Songs like Overkill by Holly Humberstone
Based on a tempo of (+/- 10%) and a similar genre
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Holly Humberstone
Overkill
107 bpm • D Maj • 03:06 • -6.48db
47% Popularity • 70% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 70% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Chappell Roan
Pink Pony Club
107 bpm • F# Maj • 04:18 • -6.16db
70% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Conan Gray
Alley Rose
107 bpm • G Maj • 03:28 • -4.55db
60% Popularity • 22% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 22% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tiny Habits
Mudroom
106 bpm • B Maj • 03:59 • -13.11db
57% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kacey Musgraves
Nothing to be Scared Of
106 bpm • E Maj • 02:33 • -8.59db
65% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Olivia Rodrigo
scared of my guitar
108 bpm • D Maj • 04:23 • -9.96db
78% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
78% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Holly Humberstone
Livewire
107 bpm • G Maj • 03:14 • -8.33db
35% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Kahan
Paul Revere
108 bpm • D Maj • 03:33 • -9.6db
72% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
72% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Maggie Rogers
So Sick Of Dreaming
106 bpm • G# Maj • 03:52 • -5.01db
68% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
68% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Arlo Parks
Pegasus
108 bpm • A# Maj • 03:06 • -9.03db
55% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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The Japanese House
Touching Yourself
108 bpm • D# Maj • 03:01 • -5.99db
65% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
65% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Bleachers
Alma Mater
108 bpm • C Maj • 03:30 • -11.74db
54% Popularity • 72% Danceability • 38% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
54% Popularity • 72% Danceability • 38% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
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Yoke Lore
Shake
106 bpm • C# Maj • 03:41 • -7.19db
38% Popularity • 63% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 63% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Pearce
Indefinitely
108 bpm • E Maj • 03:38 • -10.65db
48% Popularity • 76% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 76% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Annika Bennett
sad song
106 bpm • D# Maj • 01:46 • -9.31db
38% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Aces
Not the Same
106 bpm • B Maj • 04:14 • -6.49db
35% Popularity • 49% Danceability • 73% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
35% Popularity • 49% Danceability • 73% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Suki Waterhouse
OMG
106 bpm • F# min • 02:58 • -4.95db
68% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Holly Humberstone
Cocoon
106 bpm • C Maj • 03:06 • -7.25db
48% Popularity • 66% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 66% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
65% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Allison Ponthier
Skin
109 bpm • D Maj • 03:34 • -4.82db
47% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Stevie Bill
Hahaha
105 bpm • G Maj • 03:22 • -10.61db
50% Popularity • 66% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 66% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
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Aidan Bissett
Bloom
105 bpm • C Maj • 03:33 • -5.68db
51% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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flowerovlove
Coffee Shop
105 bpm • E min • 02:04 • -5.3db
50% Popularity • 83% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
50% Popularity • 83% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Jensen McRae
Dead Girl Walking
105 bpm • A Maj • 03:19 • -5db
49% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Noah Cyrus
Everybody Needs Someone
104 bpm • D Maj • 02:58 • -7.15db
54% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Emily James
Think I'm Gonna Make It
110 bpm • D Maj • 02:54 • -7.46db
36% Popularity • 57% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Holly Humberstone
Lauren
110 bpm • A# Maj • 02:58 • -9.09db
47% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Del Water Gap
Better Than I Know Myself
110 bpm • D# min • 04:22 • -7db
56% Popularity • 57% Danceability • 69% Energy • 12% Liveness
7% Instrumentalness • 62% Positiveness
56% Popularity • 57% Danceability • 69% Energy • 12% Liveness
7% Instrumentalness • 62% Positiveness
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Jonah Kagen
The Roads
110 bpm • C# min • 04:10 • -9.39db
62% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Chappell Roan
After Midnight
110 bpm • F Maj • 03:24 • -3.84db
68% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
68% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Liang Lawrence
growing
110 bpm • C# min • 03:04 • -9.3db
32% Popularity • 56% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 56% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Winona Oak
Inside Out
110 bpm • C Maj • 02:58 • -9db
52% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kita Alexander
All Night
110 bpm • E Maj • 02:50 • -3.9db
33% Popularity • 56% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 56% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Del Water Gap
Glitter & Honey
110 bpm • A Maj • 03:07 • -7.19db
52% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Middle Kids
Bend
110 bpm • D# Maj • 03:50 • -5.12db
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Griff
Walk
104 bpm • B Maj • 02:32 • -6.19db
60% Popularity • 80% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 80% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Olivia Dean
Ok Love You Bye
104 bpm • F Maj • 02:34 • -7.61db
62% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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FLETCHER
Joyride
104 bpm • E Maj • 03:04 • -7.89db
62% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Japanese House
Friends
104 bpm • D Maj • 03:08 • -8.48db
47% Popularity • 63% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 45% Positiveness
47% Popularity • 63% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 45% Positiveness
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The Aces
I've Loved You For So Long
111 bpm • F# min • 02:56 • -6.29db
46% Popularity • 59% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
46% Popularity • 59% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Kacey Musgraves
Deeper Well
111 bpm • C Maj • 03:52 • -7.87db
77% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
77% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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MUNA
Pink Light
103 bpm • G# Maj • 04:11 • -4db
45% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jem Cassar-Daley
King of Disappointment
111 bpm • B min • 04:11 • -7.77db
43% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Remi Wolf
Cinderella
103 bpm • C# Maj • 04:03 • -4.57db
70% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
70% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Chrissi
Love Me In Chapters II
111 bpm • B Maj • 03:39 • -7.66db
36% Popularity • 47% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 47% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Angie McMahon
Saturn Returning
103 bpm • D Maj • 02:47 • -10.24db
45% Popularity • 22% Danceability • 55% Energy • 37% Liveness
10% Instrumentalness • 29% Positiveness
45% Popularity • 22% Danceability • 55% Energy • 37% Liveness
10% Instrumentalness • 29% Positiveness
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boygenius
Black Hole
112 bpm • C Maj • 02:21 • -12.1db
57% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
57% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Alix Page
25
112 bpm • C# Maj • 03:35 • -9db
37% Popularity • 58% Danceability • 55% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
37% Popularity • 58% Danceability • 55% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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BEL
Big City
112 bpm • E Maj • 02:42 • -8.17db
38% Popularity • 72% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 72% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Griff
One Foot in Front of the Other
112 bpm • F# Maj • 03:12 • -4.91db
47% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 80% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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FIZZ
Close One
112 bpm • A Maj • 03:55 • -9.96db
47% Popularity • 50% Danceability • 48% Energy • 9% Liveness
16% Instrumentalness • 78% Positiveness
47% Popularity • 50% Danceability • 48% Energy • 9% Liveness
16% Instrumentalness • 78% Positiveness
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Searows
I have more than enough
112 bpm • D# Maj • 05:28 • -14.48db
53% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Yasmin Hass
Cleo
112 bpm • F Maj • 03:36 • -10.83db
28% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
28% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Bleachers
Isimo
112 bpm • D Maj • 03:23 • -11.83db
55% Popularity • 38% Danceability • 43% Energy • 9% Liveness
28% Instrumentalness • 23% Positiveness
55% Popularity • 38% Danceability • 43% Energy • 9% Liveness
28% Instrumentalness • 23% Positiveness
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BEL
Carry Me to Bed
112 bpm • C# Maj • 03:30 • -6.14db
38% Popularity • 61% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 61% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Maddie Zahm
Eightball Girl
102 bpm • E Maj • 03:11 • -5.89db
45% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Etta Marcus
Girls That Play
102 bpm • C Maj • 03:23 • -5.07db
40% Popularity • 53% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 53% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Hailey Knox
a boy named pluto
102 bpm • C Maj • 03:21 • -8.39db
50% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Matilda Mann
In Plain Sight
102 bpm • C# Maj • 02:36 • -8.84db
37% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
37% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
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Sody
Missing Me
102 bpm • F min • 03:44 • -5.38db
38% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Japanese House
Indexical reminder of a morning well spe...
102 bpm • D Maj • 04:43 • -12.69db
53% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Maggie Rogers
Love You For A Long Time
113 bpm • A Maj • 03:43 • -6.14db
66% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
66% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Bea and her Business
WOW!
113 bpm • C Maj • 02:52 • -4.59db
53% Popularity • 70% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 70% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Rachel Chinouriri
I’m Not Perfect (But I’m Trying)
101 bpm • F Maj • 03:26 • -7db
44% Popularity • 59% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 59% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Carol Ades
26
101 bpm • C# Maj • 03:08 • -11db
36% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 41% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Sabrina Carpenter
Already Over
114 bpm • E Maj • 02:50 • -7.11db
68% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Lefroy
Vampires
114 bpm • C Maj • 03:15 • -10.99db
41% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Angie McMahon
Divine Fault Line
114 bpm • E Maj • 04:18 • -10.21db
47% Popularity • 77% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
47% Popularity • 77% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
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Madi Diaz
Same Risk
114 bpm • D# Maj • 03:28 • -8.19db
41% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Alfie Jukes
Eyes Wide
114 bpm • D# min • 02:27 • -5.73db
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Kita Alexander
Queen
114 bpm • C# Maj • 03:27 • -6.07db
32% Popularity • 68% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 68% Positiveness
32% Popularity • 68% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 68% Positiveness
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FLETCHER
Crush
100 bpm • D Maj • 02:24 • -7.62db
63% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tommy Lefroy
Northern Towns
114 bpm • C Maj • 02:56 • -11db
34% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Beaches
My Body ft Your Lips
100 bpm • G Maj • 02:53 • -4.52db
52% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 40% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Sydney Rose
You’d Be Stars
100 bpm • C Maj • 03:42 • -8.01db
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ilsey
No California
100 bpm • A min • 03:35 • -4.41db
43% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Bleachers
Call Me After Midnight
100 bpm • C Maj • 03:15 • -11.43db
57% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 83% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Lola Young
Revolve Around You
100 bpm • C Maj • 03:12 • -7.71db
41% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tiny Habits
Small Enough
100 bpm • G Maj • 03:32 • -9.61db
47% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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MUNA
Anything But Me
115 bpm • C Maj • 03:33 • -5db
53% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Japanese House
Boyhood
115 bpm • F Maj • 03:09 • -9.06db
57% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Bickett
I Like Mondays
115 bpm • D Maj • 02:45 • -10.21db
51% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Samia
Charm You
115 bpm • D Maj • 02:41 • -8.76db
43% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Olivia Dean
Ladies Room
115 bpm • B Maj • 03:40 • -5.87db
58% Popularity • 85% Danceability • 69% Energy • 13% Liveness
7% Instrumentalness • 64% Positiveness
58% Popularity • 85% Danceability • 69% Energy • 13% Liveness
7% Instrumentalness • 64% Positiveness
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Rachel Chinouriri
All I Ever Asked
115 bpm • F Maj • 03:35 • -7.53db
59% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
59% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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MUNA
One That Got Away
115 bpm • F# Maj • 03:52 • -4.4db
56% Popularity • 76% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 76% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Aces
Solo
115 bpm • G Maj • 02:47 • -8.45db
35% Popularity • 64% Danceability • 76% Energy • 26% Liveness
31% Instrumentalness • 52% Positiveness
35% Popularity • 64% Danceability • 76% Energy • 26% Liveness
31% Instrumentalness • 52% Positiveness
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Stevie Bill
Amsterdam
115 bpm • C Maj • 03:30 • -9.27db
31% Popularity • 61% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
31% Popularity • 61% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
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Charlotte Lawrence
Boys Like You
115 bpm • B Maj • 03:27 • -4.85db
44% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Maddie Zahm
little me
116 bpm • C Maj • 03:00 • -14.68db
55% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Gracie Abrams
This is what the drugs are for
99 bpm • C# Maj • 04:05 • -8.14db
59% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Sophie May
Worst Thoughts In The World
116 bpm • D# Maj • 02:26 • -10.61db
43% Popularity • 73% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
43% Popularity • 73% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Annika Bennett
Power, Sex, Dreams
116 bpm • D# Maj • 02:55 • -7.02db
40% Popularity • 83% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
40% Popularity • 83% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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Elle Coves
Before I Fall Apart
116 bpm • C# Maj • 02:21 • -2.32db
46% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Nia Hendricks
Back For More
116 bpm • C# min • 03:12 • -6.35db
36% Popularity • 75% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 75% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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MUNA
Home By Now
116 bpm • D Maj • 04:28 • -5.92db
50% Popularity • 65% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 65% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
