Songs like Over The Rainbow - From 'The Wizard Of Oz' by Beau Dermott
Based on a tempo of (+/- 10%) and a similar genre
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Elliott Park
I Loved Her First
132 bpm • B Maj • 04:02 • -11.26db
33% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Bretan
Believe
132 bpm • F# min • 03:46 • -6.64db
23% Popularity • 31% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 31% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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BYU Noteworthy
There's a Place for Us
132 bpm • F# Maj • 03:34 • -6db
27% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Rebecca Holden
Dreams Come True
132 bpm • C Maj • 03:33 • -4db
29% Popularity • 43% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 43% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Scott & Ryceejo
A Million Dreams / Daisies
132 bpm • F# Maj • 04:18 • -7.95db
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Chloë
Like an Angel
132 bpm • C# Maj • 04:29 • -7.58db
11% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Beau Dermott
Over The Rainbow
132 bpm • C Maj • 02:33 • -17db
29% Popularity • 55% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 55% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rhydian
Forever Young
132 bpm • D Maj • 03:37 • -5db
20% Popularity • 26% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Chad Graham
Memory
132 bpm • A# Maj • 03:50 • -7.98db
14% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Bailey
Don't Cry for Me
132 bpm • F# Maj • 03:12 • -11.21db
12% Popularity • 58% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 58% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Loren Allred
Last Thing I'll Ever Need (Diva Version)
133 bpm • G Maj • 02:40 • -5.36db
25% Popularity • 42% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 42% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Karl Loxley
Never Enough
132 bpm • D Maj • 03:25 • -5.17db
38% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Barrett Noubar Yeretsian
Jealous of the Angels
131 bpm • D# Maj • 04:09 • -8.74db
27% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Beth
I’ll Stand By You - Acoustic
133 bpm • C Maj • 03:02 • -11.18db
44% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Black
Wonderchild
131 bpm • C Maj • 03:45 • -15db
39% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Amanda Holden
Don’t Cry For Me Argentina
131 bpm • B Maj • 05:34 • -6.72db
28% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Military Wives Choirs
Home Thoughts From Abroad
133 bpm • G Maj • 03:11 • -11db
24% Popularity • 26% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 26% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Ronan Parke
You Are Living On
133 bpm • C Maj • 03:25 • -7.96db
13% Popularity • 46% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 46% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Beau Dermott
When She Loved Me
131 bpm • D# Maj • 03:32 • -14.07db
14% Popularity • 48% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Strickland
For The First Time - Broadway Cast Recor...
131 bpm • C# Maj • 04:12 • -8.29db
21% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benedetta
The Winner Takes It All
134 bpm • G Maj • 04:51 • -4.26db
30% Popularity • 39% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 39% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Adams
Here and Now
134 bpm • E Maj • 03:41 • -8.28db
12% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lisa Stokke
Theme from "New York New York"
134 bpm • C Maj • 03:21 • -4db
12% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Brian Justin Crum
Never Enough
130 bpm • C min • 03:29 • -7.66db
36% Popularity • 37% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 37% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Leading Ladies
The Wind Beneath My Wings
130 bpm • B Maj • 04:00 • -7.47db
19% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Bailey
There You'll Be
130 bpm • A# Maj • 03:37 • -6.08db
19% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Military Wives Choirs
Time After Time
134 bpm • D Maj • 03:54 • -9.75db
17% Popularity • 49% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
17% Popularity • 49% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Cristina Vee
Husavik (My Hometown)
134 bpm • F# Maj • 03:15 • -10.69db
19% Popularity • 37% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 37% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Military Wives
Mealor: Wherever You Are
130 bpm • G# Maj • 02:51 • -11db
30% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 25% Danceability • 29% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Laura Bretan
Arrows
130 bpm • A# min • 03:42 • -6.53db
28% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Loren Allred
When Love Takes Over - The Voice Perform...
130 bpm • A# Maj • 03:09 • -4.78db
33% Popularity • 58% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 58% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Tom Ball
Winter Song
134 bpm • E min • 03:20 • -10.28db
29% Popularity • 32% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 32% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Rise Up Children's Choir
Only Love
135 bpm • F min • 03:51 • -7.41db
15% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mark Masri
Sorry
129 bpm • C# min • 04:19 • -7.76db
14% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kimberly Knighton
Remember Me / When She Loved Me
135 bpm • A# Maj • 04:41 • -15.18db
27% Popularity • 42% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 42% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Drew Ryn
What a Feeling
129 bpm • A Maj • 03:00 • -15db
33% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Loren Allred
Rainbow
129 bpm • D# Maj • 03:11 • -8.35db
33% Popularity • 58% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 58% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lexi Walker
Power of the Dream
136 bpm • G Maj • 04:40 • -6.85db
22% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The D-Day Darlings
I'll Remember You
135 bpm • A# Maj • 03:56 • -9.71db
15% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Bretan
Have You Ever Hurt Someone so Much
136 bpm • A Maj • 03:29 • -6.28db
18% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Military Wives Choirs
We Will Remember Them
136 bpm • A# Maj • 04:41 • -11.66db
12% Popularity • 37% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
12% Popularity • 37% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Barbra Streisand
I Still Can See Your Face
136 bpm • G# Maj • 04:13 • -8db
43% Popularity • 29% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 29% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Liz Callaway
Meadowlark
128 bpm • E Maj • 05:32 • -10.08db
10% Popularity • 31% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 31% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Bailey
From This Moment On
136 bpm • G# Maj • 03:30 • -5.69db
26% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 36% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Military Wives
Fix You
136 bpm • G# Maj • 04:00 • -13.88db
30% Popularity • 45% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
30% Popularity • 45% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Hannah Waddingham
These Dreams of Ours
128 bpm • G Maj • 04:45 • -8.76db
17% Popularity • 59% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 59% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Military Wives Choirs
Brave
128 bpm • A# Maj • 03:10 • -10.85db
7% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Cinematic Pop
Hallelujah
136 bpm • F Maj • 04:59 • -11.99db
24% Popularity • 26% Danceability • 15% Energy • 53% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 26% Danceability • 15% Energy • 53% Liveness
0% Instrumentalness • 13% Positiveness
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Hilary Weeks
Love Your Life
128 bpm • C Maj • 03:37 • -7.45db
28% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Karl Loxley
Come What May
136 bpm • C Maj • 04:52 • -5.88db
28% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Laura Bretan
Breathe
137 bpm • D# Maj • 03:53 • -6.85db
19% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 41% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Masri
Window
137 bpm • C# Maj • 03:58 • -5.45db
13% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 49% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Liz Callaway
Wouldn't It Be Nice?
126 bpm • F Maj • 02:49 • -7db
21% Popularity • 64% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 64% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Cinematic Pop
Friday I'm in Love
138 bpm • G Maj • 03:37 • -16.31db
24% Popularity • 47% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Amanda Holden
I Know Him So Well
138 bpm • A# Maj • 04:12 • -4.32db
29% Popularity • 44% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 44% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Karl Loxley
I Dreamed a Dream
127 bpm • F# Maj • 03:13 • -7.02db
35% Popularity • 26% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 26% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Tom Ball
I (Who Have Nothing)
138 bpm • D Maj • 02:59 • -8.27db
37% Popularity • 33% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 33% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Benedetta
Unchained Melody
138 bpm • D# Maj • 03:47 • -3.09db
28% Popularity • 22% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 22% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Marcelito Pomoy
Let the Love Begin
138 bpm • D Maj • 04:15 • -5.61db
25% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Liz Callaway
Downtown
126 bpm • B Maj • 02:58 • -10db
12% Popularity • 62% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 62% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Rise Up Children's Choir
Speechless
126 bpm • F# min • 03:28 • -5.72db
27% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Karl Loxley
The Prayer
138 bpm • A# Maj • 04:29 • -11.44db
16% Popularity • 25% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 25% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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The Poppy Girls
Wind Beneath My Wings
126 bpm • C# Maj • 03:57 • -12.15db
8% Popularity • 46% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 46% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Charlotte Summers
Unicorn
126 bpm • E min • 03:24 • -6db
23% Popularity • 53% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Leonard Bernstein
Somewhere
126 bpm • E Maj • 03:23 • -6.82db
18% Popularity • 23% Danceability • 46% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
18% Popularity • 23% Danceability • 46% Energy • 10% Liveness
7% Instrumentalness • 12% Positiveness
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Kurt Bestor
April Child
126 bpm • D Maj • 02:56 • -13db
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Juan Pablo Di Pace
Sunrise, Sunset
126 bpm • F# min • 03:14 • -9.07db
25% Popularity • 45% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Bailey
Lord Is It Mine
125 bpm • A# Maj • 03:54 • -6.9db
9% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Katherine Hallam
Hallelujah
139 bpm • C min • 03:29 • -6.79db
28% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Forsvarets Stabsmusikkorps
Can't Help Falling in Love
139 bpm • C Maj • 03:01 • -14db
35% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Lambert
Believe
125 bpm • F Maj • 03:30 • -11.08db
50% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Susan Egan
I Can't Believe My Heart
125 bpm • D# Maj • 02:58 • -8db
16% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Rise Up Children's Choir
Show Yourself
125 bpm • F# Maj • 04:31 • -6.29db
23% Popularity • 31% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Angelica Hale
Looking Up
125 bpm • A# Maj • 03:15 • -8.57db
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Liz Callaway
Once Upon a December / Journey to the Pa...
125 bpm • F min • 04:55 • -9.05db
19% Popularity • 29% Danceability • 42% Energy • 78% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 29% Danceability • 42% Energy • 78% Liveness
0% Instrumentalness • 17% Positiveness
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Yulia
Scarborough Fair
125 bpm • B min • 04:20 • -11db
20% Popularity • 52% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Masri
It Must Have Been Love
140 bpm • A# Maj • 04:38 • -8db
37% Popularity • 40% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 40% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Bretan
Wide Awake
125 bpm • B Maj • 03:33 • -5.72db
21% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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G4
To Where You Are
125 bpm • G# Maj • 03:58 • -9db
24% Popularity • 28% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Poppy Girls
Always And Forever
125 bpm • F# Maj • 03:36 • -9.13db
9% Popularity • 32% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Cynthia Erivo
At All
140 bpm • G# Maj • 04:56 • -11.15db
22% Popularity • 40% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 40% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Acapop! KIDS
Fix You
140 bpm • F Maj • 04:11 • -6.45db
22% Popularity • 28% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 28% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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David Howarth
In My Heart
140 bpm • G# Maj • 04:01 • -10.15db
30% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Laura Bretan
Leave the Past
140 bpm • A# Maj • 04:48 • -6.93db
24% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Cinematic Pop
Fix You
140 bpm • D Maj • 05:12 • -15.34db
25% Popularity • 23% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 23% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Mark Masri
The Painter
140 bpm • D Maj • 04:18 • -8db
28% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lexi Walker
When You Believe
124 bpm • F Maj • 04:25 • -7db
31% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tammy Tuckey
Remember the Magic
140 bpm • D Maj • 03:34 • -9db
11% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Dallyn Vail Bayles
Her Voice
124 bpm • D Maj • 03:30 • -8.67db
13% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Three Graces
Dile
124 bpm • A min • 04:17 • -7db
19% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Susan Egan
I Have You
140 bpm • G# Maj • 03:29 • -6.85db
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cinematic Pop
Titanium
124 bpm • B min • 03:45 • -13.07db
29% Popularity • 55% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 55% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jasmine Thompson
You Are My Sunshine
124 bpm • D Maj • 02:37 • -10.09db
62% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jonathan Estabrooks
You Raise Me Up / Fields of Gold
141 bpm • D Maj • 03:01 • -14db
41% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Red Hurley
God Bless the Broken Road
124 bpm • A# Maj • 03:59 • -7.11db
23% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 41% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Military Wives
In My Dreams - Remembrance Version
124 bpm • B Maj • 03:07 • -10.8db
22% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 25% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tom Ball
Falling Slowly
141 bpm • D# Maj • 03:28 • -9.22db
35% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Amanda Holden
Not While I’m Around
123 bpm • D Maj • 02:45 • -7.43db
25% Popularity • 30% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 30% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
