Songs like Overture - The New Moon Version by Oscar Hammerstein II
Based on a tempo of (+/- 10%) and a similar genre
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Petula Clark & The Warner Bros. Orchestra
Ent'acte (Look to the Rainbow)
102 bpm • A# Maj • 01:15 • -12.26db
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Oscar Hammerstein II
Overture - The New Moon Version
102 bpm • F min • 03:22 • -11.64db
0% Popularity • 28% Danceability • 37% Energy • 39% Liveness
89% Instrumentalness • 30% Positiveness
0% Popularity • 28% Danceability • 37% Energy • 39% Liveness
89% Instrumentalness • 30% Positiveness
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Georges Bizet
You Talk Just Like My Maw - Carmen Jones...
102 bpm • C Maj • 04:20 • -11.85db
1% Popularity • 38% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 38% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Judy Holliday
The Party's Over
103 bpm • C# min • 02:39 • -15db
8% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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The 20th Century-Fox Orchestra
Waltz Of Anna And Sir Ramsey - Remastere...
103 bpm • F Maj • 01:41 • -15.83db
16% Popularity • 36% Danceability • 21% Energy • 12% Liveness
72% Instrumentalness • 42% Positiveness
16% Popularity • 36% Danceability • 21% Energy • 12% Liveness
72% Instrumentalness • 42% Positiveness
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Bloody Mary
Bali Ha'i -
101 bpm • C Maj • 03:39 • -14db
28% Popularity • 23% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 23% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Robert Preston
Gay Paree
103 bpm • F Maj • 02:34 • -16.32db
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Harris
Camelot and the Wedding Ceremony
103 bpm • C Maj • 04:41 • -17.79db
20% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Yul Brynner, Marni Nixon & Deborah Kerr
Shall We Dance'
103 bpm • D# Maj • 04:23 • -12.3db
20% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 47% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Porter
Cole Porter: High Society Overture
103 bpm • G Maj • 03:34 • -12.78db
15% Popularity • 22% Danceability • 31% Energy • 6% Liveness
79% Instrumentalness • 36% Positiveness
15% Popularity • 22% Danceability • 31% Energy • 6% Liveness
79% Instrumentalness • 36% Positiveness
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Leona Gordon
I Have Dreamed - Remastered 2001
101 bpm • C# Maj • 03:38 • -15.42db
18% Popularity • 24% Danceability • 21% Energy • 18% Liveness
3% Instrumentalness • 13% Positiveness
18% Popularity • 24% Danceability • 21% Energy • 18% Liveness
3% Instrumentalness • 13% Positiveness
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Lauren Bacall
The Grass is Always Greener
101 bpm • G Maj • 05:23 • -9.97db
12% Popularity • 49% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 49% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
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Kathryn Grayson
I Hate Men
104 bpm • C Maj • 03:54 • -11.3db
16% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Loretta Ables Sayre
Bali Ha'i
100 bpm • C Maj • 03:51 • -19.29db
18% Popularity • 26% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Liz Callaway
I Remember (Evening Primrose)
104 bpm • C Maj • 03:05 • -10.32db
9% Popularity • 27% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 27% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Timothy Jerome
The Family Solicitor - Original Cast Rec...
100 bpm • D Maj • 03:02 • -17.63db
15% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Broadway Cast Recording
So In Love
100 bpm • F Maj • 04:16 • -11.7db
22% Popularity • 24% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Harry Secombe
We'll Gather Lilacs
104 bpm • F# Maj • 03:28 • -14.51db
11% Popularity • 23% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 23% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kenneth Nelson
Soon It's Gonna Rain
104 bpm • C Maj • 04:37 • -15db
2% Popularity • 34% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 34% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Meredith Willson
Goodnight My Someone
99 bpm • C Maj • 02:45 • -16db
15% Popularity • 28% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 28% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Rodgers
A Lovely Night (Demo)
99 bpm • G Maj • 01:59 • -14.67db
9% Popularity • 64% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 64% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Cole Porter
Kiss Me, Kate: Overture
105 bpm • A# Maj • 02:41 • -11.22db
12% Popularity • 27% Danceability • 30% Energy • 67% Liveness
53% Instrumentalness • 20% Positiveness
12% Popularity • 27% Danceability • 30% Energy • 67% Liveness
53% Instrumentalness • 20% Positiveness
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Rex Harrison
Whay Can't the English?
99 bpm • F Maj • 02:40 • -10.61db
11% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 66% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Close Every Door
105 bpm • G Maj • 03:13 • -17.96db
21% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Sutton Foster
You're the Top
106 bpm • G# Maj • 05:01 • -8.12db
35% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Brenda Pressley
The World Goes 'Round
105 bpm • B min • 04:08 • -18db
13% Popularity • 42% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 42% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Stubby Kaye
Jubilation T. Cornpone
98 bpm • B Maj • 04:52 • -8.8db
9% Popularity • 73% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 73% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 89% Positiveness
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Oscar Hammerstein II
One Alone - 2003 Remaster
106 bpm • G# Maj • 02:56 • -13.87db
4% Popularity • 37% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 37% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Josefina Gabrielle
Out Of My Dreams
106 bpm • G# Maj • 03:41 • -17.99db
19% Popularity • 26% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 26% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Harry Guardino
Everybody Says Don't
106 bpm • C Maj • 02:17 • -10db
20% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 54% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Jane Powell
Wonderful, Wonderful Day
106 bpm • F Maj • 03:17 • -16db
27% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Frederick Loewe
My Fair Lady: I'm an Ordinary Man
106 bpm • A# Maj • 04:33 • -14.19db
10% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone
98 bpm • A# Maj • 02:29 • -14.79db
21% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 34% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Meredith Willson
Marian the Librarian
106 bpm • F min • 02:44 • -17.23db
9% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Preshy Marker
Lovely
98 bpm • G Maj • 03:08 • -16.85db
7% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Robert Preston
The Sadder But Wiser Girl
106 bpm • G Maj • 01:49 • -13.87db
35% Popularity • 65% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 65% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Jane Powell
When You're In Love
106 bpm • G# Maj • 02:12 • -18.06db
27% Popularity • 23% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 23% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Overture
98 bpm • F Maj • 02:43 • -15.41db
26% Popularity • 41% Danceability • 26% Energy • 21% Liveness
76% Instrumentalness • 32% Positiveness
26% Popularity • 41% Danceability • 26% Energy • 21% Liveness
76% Instrumentalness • 32% Positiveness
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Richard Rodgers
State Fair 1945: Isn't It Kinda Fun? Rep...
106 bpm • G Maj • 01:33 • -13.77db
7% Popularity • 52% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 63% Positiveness
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Oscar Hammerstein II
Opening Chorus & Riff Song
98 bpm • G# Maj • 02:35 • -10.84db
1% Popularity • 46% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 46% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Carol Channing
Diamonds Are A Girl's Best Friend
107 bpm • G Maj • 03:06 • -9.4db
17% Popularity • 52% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 52% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Shirley Jones
Being In Love
98 bpm • B Maj • 03:48 • -10.94db
26% Popularity • 32% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 32% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lucie Arnaz
If He Really Knew Me - 1979 Original Bro...
97 bpm • G Maj • 03:34 • -19.25db
16% Popularity • 42% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Fiddler on the Roof Orchestra
Wedding Dance
107 bpm • G Maj • 02:11 • -17db
19% Popularity • 34% Danceability • 33% Energy • 44% Liveness
75% Instrumentalness • 35% Positiveness
19% Popularity • 34% Danceability • 33% Energy • 44% Liveness
75% Instrumentalness • 35% Positiveness
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Georges Bizet
Dere's A Cafe On De Corner - Carmen Jone...
107 bpm • D Maj • 04:27 • -11.88db
1% Popularity • 48% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 48% Danceability • 30% Energy • 61% Liveness
0% Instrumentalness • 27% Positiveness
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Petula Clark & Fred Astaire
How Are Things in Glocca Morra?
97 bpm • A# Maj • 02:27 • -14.28db
21% Popularity • 39% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 39% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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London Festival Orchestra
Annie Get Your Gun: Overture
107 bpm • D Maj • 04:40 • -12db
15% Popularity • 29% Danceability • 33% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
15% Popularity • 29% Danceability • 33% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
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Jerry Orbach
Try to Remember (Reprise)
107 bpm • C Maj • 02:06 • -15.87db
1% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Broadway Cast Recording
Wunderbar
97 bpm • G# Maj • 03:21 • -10.38db
16% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Maryann Plunkett
Once You Lose Your Heart - Original Cast...
97 bpm • C# Maj • 03:33 • -20db
18% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Oscar Hammerstein II
Softly As In A Morning Sunshine
97 bpm • D# min • 03:14 • -14.29db
1% Popularity • 34% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 34% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Ken Darby Singers
This Time of Year
108 bpm • A Maj • 02:15 • -12.95db
9% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Carousel Orchestra
The Carousel Waltz
97 bpm • D Maj • 08:12 • -14db
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
24% Popularity • 29% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
29% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
29% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Zero Mostel
Bring Me My Bride
108 bpm • F# Maj • 03:21 • -11.85db
3% Popularity • 61% Danceability • 32% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
3% Popularity • 61% Danceability • 32% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
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Richard Rodgers
State Fair 1945: Finale
96 bpm • D# Maj • 00:54 • -8.12db
9% Popularity • 41% Danceability • 54% Energy • 34% Liveness
1% Instrumentalness • 88% Positiveness
9% Popularity • 41% Danceability • 54% Energy • 34% Liveness
1% Instrumentalness • 88% Positiveness
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Robert Morse
Brotherhood of Man
96 bpm • G min • 04:05 • -12.86db
17% Popularity • 49% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 49% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
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Robert Lindsay
The Lambeth Walk - Original Cast Recordi...
96 bpm • F Maj • 04:18 • -17db
23% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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June Bronhill
I Know Now - 1993 RemasterFrom 'Robert a...
108 bpm • E Maj • 02:25 • -13db
13% Popularity • 30% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 30% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Oscar Hammerstein II
Shall We Dance?
96 bpm • D# Maj • 02:49 • -11.64db
19% Popularity • 64% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 64% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Valarie Pettiford
Life Is Just A Bowl Of Cherries
108 bpm • D Maj • 02:31 • -18db
9% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Vanessa Redgrave
The Simple Joys of Maidenhood - Guenever...
96 bpm • G Maj • 02:01 • -15.78db
19% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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John Cullum
Hurry! It's Lovely Up Here
109 bpm • C min • 04:04 • -14db
11% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Clive Carter
Drink With Me
109 bpm • F Maj • 02:21 • -14.19db
35% Popularity • 34% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 34% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Meredith Willson
The Sadder-But-Wiser Girl for Me
109 bpm • C Maj • 01:41 • -15db
15% Popularity • 70% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 70% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Original Broadway Cast of 'Pal Joey'
You Mustn't Kick It Around
96 bpm • D# Maj • 02:53 • -6.94db
8% Popularity • 56% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 56% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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John Kander
Cabaret: Cabaret
95 bpm • A Maj • 04:29 • -11.1db
20% Popularity • 52% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 52% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Camelot Original Soundtrack
Guenevere - Mixed Chorus
109 bpm • D Maj • 02:52 • -12.43db
15% Popularity • 48% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 48% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Nellie Forbush
I'm In Love With A Wonderful Guy
95 bpm • C Maj • 03:20 • -12db
29% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 50% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Introduction
109 bpm • D Maj • 01:57 • -21.91db
7% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Zero Mostel
Comedy Tonight
109 bpm • D Maj • 05:01 • -15db
14% Popularity • 68% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 68% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Georges Bizet
My Joe - Carmen Jones/1943 Original Broa...
95 bpm • A# Maj • 04:26 • -11.77db
0% Popularity • 33% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 33% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Oscar Hammerstein II
The Sound of Music
95 bpm • G Maj • 03:13 • -19.95db
13% Popularity • 33% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer)
Guys and Dolls
110 bpm • D Maj • 03:17 • -13db
14% Popularity • 77% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 77% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Rita Gardner
They Were You
95 bpm • C Maj • 02:43 • -18db
8% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Lottie
Tap Your Troubles Away
95 bpm • C min • 04:32 • -11.06db
13% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 61% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Jerry Orbach
Razzle Dazzle
110 bpm • D Maj • 03:09 • -9.38db
22% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Gloria Grahame
All Er Nuthin'
95 bpm • C Maj • 02:54 • -15db
25% Popularity • 62% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 62% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Frank Sinatra (performer), Guys and Dolls Chorus
Adelaide
95 bpm • B Maj • 03:12 • -14.93db
15% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 48% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Buffalo Bills
Lida Rose, Will I Ever Tell You
110 bpm • G Maj • 04:14 • -9.07db
20% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Camelot Original Soundtrack
Follow Me and Children's Chorus
110 bpm • G# Maj • 01:39 • -17db
18% Popularity • 20% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 20% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Danny Carroll
Overture / Audition
94 bpm • F min • 04:43 • -13db
22% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
22% Popularity • 49% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 55% Positiveness
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The 20th Century-Fox Orchestra
Main Title - Remastered 2001
94 bpm • F min • 01:42 • -11.19db
20% Popularity • 80% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
20% Popularity • 80% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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The Pirates Of Penzance
When Federic Was a Little Lad
110 bpm • F min • 07:33 • -16.23db
21% Popularity • 66% Danceability • 31% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 66% Danceability • 31% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
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John Kander
Cabaret: Married
110 bpm • G# Maj • 02:42 • -15.03db
12% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Lynde
Kids
111 bpm • C Maj • 02:33 • -10db
21% Popularity • 65% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 65% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
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Original Broadway Cast of 'Zorba'
Life Is
110 bpm • F Maj • 05:15 • -17db
8% Popularity • 43% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 43% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Carol Richards
Waitin' for My Dearie
94 bpm • G Maj • 03:00 • -15.46db
9% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The 20th Century-Fox Orchestra
Overture - Remastered 2001
94 bpm • D Maj • 06:38 • -14.23db
13% Popularity • 18% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
13% Popularity • 18% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
Edelweiss from The Sound Of Music
111 bpm • F Maj • 02:01 • -15.74db
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Cole Porter
Kiss Me, Kate: Another Op'nin, Another S...
111 bpm • F Maj • 01:43 • -11.58db
16% Popularity • 79% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 79% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 82% Positiveness
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Jack Gilford
I'm Calm
94 bpm • B min • 02:50 • -19.55db
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Cy Coleman
Sweet Charity: There's Gotta Be Somethin...
111 bpm • D Maj • 04:53 • -13.22db
20% Popularity • 56% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 56% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Carol Burnett
Johnny One Note
111 bpm • D# Maj • 02:35 • -7.3db
12% Popularity • 46% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 46% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Jane Powell
When You're in Love
112 bpm • G# Maj • 02:54 • -15.83db
8% Popularity • 21% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness