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Overdrive
Songs like
Overdrive
by
Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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The Beaches
Shower Beer
149 bpm • E Maj • 03:11 • -3.24db
52% Popularity • 45% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
55% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Angie McMahon
Fireball Whiskey
149 bpm • C Maj • 03:29 • -11.93db
48% Popularity • 36% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Baby Queen
All The Things
150 bpm • F Maj • 03:22 • -5.84db
32% Popularity • 56% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Bleachers
Modern Girl
150 bpm • A# Maj • 03:43 • -6.77db
63% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Wilderado
In Between
148 bpm • D Maj • 02:34 • -8.73db
45% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
43% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Reneé Rapp
The Wedding Song
148 bpm • F Maj • 03:03 • -7.23db
60% Popularity • 29% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
70% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Japanese House
Spot Dog
151 bpm • C Maj • 04:28 • -13.14db
45% Popularity • 36% Danceability • 29% Energy • 7% Liveness
21% Instrumentalness • 15% Positiveness
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Yumi Zouma
Powder Blue / Cascine Park
147 bpm • A# Maj • 03:48 • -9db
48% Popularity • 60% Danceability • 67% Energy • 13% Liveness
35% Instrumentalness • 55% Positiveness
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Wilderado
In Between
148 bpm • D Maj • 02:43 • -13.05db
34% Popularity • 53% Danceability • 37% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
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Daisy Jones & The Six
Aurora
151 bpm • A# Maj • 03:25 • -4.65db
56% Popularity • 58% Danceability • 86% Energy • 41% Liveness
5% Instrumentalness • 93% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
38% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Savannah Conley
More Than Fine
146 bpm • A# min • 03:27 • -6.78db
14% Popularity • 64% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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King Princess
Let Us Die
152 bpm • C# Maj • 03:53 • -5db
40% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mallrat
To You
146 bpm • D Maj • 03:08 • -7.06db
31% Popularity • 44% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
51% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Daisy Jones & The Six
The River
145 bpm • A min • 04:54 • -3db
61% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
46% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.22db
58% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Daisy Jones & The Six
Kill You To Try
145 bpm • F Maj • 05:12 • -5.64db
53% Popularity • 53% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Middle Kids
Highlands
145 bpm • F Maj • 03:31 • -3.95db
37% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Indigo De Souza
Younger & Dumber
144 bpm • A Maj • 04:39 • -10.74db
42% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
59% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Maggie Rogers
Honey
144 bpm • G Maj • 03:42 • -2.11db
42% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Annika Bennett
Madwoman
154 bpm • C Maj • 03:17 • -8.7db
34% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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The National
Tropic Morning News
144 bpm • F# min • 05:09 • -7db
53% Popularity • 56% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Katie Gregson-MacLeod
Your Ex
155 bpm • C Maj • 03:37 • -5.15db
40% Popularity • 55% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Gatlin
Really Funny
143 bpm • C min • 03:21 • -7.72db
31% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Beatty
Cinnamon Bread
156 bpm • D Maj • 03:08 • -9.74db
49% Popularity • 43% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Noah Cyrus
Noah (Stand Still)
156 bpm • C# Maj • 03:54 • -8.61db
42% Popularity • 45% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
62% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
70% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
71% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
44% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Mallrat
Fade Into You
156 bpm • A Maj • 04:12 • -10.79db
36% Popularity • 31% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Kahan
New Perspective
157 bpm • F Maj • 04:16 • -10db
74% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kacey Musgraves
Anime Eyes
142 bpm • A# Maj • 03:18 • -8.36db
66% Popularity • 38% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Aces
Always Get This Way
141 bpm • F# min • 02:54 • -6.09db
46% Popularity • 58% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb)
141 bpm • G Maj • 05:32 • -6.14db
65% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
36% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Maggie Rogers
Together
157 bpm • D Maj • 03:22 • -3.56db
30% Popularity • 34% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Helena Deland
Body Language
158 bpm • B min • 04:17 • -9.1db
35% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Abby Holliday
Ohio Laundry Room
158 bpm • A Maj • 03:21 • -10.05db
34% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb) - Single Vers...
141 bpm • G Maj • 03:50 • -5.57db
42% Popularity • 31% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Bethany Cosentino
It’s Fine
158 bpm • A Maj • 03:46 • -4.39db
22% Popularity • 55% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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IAN SWEET
FIGHT
158 bpm • E Maj • 03:32 • -8.21db
25% Popularity • 41% Danceability • 47% Energy • 21% Liveness
43% Instrumentalness • 16% Positiveness
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Lizzy McAlpine
orange show speedway
158 bpm • C# Maj • 03:46 • -9db
57% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Trousdale
If You're Hurting
140 bpm • G Maj • 03:59 • -13.81db
33% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
43% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Remi Wolf
Prescription
140 bpm • A Maj • 03:33 • -5.82db
54% Popularity • 65% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Jensen McRae
Take It Easy
140 bpm • A Maj • 03:04 • -6.81db
36% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Maia Friedman
First to Love
140 bpm • D# Maj • 04:38 • -8.53db
38% Popularity • 49% Danceability • 55% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
26% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Trousdale
Smart Iowa
159 bpm • D# Maj • 03:18 • -10.56db
33% Popularity • 26% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Michigander
Superglue
139 bpm • F Maj • 04:10 • -4.24db
48% Popularity • 53% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Paper Kites
Till the Flame Turns Blue
139 bpm • E Maj • 04:05 • -11.16db
42% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Chappell Roan
Picture You
160 bpm • E Maj • 03:07 • -5.47db
66% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Rogers
James
160 bpm • G# Maj • 04:29 • -8.2db
41% Popularity • 29% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Emily James
Peach New Am
160 bpm • G# Maj • 02:47 • -6.08db
36% Popularity • 69% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Beaches
Edge of the Earth
160 bpm • C Maj • 02:40 • -4.74db
67% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Wilderness of Manitoba
Oblivion
138 bpm • C Maj • 04:08 • -4.73db
24% Popularity • 50% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
37% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Maggie Rogers
Love You For A Long Time - Live
161 bpm • G Maj • 05:11 • -6.65db
33% Popularity • 28% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
62% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Carly Rae Jepsen
Go Find Yourself or Whatever
137 bpm • C# Maj • 04:44 • -9db
41% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Daisy Jones & The Six
Let Me Down Easy
137 bpm • A min • 03:24 • -4db
61% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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The Night Lands
Whiplash
163 bpm • B Maj • 04:52 • -12db
30% Popularity • 61% Danceability • 51% Energy • 13% Liveness
16% Instrumentalness • 31% Positiveness
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Jenn Grant
Judy
136 bpm • C Maj • 03:21 • -7.26db
31% Popularity • 69% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
47% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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TORRES
Don't Go Puttin Wishes in My Head
136 bpm • C Maj • 04:21 • -8.22db
38% Popularity • 46% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cecilia Castleman
It's Alright
136 bpm • G# Maj • 04:08 • -7.79db
41% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Trousdale
Point Your Finger
136 bpm • G Maj • 03:34 • -7.3db
32% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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King Princess
Little Bother
164 bpm • E Maj • 02:41 • -6db
45% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Overdrive