -6.06db
30% Popularity • 71% Danceability • 89% Energy • 64% Liveness
20% Instrumentalness • 63% Positiveness
30% Popularity • 71% Danceability • 89% Energy • 64% Liveness
20% Instrumentalness • 63% Positiveness
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Wire
Three Girl Rhumba - 2006 Remastered Vers...
121 bpm • E Maj • 01:23 • -8.74db
51% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
51% Popularity • 94% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Interpol
Obstacle 1
121 bpm • F Maj • 04:11 • -4.9db
65% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
65% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
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The Rapture
Alabama Sunshine
123 bpm • G Maj • 02:46 • -4.5db
7% Popularity • 48% Danceability • 88% Energy • 21% Liveness
72% Instrumentalness • 48% Positiveness
7% Popularity • 48% Danceability • 88% Energy • 21% Liveness
72% Instrumentalness • 48% Positiveness
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Preoccupations
Bunker Buster
120 bpm • D Maj • 05:55 • -7.8db
27% Popularity • 55% Danceability • 77% Energy • 16% Liveness
87% Instrumentalness • 40% Positiveness
27% Popularity • 55% Danceability • 77% Energy • 16% Liveness
87% Instrumentalness • 40% Positiveness
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The Horrors
She Is The New Thing
120 bpm • D Maj • 03:20 • -6db
29% Popularity • 51% Danceability • 88% Energy • 11% Liveness
45% Instrumentalness • 55% Positiveness
29% Popularity • 51% Danceability • 88% Energy • 11% Liveness
45% Instrumentalness • 55% Positiveness
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The Mystery Lights
Follow Me Home
120 bpm • E Maj • 03:19 • -5.36db
43% Popularity • 42% Danceability • 92% Energy • 70% Liveness
58% Instrumentalness • 78% Positiveness
43% Popularity • 42% Danceability • 92% Energy • 70% Liveness
58% Instrumentalness • 78% Positiveness
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The Faint
Desperate Guys
120 bpm • C# Maj • 03:06 • -8db
38% Popularity • 68% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 68% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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WhoMadeWho
Space for Rent - The Rapture Hushhush Re...
124 bpm • E min • 05:29 • -9.4db
0% Popularity • 54% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 32% Positiveness
0% Popularity • 54% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 32% Positiveness
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!!!
Must Be The Moon
120 bpm • G Maj • 05:57 • -5db
27% Popularity • 77% Danceability • 88% Energy • 34% Liveness
4% Instrumentalness • 95% Positiveness
27% Popularity • 77% Danceability • 88% Energy • 34% Liveness
4% Instrumentalness • 95% Positiveness
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Tom Vek
If You Want
120 bpm • F# min • 03:44 • -4db
19% Popularity • 81% Danceability • 89% Energy • 3% Liveness
27% Instrumentalness • 94% Positiveness
19% Popularity • 81% Danceability • 89% Energy • 3% Liveness
27% Instrumentalness • 94% Positiveness
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The Rapture
Killing
120 bpm • A# min • 03:37 • -8.8db
22% Popularity • 80% Danceability • 82% Energy • 26% Liveness
29% Instrumentalness • 25% Positiveness
22% Popularity • 80% Danceability • 82% Energy • 26% Liveness
29% Instrumentalness • 25% Positiveness
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Hot Chip
Over And Over
120 bpm • F min • 05:47 • -4.45db
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Simian
Never Be Alone
120 bpm • E min • 03:22 • -4db
31% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Peaches
Lovertits
120 bpm • A min • 04:44 • -4.64db
30% Popularity • 95% Danceability • 90% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
30% Popularity • 95% Danceability • 90% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
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!!!
Hello? Is This Thing On?
124 bpm • G Maj • 07:33 • -8.24db
23% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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TV On The Radio
Staring at the Sun
120 bpm • F min • 03:26 • -9.01db
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 59% Energy • 10% Liveness
29% Instrumentalness • 17% Positiveness
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Crocodiles
Hollow Hollow Eyes
120 bpm • A min • 02:52 • -5.37db
0% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Rapture
The Devil
120 bpm • C# Maj • 04:32 • -6.37db
18% Popularity • 63% Danceability • 82% Energy • 8% Liveness
8% Instrumentalness • 41% Positiveness
18% Popularity • 63% Danceability • 82% Energy • 8% Liveness
8% Instrumentalness • 41% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Moving Units
Available
120 bpm • F# min • 04:09 • -2.88db
16% Popularity • 31% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 31% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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!!!
Dancing Is The Best Revenge
120 bpm • C# Maj • 04:41 • -6db
36% Popularity • 86% Danceability • 76% Energy • 6% Liveness
32% Instrumentalness • 80% Positiveness
36% Popularity • 86% Danceability • 76% Energy • 6% Liveness
32% Instrumentalness • 80% Positiveness
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Cass McCombs
What Isn't Nature
120 bpm • G min • 04:48 • -7.2db
22% Popularity • 49% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 49% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Kills
Baby Says
120 bpm • C Maj • 04:28 • -5db
42% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
42% Popularity • 70% Danceability • 84% Energy • 23% Liveness
51% Instrumentalness • 52% Positiveness
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Wire
The 15th - 2006 Remastered Version
124 bpm • A Maj • 03:05 • -6db
41% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
41% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Night Beats
H-Bomb
125 bpm • B min • 03:11 • -8.71db
16% Popularity • 49% Danceability • 90% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
16% Popularity • 49% Danceability • 90% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
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TV On The Radio
Staring at the Sun
119 bpm • G# Maj • 04:01 • -8db
51% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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!!!
Take Ecstasy With Me
120 bpm • C Maj • 07:41 • -7db
15% Popularity • 60% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
15% Popularity • 60% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
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Beck
Deadweight
125 bpm • C# min • 06:12 • -7db
34% Popularity • 69% Danceability • 87% Energy • 66% Liveness
1% Instrumentalness • 73% Positiveness
34% Popularity • 69% Danceability • 87% Energy • 66% Liveness
1% Instrumentalness • 73% Positiveness
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Cut Copy
Going Nowhere
125 bpm • C# Maj • 03:48 • -7db
35% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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LCD Soundsystem
Time to Get Away
125 bpm • G Maj • 04:11 • -7.25db
43% Popularity • 91% Danceability • 55% Energy • 14% Liveness
7% Instrumentalness • 73% Positiveness
43% Popularity • 91% Danceability • 55% Energy • 14% Liveness
7% Instrumentalness • 73% Positiveness
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The Rapture
I Need Your Love
125 bpm • A min • 04:39 • -7.3db
28% Popularity • 81% Danceability • 80% Energy • 63% Liveness
20% Instrumentalness • 97% Positiveness
28% Popularity • 81% Danceability • 80% Energy • 63% Liveness
20% Instrumentalness • 97% Positiveness
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We Have Band
Divisive
125 bpm • C# Maj • 03:46 • -5.21db
35% Popularity • 72% Danceability • 92% Energy • 9% Liveness
9% Instrumentalness • 75% Positiveness
35% Popularity • 72% Danceability • 92% Energy • 9% Liveness
9% Instrumentalness • 75% Positiveness
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!!!
Heart Of Hearts
119 bpm • F# min • 06:02 • -6.57db
25% Popularity • 63% Danceability • 93% Energy • 12% Liveness
10% Instrumentalness • 40% Positiveness
25% Popularity • 63% Danceability • 93% Energy • 12% Liveness
10% Instrumentalness • 40% Positiveness
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Beak>
Brean Down
125 bpm • D# Maj • 03:51 • -8.29db
29% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
29% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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The Jesus and Mary Chain
Cracking Up
125 bpm • E Maj • 04:41 • -9.23db
30% Popularity • 66% Danceability • 90% Energy • 13% Liveness
38% Instrumentalness • 83% Positiveness
30% Popularity • 66% Danceability • 90% Energy • 13% Liveness
38% Instrumentalness • 83% Positiveness
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The Amps
Tipp City
125 bpm • G min • 02:08 • -7db
33% Popularity • 44% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 44% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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The Rapture
Olio
125 bpm • F Maj • 05:20 • -7.06db
25% Popularity • 67% Danceability • 95% Energy • 8% Liveness
6% Instrumentalness • 92% Positiveness
25% Popularity • 67% Danceability • 95% Energy • 8% Liveness
6% Instrumentalness • 92% Positiveness
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No Age
Teen Creeps
125 bpm • D Maj • 03:25 • -6.89db
28% Popularity • 22% Danceability • 97% Energy • 38% Liveness
17% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 97% Energy • 38% Liveness
17% Instrumentalness • 4% Positiveness
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LCD Soundsystem
Too Much Love
118 bpm • A# min • 05:42 • -7db
35% Popularity • 70% Danceability • 85% Energy • 29% Liveness
56% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 85% Energy • 29% Liveness
56% Instrumentalness • 92% Positiveness
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Von Südenfed
The Rhinohead
126 bpm • C Maj • 04:16 • -3.97db
20% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
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Singapore Sling
Overdriver
126 bpm • B min • 03:46 • -5.93db
22% Popularity • 43% Danceability • 80% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
22% Popularity • 43% Danceability • 80% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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!!!
Me and Guiliani Down by the School Yard ...
126 bpm • G Maj • 09:02 • -6db
30% Popularity • 78% Danceability • 81% Energy • 7% Liveness
71% Instrumentalness • 81% Positiveness
30% Popularity • 78% Danceability • 81% Energy • 7% Liveness
71% Instrumentalness • 81% Positiveness
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The Rapture
Heaven
126 bpm • A# min • 03:47 • -6.14db
23% Popularity • 41% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 41% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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BODEGA
Name Escape
126 bpm • B Maj • 03:43 • -5.51db
33% Popularity • 92% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 92% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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LCD Soundsystem
Get Innocuous!
118 bpm • D min • 07:11 • -6.63db
46% Popularity • 70% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 57% Positiveness
46% Popularity • 70% Danceability • 96% Energy • 9% Liveness
86% Instrumentalness • 57% Positiveness
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Von Südenfed
Fledermaus Can't Get It
126 bpm • F# Maj • 03:56 • -5.23db
15% Popularity • 77% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 77% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Chain and The Gang
Certain Kinds of Trash
118 bpm • A Maj • 03:39 • -6.36db
30% Popularity • 85% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
30% Popularity • 85% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 89% Positiveness
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The Halo Benders
Don't Touch My Bikini
118 bpm • A min • 03:38 • -6db
30% Popularity • 63% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 63% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Rapture
The Pop Song
126 bpm • B min • 02:47 • -5.37db
11% Popularity • 43% Danceability • 86% Energy • 34% Liveness
79% Instrumentalness • 60% Positiveness
11% Popularity • 43% Danceability • 86% Energy • 34% Liveness
79% Instrumentalness • 60% Positiveness
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Parquet Courts
Outside
126 bpm • G# Maj • 01:45 • -6db
42% Popularity • 45% Danceability • 76% Energy • 34% Liveness
10% Instrumentalness • 71% Positiveness
42% Popularity • 45% Danceability • 76% Energy • 34% Liveness
10% Instrumentalness • 71% Positiveness
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Protomartyr
Why Does It Shake?
126 bpm • D# min • 04:45 • -6.47db
26% Popularity • 47% Danceability • 83% Energy • 10% Liveness
59% Instrumentalness • 33% Positiveness
26% Popularity • 47% Danceability • 83% Energy • 10% Liveness
59% Instrumentalness • 33% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
39% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
39% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Autolux
Here Comes Everybody
126 bpm • G# Maj • 05:17 • -6.85db
32% Popularity • 48% Danceability • 71% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
32% Popularity • 48% Danceability • 71% Energy • 8% Liveness
4% Instrumentalness • 8% Positiveness
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Clinic
If you could read your mind
127 bpm • C min • 02:59 • -5.88db
17% Popularity • 37% Danceability • 86% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
17% Popularity • 37% Danceability • 86% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
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The Rapture
Get Myself Into It
118 bpm • C# Maj • 04:39 • -5db
38% Popularity • 74% Danceability • 85% Energy • 16% Liveness
4% Instrumentalness • 93% Positiveness
38% Popularity • 74% Danceability • 85% Energy • 16% Liveness
4% Instrumentalness • 93% Positiveness
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Thee Oh Sees
Tidal Wave
127 bpm • C min • 03:47 • -6.77db
35% Popularity • 53% Danceability • 98% Energy • 25% Liveness
46% Instrumentalness • 40% Positiveness
35% Popularity • 53% Danceability • 98% Energy • 25% Liveness
46% Instrumentalness • 40% Positiveness
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Crocodiles
Foolin' Around
117 bpm • B Maj • 03:26 • -5.97db
14% Popularity • 62% Danceability • 76% Energy • 65% Liveness
3% Instrumentalness • 94% Positiveness
14% Popularity • 62% Danceability • 76% Energy • 65% Liveness
3% Instrumentalness • 94% Positiveness
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Parquet Courts
Ducking and Dodging
117 bpm • E min • 04:29 • -6.86db
28% Popularity • 82% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 82% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Sho Underscore
Wave
117 bpm • C Maj • 02:44 • -7.4db
0% Popularity • 80% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 80% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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The Julie Ruin
Oh Come On
127 bpm • F min • 02:25 • -0.7db
25% Popularity • 56% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 56% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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The Rapture
Love Is All
118 bpm • A# Maj • 04:21 • -5db
19% Popularity • 37% Danceability • 60% Energy • 9% Liveness
19% Instrumentalness • 33% Positiveness
19% Popularity • 37% Danceability • 60% Energy • 9% Liveness
19% Instrumentalness • 33% Positiveness
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Clinic
Welcome
117 bpm • B Maj • 03:02 • -6.82db
10% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Les Savy Fav
Pots And Pans
117 bpm • C Maj • 02:38 • -5.43db
19% Popularity • 45% Danceability • 84% Energy • 14% Liveness
51% Instrumentalness • 16% Positiveness
19% Popularity • 45% Danceability • 84% Energy • 14% Liveness
51% Instrumentalness • 16% Positiveness
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Deerhunter
Back to the Middle
127 bpm • A Maj • 02:36 • -4.97db
33% Popularity • 53% Danceability • 82% Energy • 10% Liveness
2% Instrumentalness • 92% Positiveness
33% Popularity • 53% Danceability • 82% Energy • 10% Liveness
2% Instrumentalness • 92% Positiveness
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The Fall
Mountain Energei
128 bpm • D Maj • 03:22 • -6.31db
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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Daniele Luppi
Mount Napoleon
128 bpm • D Maj • 03:26 • -6.46db
24% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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The Rapture
Sister Saviour
117 bpm • G min • 03:46 • -6.38db
27% Popularity • 66% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 66% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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LCD Soundsystem
Losing My Edge
116 bpm • F min • 07:53 • -8.72db
43% Popularity • 77% Danceability • 96% Energy • 33% Liveness
63% Instrumentalness • 89% Positiveness
43% Popularity • 77% Danceability • 96% Energy • 33% Liveness
63% Instrumentalness • 89% Positiveness
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Night Beats
Puppet on a String
128 bpm • F Maj • 03:07 • -7db
34% Popularity • 52% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 52% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Tom Vek
Nothing But Green Lights
128 bpm • A# Maj • 04:16 • -6db
29% Popularity • 72% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
29% Popularity • 72% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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The Units
High Pressure Days
116 bpm • G Maj • 03:17 • -4.54db
33% Popularity • 76% Danceability • 80% Energy • 10% Liveness
14% Instrumentalness • 80% Positiveness
33% Popularity • 76% Danceability • 80% Energy • 10% Liveness
14% Instrumentalness • 80% Positiveness
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The Rapture
Sail Away (Digitalism Remix) - Mixed
128 bpm • D min • 04:21 • -6.22db
7% Popularity • 48% Danceability • 76% Energy • 19% Liveness
4% Instrumentalness • 11% Positiveness
7% Popularity • 48% Danceability • 76% Energy • 19% Liveness
4% Instrumentalness • 11% Positiveness
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Thee Oh Sees
Carrion Crawler
129 bpm • D Maj • 05:50 • -5.96db
28% Popularity • 34% Danceability • 81% Energy • 14% Liveness
78% Instrumentalness • 17% Positiveness
28% Popularity • 34% Danceability • 81% Energy • 14% Liveness
78% Instrumentalness • 17% Positiveness
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Hot Chip
Ready For The Floor
129 bpm • C# min • 03:54 • -5.44db
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Faint
Birth
129 bpm • E min • 03:19 • -6.86db
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Sonic Youth
Bull In The Heather
129 bpm • G Maj • 03:04 • -12.73db
51% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
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Ladytron
Blue Jeans 2.0 - UK Single Version
115 bpm • C Maj • 03:51 • -8db
31% Popularity • 50% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
31% Popularity • 50% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
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Pylon
Cool - Extra
129 bpm • C Maj • 03:19 • -7.4db
28% Popularity • 67% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
28% Popularity • 67% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Jay Reatard
I'm Watching You
129 bpm • C Maj • 03:46 • -5.23db
15% Popularity • 41% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 41% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sleaford Mods
Tarantula Deadly Cargo
115 bpm • B min • 03:21 • -7.17db
34% Popularity • 91% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 91% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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The Rapture
Caravan
115 bpm • B min • 03:18 • -8.95db
12% Popularity • 45% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
12% Popularity • 45% Danceability • 32% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
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Fat White Family
Tinfoil Deathstar
130 bpm • A min • 03:59 • -8.26db
19% Popularity • 48% Danceability • 73% Energy • 58% Liveness
69% Instrumentalness • 27% Positiveness
19% Popularity • 48% Danceability • 73% Energy • 58% Liveness
69% Instrumentalness • 27% Positiveness
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Les Savy Fav
Patty Lee
130 bpm • A min • 03:51 • -5.16db
23% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
