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Out of Time
Songs like
Out of Time
by
Damon Albarn
Based on a tempo of (+/- 10%) and a similar genre
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Damon Albarn
Out of Time
155 bpm • C Maj • 03:58 • -9.16db
35% Popularity • 35% Danceability • 52% Energy • 79% Liveness
0% Instrumentalness • 25% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
48% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Pulp
This Is Hardcore
154 bpm • A min • 06:23 • -7.84db
47% Popularity • 34% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
43% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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Blonde Redhead
We Should Be Holding Hands
156 bpm • D Maj • 04:44 • -8.93db
33% Popularity • 69% Danceability • 63% Energy • 7% Liveness
38% Instrumentalness • 57% Positiveness
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Nick Cave & The Bad Seeds
Wide Lovely Eyes
157 bpm • G Maj • 03:40 • -16.15db
41% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jupiter & Okwess
Ngandjo
157 bpm • D min • 03:39 • -7.69db
0% Popularity • 61% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Joan As Police Woman
Get My Bearings
155 bpm • A min • 04:46 • -9.74db
30% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Metronomy
Some Written
152 bpm • G# Maj • 06:03 • -12.08db
39% Popularity • 70% Danceability • 38% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
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Atoms For Peace
Default
159 bpm • C# min • 05:15 • -4.86db
45% Popularity • 79% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 70% Positiveness
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Blonde Redhead
Will There Be Stars
156 bpm • F# min • 04:27 • -9.19db
25% Popularity • 56% Danceability • 68% Energy • 21% Liveness
64% Instrumentalness • 25% Positiveness
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Blur
Under the Westway
150 bpm • C Maj • 04:16 • -9db
38% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Radiohead
Identikit
151 bpm • B min • 04:26 • -9.46db
54% Popularity • 69% Danceability • 46% Energy • 14% Liveness
51% Instrumentalness • 35% Positiveness
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múm
The Colorful Stabwound
150 bpm • B min • 03:40 • -7.96db
33% Popularity • 65% Danceability • 91% Energy • 9% Liveness
79% Instrumentalness • 30% Positiveness
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The Good, the Bad & the Queen
History Song
160 bpm • A min • 03:05 • -10db
40% Popularity • 42% Danceability • 64% Energy • 36% Liveness
15% Instrumentalness • 58% Positiveness
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Future Islands
Light House
150 bpm • A min • 04:47 • -7db
49% Popularity • 51% Danceability • 82% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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The Beta Band
Squares
150 bpm • F min • 03:46 • -11.52db
45% Popularity • 68% Danceability • 45% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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Metronomy
We Broke Free
150 bpm • C# min • 04:05 • -9.09db
43% Popularity • 62% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 39% Positiveness
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Ghostpoet
Season Change
149 bpm • D Maj • 03:57 • -11.47db
18% Popularity • 56% Danceability • 50% Energy • 26% Liveness
8% Instrumentalness • 62% Positiveness
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Gruff Rhys
Liberty (Is Where We'll Be)
149 bpm • C# min • 04:54 • -5.19db
19% Popularity • 55% Danceability • 87% Energy • 9% Liveness
55% Instrumentalness • 84% Positiveness
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Beirut
The Rip Tide
149 bpm • B Maj • 04:26 • -7.78db
44% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Malian Musicians
Les ecrocs
149 bpm • D# min • 05:08 • -10.93db
16% Popularity • 50% Danceability • 44% Energy • 26% Liveness
52% Instrumentalness • 27% Positiveness
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Owen Pallett
In Conflict
149 bpm • G# Maj • 04:13 • -7db
20% Popularity • 54% Danceability • 76% Energy • 20% Liveness
38% Instrumentalness • 28% Positiveness
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Gorillaz
Hong Kong
148 bpm • B min • 07:13 • -7.39db
44% Popularity • 51% Danceability • 58% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Phoenix
North
148 bpm • C# min • 05:01 • -10.94db
39% Popularity • 66% Danceability • 71% Energy • 19% Liveness
91% Instrumentalness • 71% Positiveness
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Connan Mockasin
Megumi the Milkyway Above
163 bpm • B Maj • 02:28 • -6.84db
19% Popularity • 49% Danceability • 80% Energy • 72% Liveness
2% Instrumentalness • 81% Positiveness
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Kings of Convenience
Toxic Girl
147 bpm • F# min • 03:09 • -15db
49% Popularity • 64% Danceability • 45% Energy • 9% Liveness
39% Instrumentalness • 89% Positiveness
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Damon Albarn
For Tomorrow - Live At Union Chapel
165 bpm • F Maj • 05:54 • -5.03db
12% Popularity • 29% Danceability • 65% Energy • 39% Liveness
3% Instrumentalness • 31% Positiveness
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Arcade Fire
Speaking in Tongues
146 bpm • F# Maj • 03:52 • -7.96db
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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John Grant
Tc & Honeybear
146 bpm • F Maj • 05:06 • -7.54db
27% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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The Smile
A Hairdryer
145 bpm • F# Maj • 05:17 • -8.95db
44% Popularity • 34% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Devendra Banhart
Heard Somebody Say
145 bpm • A Maj • 03:20 • -10.4db
37% Popularity • 63% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
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Kings of Convenience
The Weight Of My Words - Four Tet Remix
145 bpm • F# min • 04:56 • -10db
43% Popularity • 50% Danceability • 47% Energy • 33% Liveness
95% Instrumentalness • 28% Positiveness
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Beth Gibbons
Sand River
145 bpm • A# min • 03:48 • -16.41db
43% Popularity • 50% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 17% Positiveness
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Gaz Coombes
The English Ruse
166 bpm • G min • 04:43 • -5.74db
18% Popularity • 36% Danceability • 84% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
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Damon Albarn
The Universal - Live At Union Chapel
145 bpm • G Maj • 03:45 • -6.32db
20% Popularity • 36% Danceability • 49% Energy • 73% Liveness
7% Instrumentalness • 30% Positiveness
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The Divine Comedy
Lost Property
144 bpm • C Maj • 04:39 • -8.94db
27% Popularity • 36% Danceability • 65% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Badly Drawn Boy
Stone on the Water
167 bpm • E min • 03:58 • -9.57db
30% Popularity • 28% Danceability • 38% Energy • 10% Liveness
85% Instrumentalness • 16% Positiveness
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Kings of Convenience
The Weight Of My Words - Four Tet Instru...
145 bpm • F# min • 05:29 • -14.47db
24% Popularity • 53% Danceability • 31% Energy • 16% Liveness
91% Instrumentalness • 48% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
37% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Damon Albarn
Esja
143 bpm • C Maj • 03:40 • -9.81db
21% Popularity • 46% Danceability • 84% Energy • 61% Liveness
95% Instrumentalness • 6% Positiveness
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Tindersticks
Trouble Every Day
143 bpm • F# min • 05:39 • -13.53db
21% Popularity • 41% Danceability • 18% Energy • 10% Liveness
70% Instrumentalness • 10% Positiveness
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Blur
Good Song
169 bpm • F Maj • 03:07 • -9db
51% Popularity • 65% Danceability • 49% Energy • 19% Liveness
54% Instrumentalness • 72% Positiveness
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Kings of Convenience
Winning A Battle, Losing The War
142 bpm • F Maj • 03:54 • -15.89db
43% Popularity • 59% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 48% Positiveness
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Rocket Juice & The Moon
Poison
169 bpm • F# min • 03:24 • -9.92db
37% Popularity • 57% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
46% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mercury Rev
Holes
142 bpm • D Maj • 05:56 • -7.61db
48% Popularity • 27% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Hawley
The Ocean
142 bpm • A Maj • 05:36 • -9.28db
48% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
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The Smile
Skrting On The Surface
142 bpm • D min • 05:31 • -10db
48% Popularity • 56% Danceability • 57% Energy • 14% Liveness
74% Instrumentalness • 26% Positiveness
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Beck
Paper Tiger
142 bpm • A Maj • 04:35 • -10db
41% Popularity • 37% Danceability • 55% Energy • 18% Liveness
74% Instrumentalness • 46% Positiveness
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Ian Brown
Time Is My Everything
142 bpm • A Maj • 03:52 • -5.92db
34% Popularity • 55% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 20% Positiveness
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Public Service Broadcasting
Everest
142 bpm • D# Maj • 03:47 • -6.46db
37% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
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Thom Yorke
Cymbal Rush
142 bpm • C# Maj • 05:14 • -16.16db
37% Popularity • 60% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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The Chemical Brothers
The Pills Won't Help You Now
142 bpm • B Maj • 06:34 • -7db
35% Popularity • 56% Danceability • 63% Energy • 12% Liveness
25% Instrumentalness • 37% Positiveness
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Django Django
Firewater
142 bpm • A Maj • 04:49 • -5.31db
36% Popularity • 71% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
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Jupiter & Okwess
Lourds
170 bpm • A min • 03:27 • -6.63db
1% Popularity • 37% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The National
Brainy
170 bpm • A Maj • 03:18 • -8.31db
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
73% Instrumentalness • 76% Positiveness
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Arcade Fire
Awful Sound (Oh Eurydice)
141 bpm • A Maj • 06:12 • -8db
35% Popularity • 31% Danceability • 69% Energy • 7% Liveness
9% Instrumentalness • 54% Positiveness
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Matt Sharp
We Have a Technical
141 bpm • B min • 03:20 • -7.96db
8% Popularity • 55% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Karen O
Ministry
141 bpm • B Maj • 05:06 • -10.24db
33% Popularity • 47% Danceability • 66% Energy • 7% Liveness
7% Instrumentalness • 23% Positiveness
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Tindersticks
This Fire of Autumn
141 bpm • F# min • 04:17 • -6.11db
26% Popularity • 53% Danceability • 75% Energy • 10% Liveness
16% Instrumentalness • 82% Positiveness
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Damon Albarn
Darkness To Light - Live At Union Chapel
140 bpm • A# Maj • 02:20 • -7.84db
12% Popularity • 33% Danceability • 56% Energy • 74% Liveness
27% Instrumentalness • 44% Positiveness
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Africa Express
See The World
140 bpm • C Maj • 03:01 • -10.15db
26% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Future Islands
Sun in the Morning
140 bpm • D# Maj • 03:48 • -5.46db
44% Popularity • 58% Danceability • 87% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
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Metronomy
Corinne
140 bpm • D# min • 03:16 • -8.87db
59% Popularity • 91% Danceability • 53% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
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Django Django
Porpoise Song
140 bpm • A Maj • 05:26 • -6.75db
14% Popularity • 49% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 43% Positiveness
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Tindersticks
Frozen
140 bpm • F Maj • 05:43 • -6.46db
17% Popularity • 46% Danceability • 87% Energy • 6% Liveness
33% Instrumentalness • 57% Positiveness
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Mark Kozelek & Jimmy LaValle
Gustavo
140 bpm • F Maj • 07:11 • -13.89db
29% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
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Africa Express
Xhosa
140 bpm • F min • 02:32 • -8db
19% Popularity • 61% Danceability • 80% Energy • 58% Liveness
23% Instrumentalness • 93% Positiveness
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Sharon Van Etten
Taking Chances
172 bpm • G min • 03:50 • -7.72db
36% Popularity • 53% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Julian Plenti
On the Esplanade
172 bpm • A min • 03:40 • -10.17db
30% Popularity • 42% Danceability • 41% Energy • 35% Liveness
88% Instrumentalness • 35% Positiveness
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Clap Your Hands Say Yeah
Over and over Again (Lost and Found)
140 bpm • B Maj • 03:09 • -8db
43% Popularity • 57% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Metronomy
Hold me tonight
172 bpm • B Maj • 03:31 • -7.64db
36% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Whitest Boy Alive
Promise Less Or Do More
140 bpm • A min • 04:17 • -6.88db
11% Popularity • 73% Danceability • 70% Energy • 12% Liveness
38% Instrumentalness • 41% Positiveness
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Blur
Caravan
172 bpm • D Maj • 04:35 • -11.85db
27% Popularity • 48% Danceability • 34% Energy • 45% Liveness
55% Instrumentalness • 33% Positiveness
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Damon Albarn
Hollow Ponds
139 bpm • A# min • 04:59 • -13.35db
28% Popularity • 62% Danceability • 41% Energy • 70% Liveness
23% Instrumentalness • 36% Positiveness
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Atoms For Peace
Judge Jury and Executioner
139 bpm • C min • 03:28 • -7.71db
36% Popularity • 89% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
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Jonathan Wilson
Gentle Spirit
139 bpm • F Maj • 06:27 • -12db
21% Popularity • 36% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Vegetables
Sunset Coming on (Damon Albarn Remix)
138 bpm • A min • 02:31 • -10.6db
7% Popularity • 46% Danceability • 38% Energy • 34% Liveness
44% Instrumentalness • 43% Positiveness
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The Divine Comedy
Timestretched
138 bpm • G Maj • 02:48 • -12.21db
32% Popularity • 54% Danceability • 42% Energy • 36% Liveness
93% Instrumentalness • 33% Positiveness
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Blur
Out of Time
139 bpm • C Maj • 03:53 • -9db
50% Popularity • 53% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Damon Albarn
Everyday Robots
139 bpm • C Maj • 03:59 • -12.3db
39% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Atoms For Peace
Dropped
174 bpm • A# min • 04:57 • -6db
36% Popularity • 61% Danceability • 74% Energy • 11% Liveness
81% Instrumentalness • 69% Positiveness
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The Good, the Bad & the Queen
Gun to the Head
138 bpm • A min • 04:19 • -10.09db
24% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Caribou
Melody Day
138 bpm • G# min • 04:11 • -6.21db
29% Popularity • 42% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sébastien Schuller
Tears Coming Home
174 bpm • E min • 05:09 • -5.19db
20% Popularity • 37% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Balthazar
Later
138 bpm • B min • 04:42 • -9db
32% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Beck
Chemtrails
174 bpm • C Maj • 04:38 • -7db
41% Popularity • 16% Danceability • 76% Energy • 68% Liveness
41% Instrumentalness • 13% Positiveness
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Cat Power
Manhattan
138 bpm • G Maj • 05:16 • -8.06db
47% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Arcade Fire
End of the Empire I-III
137 bpm • C Maj • 05:23 • -9.52db
44% Popularity • 32% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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BC Camplight
Just Because I Love You
175 bpm • C min • 05:13 • -10.93db
14% Popularity • 59% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
40% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
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Nick Cave & The Bad Seeds
Mermaids
137 bpm • D min • 03:49 • -16.87db
41% Popularity • 29% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Chemical Brothers
Asleep From Day
137 bpm • E Maj • 04:47 • -9.8db
47% Popularity • 52% Danceability • 57% Energy • 18% Liveness
57% Instrumentalness • 27% Positiveness
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Atoms For Peace
Unless
137 bpm • F# Maj • 04:40 • -7.6db
35% Popularity • 58% Danceability • 92% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Malian Musicians
Sunset Coming On
137 bpm • A min • 04:14 • -12.66db
33% Popularity • 44% Danceability • 36% Energy • 21% Liveness
30% Instrumentalness • 11% Positiveness
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Devendra Banhart
Sea Horse
177 bpm • E min • 08:03 • -14db
33% Popularity • 27% Danceability • 34% Energy • 9% Liveness
54% Instrumentalness • 22% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Out of Time