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Overluck
Songs like
Overluck
by
CLEWS
Based on a tempo of (+/- 10%) and a similar genre
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CLEWS
Overluck
126 bpm • A Maj • 03:30 • -5db
19% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Carla Geneve
Dog Eared
126 bpm • B min • 03:21 • -3db
24% Popularity • 54% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Polish Club
Baby We're Burning
126 bpm • E Maj • 03:38 • -6.22db
10% Popularity • 53% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Jack River
Dark Star
126 bpm • G Maj • 03:31 • -2.01db
23% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Molly Millington
Outcast
126 bpm • E Maj • 02:38 • -6.38db
18% Popularity • 66% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Nancie Schipper
When You Get Home
126 bpm • A# Maj • 03:34 • -3db
11% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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CLEWS
Crushed
126 bpm • F min • 03:40 • -5db
23% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Carla Geneve
Empty Stomach
126 bpm • D Maj • 05:15 • -7db
15% Popularity • 57% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Maddy Jane
Say You Weren't Mine
126 bpm • F Maj • 03:18 • -6db
14% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Thyla
Two Sense
126 bpm • A Maj • 03:22 • -4.46db
8% Popularity • 50% Danceability • 87% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
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Middle Kids
Some People Stay In Our Hearts Forever
127 bpm • G# Maj • 03:06 • -4.72db
27% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Tired Lion
~Cya Later~
125 bpm • G Maj • 03:20 • -5.3db
32% Popularity • 60% Danceability • 81% Energy • 9% Liveness
8% Instrumentalness • 83% Positiveness
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CLEWS
Cuban Heel
127 bpm • C min • 03:03 • -5db
11% Popularity • 54% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Charlie Collins
Mexico
127 bpm • B min • 04:35 • -5db
27% Popularity • 58% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Maddy Jane
Thank You and Sorry
127 bpm • C Maj • 03:11 • -6db
26% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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San Cisco
Messages
125 bpm • A# Maj • 03:19 • -5.56db
23% Popularity • 72% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Alice Ivy
Criminal
125 bpm • E min • 03:37 • -7.19db
29% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Georgia Maq
Someone Stranger
125 bpm • B Maj • 03:24 • -7.72db
17% Popularity • 50% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Moving Stills
Truthfully
125 bpm • C min • 03:37 • -5.68db
16% Popularity • 66% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Belligerents
Emily
125 bpm • D Maj • 03:58 • -5.23db
17% Popularity • 57% Danceability • 87% Energy • 8% Liveness
5% Instrumentalness • 39% Positiveness
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Hockey Dad
Good Eye
127 bpm • F# Maj • 03:54 • -4.15db
33% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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San Cisco
Reasons
125 bpm • E min • 03:12 • -3.68db
47% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Death by Denim
Homemade
127 bpm • C Maj • 03:24 • -4.24db
19% Popularity • 52% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Pillow Queens
HowDoILook
125 bpm • D Maj • 05:13 • -8db
29% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Moving Stills
Downlow
125 bpm • C# min • 03:39 • -6.28db
16% Popularity • 58% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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annie hamilton
Again
125 bpm • G Maj • 04:50 • -7.05db
11% Popularity • 44% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 18% Positiveness
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Allday
The Paris End of Collins St
127 bpm • G Maj • 03:42 • -5.69db
14% Popularity • 54% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Greta Stanley
New Feeling
125 bpm • F Maj • 03:16 • -6.51db
14% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Maddy Jane
Femme
127 bpm • E min • 04:43 • -5.51db
11% Popularity • 45% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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CLEWS
New Age
125 bpm • A min • 03:30 • -1.95db
11% Popularity • 48% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Mum Friends
Rails
128 bpm • C Maj • 03:38 • -5.34db
8% Popularity • 67% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Sputnik Sweetheart
Jealousy
124 bpm • D min • 03:11 • -4db
8% Popularity • 61% Danceability • 86% Energy • 12% Liveness
34% Instrumentalness • 60% Positiveness
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Ball Park Music
Cherub
128 bpm • G# Maj • 05:28 • -8.81db
46% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hope D
Swim
124 bpm • E Maj • 04:48 • -7db
35% Popularity • 59% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Teenage Joans
Three Leaf Clover
124 bpm • G Maj • 03:16 • -4.1db
36% Popularity • 55% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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CLEWS
Can't Be Real
128 bpm • G min • 03:16 • -13.75db
22% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Noah Dillon
Sunburnt In July
124 bpm • F Maj • 03:58 • -6db
19% Popularity • 32% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Ali Barter
You Get in My Way
128 bpm • D Maj • 02:59 • -2.91db
14% Popularity • 73% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Death by Denim
Feels Like Fiction
128 bpm • A Maj • 03:49 • -8.57db
15% Popularity • 68% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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90ivy
Wore It Like I Stole It
128 bpm • C# min • 03:28 • -5.58db
11% Popularity • 54% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Carla Geneve
The Right Reasons
124 bpm • D Maj • 03:33 • -10.75db
31% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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CLEWS
Want You That Way
128 bpm • G# Maj • 03:20 • -4.45db
12% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Buoys
Lie To Me Again
128 bpm • A# Maj • 04:09 • -5.22db
40% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Teenage Joans
Ice Cream
124 bpm • C# Maj • 03:30 • -5.35db
29% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Hope D
Addict
124 bpm • C min • 03:54 • -10.78db
26% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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DMA'S
We Are Midnight
129 bpm • E Maj • 03:39 • -4.13db
23% Popularity • 40% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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South Summit
Tired Of Waiting
129 bpm • E Maj • 03:54 • -2.55db
30% Popularity • 45% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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CLEWS
Hollywood
129 bpm • A min • 03:16 • -3.97db
18% Popularity • 48% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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ILUKA
Mess
123 bpm • G# Maj • 03:19 • -4.72db
24% Popularity • 77% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Phoebe Green
So Grown Up
129 bpm • C Maj • 03:35 • -5.4db
15% Popularity • 60% Danceability • 85% Energy • 28% Liveness
87% Instrumentalness • 62% Positiveness
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Bec Stevens
Big Worry
123 bpm • B Maj • 03:23 • -3.72db
17% Popularity • 57% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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annie hamilton
Labyrinth
123 bpm • G# Maj • 04:54 • -4.43db
10% Popularity • 26% Danceability • 92% Energy • 8% Liveness
16% Instrumentalness • 23% Positiveness
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Camp Cope
Jealous
123 bpm • F Maj • 03:35 • -3.28db
18% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Ruby Fields
Bottle'o
122 bpm • C Maj • 02:32 • -8db
31% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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CLEWS
Better Than Before
130 bpm • E Maj • 03:57 • -6.01db
24% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Bec Sykes
Getaway
123 bpm • G min • 03:31 • -10.11db
17% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Hayley Mary
Chemtrails over the Country Club - tripl...
130 bpm • D# min • 04:36 • -7.76db
33% Popularity • 50% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Carla Geneve
Things Change
130 bpm • C# Maj • 03:21 • -9.59db
17% Popularity • 67% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Hope D
Miscommunicate
130 bpm • C# min • 04:04 • -9.83db
23% Popularity • 63% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Ruby Fields
Bruises
122 bpm • G Maj • 02:57 • -5.57db
31% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Seaside
Habits
130 bpm • D Maj • 03:42 • -7.14db
15% Popularity • 64% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Death by Denim
Small World
130 bpm • C Maj • 04:08 • -6.09db
10% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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CLEWS
Lean Across
130 bpm • A# min • 03:06 • -6.02db
25% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Bugs
Diamond
130 bpm • C Maj • 03:23 • -3.76db
17% Popularity • 42% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Hope D
Emerald
130 bpm • D Maj • 03:44 • -5.13db
26% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ruby Fields
Clothes Line
130 bpm • G Maj • 03:22 • -5.13db
29% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Holy Holy
The Aftergone
130 bpm • B min • 03:55 • -4.98db
35% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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EGOISM
You You
130 bpm • F Maj • 02:52 • -5.38db
28% Popularity • 58% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Death by Denim
Cause a Scene
130 bpm • E Maj • 03:20 • -6.37db
8% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Pinkish Blu
Backward
130 bpm • E Maj • 03:29 • -2.75db
9% Popularity • 57% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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Telenova
Why Do I Keep You?
130 bpm • F# min • 04:00 • -4.81db
36% Popularity • 67% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Coconut Cream
Your Drug on Computers
130 bpm • C Maj • 03:10 • -5.58db
8% Popularity • 50% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Abbie Ozard
Rose Tinted
122 bpm • C Maj • 03:31 • -3.2db
14% Popularity • 60% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Maddy Jane
Island Time
122 bpm • B Maj • 04:03 • -7db
13% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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George Alice
Alive - triple j Like A Version
122 bpm • G min • 03:32 • -9db
35% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Ball Park Music
Day & Age
122 bpm • A# Maj • 03:50 • -5.96db
36% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Sloan Peterson
Our Love
122 bpm • C Maj • 02:52 • -7.91db
28% Popularity • 57% Danceability • 76% Energy • 13% Liveness
51% Instrumentalness • 85% Positiveness
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Noah Dillon
Knievel Daredevil
122 bpm • C min • 04:30 • -8.85db
27% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cry Club
Dissolve
121 bpm • D min • 02:52 • -5.49db
9% Popularity • 49% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 18% Positiveness
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Allday
Cup of Tea in the Bath
121 bpm • G Maj • 03:58 • -7.09db
18% Popularity • 60% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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Asha Jefferies
Crybaby
121 bpm • B Maj • 03:32 • -9.58db
25% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Middle Kids
Summer Hill
132 bpm • B Maj • 04:21 • -6.51db
20% Popularity • 61% Danceability • 73% Energy • 10% Liveness
12% Instrumentalness • 15% Positiveness
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Sloan Peterson
Don't Get Me Started
121 bpm • A Maj • 03:53 • -5.24db
11% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Hope D
Common Denominator
120 bpm • C Maj • 03:23 • -10.17db
18% Popularity • 62% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Noah Dillon
Losing Touch
131 bpm • E Maj • 03:30 • -6db
11% Popularity • 54% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Windley
Neighbours in the Morning
132 bpm • F Maj • 03:45 • -7.43db
12% Popularity • 73% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Ruby Fields
Dingo
132 bpm • D min • 05:27 • -5.79db
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Milan Ring
Love Galore / Broken Clocks - triple j L...
120 bpm • B Maj • 05:14 • -8.69db
24% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Phantastic Ferniture
Dark Corner Dance Floor
120 bpm • A min • 03:25 • -7.9db
26% Popularity • 46% Danceability • 82% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Hope D
Life Sentence
132 bpm • G# Maj • 05:18 • -10.64db
13% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sycco
Peacemaker
120 bpm • A min • 03:11 • -9db
35% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Noah Dillon
Nothing Matters
131 bpm • F Maj • 03:30 • -5.85db
16% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Moving Stills
Gene
120 bpm • F# Maj • 03:23 • -8.32db
20% Popularity • 73% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
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annie hamilton
Exist
120 bpm • F# Maj • 03:09 • -5.35db
21% Popularity • 61% Danceability • 73% Energy • 17% Liveness
2% Instrumentalness • 65% Positiveness
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Darcie Haven
I Wanna Be
120 bpm • F min • 02:47 • -8.8db
15% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Ball Park Music
Manny
120 bpm • G Maj • 03:32 • -6.68db
28% Popularity • 59% Danceability • 67% Energy • 24% Liveness
4% Instrumentalness • 39% Positiveness
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ILUKA
Fall Apart Again
120 bpm • E Maj • 04:06 • -6.3db
21% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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CLEWS
Everything Is Heavy
120 bpm • G min • 03:00 • -3.9db
16% Popularity • 51% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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The Moving Stills
Waste My Time
120 bpm • C Maj • 03:31 • -6.21db
24% Popularity • 74% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Tired Lion
Diet Sick
120 bpm • B min • 02:50 • -4.21db
22% Popularity • 46% Danceability • 83% Energy • 8% Liveness
3% Instrumentalness • 47% Positiveness
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Overluck