Songs like Over Drinking Over You by Busby Marou
Based on a tempo of (+/- 10%) and a similar genre
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James Johnston
SAME SONGS
106 bpm • D Maj • 02:47 • -4.85db
52% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Graeme Connors
60 Summers
106 bpm • F Maj • 03:43 • -6.95db
27% Popularity • 70% Danceability • 60% Energy • 15% Liveness
3% Instrumentalness • 87% Positiveness
27% Popularity • 70% Danceability • 60% Energy • 15% Liveness
3% Instrumentalness • 87% Positiveness
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Melanie Dyer
Up And Away
106 bpm • C# min • 03:03 • -4.28db
9% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Simply Bushed
The Great Australian Love Song
106 bpm • C Maj • 03:33 • -6.13db
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
30% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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James Blundell
Cloncurry Cattle Song
107 bpm • D Maj • 03:24 • -11.67db
31% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Costa
Tractors & Bikes
107 bpm • A Maj • 02:50 • -6.15db
15% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Conrad Sewell
Healing Hands
105 bpm • C Maj • 04:10 • -5db
45% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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O'Shea
Karaoke and Corona
107 bpm • A Maj • 03:20 • -5.4db
14% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Busby Marou
Gone
106 bpm • C# min • 03:58 • -8.02db
19% Popularity • 56% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 56% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Ransom
You're The Reason Why
105 bpm • A Maj • 03:30 • -6db
12% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
23% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Christie Lamb
Hot Hot Kiss
105 bpm • E Maj • 03:17 • -6db
16% Popularity • 64% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
16% Popularity • 64% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Busby Marou
One Day at a Time
105 bpm • G Maj • 02:58 • -5.54db
17% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
16% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Beccy Cole
A Better Woman
104 bpm • B Maj • 02:39 • -5db
17% Popularity • 63% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 63% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Keith Urban
Sun Don't Let Me Down
108 bpm • C# min • 03:14 • -4.86db
12% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Luke O'Shea
How Well Have You Loved?
104 bpm • D Maj • 03:23 • -6.33db
23% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Brooke McClymont & Adam Eckersley
So Smooth
104 bpm • D# Maj • 03:49 • -5db
18% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Busby Marou
Sound of Summer
104 bpm • B Maj • 03:06 • -6.03db
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Darlinghurst
Picture Frame
104 bpm • C# min • 03:24 • -5db
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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So Far So Good
Jack and Dianne
104 bpm • A Maj • 04:05 • -9.11db
41% Popularity • 85% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 85% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Ross Ellis
Barefoot Dancer
108 bpm • C# Maj • 03:19 • -4.94db
26% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Catherine Britt
Red Dirt
104 bpm • B Maj • 02:20 • -5db
23% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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James Blundell
Down On The Farm
103 bpm • D Maj • 03:56 • -8.23db
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Natalie Pearson
Jolene
103 bpm • B Maj • 02:36 • -5.29db
31% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Melinda Schneider
9 To 5
103 bpm • F Maj • 03:27 • -7.13db
27% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Kaylee Bell
KEITH - Pop Remix
103 bpm • A Maj • 02:52 • -5.83db
43% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
56% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Logan Mize
Something Just Like This
103 bpm • B min • 04:08 • -6db
33% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Slim Dusty
Charleville
103 bpm • E Maj • 03:06 • -9.12db
30% Popularity • 74% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 74% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Hype Duo
I'm Australian Man
103 bpm • E Maj • 03:02 • -4.2db
29% Popularity • 80% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 80% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Curtain
Billy Don't Like No Hip Hop
110 bpm • A Maj • 03:13 • -7.58db
25% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Route 33
Last First Kiss
110 bpm • B Maj • 03:23 • -4.43db
15% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Chance McKinney
Don't Wanna Be Taillights
110 bpm • D Maj • 02:45 • -6.85db
9% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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The Washboard Union
She Gets Me
110 bpm • A Maj • 03:25 • -6db
30% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 72% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Adam McClure
Hold My Can While I Get Another Can
110 bpm • D Maj • 03:04 • -11.02db
22% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Busby Marou
Lucky Stars
110 bpm • D Maj • 02:46 • -5.43db
25% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 59% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Melanie Dyer
Cheap Moscato
110 bpm • D Maj • 02:45 • -5.32db
20% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Buckleys
I’m Comin' For Ya (Love)
110 bpm • A Maj • 02:42 • -5.44db
8% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Graeme Connors
Cyclone Season
110 bpm • B Maj • 03:15 • -5.46db
30% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Adam McClure
Smashing Tinnies
110 bpm • G Maj • 03:20 • -12db
26% Popularity • 82% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 82% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Simon Clow
24 Reasons
102 bpm • G Maj • 03:06 • -4.96db
15% Popularity • 78% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 78% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Busby Marou
Luck
102 bpm • E Maj • 04:00 • -6.37db
17% Popularity • 52% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Southbound xo
This Is Us
102 bpm • D Maj • 03:10 • -6db
17% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Matt Cornell
It's Only Midnight
101 bpm • G# Maj • 03:41 • -8db
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Kip Moore
Love You To The Moon
101 bpm • G Maj • 03:43 • -6db
38% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Thirsty Merc
The Good Life
101 bpm • A# min • 03:20 • -3.99db
43% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 70% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Busby Marou
Paint This Land
112 bpm • D Maj • 04:34 • -7.99db
24% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Reid
Fire It Up
112 bpm • D Maj • 03:45 • -7.14db
28% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Buckleys
Woodstock69
100 bpm • C# min • 02:56 • -7.64db
9% Popularity • 70% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 70% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lewis Brice
Summertime Vibes
100 bpm • E Maj • 03:32 • -4.38db
31% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Davisson Brothers Band
Unbreak You
100 bpm • C Maj • 04:31 • -7db
11% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Busby Marou
Conversation
112 bpm • D# Maj • 03:15 • -5.51db
25% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 89% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Brooke McClymont & Adam Eckersley
One Man
112 bpm • B Maj • 03:09 • -3.93db
14% Popularity • 65% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 65% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
41% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Melanie Dyer
Fresh
100 bpm • B Maj • 02:53 • -4.99db
19% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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O'Shea
Neon Soul
100 bpm • E Maj • 03:12 • -3.75db
8% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Tom Curtain
Roper River
113 bpm • G Maj • 02:53 • -7.21db
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Busby Marou
Someday Comes Around
100 bpm • A Maj • 03:26 • -6.94db
11% Popularity • 65% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Jade Holland
Drive Thru
113 bpm • C# min • 02:55 • -4.23db
16% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
68% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
68% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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James McKay
Collerina Road
113 bpm • G Maj • 02:19 • -4.58db
41% Popularity • 79% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 79% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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Blake O'Connor
Beautiful As You
99 bpm • F Maj • 03:42 • -4db
11% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Curtain
Horse Tailer
113 bpm • B min • 03:30 • -6.29db
17% Popularity • 69% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 69% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
73% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
73% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Colin Buchanan
Fishing Fraser Island
114 bpm • A# Maj • 02:43 • -8.29db
31% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Kelly
Every Day My Mother’s Voice
114 bpm • A Maj • 04:04 • -6db
4% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
4% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
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Sugarland
On A Roll
114 bpm • A Maj • 03:01 • -3.43db
31% Popularity • 84% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 84% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Lane Pittman
Father & Son - The Voice Australia 2022 ...
115 bpm • G# Maj • 01:37 • -5.94db
31% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Catherine Britt
Boneshaker
115 bpm • B min • 02:59 • -3.08db
12% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Darlinghurst
Bad Things
115 bpm • B Maj • 03:42 • -5.69db
16% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Reklaws
Roots - World Junior Song
115 bpm • C Maj • 03:26 • -4.59db
37% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
37% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Lily Grace
Annie June
115 bpm • B Maj • 03:26 • -5.93db
22% Popularity • 62% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 62% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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James Blundell
Age Of Grace
115 bpm • A Maj • 03:33 • -11.55db
26% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Keith Urban
Wasted Time - One Take, One Microphone
97 bpm • C Maj • 04:00 • -4.35db
9% Popularity • 73% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 73% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Slim Dusty
Wobbly Boot
97 bpm • C Maj • 02:56 • -8.37db
9% Popularity • 76% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 76% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Hunter Kaine
Long Way from Lonely
116 bpm • G# Maj • 03:39 • -7.76db
18% Popularity • 52% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Graeme Connors
Kimberley Frontier
97 bpm • G Maj • 04:03 • -6.36db
26% Popularity • 56% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Dallas Steele
Browndog's Song: The Sequel
116 bpm • D Maj • 03:47 • -5.41db
37% Popularity • 73% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 73% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Christie Lamb
Loaded
116 bpm • D min • 03:26 • -5.06db
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Keith Urban
With You
97 bpm • G# Maj • 03:08 • -8db
30% Popularity • 67% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 67% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Denvah
Do It Again
116 bpm • B Maj • 03:38 • -6.7db
33% Popularity • 71% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 71% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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O'Shea
The Truth Walks Slowly (In the Countrysi...
116 bpm • C Maj • 05:02 • -8.28db
11% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Deep Creek Road
What If I Was Willing
117 bpm • E Maj • 03:30 • -5.58db
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Natalie Pearson
I Wonder What You Kiss Like
117 bpm • C# Maj • 03:28 • -5.3db
16% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
