Songs like Overtime by Cut Throat
Based on a tempo of (+/- 10%) and a similar genre
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Orlando RamÃrez
Si Ya Me ConocÃas
146 bpm • F min • 03:06 • -5.91db
10% Popularity • 66% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 66% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Comando LR
El Puto Diablo II
146 bpm • A# min • 01:51 • -13.8db
10% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Cut Throat
Overtime
146 bpm • C# Maj • 03:14 • -5.37db
0% Popularity • 49% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 49% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Jesse Moran
SALI PERDIENDO
147 bpm • G# Maj • 02:39 • -9.19db
8% Popularity • 55% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 55% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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La Miel
El Batallado
145 bpm • G# Maj • 04:44 • -6.03db
15% Popularity • 75% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 75% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Los Hijos De Garcia
Bien Pilas
145 bpm • F# min • 02:45 • -4.55db
49% Popularity • 75% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 75% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
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EseWey Beats
De Morro
145 bpm • A min • 03:14 • -6.58db
8% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Tony Loya
CHIKIS
145 bpm • F# min • 02:27 • -8.17db
23% Popularity • 67% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 67% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Cut Throat
Speak Your Mind
145 bpm • G# Maj • 03:55 • -4.86db
0% Popularity • 54% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 54% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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David VaPe
Tu canción
145 bpm • F Maj • 03:44 • -8.12db
15% Popularity • 63% Danceability • 61% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 63% Danceability • 61% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Yahir BN
NIÑAS MALAS
145 bpm • B min • 02:39 • -5.03db
21% Popularity • 68% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 68% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ekipo Inicial
La Indicada
145 bpm • F# Maj • 03:54 • -6.89db
17% Popularity • 59% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 59% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Garcia
El Mito
145 bpm • C# min • 03:04 • -5.63db
24% Popularity • 61% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 61% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Alejandro Zamora
Montado Lo Ven
145 bpm • D min • 02:58 • -8.29db
30% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Monir Bautista
Belirockstar
145 bpm • A min • 03:00 • -4.55db
18% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Ulises Camacho
Frontera Malandra
145 bpm • A# min • 03:28 • -6db
16% Popularity • 67% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Haro
MALANDRON:(
145 bpm • G# Maj • 04:24 • -7.96db
13% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Alta Elegancia
Oakleys (Acomodando Pacas)
145 bpm • F# min • 03:38 • -11.56db
33% Popularity • 66% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 66% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cut Throat
Living In Anger
145 bpm • F# min • 03:10 • -6.32db
0% Popularity • 44% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Sebastián Núñez
Buena Vida
145 bpm • C# Maj • 03:06 • -9.21db
18% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Jay Portales
Por Aqui Por Alla
144 bpm • B min • 02:25 • -7.32db
12% Popularity • 64% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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W. Corona
El de las New Era
148 bpm • F min • 02:38 • -7.49db
7% Popularity • 66% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 66% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Adan JFW
Por El 909
148 bpm • A# min • 04:11 • -5.28db
14% Popularity • 48% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 48% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Grupo Disruptivo
Dichos del Apá
148 bpm • A# Maj • 03:09 • -8.03db
7% Popularity • 59% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 59% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Fifty
El Cincuentón
144 bpm • G min • 02:26 • -8.19db
23% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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El Albert
Geminis
144 bpm • F# min • 02:11 • -5.03db
7% Popularity • 72% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 72% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Cut Throat
Cara De Cicatriz
149 bpm • E min • 03:58 • -5.85db
5% Popularity • 55% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 55% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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W. Corona
El de las New Era - Remix
143 bpm • C min • 02:58 • -8.82db
13% Popularity • 82% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 82% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Utriyaz
TODO ACABO
149 bpm • A# Maj • 02:43 • -7.69db
15% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Adrian Perez
Arriba
143 bpm • A# min • 01:44 • -10.62db
14% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Clave 210
Esa Mirada
142 bpm • A# Maj • 03:18 • -6.07db
10% Popularity • 59% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 59% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Porte Gallardo
Subiendo De Nivel
150 bpm • A# Maj • 03:10 • -7.77db
13% Popularity • 78% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 78% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Carreraa ZM
9:40
150 bpm • A min • 01:54 • -7.96db
10% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Alfredo Santillan
Un Saludito
142 bpm • G min • 02:28 • -4.55db
21% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 75% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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BabySykoo
El Rufo babysyko
150 bpm • F# Maj • 04:30 • -10.02db
9% Popularity • 89% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 89% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Adrian Perez
K
150 bpm • C min • 02:50 • -7.86db
11% Popularity • 71% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 71% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Clave 210
Dejate Enamorar
150 bpm • F min • 03:19 • -7.96db
11% Popularity • 58% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 58% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Chiken Lira
50 GUERREROS
150 bpm • C# Maj • 02:55 • -9.39db
8% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jesus ML
Belikkk Onnn
150 bpm • F Maj • 03:45 • -6.46db
13% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Utriyaz
ATRACCION DE SUEÑOS
150 bpm • C min • 03:23 • -4.92db
12% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Tony Herrera
Pvta
150 bpm • F min • 02:51 • -8.93db
22% Popularity • 59% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 59% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Neya Bankz
One Love #Blacklivesmatter
150 bpm • D min • 04:23 • -9.27db
0% Popularity • 71% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 71% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 20% Positiveness
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Osvaldo Alfaro.
Otro Polvo :)
142 bpm • C# Maj • 02:58 • -6.91db
17% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Amigos De La Cuadra
Sincero
150 bpm • G# min • 02:56 • -7.98db
13% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 57% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Alexis Qsh
Hpnotiq y Teacher
150 bpm • E min • 03:16 • -9.92db
11% Popularity • 67% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 67% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Ulises Camacho
Metiendo Goles
150 bpm • A# min • 02:54 • -6.34db
14% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Eduardo Cadena
El Piloto
142 bpm • E min • 03:17 • -5.69db
10% Popularity • 70% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 70% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 97% Positiveness
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Tony Loya
FIESTA MANZANITA
150 bpm • C Maj • 02:39 • -8.76db
33% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 69% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Hdistinta
Un Morrillo
150 bpm • F# min • 02:46 • -9.58db
14% Popularity • 69% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 69% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Cut Throat
Shallow Grave
151 bpm • C# Maj • 03:38 • -6.36db
0% Popularity • 43% Danceability • 97% Energy • 4% Liveness
26% Instrumentalness • 42% Positiveness
0% Popularity • 43% Danceability • 97% Energy • 4% Liveness
26% Instrumentalness • 42% Positiveness
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Los Del 06
Toques Y Tragos
141 bpm • D# Maj • 02:11 • -7.87db
9% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Los Tumbados
Sigo Brillando
141 bpm • E min • 02:15 • -6.85db
25% Popularity • 68% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 68% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Compa Kachos
Ruidajo
152 bpm • A min • 02:21 • -7.87db
18% Popularity • 67% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 67% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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ReyCh9
ROSITA FRESITA
140 bpm • F Maj • 02:20 • -9.11db
35% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Maik DB
EL MK
140 bpm • C# Maj • 04:20 • -10.35db
10% Popularity • 79% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 79% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Cut Throat
Took It Away
141 bpm • C# Maj • 03:49 • -6.83db
0% Popularity • 44% Danceability • 90% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
0% Popularity • 44% Danceability • 90% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Dani Naranjo
De Coleccion
140 bpm • C# Maj • 03:32 • -10.13db
16% Popularity • 78% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 78% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Tony Trampa
Henny
140 bpm • F min • 02:42 • -10.66db
16% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jonathan López
NEGRO Y BLANCO
140 bpm • B min • 02:46 • -7.86db
8% Popularity • 81% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 81% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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LOW D
Mi Mejor Error
140 bpm • D# min • 03:30 • -6.75db
33% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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IsaÃas EnrÃquez
En Otra Noche
140 bpm • D# Maj • 02:48 • -10.78db
11% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cut Throat
Old Breed
141 bpm • G Maj • 02:02 • -12.85db
0% Popularity • 41% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 41% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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El Seis
NO PIERDAS EL RITMO
140 bpm • B min • 03:35 • -10.65db
20% Popularity • 87% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 87% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Buckx
Rs
140 bpm • G# Maj • 03:55 • -13.9db
24% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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McEspack
Soy yo
140 bpm • D min • 03:00 • -6.45db
15% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 76% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Chalino Ai
Poco a Poco
140 bpm • C# Maj • 02:22 • -7.72db
8% Popularity • 77% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 77% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Danny Felix
EL ARQUITECTO
140 bpm • D# min • 03:28 • -7.27db
11% Popularity • 51% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 51% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Los DLG
Se Quedan Mirando
140 bpm • C Maj • 03:04 • -6.62db
18% Popularity • 65% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 65% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Erick González
Hoy
140 bpm • G Maj • 03:33 • -8.91db
17% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Axel Barajas
El Nito
140 bpm • F Maj • 03:09 • -6.39db
8% Popularity • 66% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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PSICOBELICOS
VIENTO
140 bpm • D Maj • 03:38 • -16.06db
10% Popularity • 70% Danceability • 27% Energy • 21% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 70% Danceability • 27% Energy • 21% Liveness
1% Instrumentalness • 16% Positiveness
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Jesse Moran
COMO TE FALLE
140 bpm • D# Maj • 02:51 • -8.34db
7% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cut Throat
Dead Man Walkin'
139 bpm • F# Maj • 04:28 • -6.4db
0% Popularity • 49% Danceability • 96% Energy • 6% Liveness
15% Instrumentalness • 58% Positiveness
0% Popularity • 49% Danceability • 96% Energy • 6% Liveness
15% Instrumentalness • 58% Positiveness
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Adan JFW
Se Juntaron los Chingones
153 bpm • G# min • 05:16 • -6.48db
8% Popularity • 63% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 63% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Andy Hernandez
Beso De La Muerte
139 bpm • G min • 02:13 • -14.6db
11% Popularity • 69% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
11% Popularity • 69% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
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DarÃo Vazquez
El Lobo
138 bpm • F min • 03:03 • -5.07db
9% Popularity • 69% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 69% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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El Colorado
Top Shelf
138 bpm • E min • 02:21 • -8.34db
29% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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EL DH
EL GBABY
138 bpm • A Maj • 03:14 • -10.42db
10% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Cut Throat
Deadly Game
139 bpm • A Maj • 03:46 • -4.66db
0% Popularity • 56% Danceability • 98% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 56% Danceability • 98% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Efecto SR
El F
155 bpm • F# Maj • 04:23 • -9.08db
24% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Yerai R
Cannabis
138 bpm • F min • 02:26 • -7.27db
18% Popularity • 68% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Alto Linaje
Perreito
155 bpm • F min • 02:43 • -11.9db
15% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 69% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Khristian Sanchez
Venganza
137 bpm • B min • 01:44 • -10.04db
20% Popularity • 49% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 49% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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VISASSJ
Fly Club
137 bpm • D# Maj • 01:45 • -13.73db
13% Popularity • 58% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Byungin
Relajado en el ParaÃso
155 bpm • D min • 02:52 • -8.09db
9% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Tony Loya
OLVIDO
137 bpm • D Maj • 02:30 • -9.67db
26% Popularity • 78% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 78% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Clave 386
WHERE'S THE FN FLOW?
137 bpm • G min • 03:28 • -4.82db
16% Popularity • 68% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 68% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Geltts
Diran De Mi (IA)
136 bpm • F# min • 02:00 • -5.78db
15% Popularity • 62% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Irving Iniguez
Fina la Suela
136 bpm • C# Maj • 02:53 • -6.09db
12% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Santiago Jiménez
Domperi
136 bpm • B Maj • 02:38 • -5.78db
34% Popularity • 68% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 68% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Jovani y su 713
BOTELLITAS
136 bpm • F# Maj • 02:24 • -9.02db
8% Popularity • 56% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 56% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Azaking
QFQG (Quieren Fuego Quieren Guerra)
136 bpm • G min • 02:40 • -8.57db
15% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Angel Gonzalez
Cuánto Te Amo
157 bpm • C# Maj • 03:12 • -7.78db
12% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Comando LR
Hoy Mejor Que Ayer
136 bpm • E min • 02:48 • -7.72db
14% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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W. Corona
Hombre de Negocios
158 bpm • D# min • 02:46 • -11.74db
14% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Humberto Zamorano
Febrero 14
135 bpm • D min • 03:06 • -9.07db
14% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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hxctxr.ii
Bien Tony Montana
135 bpm • F Maj • 02:32 • -8.56db
23% Popularity • 65% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 65% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Natatyson 2
Cuerno Azulado - Acoustic Version
135 bpm • G min • 02:42 • -9.26db
24% Popularity • 71% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 71% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
