Songs like Overture And Autumn - From "The Trouble With Harry" by Bernard Herrmann
Based on a tempo of (+/- 10%) and a similar genre
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The Intermezzo Orchestra
Raging Bull (Main Theme)
146 bpm • F Maj • 03:27 • -12.89db
22% Popularity • 14% Danceability • 24% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 24% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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Bernard Herrmann
Duo II
146 bpm • G Maj • 01:15 • -26.81db
9% Popularity • 15% Danceability • 6% Energy • 50% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 50% Liveness
73% Instrumentalness • 4% Positiveness
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Stelvio Cipriani
Maquillage
145 bpm • A Maj • 01:14 • -9.17db
49% Popularity • 28% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
49% Popularity • 28% Danceability • 27% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
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Wojciech Kilar
Bram Stoker's Dracula: Mina / Elizabeth
145 bpm • E min • 04:19 • -31db
33% Popularity • 16% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Donald Rubinstein
The Calling/Main Title
147 bpm • G Maj • 03:36 • -13.56db
14% Popularity • 17% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Frank Samuels
Hollywood Holiday
147 bpm • F min • 01:42 • -14.97db
27% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
27% Popularity • 31% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Andrew Hale
New Beginning, Pt. 3
145 bpm • G min • 03:18 • -17.45db
28% Popularity • 25% Danceability • 14% Energy • 19% Liveness
84% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 14% Energy • 19% Liveness
84% Instrumentalness • 8% Positiveness
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Bernard Herrmann
The Dream
146 bpm • C min • 02:46 • -22.16db
16% Popularity • 15% Danceability • 4% Energy • 10% Liveness
66% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 10% Liveness
66% Instrumentalness • 3% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Maschinen
144 bpm • E min • 03:31 • -15.15db
15% Popularity • 16% Danceability • 30% Energy • 38% Liveness
76% Instrumentalness • 7% Positiveness
15% Popularity • 16% Danceability • 30% Energy • 38% Liveness
76% Instrumentalness • 7% Positiveness
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Heinz Kiessling
Captain's Table
144 bpm • F Maj • 02:44 • -10db
24% Popularity • 43% Danceability • 40% Energy • 29% Liveness
38% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 40% Energy • 29% Liveness
38% Instrumentalness • 70% Positiveness
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Georges Delerue
Valzer del conformista
143 bpm • D min • 02:54 • -16.32db
13% Popularity • 23% Danceability • 18% Energy • 14% Liveness
11% Instrumentalness • 35% Positiveness
13% Popularity • 23% Danceability • 18% Energy • 14% Liveness
11% Instrumentalness • 35% Positiveness
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Fumio Hayasaka
Seven Samurai
144 bpm • C Maj • 11:20 • -13.48db
18% Popularity • 34% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 34% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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![Alphaville (Final) [Version remasterisée] cover art](https://i.scdn.co/image/ab67616d00001e02b98c3def7241d91d4885a1b0)
Paul Misraki
Alphaville (Final) [Version remasterisé...
143 bpm • C min • 02:15 • -9db
14% Popularity • 14% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 14% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Bernard Herrmann
The Rainstorm
144 bpm • B Maj • 03:11 • -18.02db
13% Popularity • 54% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
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Vince Tempera
Sette note - Pt. 1 - Single Version
143 bpm • C min • 02:25 • -9.54db
38% Popularity • 36% Danceability • 39% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
38% Popularity • 36% Danceability • 39% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
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John Barry Orchestra
James Bond Theme
142 bpm • G Maj • 01:50 • -10.56db
48% Popularity • 39% Danceability • 63% Energy • 22% Liveness
13% Instrumentalness • 12% Positiveness
48% Popularity • 39% Danceability • 63% Energy • 22% Liveness
13% Instrumentalness • 12% Positiveness
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Paul Pritchard
Gumshoe Blues
142 bpm • F min • 03:06 • -12db
36% Popularity • 59% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 30% Positiveness
36% Popularity • 59% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 30% Positiveness
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Martial Solal
Poursuite
151 bpm • G Maj • 02:14 • -18db
11% Popularity • 41% Danceability • 45% Energy • 9% Liveness
64% Instrumentalness • 46% Positiveness
11% Popularity • 41% Danceability • 45% Energy • 9% Liveness
64% Instrumentalness • 46% Positiveness
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Giovanni Fusco
Tema grottesco
141 bpm • G Maj • 01:43 • -25db
11% Popularity • 47% Danceability • 9% Energy • 11% Liveness
77% Instrumentalness • 11% Positiveness
11% Popularity • 47% Danceability • 9% Energy • 11% Liveness
77% Instrumentalness • 11% Positiveness
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Bernard Herrmann
Patrol Car
142 bpm • B Maj • 01:06 • -20.15db
12% Popularity • 59% Danceability • 14% Energy • 12% Liveness
29% Instrumentalness • 41% Positiveness
12% Popularity • 59% Danceability • 14% Energy • 12% Liveness
29% Instrumentalness • 41% Positiveness
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Ernest Gold
Steiner's Theme
141 bpm • C# min • 02:42 • -10db
16% Popularity • 17% Danceability • 29% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
16% Popularity • 17% Danceability • 29% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Vince Tempera
Sette note - Pt. 2 - Film Version
142 bpm • C min • 01:14 • -12.98db
11% Popularity • 44% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 44% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Justin Hurwitz
Gold Coast Rhythm - Jack's Party
152 bpm • C min • 01:42 • -19db
39% Popularity • 41% Danceability • 9% Energy • 12% Liveness
29% Instrumentalness • 29% Positiveness
39% Popularity • 41% Danceability • 9% Energy • 12% Liveness
29% Instrumentalness • 29% Positiveness
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Stelvio Cipriani
Weekend With Mary
141 bpm • A min • 02:03 • -17db
25% Popularity • 21% Danceability • 19% Energy • 16% Liveness
34% Instrumentalness • 31% Positiveness
25% Popularity • 21% Danceability • 19% Energy • 16% Liveness
34% Instrumentalness • 31% Positiveness
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Kris Bowers
Happy Talk
152 bpm • D Maj • 01:21 • -9db
38% Popularity • 61% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
38% Popularity • 61% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
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Alex North
Main Title
140 bpm • F# min • 01:24 • -13.78db
12% Popularity • 21% Danceability • 30% Energy • 33% Liveness
92% Instrumentalness • 24% Positiveness
12% Popularity • 21% Danceability • 30% Energy • 33% Liveness
92% Instrumentalness • 24% Positiveness
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Alexander Courage
Star Trek Theme (Main Title)
152 bpm • D# min • 00:54 • -16db
30% Popularity • 16% Danceability • 37% Energy • 26% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 37% Energy • 26% Liveness
95% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Alethia
140 bpm • D# min • 04:04 • -20.88db
20% Popularity • 26% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
20% Popularity • 26% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
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Bernard Herrmann Studio Orchestra
Cady at the Boat Dock / at the School / ...
139 bpm • D# Maj • 05:39 • -16.78db
3% Popularity • 21% Danceability • 10% Energy • 18% Liveness
36% Instrumentalness • 3% Positiveness
3% Popularity • 21% Danceability • 10% Energy • 18% Liveness
36% Instrumentalness • 3% Positiveness
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Riz Ortolani
Love with Fun
139 bpm • G Maj • 02:58 • -13.66db
16% Popularity • 36% Danceability • 28% Energy • 6% Liveness
93% Instrumentalness • 33% Positiveness
16% Popularity • 36% Danceability • 28% Energy • 6% Liveness
93% Instrumentalness • 33% Positiveness
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Justin Hurwitz
Practicing
139 bpm • G Maj • 01:43 • -16.74db
38% Popularity • 25% Danceability • 28% Energy • 24% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 25% Danceability • 28% Energy • 24% Liveness
92% Instrumentalness • 3% Positiveness
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Martial Solal
Poursuite - Bande originale du film "À ...
153 bpm • G# Maj • 02:14 • -15.22db
11% Popularity • 41% Danceability • 53% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
11% Popularity • 41% Danceability • 53% Energy • 13% Liveness
87% Instrumentalness • 42% Positiveness
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Marquis Expressions
Theme From A Clockwork Orange
154 bpm • C min • 02:29 • -10.7db
33% Popularity • 20% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
33% Popularity • 20% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
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Jonny Greenwood
Convergence
140 bpm • G Maj • 04:26 • -12.13db
22% Popularity • 68% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
22% Popularity • 68% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Gioachino Rossini
The Thieving Magpie
154 bpm • B Maj • 02:01 • -11.46db
35% Popularity • 45% Danceability • 45% Energy • 28% Liveness
82% Instrumentalness • 38% Positiveness
35% Popularity • 45% Danceability • 45% Energy • 28% Liveness
82% Instrumentalness • 38% Positiveness
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Carter Burwell
A Marvel
138 bpm • C min • 01:16 • -20.89db
10% Popularity • 22% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Tim Simonec
Too Hip To Retire
155 bpm • F min • 03:04 • -11db
47% Popularity • 62% Danceability • 40% Energy • 15% Liveness
73% Instrumentalness • 69% Positiveness
47% Popularity • 62% Danceability • 40% Energy • 15% Liveness
73% Instrumentalness • 69% Positiveness
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Mario Nascimbene
“Inseguimento al Taxi (The Chase)”
137 bpm • F Maj • 02:40 • -10.17db
20% Popularity • 47% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 47% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Ray Noble & His Orchestra
Midnight, The Stars And You
137 bpm • D min • 03:25 • -22db
39% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
39% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
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Jonny Greenwood
Proven Lands
154 bpm • G Maj • 01:50 • -15.42db
17% Popularity • 77% Danceability • 49% Energy • 17% Liveness
86% Instrumentalness • 87% Positiveness
17% Popularity • 77% Danceability • 49% Energy • 17% Liveness
86% Instrumentalness • 87% Positiveness
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The Dust Brothers
Corporate World
137 bpm • C# Maj • 02:42 • -12.37db
33% Popularity • 52% Danceability • 28% Energy • 18% Liveness
73% Instrumentalness • 10% Positiveness
33% Popularity • 52% Danceability • 28% Energy • 18% Liveness
73% Instrumentalness • 10% Positiveness
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Ray Noble
Midnight With the Stars and You
137 bpm • F Maj • 03:29 • -15db
21% Popularity • 39% Danceability • 20% Energy • 23% Liveness
85% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 20% Energy • 23% Liveness
85% Instrumentalness • 47% Positiveness
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Justin Hurwitz
When I Wake
138 bpm • D Maj • 03:52 • -11db
39% Popularity • 59% Danceability • 21% Energy • 16% Liveness
63% Instrumentalness • 54% Positiveness
39% Popularity • 59% Danceability • 21% Energy • 16% Liveness
63% Instrumentalness • 54% Positiveness
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Rupert Gregson-Williams
Hip Hip
137 bpm • C# Maj • 01:41 • -17.89db
9% Popularity • 57% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 57% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Pierre Arvay
Wide Horizon / Ice Floe
137 bpm • F Maj • 02:41 • -10.24db
14% Popularity • 60% Danceability • 54% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Bernard Herrmann
Death
136 bpm • C Maj • 01:26 • -23.12db
7% Popularity • 26% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 2% Positiveness
7% Popularity • 26% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 2% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Mac Quayle
Feud: Bette and Joan - Main Titles
136 bpm • F# Maj • 01:11 • -12.64db
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
34% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
34% Instrumentalness • 10% Positiveness
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Carter Burwell
A Serious Man
157 bpm • C# Maj • 02:45 • -20.75db
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
67% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 10% Liveness
67% Instrumentalness • 8% Positiveness
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Justin Hurwitz
Overture
136 bpm • F min • 03:19 • -9db
52% Popularity • 42% Danceability • 75% Energy • 14% Liveness
28% Instrumentalness • 65% Positiveness
52% Popularity • 42% Danceability • 75% Energy • 14% Liveness
28% Instrumentalness • 65% Positiveness
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Riz Ortolani
I giorni dell'ira
135 bpm • C min • 02:50 • -10db
33% Popularity • 44% Danceability • 80% Energy • 16% Liveness
81% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 80% Energy • 16% Liveness
81% Instrumentalness • 40% Positiveness
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Bernard Herrmann
Flight
136 bpm • B Maj • 01:08 • -20db
13% Popularity • 60% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
13% Popularity • 60% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Fumio Hayasaka
Tryst
135 bpm • E Maj • 01:02 • -28.52db
16% Popularity • 31% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 31% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Carmine Coppola
Michael's Letter
158 bpm • C min • 01:08 • -24.55db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Mica Levi
Intro
134 bpm • G Maj • 01:26 • -23.21db
26% Popularity • 15% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Trevor Duncan
High Heels
159 bpm • F min • 03:09 • -17.79db
17% Popularity • 26% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
17% Popularity • 26% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
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Jonny Greenwood
Future Markets
133 bpm • F min • 02:40 • -13.86db
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Bernard Herrmann
Theme from Taxi Driver - Reprise
158 bpm • D min • 02:27 • -14.03db
30% Popularity • 33% Danceability • 53% Energy • 10% Liveness
56% Instrumentalness • 60% Positiveness
30% Popularity • 33% Danceability • 53% Energy • 10% Liveness
56% Instrumentalness • 60% Positiveness
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Cho Young-Wuk
Cries And Whispers
160 bpm • E min • 03:32 • -10db
34% Popularity • 19% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
34% Popularity • 19% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Gianni Ferrio
Passaggio per red rock
133 bpm • A min • 01:41 • -17.88db
40% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
40% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Andrew Hewitt
Investigations
160 bpm • A# min • 01:30 • -19.81db
29% Popularity • 30% Danceability • 16% Energy • 19% Liveness
95% Instrumentalness • 46% Positiveness
29% Popularity • 30% Danceability • 16% Energy • 19% Liveness
95% Instrumentalness • 46% Positiveness
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Robbie Robertson
Theme for The Irishman
133 bpm • C Maj • 04:35 • -16db
33% Popularity • 68% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
33% Popularity • 68% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Gene Kelly
Singing in the Rain
132 bpm • D min • 02:54 • -8.96db
17% Popularity • 40% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Bernard Herrmann
Encounter - Alternate Version
134 bpm • G Maj • 02:22 • -27.51db
6% Popularity • 16% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Pino Donaggio
The Crucifixion
132 bpm • F# min • 02:48 • -8.62db
14% Popularity • 26% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Warren Barker Orchestra
Caper At the Coffee House
132 bpm • D min • 02:10 • -16.18db
33% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
33% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Graham De Wilde
Private Investigator
132 bpm • D# Maj • 01:55 • -18.14db
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Franz Waxman
Main Title (Film Version With Effects)
131 bpm • A min • 02:14 • -10db
17% Popularity • 36% Danceability • 48% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
17% Popularity • 36% Danceability • 48% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
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Martial Solal
Theme d'amour
131 bpm • C Maj • 01:33 • -18db
18% Popularity • 31% Danceability • 17% Energy • 9% Liveness
31% Instrumentalness • 31% Positiveness
18% Popularity • 31% Danceability • 17% Energy • 9% Liveness
31% Instrumentalness • 31% Positiveness
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Bernard Herrmann
Interlude
132 bpm • D Maj • 01:18 • -23.05db
17% Popularity • 28% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Giovanni Fusco
Tema drammatico 1
131 bpm • E min • 01:26 • -24.06db
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Michel Colombier
Main Title
131 bpm • A min • 04:03 • -20.86db
12% Popularity • 43% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
12% Popularity • 43% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Gianni Ferrio
Pistoleros in agguato II
130 bpm • D min • 01:32 • -13.33db
25% Popularity • 29% Danceability • 40% Energy • 14% Liveness
93% Instrumentalness • 30% Positiveness
25% Popularity • 29% Danceability • 40% Energy • 14% Liveness
93% Instrumentalness • 30% Positiveness
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Franz Waxman
Rear Window Suite: II. Lisa - Intermezzo
131 bpm • A# min • 03:09 • -25db
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Ingram Marshall
Ingram Marshall: Fog Tropes
130 bpm • D Maj • 10:05 • -29db
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Bernard Herrmann
Prelude
130 bpm • B Maj • 02:11 • -25db
24% Popularity • 59% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
24% Popularity • 59% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Nino Rota
Amarcord
130 bpm • B min • 02:07 • -10.4db
52% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
52% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
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Krzysztof Penderecki
Kanon - 2001 Remastered Version
129 bpm • G# Maj • 09:37 • -23.66db
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Martial Solal
New York Herald Tribune
129 bpm • A min • 01:29 • -21.35db
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
53% Popularity • 28% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Arthur Benjamin
Storm Clouds Cantata [Arr. B. Herrman]
130 bpm • F Maj • 10:03 • -16db
10% Popularity • 24% Danceability • 28% Energy • 66% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 28% Energy • 66% Liveness
20% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Planetarium
129 bpm • G Maj • 04:17 • -15.44db
62% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
62% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
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Bernard Herrmann
Theme from Taxi Driver
164 bpm • F Maj • 04:10 • -13.48db
43% Popularity • 22% Danceability • 40% Energy • 10% Liveness
62% Instrumentalness • 37% Positiveness
43% Popularity • 22% Danceability • 40% Energy • 10% Liveness
62% Instrumentalness • 37% Positiveness
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The National Philharmonic Orchestra-Conducted by Leonard Slatkin
Fantasia For Strings
128 bpm • D min • 02:11 • -15db
12% Popularity • 39% Danceability • 46% Energy • 14% Liveness
96% Instrumentalness • 57% Positiveness
12% Popularity • 39% Danceability • 46% Energy • 14% Liveness
96% Instrumentalness • 57% Positiveness
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Gianni Ferrio
La poliziotta - Deguello
167 bpm • D min • 02:02 • -9.09db
19% Popularity • 33% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
19% Popularity • 33% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Bruno Nicolai
Servizio fotografico - Remastered 2022
128 bpm • E min • 01:59 • -10.69db
32% Popularity • 53% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 71% Positiveness
32% Popularity • 53% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 71% Positiveness
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Pino Donaggio
The Principal's Office / Ashtray
128 bpm • G# Maj • 01:36 • -13.67db
13% Popularity • 22% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Martial Solal
A bout de souffle
128 bpm • F# min • 04:09 • -25db
9% Popularity • 51% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
9% Popularity • 51% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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London Festival Orchestra
Lawrence Of Arabia: Theme
168 bpm • A Maj • 03:30 • -13.96db
31% Popularity • 14% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Luis Bacalov
A ciascuno il suo
126 bpm • A min • 02:39 • -20.8db
26% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
26% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Anthony Mawer
Country Wide
127 bpm • F Maj • 02:40 • -8db
15% Popularity • 19% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Bruno Nicolai
Scoperta & Sesto delitto - Remastered 20...
127 bpm • D min • 02:34 • -13.16db
9% Popularity • 42% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Antonio Sánchez
Dirty Walk
169 bpm • C# Maj • 01:36 • -26.6db
25% Popularity • 62% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
25% Popularity • 62% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
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Giovanni Fusco
Titoli 1
126 bpm • G Maj • 02:03 • -17db
12% Popularity • 69% Danceability • 34% Energy • 6% Liveness
22% Instrumentalness • 21% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 6% Liveness
22% Instrumentalness • 21% Positiveness
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Jean Constantin
Ecole Buissonničre
126 bpm • A min • 02:09 • -15.39db
13% Popularity • 59% Danceability • 41% Energy • 23% Liveness
9% Instrumentalness • 76% Positiveness
13% Popularity • 59% Danceability • 41% Energy • 23% Liveness
9% Instrumentalness • 76% Positiveness
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Michael Giacchino
The Road To Berlin
126 bpm • F Maj • 03:06 • -18.96db
17% Popularity • 24% Danceability • 23% Energy • 30% Liveness
35% Instrumentalness • 25% Positiveness
17% Popularity • 24% Danceability • 23% Energy • 30% Liveness
35% Instrumentalness • 25% Positiveness
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Martial Solal
New York Herald Tribune
125 bpm • E min • 02:01 • -15.23db
32% Popularity • 27% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
32% Popularity • 27% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
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Bruno Nicolai
Gatti rossi - Titoli
127 bpm • G# Maj • 02:25 • -15db
17% Popularity • 54% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
17% Popularity • 54% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Wojciech Kilar
Love Remembered
170 bpm • E min • 04:10 • -32.99db
39% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
