Songs like Out of Your Head - Reprise by Ariana DeBose
Based on a tempo of (+/- 10%) and a similar genre
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Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Emily Padgett
Typical Girls Next Door
139 bpm • C# Maj • 02:05 • -7.67db
10% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Ariana DeBose
Out of Your Head - Reprise
139 bpm • D Maj • 01:05 • -7.11db
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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'The Great Comet' Original Cast Ensemble
The Opera
139 bpm • E min • 09:53 • -12.9db
16% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Alan Menken
Genie Medley
139 bpm • A min • 04:03 • -12.05db
28% Popularity • 58% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 58% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
26% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
26% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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Diana Original Broadway Cast
Him And Her (And Him And Her) / Just Dan...
140 bpm • D Maj • 05:32 • -7.97db
19% Popularity • 42% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 42% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
39% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Fra Fee
Spindlewood
138 bpm • E Maj • 06:23 • -11.3db
16% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
No Good Can Come from Bad
141 bpm • F# min • 02:42 • -10.51db
16% Popularity • 69% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 69% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
18% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm (Reprise)
141 bpm • A Maj • 01:00 • -13.25db
16% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Bubble Boy Original Company
One More Mile
137 bpm • F# min • 02:42 • -6.65db
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Cordero
Nicky Machiavelli
136 bpm • G Maj • 03:41 • -7.89db
12% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Richard H. Blake
All About the Green
142 bpm • C Maj • 04:36 • -5.97db
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Friedman
Success
136 bpm • A# Maj • 05:25 • -11.56db
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Alan Zachary
Allison's Theme #1
142 bpm • G# Maj • 00:50 • -8.73db
16% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Bobby Conte
Out of Your Head
135 bpm • F# Maj • 03:25 • -5db
26% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 46% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Evans
The Mob Song
143 bpm • A# min • 02:28 • -7.1db
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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J. Harrison Ghee
Zee Bap
144 bpm • C Maj • 02:52 • -5.71db
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Douglas Hodge
Simply Second Nature
144 bpm • D min • 03:33 • -13.92db
22% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Alan Menken
Dentist! - 1982 Original Cast
144 bpm • C Maj • 02:12 • -12.34db
23% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Cheyenne Jackson
Follow That Dream
134 bpm • D Maj • 01:46 • -12.43db
22% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Mary Faber
Cinderella, Darling
134 bpm • B Maj • 03:48 • -9.68db
14% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Alan Menken
Skid Row (Downtown) - 1982 Original Cast
144 bpm • A# Maj • 03:56 • -12.3db
24% Popularity • 49% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 49% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Off to the Races
144 bpm • F Maj • 03:03 • -8.78db
15% Popularity • 49% Danceability • 67% Energy • 86% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 49% Danceability • 67% Energy • 86% Liveness
0% Instrumentalness • 70% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Marin Mazzie
Atlantic City
134 bpm • C Maj • 05:35 • -11.55db
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Rob McClure
Isn't That Enough? - Honeymoon In Vegas ...
145 bpm • F# Maj • 02:42 • -13.33db
11% Popularity • 35% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Carmen Cusack
At Long Last
133 bpm • A Maj • 02:57 • -9db
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Sir Danvers Carew, Emma
Letting Go
133 bpm • E Maj • 01:41 • -15.35db
23% Popularity • 33% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 33% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Richard H. Blake
These Streets
133 bpm • C# Maj • 03:58 • -7.09db
16% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Harry Haden-Paton
You Did It
146 bpm • C Maj • 04:42 • -8.77db
14% Popularity • 52% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Santino Fontana
Arrivederci!
132 bpm • B Maj • 00:55 • -8.21db
11% Popularity • 73% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 73% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Conte
Ain't It the Truth
133 bpm • G# Maj • 03:35 • -6.69db
12% Popularity • 80% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 80% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Jeremy Jordan
Something To Believe In
132 bpm • G Maj • 03:31 • -10.57db
46% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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'[title of show]' Original Cast
Filling out the Form
131 bpm • G# Maj • 01:52 • -10.89db
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Josh Grisetti
Whatever
132 bpm • D Maj • 02:27 • -13.38db
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Heléne Yorke
Tiger Rag
131 bpm • C# Maj • 03:00 • -8.15db
10% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 56% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Bryce Pinkham
Poison in My Pocket - Reprise
131 bpm • C# Maj • 00:55 • -13.28db
20% Popularity • 79% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 79% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Bobby Conte
Belmont Avenue
147 bpm • F Maj • 05:14 • -6.04db
17% Popularity • 40% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 40% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Jason Danieley
Welcome To Our World (More Champagne)
148 bpm • D Maj • 02:20 • -4.32db
23% Popularity • 62% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 62% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Company of Rent Live
Finale B
148 bpm • B Maj • 03:16 • -7.55db
18% Popularity • 29% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 29% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 20% Positiveness
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Between the Lines Original Cast
Happily Ever After Hour
148 bpm • G Maj • 03:28 • -8.47db
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 46% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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John Behlmann
This Thing
149 bpm • C Maj • 03:15 • -7.26db
13% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jo Ellen Pellman
You Happened
130 bpm • C Maj • 03:11 • -6.79db
36% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Aaron Simon Gross
If That's What It Is
149 bpm • G# Maj • 05:23 • -7.89db
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Alan Menken
Overture
129 bpm • G Maj • 02:52 • -17.96db
16% Popularity • 32% Danceability • 17% Energy • 36% Liveness
63% Instrumentalness • 36% Positiveness
16% Popularity • 32% Danceability • 17% Energy • 36% Liveness
63% Instrumentalness • 36% Positiveness
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David Hull
We're the Man!
129 bpm • C# min • 05:22 • -9.19db
8% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Lauren Marcus
Do You Wanna Ride?
149 bpm • A# Maj • 01:43 • -7.94db
24% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Diana Original Broadway Cast
The World Fell In Love
150 bpm • A# Maj • 03:36 • -8.85db
22% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Stephanie Styles
Why Can't You Behave
129 bpm • C# Maj • 01:48 • -10db
14% Popularity • 44% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 44% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Rosalie Craig
Side by Side by Side
150 bpm • G Maj • 08:45 • -13.1db
24% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jerry Herman
A Little More Mascara (Encore)
150 bpm • F# min • 01:09 • -11.02db
17% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ramin Karimloo
You're a Funny Girl / Beekman Call
150 bpm • D# Maj • 02:02 • -16.59db
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Julia Murney
I'm Not Through
150 bpm • G Maj • 02:39 • -7.65db
14% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Shindle
A Nice Little Walk
128 bpm • G# Maj • 02:26 • -11.96db
22% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Emily Padgett
If Your Father Were Here
128 bpm • B Maj • 02:49 • -14.65db
26% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness