Songs like OVERRATED by TIA
Based on a tempo of (+/- 10%) and a similar genre
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ANI
Hitman
120 bpm • D min • 02:57 • -7.21db
16% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Misha De Leon
Equilibrium
120 bpm • G Maj • 03:50 • -5.99db
29% Popularity • 73% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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st.James
Aquarius
120 bpm • F# min • 02:54 • -5.16db
12% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Jessy Lipton
Sleep Alone
120 bpm • G# min • 03:14 • -8.25db
9% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Lina Mapes
Something Good
120 bpm • C Maj • 02:15 • -7.65db
32% Popularity • 60% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 60% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Lupa J
Always Wanting
120 bpm • E Maj • 04:07 • -5.96db
5% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Hanne Leland
Autumn Rain
120 bpm • E Maj • 02:51 • -8.1db
20% Popularity • 83% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 83% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Anja Kotar
Brain
120 bpm • F Maj • 02:53 • -5.71db
7% Popularity • 72% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 72% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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CLAUDI
Precious Time
120 bpm • F min • 03:31 • -9.8db
11% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Umbra Moon
Only U in the End
120 bpm • D# min • 03:07 • -7.18db
18% Popularity • 79% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 79% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jocelyn Alice
RAZOR
120 bpm • D Maj • 03:19 • -6.53db
11% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Arti;
Attitude Adjustment
120 bpm • A min • 02:44 • -5.51db
13% Popularity • 87% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 87% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Tomi Jo
i'm okay though
120 bpm • C min • 02:42 • -8.52db
12% Popularity • 77% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 77% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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TIA
OVERRATED
120 bpm • D Maj • 02:58 • -5.43db
3% Popularity • 66% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 66% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Nilka
Depths Unknown
120 bpm • C# min • 04:25 • -9.55db
11% Popularity • 56% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Knayoni
Eyes on Jesus
120 bpm • D min • 03:14 • -7.7db
15% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Hero The Band
All the Wrong Places
120 bpm • A# min • 03:33 • -8.1db
1% Popularity • 83% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 83% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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RIIKI REID
In the Moment
120 bpm • C min • 02:59 • -6.42db
13% Popularity • 69% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 69% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Kellim
Something About This Place
120 bpm • C Maj • 02:40 • -7.78db
8% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 84% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Zera
Saving Bugs
120 bpm • G Maj • 03:10 • -5.65db
22% Popularity • 71% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 71% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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DEEJADE
Mad At Me
120 bpm • A Maj • 03:18 • -10.1db
11% Popularity • 51% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Isabelle Simone
What If?
120 bpm • E min • 03:44 • -6.13db
13% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Karina
rose-tinted
120 bpm • A Maj • 03:33 • -6.09db
10% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Beenya
A Dream in a Dream
119 bpm • F Maj • 03:17 • -7.42db
14% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Frankie Venter
You Won't Forget Me - Sped Up
119 bpm • C# Maj • 02:43 • -6.59db
21% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Edited People
It's Always Been You
121 bpm • G min • 04:02 • -7.95db
9% Popularity • 76% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 76% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Sally
High School
119 bpm • B min • 03:18 • -6.96db
9% Popularity • 71% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 71% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Alice Pisano
Open Up
119 bpm • D Maj • 03:16 • -4.98db
11% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Brooke Daye
HARDER
122 bpm • D Maj • 02:33 • -4.47db
19% Popularity • 82% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 82% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chloe Parché
What You Want
118 bpm • D# Maj • 02:28 • -6.69db
22% Popularity • 80% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 80% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Ultraejz
Electric Sparks
118 bpm • C Maj • 03:48 • -9.73db
17% Popularity • 94% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 94% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Ines Rae
Lifejacket
118 bpm • E Maj • 02:31 • -9.23db
10% Popularity • 80% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 80% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Ashlyn Marie
So High
122 bpm • G Maj • 02:54 • -5.91db
9% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Carla Wehbe
Half Past Nine
122 bpm • B min • 03:27 • -6.27db
18% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Kayto Caine
Enigma
118 bpm • C Maj • 01:36 • -6.39db
10% Popularity • 81% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 81% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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ANI
I Don't Think About You
118 bpm • F# min • 03:04 • -9.62db
23% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ally Bakst
Monster
118 bpm • D# min • 03:34 • -9.09db
15% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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MACY
Pink Bandana
123 bpm • G Maj • 02:59 • -4.55db
16% Popularity • 73% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 73% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Arlissa
Walking On The Moon (Alt Version)
123 bpm • B Maj • 03:03 • -5.17db
9% Popularity • 67% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 67% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Willow Stephens
Nothing Nice to Say
117 bpm • B min • 03:08 • -7.89db
10% Popularity • 60% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
10% Popularity • 60% Danceability • 55% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Jay Filson
i hate my phone
123 bpm • B Maj • 03:03 • -7.22db
13% Popularity • 65% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 65% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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roze burke
ultimately
117 bpm • C Maj • 04:10 • -8.07db
14% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Liv Hanna
Advice To Yourself
123 bpm • C min • 02:45 • -12.33db
13% Popularity • 63% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 63% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Marielle Mealy
Fifty years later
123 bpm • A Maj • 04:59 • -13.82db
11% Popularity • 84% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 84% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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SUMif
Move Out
117 bpm • C# Maj • 02:53 • -9.43db
12% Popularity • 86% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 86% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Raffi Maxwell
We were
117 bpm • E Maj • 02:32 • -10.91db
11% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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RARIA
La La La Love
117 bpm • E Maj • 02:52 • -7db
8% Popularity • 82% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 82% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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LEXX
too late
117 bpm • G min • 04:07 • -9.15db
8% Popularity • 71% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 71% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jaime Boucher
Embrace the Shadows
117 bpm • F Maj • 03:34 • -13.2db
34% Popularity • 83% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 83% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Kate Kalvach
Water
117 bpm • D# min • 03:37 • -10.14db
17% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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TIA
talk about it
117 bpm • A Maj • 03:34 • -4.83db
2% Popularity • 38% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 38% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Meresha
Look How Far
116 bpm • G# Maj • 02:59 • -6.72db
10% Popularity • 68% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 68% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Jack Newsome
Died in Your Arms
124 bpm • A# min • 03:22 • -7.84db
9% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jess Ball
Upside Down
124 bpm • C min • 02:53 • -8.64db
7% Popularity • 95% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 95% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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MICHAELA
Somebody New
124 bpm • F# min • 03:18 • -5.28db
9% Popularity • 71% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 71% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Lisa Grace
Guess He Didn't Realise
124 bpm • F min • 02:50 • -7.61db
10% Popularity • 89% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 89% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Wicked Ear Candy
Honestly
124 bpm • E min • 03:26 • -6.97db
1% Popularity • 77% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 77% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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George Alice
Band Aid
116 bpm • F# Maj • 02:42 • -5.3db
11% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Remy
Talk to Me
116 bpm • A Maj • 03:27 • -11.35db
17% Popularity • 88% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 88% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Zoe Snow
Change Me - Remix
116 bpm • B min • 03:14 • -7.32db
11% Popularity • 78% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 78% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Allie McIntosh
Siren Eyes
116 bpm • C# min • 03:23 • -7.88db
23% Popularity • 52% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 52% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ginesse
Noise
124 bpm • G# Maj • 02:44 • -10.74db
10% Popularity • 80% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 80% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Ashlynn Malia
Lucky Guess
116 bpm • C# Maj • 03:06 • -7.99db
8% Popularity • 68% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 68% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Jessica Hammond
Stray
116 bpm • F Maj • 01:53 • -13db
15% Popularity • 77% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 77% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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UNDSCVRD ARTIST
Something More
115 bpm • F Maj • 02:29 • -5.24db
8% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Perfectly Human
Quiet Is The Night
116 bpm • G min • 04:01 • -4.53db
16% Popularity • 47% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dinaye
Monday Morning
125 bpm • G Maj • 03:06 • -9.51db
7% Popularity • 82% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 82% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Greta Jaime
Hot, Rich & Funny
115 bpm • A# min • 02:13 • -5.14db
10% Popularity • 80% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 80% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Farii
How you wanna play
115 bpm • G min • 03:41 • -9.69db
13% Popularity • 75% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 75% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Kimberly June
WHEN U WAKE UP
115 bpm • A min • 04:05 • -11.27db
9% Popularity • 81% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 81% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Ada Peel
Transcendent Echoes - Edit
125 bpm • G# min • 01:34 • -5.81db
22% Popularity • 58% Danceability • 79% Energy • 74% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 58% Danceability • 79% Energy • 74% Liveness
0% Instrumentalness • 27% Positiveness
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Foley
Party Shit / Misbehaving
115 bpm • B Maj • 03:18 • -5.94db
8% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Miss Malloree
slow burn
115 bpm • C Maj • 03:01 • -6.55db
7% Popularity • 64% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 64% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Paige Gold
Tennessee
115 bpm • E min • 03:08 • -8.87db
18% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Aneiszka
Good Enough for Me
115 bpm • F# min • 02:19 • -5.07db
29% Popularity • 93% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 93% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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E.V Palmer
Hate That I Love You
115 bpm • C# min • 02:35 • -6.37db
18% Popularity • 73% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 73% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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TIA
Yesterday
115 bpm • F# min • 03:34 • -7.89db
1% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Featurette
White Rabbit
126 bpm • D# min • 03:22 • -6.24db
12% Popularity • 51% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 51% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Cera Gibson
Often x Wicked
126 bpm • B min • 03:37 • -7.61db
7% Popularity • 73% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 73% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Northern Soundbase
Run the block
126 bpm • C# Maj • 02:53 • -12.11db
8% Popularity • 86% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 86% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Malia Civetz
25
126 bpm • B min • 03:47 • -4.88db
8% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Genes
Run!
114 bpm • C# min • 02:27 • -6.08db
15% Popularity • 69% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 69% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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GRAACE
Unhappy
126 bpm • E Maj • 03:08 • -8.46db
11% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Alex Ritchie
BLUEPRINT
114 bpm • F Maj • 02:37 • -4.23db
26% Popularity • 79% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 79% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Paige P
Up At Night
113 bpm • F# Maj • 03:03 • -8.53db
23% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Kelly
Sabotage
128 bpm • G min • 03:13 • -8.84db
21% Popularity • 33% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 33% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 9% Positiveness
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Douglas .T
Turn The Dice (Riggs Remix)
128 bpm • D Maj • 02:37 • -9.55db
14% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Minehan
Read Receipts
127 bpm • C# min • 02:41 • -7.23db
21% Popularity • 89% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 89% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Genes
Super Single
128 bpm • C Maj • 03:16 • -4.64db
14% Popularity • 84% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 84% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Madi Mayo
Not With You
128 bpm • E Maj • 02:49 • -10.14db
11% Popularity • 74% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 74% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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David Shou
so good.
128 bpm • G Maj • 02:56 • -8db
13% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jack Newsome
Sorry For Your Loss
128 bpm • B min • 02:34 • -7.94db
8% Popularity • 81% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 81% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Jannaello
Feel Like I'm Flying
128 bpm • G min • 03:17 • -6.49db
17% Popularity • 74% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 74% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Yvonne
Should Have Listened
128 bpm • E min • 03:16 • -4.51db
21% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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TAM
Intuition
128 bpm • G min • 02:45 • -8.59db
14% Popularity • 61% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 61% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Eve Kelly
Summer Lovin’
112 bpm • A min • 03:21 • -5.9db
14% Popularity • 85% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 85% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Siena Larsson
Collateral Damage
112 bpm • A# Maj • 03:40 • -9.35db
9% Popularity • 70% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 70% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Connor Mac
Like I Used To Be
112 bpm • D Maj • 03:48 • -6.68db
9% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
