Songs like Ow by The Carl Fontana - John Fedchock Quintet
Based on a tempo of (+/- 10%) and a similar genre
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Ruben Natura
Summer Evening
74 bpm • A# Maj • 03:50 • -20.2db
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
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Rainer Schnelle
Dancing In The Starlight
74 bpm • A# Maj • 02:05 • -18.34db
19% Popularity • 62% Danceability • 32% Energy • 32% Liveness
85% Instrumentalness • 54% Positiveness
19% Popularity • 62% Danceability • 32% Energy • 32% Liveness
85% Instrumentalness • 54% Positiveness
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爵士乐猫路易斯儿童音乐
搖籃曲 寶寶
75 bpm • F Maj • 01:35 • -13.13db
20% Popularity • 52% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 52% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Lyn Stanley
How About Me?
75 bpm • F min • 02:54 • -14.74db
10% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Carl Fontana - John Fedchock Quintet
Ow
74 bpm • A# Maj • 12:40 • -23.18db
0% Popularity • 48% Danceability • 9% Energy • 60% Liveness
87% Instrumentalness • 52% Positiveness
0% Popularity • 48% Danceability • 9% Energy • 60% Liveness
87% Instrumentalness • 52% Positiveness
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Toby Barton
Satin Doll
73 bpm • F Maj • 03:54 • -12.75db
24% Popularity • 60% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
24% Popularity • 60% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Erik Moseholm
Willow Weep For Me
75 bpm • G Maj • 04:08 • -18.77db
29% Popularity • 36% Danceability • 17% Energy • 56% Liveness
87% Instrumentalness • 26% Positiveness
29% Popularity • 36% Danceability • 17% Energy • 56% Liveness
87% Instrumentalness • 26% Positiveness
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Ella Blue
Prelude for Gosammer Wings
75 bpm • G Maj • 02:48 • -21.63db
13% Popularity • 65% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 38% Positiveness
13% Popularity • 65% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 38% Positiveness
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Erik Moreau
Not Going Back
73 bpm • G min • 02:46 • -18.16db
11% Popularity • 58% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 20% Positiveness
11% Popularity • 58% Danceability • 18% Energy • 12% Liveness
55% Instrumentalness • 20% Positiveness
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Jazz Tea Rooms
Deep In A Dream
75 bpm • F Maj • 02:08 • -25.56db
23% Popularity • 70% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
23% Popularity • 70% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Easter Jazz Vibes
Easter Sunrise Serenade
73 bpm • C min • 02:07 • -22.38db
15% Popularity • 37% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 37% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53 (Excerpts Arr. for J...
75 bpm • D min • 02:02 • -25.34db
14% Popularity • 31% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 52% Positiveness
14% Popularity • 31% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 52% Positiveness
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The Carl Fontana - John Fedchock Quintet
Surrey With the Fringe On Top
76 bpm • C Maj • 10:09 • -23.07db
0% Popularity • 57% Danceability • 9% Energy • 67% Liveness
86% Instrumentalness • 44% Positiveness
0% Popularity • 57% Danceability • 9% Energy • 67% Liveness
86% Instrumentalness • 44% Positiveness
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Aaron Diehl Trio
Symphony No. 40 in G Minor, K. 550: I
77 bpm • F min • 04:30 • -18.74db
7% Popularity • 55% Danceability • 27% Energy • 9% Liveness
22% Instrumentalness • 41% Positiveness
7% Popularity • 55% Danceability • 27% Energy • 9% Liveness
22% Instrumentalness • 41% Positiveness
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Douglas Brown
Circle
76 bpm • F min • 05:13 • -13.6db
13% Popularity • 40% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 37% Positiveness
13% Popularity • 40% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 37% Positiveness
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Jessica Williams
Dear Lord
77 bpm • G Maj • 05:26 • -20.48db
15% Popularity • 46% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
15% Popularity • 46% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Earl Rose
I've Got the World on a String [Arr. E....
71 bpm • F Maj • 03:35 • -20.54db
15% Popularity • 42% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 42% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Stanley Winmill
The Crowd's Architect
77 bpm • G# Maj • 01:58 • -20.32db
22% Popularity • 60% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 29% Positiveness
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Cheesy Jazzdaddy
My Confession
77 bpm • F Maj • 02:04 • -24.36db
9% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
9% Popularity • 37% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Charles Daisey & Friends
Tenor Madness
77 bpm • G# Maj • 02:38 • -18.52db
18% Popularity • 63% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 32% Positiveness
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Ella Blue
Needed Times of Calmness
78 bpm • C Maj • 02:41 • -21.87db
13% Popularity • 72% Danceability • 14% Energy • 8% Liveness
33% Instrumentalness • 74% Positiveness
13% Popularity • 72% Danceability • 14% Energy • 8% Liveness
33% Instrumentalness • 74% Positiveness
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Toby Barton
Good to Be Home
78 bpm • D min • 02:41 • -11.19db
24% Popularity • 67% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Easy Camel Trio
シェリト・リンド
78 bpm • A min • 04:53 • -13.62db
13% Popularity • 65% Danceability • 34% Energy • 20% Liveness
78% Instrumentalness • 56% Positiveness
13% Popularity • 65% Danceability • 34% Energy • 20% Liveness
78% Instrumentalness • 56% Positiveness
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Joe Alterman
Have You Never Been Mellow?
78 bpm • D min • 05:39 • -20.76db
20% Popularity • 62% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Thomas Hardin Trio
シンデレラ・エクスプレス
78 bpm • A min • 04:06 • -16.95db
8% Popularity • 53% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
8% Popularity • 53% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Barry Harris Trio
And so I Love You
78 bpm • C min • 04:09 • -20.37db
11% Popularity • 60% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
11% Popularity • 60% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
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TransferX
Island sky
70 bpm • G# Maj • 01:12 • -15.39db
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
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ABC PRO
Approach
70 bpm • C min • 01:12 • -16.76db
13% Popularity • 68% Danceability • 28% Energy • 12% Liveness
73% Instrumentalness • 65% Positiveness
13% Popularity • 68% Danceability • 28% Energy • 12% Liveness
73% Instrumentalness • 65% Positiveness
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Sophia Brno
Making Movies
70 bpm • G Maj • 04:15 • -35.93db
15% Popularity • 58% Danceability • 5% Energy • 23% Liveness
9% Instrumentalness • 60% Positiveness
15% Popularity • 58% Danceability • 5% Energy • 23% Liveness
9% Instrumentalness • 60% Positiveness
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Coffee Shop Jazz
Swingin' Starlight
79 bpm • C Maj • 02:03 • -17.59db
19% Popularity • 42% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 21% Positiveness
19% Popularity • 42% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 21% Positiveness
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Thomas Hardin Trio
翳りゆく部屋(インスト)
78 bpm • G# Maj • 04:20 • -14.61db
11% Popularity • 51% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
11% Popularity • 51% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
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Paul Chambers
My Buddy
70 bpm • A# Maj • 02:33 • -19.11db
13% Popularity • 52% Danceability • 7% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
13% Popularity • 52% Danceability • 7% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
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Chris Hopkins
Moonlight Serenade (Album Version)
79 bpm • G min • 04:22 • -20.47db
13% Popularity • 52% Danceability • 22% Energy • 69% Liveness
13% Instrumentalness • 19% Positiveness
13% Popularity • 52% Danceability • 22% Energy • 69% Liveness
13% Instrumentalness • 19% Positiveness
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Brad Hatfield
Waltz For William
79 bpm • G Maj • 03:04 • -18.85db
22% Popularity • 39% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
22% Popularity • 39% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53 (Excerpts Arr. for J...
79 bpm • D# Maj • 01:20 • -21.42db
13% Popularity • 48% Danceability • 31% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Rui Hallvares Andrade Paes
Katten
69 bpm • C Maj • 05:49 • -12.14db
11% Popularity • 34% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 34% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Carlos Averhoff Jr.
Raquel
79 bpm • G min • 05:54 • -11.51db
10% Popularity • 59% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 56% Positiveness
10% Popularity • 59% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 56% Positiveness
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Frank Wanlass
Out Of His Soul
79 bpm • F min • 01:45 • -15db
26% Popularity • 58% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 72% Positiveness
26% Popularity • 58% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 72% Positiveness
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Magnus Lindgren
Reverie
69 bpm • A Maj • 03:18 • -13.02db
13% Popularity • 37% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
13% Popularity • 37% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
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Claus Raible
Angel Face
69 bpm • G# Maj • 06:12 • -19.89db
17% Popularity • 42% Danceability • 17% Energy • 6% Liveness
70% Instrumentalness • 36% Positiveness
17% Popularity • 42% Danceability • 17% Energy • 6% Liveness
70% Instrumentalness • 36% Positiveness
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Naama
If I Knew Then
80 bpm • G# Maj • 02:43 • -14.44db
11% Popularity • 53% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 53% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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TransferX
Altitude
69 bpm • A# min • 01:12 • -15.93db
25% Popularity • 55% Danceability • 33% Energy • 17% Liveness
95% Instrumentalness • 55% Positiveness
25% Popularity • 55% Danceability • 33% Energy • 17% Liveness
95% Instrumentalness • 55% Positiveness
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Blake Mendes Band
Daahoud
80 bpm • F# Maj • 03:41 • -13.64db
17% Popularity • 61% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 49% Positiveness
17% Popularity • 61% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 49% Positiveness
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Marco Vezzoso
Patty's Blues
80 bpm • A# min • 02:38 • -10.07db
27% Popularity • 68% Danceability • 33% Energy • 6% Liveness
32% Instrumentalness • 54% Positiveness
27% Popularity • 68% Danceability • 33% Energy • 6% Liveness
32% Instrumentalness • 54% Positiveness
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Lumina Vibe
Inevitable
69 bpm • E Maj • 02:00 • -28.3db
7% Popularity • 53% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
7% Popularity • 53% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Jocelyn Gould
Napoleon's Prelude
80 bpm • C min • 05:14 • -12.6db
8% Popularity • 57% Danceability • 43% Energy • 16% Liveness
18% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 43% Energy • 16% Liveness
18% Instrumentalness • 52% Positiveness
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Sophia Brno
Years Later
80 bpm • C Maj • 02:00 • -38.38db
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
24% Popularity • 54% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Union Jazz Trio
Passed Around
80 bpm • G Maj • 01:48 • -23.84db
26% Popularity • 61% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
26% Popularity • 61% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 62% Positiveness
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Cheesy Jazzdaddy
Town Streets
69 bpm • F min • 01:56 • -24.31db
9% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
9% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Jonny Ek
Old Cat
68 bpm • G# min • 05:43 • -13.75db
8% Popularity • 47% Danceability • 36% Energy • 17% Liveness
95% Instrumentalness • 62% Positiveness
8% Popularity • 47% Danceability • 36% Energy • 17% Liveness
95% Instrumentalness • 62% Positiveness
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Pattiford
Golden Touch
81 bpm • C min • 02:33 • -14.08db
11% Popularity • 68% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 60% Positiveness
11% Popularity • 68% Danceability • 27% Energy • 12% Liveness
74% Instrumentalness • 60% Positiveness
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Easy Camel Trio
G線上のアリア
81 bpm • C Maj • 03:20 • -16.3db
17% Popularity • 37% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 70% Positiveness
17% Popularity • 37% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 70% Positiveness
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The Carl Fontana - John Fedchock Quintet
Limehouse Blues
81 bpm • G# Maj • 12:46 • -21.42db
0% Popularity • 55% Danceability • 12% Energy • 63% Liveness
40% Instrumentalness • 48% Positiveness
0% Popularity • 55% Danceability • 12% Energy • 63% Liveness
40% Instrumentalness • 48% Positiveness
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Paul Horn
Short Politicain
81 bpm • E min • 04:05 • -19.32db
11% Popularity • 47% Danceability • 27% Energy • 20% Liveness
2% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 27% Energy • 20% Liveness
2% Instrumentalness • 50% Positiveness
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Nick Finzer
Shortcake
67 bpm • D min • 06:55 • -15.78db
7% Popularity • 36% Danceability • 31% Energy • 18% Liveness
84% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 31% Energy • 18% Liveness
84% Instrumentalness • 37% Positiveness
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TransferX
Speak Transfers
68 bpm • F# min • 02:11 • -17.23db
21% Popularity • 61% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
21% Popularity • 61% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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Niels Lan Doky
Here Or There
81 bpm • G# Maj • 06:13 • -20.39db
12% Popularity • 50% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 73% Positiveness
12% Popularity • 50% Danceability • 31% Energy • 21% Liveness
1% Instrumentalness • 73% Positiveness
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Barry Harris Trio
Vicissitudes
82 bpm • C Maj • 04:10 • -18db
9% Popularity • 63% Danceability • 24% Energy • 9% Liveness
69% Instrumentalness • 68% Positiveness
9% Popularity • 63% Danceability • 24% Energy • 9% Liveness
69% Instrumentalness • 68% Positiveness
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The Carl Fontana - John Fedchock Quintet
Alone Together
81 bpm • D min • 11:17 • -20.92db
1% Popularity • 50% Danceability • 14% Energy • 19% Liveness
91% Instrumentalness • 46% Positiveness
1% Popularity • 50% Danceability • 14% Energy • 19% Liveness
91% Instrumentalness • 46% Positiveness
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Jacob Koller
Sweet Memories
67 bpm • D# Maj • 04:21 • -15.95db
12% Popularity • 43% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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UD 35-90
Trio At Rick's
82 bpm • F min • 02:43 • -19.55db
16% Popularity • 78% Danceability • 18% Energy • 13% Liveness
71% Instrumentalness • 55% Positiveness
16% Popularity • 78% Danceability • 18% Energy • 13% Liveness
71% Instrumentalness • 55% Positiveness
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海野 雅威
Let Us Have Peace
82 bpm • F Maj • 05:17 • -16.89db
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Lennart Ginman
Up North Seasonal Affective Disorder
82 bpm • F min • 02:35 • -29.31db
18% Popularity • 58% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
18% Popularity • 58% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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Ralph Sharon
Falling Leaves
82 bpm • G# Maj • 02:20 • -19.94db
19% Popularity • 63% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
19% Popularity • 63% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Laine Korhonen
My Piano
83 bpm • C min • 03:23 • -18.01db
13% Popularity • 55% Danceability • 20% Energy • 24% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 55% Danceability • 20% Energy • 24% Liveness
94% Instrumentalness • 12% Positiveness
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ABC PRO
Generation
66 bpm • F min • 01:14 • -17.15db
14% Popularity • 57% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
14% Popularity • 57% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Louis Hjulmand
Now See How You Are
83 bpm • G Maj • 07:50 • -19.58db
24% Popularity • 56% Danceability • 14% Energy • 63% Liveness
81% Instrumentalness • 18% Positiveness
24% Popularity • 56% Danceability • 14% Energy • 63% Liveness
81% Instrumentalness • 18% Positiveness
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The Chill Out 4
She's Walking Home
83 bpm • D min • 02:16 • -11.09db
13% Popularity • 82% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 89% Positiveness
13% Popularity • 82% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 89% Positiveness
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Lyle Ritz
Perjazz
83 bpm • G Maj • 02:50 • -16.72db
11% Popularity • 62% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 58% Positiveness
11% Popularity • 62% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 58% Positiveness
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Lunaria
Dewdrop Lullaby (Interlude)
83 bpm • G# Maj • 01:28 • -22.24db
26% Popularity • 48% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 48% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Skip Martin
Soft Sounds
83 bpm • A# Maj • 03:34 • -21.57db
7% Popularity • 59% Danceability • 17% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
7% Popularity • 59% Danceability • 17% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
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Wonder Eve
Tears
84 bpm • F Maj • 03:32 • -16.13db
47% Popularity • 43% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
47% Popularity • 43% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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The Collective
Where Does The Love Go After
84 bpm • G min • 03:14 • -16.31db
15% Popularity • 50% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
15% Popularity • 50% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Rosello Blue
Walk the Walk
84 bpm • F# Maj • 02:24 • -21.69db
12% Popularity • 55% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
12% Popularity • 55% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Yelena Eckemoff
Dog Chasing a Mouse
84 bpm • F min • 04:25 • -10.88db
10% Popularity • 55% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 62% Positiveness
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TransferX
Jets
65 bpm • G min • 02:16 • -14.86db
20% Popularity • 52% Danceability • 30% Energy • 18% Liveness
39% Instrumentalness • 40% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 18% Liveness
39% Instrumentalness • 40% Positiveness
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海野 雅威
Over The Moon
84 bpm • B min • 04:25 • -15.95db
12% Popularity • 73% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 61% Positiveness
12% Popularity • 73% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 61% Positiveness
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Douglas Brown
Swatin
84 bpm • B Maj • 05:51 • -14.05db
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Homei Matsumoto
Lullaby of the Leaves
84 bpm • C min • 04:13 • -18.43db
14% Popularity • 41% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
14% Popularity • 41% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Sam Renoir
Winking Keys Secrets
84 bpm • B Maj • 01:24 • -18.45db
20% Popularity • 49% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 77% Positiveness
20% Popularity • 49% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 77% Positiveness
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The Poets Vessel
Date Night
65 bpm • C min • 03:16 • -18.48db
8% Popularity • 55% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 13% Positiveness
8% Popularity • 55% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 13% Positiveness
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TransferX
Archipelago
65 bpm • C# Maj • 01:17 • -16.44db
26% Popularity • 60% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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Fred Hersch
Aquellos Ojos Verdes
85 bpm • D Maj • 06:17 • -19.92db
7% Popularity • 44% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
7% Popularity • 44% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Al Cohn
Good Old Blues
65 bpm • D# Maj • 04:50 • -17.38db
3% Popularity • 47% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
3% Popularity • 47% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
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Paolo Bernardi
Memorino, Lucifero e Alì
85 bpm • G Maj • 03:27 • -16.09db
8% Popularity • 57% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Jazz Tea Rooms
Tea Break
64 bpm • D min • 02:27 • -26.92db
20% Popularity • 39% Danceability • 11% Energy • 7% Liveness
87% Instrumentalness • 29% Positiveness
20% Popularity • 39% Danceability • 11% Energy • 7% Liveness
87% Instrumentalness • 29% Positiveness
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Coffee Shop Jazz
Espresso Evening
64 bpm • A# Maj • 02:06 • -15.78db
10% Popularity • 64% Danceability • 21% Energy • 37% Liveness
15% Instrumentalness • 41% Positiveness
10% Popularity • 64% Danceability • 21% Energy • 37% Liveness
15% Instrumentalness • 41% Positiveness
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Dancing In The Hay
Dance Jazz After Hours
64 bpm • G# Maj • 04:01 • -8.29db
11% Popularity • 77% Danceability • 46% Energy • 9% Liveness
6% Instrumentalness • 43% Positiveness
11% Popularity • 77% Danceability • 46% Energy • 9% Liveness
6% Instrumentalness • 43% Positiveness
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Sam Renoir
Playful Pursuit
86 bpm • F# Maj • 01:23 • -20.48db
23% Popularity • 52% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 7% Energy • 8% Liveness
83% Instrumentalness • 31% Positiveness
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Grooveto
Mystique
87 bpm • C min • 01:21 • -23.01db
18% Popularity • 69% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
18% Popularity • 69% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Ninine Garcia Quintet
For Your Love
64 bpm • C Maj • 04:23 • -15.33db
9% Popularity • 42% Danceability • 19% Energy • 12% Liveness
46% Instrumentalness • 9% Positiveness
9% Popularity • 42% Danceability • 19% Energy • 12% Liveness
46% Instrumentalness • 9% Positiveness
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Peter Ponzol
Tribute to Duke
63 bpm • G min • 04:35 • -20.85db
16% Popularity • 39% Danceability • 7% Energy • 9% Liveness
55% Instrumentalness • 20% Positiveness
16% Popularity • 39% Danceability • 7% Energy • 9% Liveness
55% Instrumentalness • 20% Positiveness
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Mal Waldron
Della's Dream
88 bpm • G Maj • 02:25 • -13.74db
10% Popularity • 40% Danceability • 43% Energy • 33% Liveness
50% Instrumentalness • 43% Positiveness
10% Popularity • 40% Danceability • 43% Energy • 33% Liveness
50% Instrumentalness • 43% Positiveness
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Ethan Iverson
Bats
88 bpm • A min • 02:12 • -16.43db
13% Popularity • 52% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
13% Popularity • 52% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Skip Peck
The Adversary
87 bpm • C# Maj • 03:43 • -22.87db
11% Popularity • 71% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 62% Positiveness
11% Popularity • 71% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 62% Positiveness
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Nikolai Kapustin
24 Preludes, Op. 53 (Excerpts Arr. for J...
88 bpm • B Maj • 03:26 • -34.3db
8% Popularity • 30% Danceability • 1% Energy • 7% Liveness
24% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 7% Liveness
24% Instrumentalness • 6% Positiveness
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Lukmil Perez
ABC
88 bpm • G# Maj • 05:35 • -16.84db
13% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
13% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Piero Gaddi quartet
Tijuana Jump
88 bpm • G min • 04:43 • -13.86db
19% Popularity • 49% Danceability • 32% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
19% Popularity • 49% Danceability • 32% Energy • 9% Liveness
66% Instrumentalness • 24% Positiveness
