Songs like outsiders by Jean-Michel Blais
Based on a tempo of (+/- 10%) and a similar genre
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Federico Albanese
Beside You
113 bpm • F Maj • 04:05 • -27.39db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alexandra Streliski
Automne
113 bpm • D# Maj • 02:11 • -19.3db
43% Popularity • 45% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
43% Popularity • 45% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Simon Piché-Castonguay
Romance
113 bpm • F# min • 05:44 • -25.55db
18% Popularity • 36% Danceability • 6% Energy • 38% Liveness
83% Instrumentalness • 8% Positiveness
18% Popularity • 36% Danceability • 6% Energy • 38% Liveness
83% Instrumentalness • 8% Positiveness
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Sylvain Chauveau
Le Brasier De Tristesse
113 bpm • C Maj • 03:36 • -20db
38% Popularity • 37% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
38% Popularity • 37% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Jean-Michel Blais
outsiders
113 bpm • F Maj • 04:59 • -17.18db
26% Popularity • 30% Danceability • 30% Energy • 19% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 30% Energy • 19% Liveness
86% Instrumentalness • 11% Positiveness
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Sjors Mans
Without You
113 bpm • A min • 04:09 • -31.39db
32% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Lloyd Wayne
Mainland - Jean-Michel Blais Remix
112 bpm • D# Maj • 03:58 • -17.76db
6% Popularity • 33% Danceability • 12% Energy • 36% Liveness
64% Instrumentalness • 18% Positiveness
6% Popularity • 33% Danceability • 12% Energy • 36% Liveness
64% Instrumentalness • 18% Positiveness
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James Heather
Bad Role Model
113 bpm • C min • 03:40 • -19.73db
22% Popularity • 35% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
22% Popularity • 35% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Martin Lizotte
Voltige
112 bpm • D min • 03:20 • -14.77db
11% Popularity • 58% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
11% Popularity • 58% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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EydÃs Evensen
Deep Under
114 bpm • D# Maj • 04:48 • -18db
30% Popularity • 21% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 21% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Jean-Michel Blais
outsiders - Edit
114 bpm • F Maj • 04:42 • -18.44db
28% Popularity • 31% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Julien Marchal
Insight XXIV
111 bpm • C min • 02:41 • -29.81db
42% Popularity • 35% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
42% Popularity • 35% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Simon P. Castonguay
Esquisses oubliées en trois mouvements
112 bpm • A# min • 06:53 • -19.34db
10% Popularity • 33% Danceability • 19% Energy • 23% Liveness
95% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 19% Energy • 23% Liveness
95% Instrumentalness • 6% Positiveness
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Julianna Barwick
Call
111 bpm • F Maj • 05:15 • -24.13db
35% Popularity • 48% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Lubomyr Melnyk
Son of Parasol
111 bpm • E min • 07:34 • -18.25db
19% Popularity • 23% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 16% Positiveness
19% Popularity • 23% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 16% Positiveness
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Akira Kosemura
Inside River, Pt. 2
115 bpm • F Maj • 02:40 • -25.09db
38% Popularity • 41% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 41% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Banx & Ranx
The Birds - Instrumental
115 bpm • A# Maj • 04:05 • -23.16db
28% Popularity • 39% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
28% Popularity • 39% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Gabriel Parker
Intervention
111 bpm • D Maj • 02:19 • -17.61db
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Guillaume Poncelet
Après
115 bpm • G Maj • 04:28 • -25.63db
26% Popularity • 61% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
26% Popularity • 61% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Hugar
Ró
115 bpm • F min • 02:37 • -31.66db
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Malakoff Kowalski
My First Piano
111 bpm • C Maj • 03:04 • -27.08db
21% Popularity • 49% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 22% Positiveness
21% Popularity • 49% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 22% Positiveness
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Julien Marchal
Insight XXX
111 bpm • C# Maj • 04:11 • -30.88db
31% Popularity • 41% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
31% Popularity • 41% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Jacob David
Judith
111 bpm • G min • 02:55 • -26db
42% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Khaled Mouzanar
Zeyn
110 bpm • G# Maj • 03:43 • -17db
25% Popularity • 21% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 21% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Annelie
In
116 bpm • F min • 02:25 • -26.72db
26% Popularity • 40% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 40% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Haux
Something To Remember - Piano Score
110 bpm • F min • 04:36 • -20.57db
36% Popularity • 39% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 39% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Oskar Schuster
Les sablons
110 bpm • G Maj • 02:42 • -23db
38% Popularity • 45% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
38% Popularity • 45% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
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Luca D'Alberto
Everywhere You Are
116 bpm • F Maj • 03:40 • -13.54db
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Federico Albanese
Secret Room
116 bpm • G min • 04:35 • -22.33db
22% Popularity • 50% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
22% Popularity • 50% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Lisa Cat-Berro
Broderies
117 bpm • G min • 02:28 • -25.28db
27% Popularity • 36% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 36% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Annelie
Oh Gloria
116 bpm • D# min • 02:53 • -25.4db
30% Popularity • 44% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
30% Popularity • 44% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Martin Kohlstedt
AUHEJA
117 bpm • F min • 06:23 • -15.58db
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Niklas Paschburg
Sand Whirling
117 bpm • B min • 04:31 • -18.53db
28% Popularity • 37% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
28% Popularity • 37% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Gavin Luke
Luster
118 bpm • F min • 02:33 • -21.99db
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
37% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Henrik Lindstrand
Enghave Lys
118 bpm • A Maj • 03:39 • -23.46db
24% Popularity • 61% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
24% Popularity • 61% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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A Winged Victory for the Sullen
We Played Some Open Chords and Rejoiced,...
108 bpm • A# Maj • 06:18 • -22.84db
35% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Chilly Gonzales
10:37 She's So Lovely Medley
108 bpm • F Maj • 03:01 • -13.05db
13% Popularity • 60% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 60% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Gavin Luke
Haze
108 bpm • D min • 02:40 • -27.51db
29% Popularity • 32% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Martin Kohlstedt
OMBLEH
119 bpm • C Maj • 05:40 • -29db
33% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
33% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Federico Albanese
My Piano Night
109 bpm • C min • 04:45 • -30db
37% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Illuminine
Dear, Dolores - Rework
107 bpm • E Maj • 04:21 • -29db
44% Popularity • 39% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 39% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Rui Massena
Valsa
108 bpm • C Maj • 04:05 • -27.26db
24% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Daigo Hanada
Solitude
107 bpm • C# min • 02:46 • -28.6db
36% Popularity • 31% Danceability • 2% Energy • 20% Liveness
96% Instrumentalness • 48% Positiveness
36% Popularity • 31% Danceability • 2% Energy • 20% Liveness
96% Instrumentalness • 48% Positiveness
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Steve Gibbs
RÃ¥klipp
119 bpm • D Maj • 03:31 • -28.35db
27% Popularity • 50% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
27% Popularity • 50% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Joep Beving
Unus mundus
107 bpm • F Maj • 04:18 • -25.04db
26% Popularity • 40% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
26% Popularity • 40% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Jean-Michel Blais
blind - acoustique
119 bpm • E Maj • 05:38 • -32.7db
24% Popularity • 41% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
24% Popularity • 41% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
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Alexandra Streliski
Overturn
119 bpm • C min • 04:17 • -27.08db
45% Popularity • 45% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
45% Popularity • 45% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Dmitry Evgrafov
Coming Home
107 bpm • A# Maj • 06:33 • -28.95db
16% Popularity • 34% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Francesco Tristano
Grey Light
120 bpm • G min • 04:36 • -20.96db
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Slow Meadow
Quintana
120 bpm • B min • 04:15 • -18db
28% Popularity • 39% Danceability • 6% Energy • 7% Liveness
74% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 6% Energy • 7% Liveness
74% Instrumentalness • 12% Positiveness
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Peter Broderick
Begin
120 bpm • D Maj • 02:03 • -26db
36% Popularity • 31% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
36% Popularity • 31% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
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Jean-Michel Blais
Un autre amour
107 bpm • E min • 02:47 • -22.7db
28% Popularity • 30% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
28% Popularity • 30% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Alexandra Streliski
Par la fenêtre de Théo
119 bpm • F# min • 02:53 • -23.96db
47% Popularity • 54% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
47% Popularity • 54% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Joaqin Trudet
Désabusé
120 bpm • D min • 02:27 • -24.51db
33% Popularity • 54% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
33% Popularity • 54% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
36% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Peter Sandberg
Balm (Scaled Down Version)
107 bpm • B Maj • 02:06 • -22.77db
40% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Chilly Gonzales
Lana Del Rey Medley
120 bpm • A# Maj • 03:08 • -21.16db
27% Popularity • 45% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
27% Popularity • 45% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Federico Albanese
By the Deep Sea
120 bpm • F min • 03:58 • -22.62db
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Julien Marchal
Insight XVIII
120 bpm • C# min • 04:18 • -22.96db
27% Popularity • 45% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 14% Positiveness
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Daigo Hanada
Silhouette
106 bpm • C min • 02:10 • -27db
33% Popularity • 37% Danceability • 6% Energy • 15% Liveness
56% Instrumentalness • 14% Positiveness
33% Popularity • 37% Danceability • 6% Energy • 15% Liveness
56% Instrumentalness • 14% Positiveness
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Hugar
Úti
120 bpm • B min • 04:10 • -18.97db
24% Popularity • 43% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
24% Popularity • 43% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Nil Ciuró
Airam
120 bpm • G# Maj • 03:25 • -18db
30% Popularity • 48% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Damian Marhulets
Ecartele: Less than a Year
120 bpm • D min • 03:43 • -21db
32% Popularity • 57% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 25% Positiveness
32% Popularity • 57% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 25% Positiveness
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Federico Albanese
Mauer Blues
120 bpm • C# Maj • 04:01 • -20.92db
38% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
38% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Phil France
Circle - Reprise
120 bpm • F# Maj • 03:57 • -17db
31% Popularity • 57% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
31% Popularity • 57% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Jean-Michel Blais
blind
120 bpm • E min • 05:40 • -21db
28% Popularity • 51% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 51% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Melissa Parmenter
Daylight
120 bpm • F# Maj • 03:33 • -24.75db
26% Popularity • 29% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Chassol
Magical Mountains
106 bpm • C# Maj • 03:30 • -21.34db
17% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Peter Broderick
Two Balloons, Pt. 1
121 bpm • F Maj • 01:09 • -20.98db
34% Popularity • 35% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
34% Popularity • 35% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Chad Lawson
Amongst the Trees I Wait
106 bpm • A min • 04:03 • -24.04db
16% Popularity • 55% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 55% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Lucy Claire
Kaiwata Tsuki - The Barren Moon
106 bpm • C min • 03:56 • -26db
32% Popularity • 29% Danceability • 6% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 6% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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William Duckworth
Times Curve Prelude No. 17
121 bpm • C# Maj • 02:29 • -31.96db
27% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Luca D'Alberto
Like We Were
105 bpm • F# min • 04:25 • -15.17db
12% Popularity • 35% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 35% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Ilya Beshevli
Wanderer
121 bpm • F# min • 03:27 • -16.5db
24% Popularity • 29% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
24% Popularity • 29% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Dardust
Lost and Found - Piano and String Quint...
105 bpm • F# Maj • 03:46 • -13db
31% Popularity • 26% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 23% Positiveness
31% Popularity • 26% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 23% Positiveness
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Half Moon Run
Throes
122 bpm • D Maj • 00:54 • -24.35db
21% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 34% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Angèle David-Guillou
V. for Visconti
105 bpm • A min • 02:36 • -16.51db
10% Popularity • 44% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
10% Popularity • 44% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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Jean-Michel Blais
chanson - instrumental
105 bpm • F min • 04:54 • -33.6db
25% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
25% Popularity • 36% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Simon P. Castonguay
L'apostrophe
122 bpm • E Maj • 05:13 • -17db
30% Popularity • 32% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
30% Popularity • 32% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Joep Beving
Adrift in Aether
122 bpm • C# min • 03:21 • -23.29db
34% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
34% Popularity • 40% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:02 • -28.82db
46% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Poltrock
Mute #2
122 bpm • E min • 02:46 • -21.82db
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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James Spiteri
May
122 bpm • G Maj • 06:08 • -19.11db
20% Popularity • 37% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
20% Popularity • 37% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Chad Lawson
The Broad Sun
122 bpm • D# Maj • 03:28 • -35.34db
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Alexandra Streliski
Lumières
122 bpm • D# Maj • 03:48 • -24.23db
36% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 11% Positiveness
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Oskar Schuster
Fryderyk
104 bpm • C# Maj • 02:26 • -21db
30% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
30% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Elliot Ziegler
Lyon
122 bpm • D min • 01:52 • -21.24db
36% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ed Carlsen
Close
122 bpm • D Maj • 04:29 • -19.28db
27% Popularity • 21% Danceability • 14% Energy • 45% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 14% Energy • 45% Liveness
95% Instrumentalness • 6% Positiveness
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Simon P. Castonguay
Silhouettes
122 bpm • E Maj • 07:36 • -15.43db
14% Popularity • 17% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Otto A. Totland
Vates
104 bpm • E min • 04:16 • -26.7db
23% Popularity • 36% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
23% Popularity • 36% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Teitur
Yellow / Green - Y Arpeggio in Eb / F
104 bpm • A# Maj • 02:26 • -21.74db
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Hauschka
Another Hike
123 bpm • C Maj • 03:37 • -16.53db
29% Popularity • 51% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
29% Popularity • 51% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Library Tapes
Patterns
104 bpm • C# Maj • 02:06 • -27.17db
37% Popularity • 57% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
37% Popularity • 57% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Luca Longobardi
Elegie I
104 bpm • C Maj • 01:31 • -20.9db
56% Popularity • 28% Danceability • 12% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 12% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
