Songs like Oye Tomasito by Joe Pappy & His Combo
Based on a tempo of (+/- 10%) and a similar genre
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Louie Ramirez
Cooking With Ali
126 bpm • F Maj • 04:07 • -8db
12% Popularity • 66% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 66% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 61% Positiveness
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Eddie Palmieri
Lindo Yambú
126 bpm • C Maj • 06:31 • -5.27db
10% Popularity • 73% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
10% Popularity • 73% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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La India De Oriente
Guajira Guantanamera
126 bpm • G min • 07:24 • -12.31db
22% Popularity • 88% Danceability • 47% Energy • 7% Liveness
12% Instrumentalness • 76% Positiveness
22% Popularity • 88% Danceability • 47% Energy • 7% Liveness
12% Instrumentalness • 76% Positiveness
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Machito & His Orchestra
Quimbombó
126 bpm • F min • 02:47 • -7.31db
9% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Willie Rosario and His Orchestra
Watusi Boogaloo
125 bpm • F Maj • 02:58 • -9db
16% Popularity • 61% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 61% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
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Roy Luis
Fue Mi Pecado
125 bpm • D min • 02:47 • -9.94db
12% Popularity • 80% Danceability • 44% Energy • 8% Liveness
62% Instrumentalness • 92% Positiveness
12% Popularity • 80% Danceability • 44% Energy • 8% Liveness
62% Instrumentalness • 92% Positiveness
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Manuel Guajiro Mirabal
El Reloj de Pastora
125 bpm • A# min • 03:52 • -9.78db
25% Popularity • 73% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 73% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Pete Rodriguez
Pete's Madness
127 bpm • G Maj • 04:54 • -7db
21% Popularity • 59% Danceability • 78% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
21% Popularity • 59% Danceability • 78% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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Louie Ramirez
It's Not What You Say
125 bpm • F Maj • 02:56 • -7db
29% Popularity • 81% Danceability • 59% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 81% Danceability • 59% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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The Lebron Brothers Orchestra
Summertime Blues
125 bpm • C min • 04:44 • -11db
32% Popularity • 75% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 75% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Sonora Ponceña
La Montaña Del Oso
127 bpm • C Maj • 05:25 • -19.49db
15% Popularity • 79% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 79% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Celia Cruz
Azúcar, Azúcar
125 bpm • C Maj • 03:00 • -18.16db
30% Popularity • 78% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 78% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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La Lupe
Si Tu No Vienes
125 bpm • F Maj • 03:14 • -11.35db
24% Popularity • 56% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 56% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
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Omara Portuondo
No Me Llores Más (2019 - Remaster)
125 bpm • A# min • 04:58 • -9.48db
42% Popularity • 74% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 82% Positiveness
42% Popularity • 74% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 82% Positiveness
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Afro-Cuban All Stars
Elube Changó
127 bpm • F Maj • 04:03 • -11.69db
24% Popularity • 62% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 85% Positiveness
24% Popularity • 62% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 85% Positiveness
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The Lebron Brothers Orchestra
Mi Mambo
127 bpm • F min • 05:03 • -12.34db
12% Popularity • 57% Danceability • 42% Energy • 6% Liveness
13% Instrumentalness • 87% Positiveness
12% Popularity • 57% Danceability • 42% Energy • 6% Liveness
13% Instrumentalness • 87% Positiveness
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Buena Vista Social Club
Bruca Maniguá (Live)
125 bpm • A# Maj • 05:15 • -7.4db
34% Popularity • 51% Danceability • 73% Energy • 75% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 51% Danceability • 73% Energy • 75% Liveness
0% Instrumentalness • 84% Positiveness
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Tipica 73
¿Adónde Vas?
125 bpm • F min • 06:03 • -7db
21% Popularity • 72% Danceability • 57% Energy • 18% Liveness
6% Instrumentalness • 74% Positiveness
21% Popularity • 72% Danceability • 57% Energy • 18% Liveness
6% Instrumentalness • 74% Positiveness
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La Lupe
El Carbonero
124 bpm • C# Maj • 02:11 • -6db
22% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Orquesta Akokán
A Gozar La Vida
128 bpm • F Maj • 03:37 • -6.16db
8% Popularity • 60% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 60% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Willie Rosario
No Llores Corazón
124 bpm • D min • 04:54 • -6.79db
18% Popularity • 82% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 82% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Markolino Dimond
Mariquita
128 bpm • C Maj • 07:19 • -9.45db
11% Popularity • 81% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
11% Popularity • 81% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
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Orquesta Huambaly
Empezó la Molienda
128 bpm • D# Maj • 03:10 • -8.88db
10% Popularity • 77% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 77% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Charanga Sensación de Rolando Valdés
Oye No Me Beses
128 bpm • G Maj • 03:15 • -10.59db
22% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 76% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Justo Betancourt
Ven Que Te Espero
124 bpm • D# Maj • 03:07 • -5.77db
9% Popularity • 75% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 75% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Dante Cerda
Ahora Si
128 bpm • F min • 04:13 • -8db
15% Popularity • 79% Danceability • 64% Energy • 9% Liveness
12% Instrumentalness • 87% Positiveness
15% Popularity • 79% Danceability • 64% Energy • 9% Liveness
12% Instrumentalness • 87% Positiveness
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Sonora Ponceña
Las Mujeres Son De Azúcar
129 bpm • A# Maj • 06:31 • -5.87db
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Orquesta Akokán
La Corbata Barata
129 bpm • C min • 05:25 • -6.39db
12% Popularity • 50% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 50% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Cuba
Psychedelic Baby (You're Psychin' Up My ...
123 bpm • C Maj • 03:16 • -20db
13% Popularity • 74% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 74% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Ocho
La Cosa Se Pone Fuerte (Sin Gasolina Y S...
123 bpm • G Maj • 03:23 • -5.4db
8% Popularity • 58% Danceability • 86% Energy • 28% Liveness
4% Instrumentalness • 77% Positiveness
8% Popularity • 58% Danceability • 86% Energy • 28% Liveness
4% Instrumentalness • 77% Positiveness
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Johnny Colon
Afincao'
123 bpm • F Maj • 02:51 • -7db
16% Popularity • 82% Danceability • 55% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
16% Popularity • 82% Danceability • 55% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
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Havana Social Club
Pa' Que Gocen
129 bpm • C Maj • 02:23 • -10.35db
33% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 71% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Pete "El Conde" Rodriguez
El Conde Negro
129 bpm • G# Maj • 05:27 • -7.76db
12% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Orquesta Akokán
Mambo Rapidito
129 bpm • B Maj • 03:19 • -5.69db
24% Popularity • 65% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
24% Popularity • 65% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Sonora Ponceña
Hachero Sin Hacha
129 bpm • A# Maj • 07:01 • -17.68db
15% Popularity • 87% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 87% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Orquesta Colon
Ojos Que No Ven
123 bpm • A# min • 03:43 • -4.98db
11% Popularity • 70% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 70% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Montez
African Fantasy
123 bpm • D Maj • 04:06 • -11.3db
13% Popularity • 46% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 86% Positiveness
13% Popularity • 46% Danceability • 57% Energy • 13% Liveness
65% Instrumentalness • 86% Positiveness
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Ramon Marquez
Corazón De Melón
129 bpm • C Maj • 02:57 • -8.06db
36% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Lebron Brothers Orchestra
Mary Mary
129 bpm • C Maj • 04:27 • -13db
8% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Poncho Sanchez
Sin Timbal
123 bpm • C Maj • 04:08 • -14.13db
14% Popularity • 52% Danceability • 61% Energy • 7% Liveness
41% Instrumentalness • 92% Positiveness
14% Popularity • 52% Danceability • 61% Energy • 7% Liveness
41% Instrumentalness • 92% Positiveness
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Noro Morales Y Su Orquesta
Colonia
123 bpm • C Maj • 01:40 • -7.92db
4% Popularity • 68% Danceability • 81% Energy • 22% Liveness
91% Instrumentalness • 97% Positiveness
4% Popularity • 68% Danceability • 81% Energy • 22% Liveness
91% Instrumentalness • 97% Positiveness
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Fania All Stars
Caimitillo Y Marañón
123 bpm • C Maj • 03:56 • -7.84db
10% Popularity • 60% Danceability • 65% Energy • 8% Liveness
28% Instrumentalness • 95% Positiveness
10% Popularity • 60% Danceability • 65% Energy • 8% Liveness
28% Instrumentalness • 95% Positiveness
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Orquesta La Conspiración
La Culebra
123 bpm • G Maj • 06:11 • -9db
27% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ruben Gonzalez
De una Manera Espantosa
123 bpm • F Maj • 04:18 • -10.29db
21% Popularity • 78% Danceability • 49% Energy • 9% Liveness
15% Instrumentalness • 89% Positiveness
21% Popularity • 78% Danceability • 49% Energy • 9% Liveness
15% Instrumentalness • 89% Positiveness
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The Lebron Brothers Orchestra
Suena
129 bpm • G Maj • 05:53 • -10.67db
16% Popularity • 70% Danceability • 62% Energy • 32% Liveness
34% Instrumentalness • 85% Positiveness
16% Popularity • 70% Danceability • 62% Energy • 32% Liveness
34% Instrumentalness • 85% Positiveness
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Tipica 73
Rumba Y Guaguancó
130 bpm • A# Maj • 05:25 • -7.55db
11% Popularity • 73% Danceability • 51% Energy • 6% Liveness
4% Instrumentalness • 79% Positiveness
11% Popularity • 73% Danceability • 51% Energy • 6% Liveness
4% Instrumentalness • 79% Positiveness
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Eddie Palmieri
Mi Sonsito
130 bpm • A# Maj • 05:24 • -8.45db
10% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Willie Rosario
De Barrio Obrero A La 15
130 bpm • G min • 04:22 • -14.01db
32% Popularity • 71% Danceability • 41% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
32% Popularity • 71% Danceability • 41% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
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Ismael Miranda
Dónde Llevas El Son
130 bpm • D min • 05:04 • -7.76db
20% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tito Puente & His Orchestra
Timbalito
122 bpm • A# Maj • 02:10 • -9.19db
14% Popularity • 60% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 88% Positiveness
14% Popularity • 60% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 88% Positiveness
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Modesto's Charanga Kings
Caminando Pachanga
122 bpm • G Maj • 01:54 • -3.04db
9% Popularity • 67% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 67% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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René Touzet
Mambo Guajiro
122 bpm • F min • 04:18 • -11.58db
15% Popularity • 71% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 71% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Buena Vista Social Club
Bodas de Oro
122 bpm • D min • 04:39 • -9.11db
47% Popularity • 65% Danceability • 50% Energy • 6% Liveness
82% Instrumentalness • 84% Positiveness
47% Popularity • 65% Danceability • 50% Energy • 6% Liveness
82% Instrumentalness • 84% Positiveness
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Orchestra Harlow
Oiga Mi Guaguancó
130 bpm • C min • 06:29 • -8.19db
9% Popularity • 76% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
9% Popularity • 76% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
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Ricardo Ray
Comejen
131 bpm • F Maj • 03:06 • -5.13db
10% Popularity • 68% Danceability • 82% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 82% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
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Celia Cruz
El Yerberito Moderno
130 bpm • D Maj • 02:43 • -9db
38% Popularity • 66% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 66% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Rosario and His Orchestra
Lágrimas Negras
122 bpm • C min • 02:56 • -6.14db
14% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Palmieri
Ay Qué Rico
131 bpm • G Maj • 03:29 • -5db
35% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Bataan
Mujer Mía
121 bpm • B Maj • 05:53 • -5.81db
11% Popularity • 78% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
11% Popularity • 78% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Pete Rodriguez
I Like It Like That - Salt & Pepper Remi...
131 bpm • F Maj • 03:51 • -12.05db
31% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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El Gran Combo De Puerto Rico
Que cosas tendran
121 bpm • A min • 04:15 • -12.2db
9% Popularity • 85% Danceability • 48% Energy • 9% Liveness
50% Instrumentalness • 79% Positiveness
9% Popularity • 85% Danceability • 48% Energy • 9% Liveness
50% Instrumentalness • 79% Positiveness
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Afro-Cuban All Stars
Variaciones Sobre un Tema Desconocido
121 bpm • C Maj • 05:40 • -9.2db
14% Popularity • 60% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 79% Positiveness
14% Popularity • 60% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 79% Positiveness
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Sonora Ponceña
Hachero Pa' Un Palo
131 bpm • G min • 04:47 • -9.82db
30% Popularity • 73% Danceability • 60% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
30% Popularity • 73% Danceability • 60% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
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Orquesta Colon
Mentira Es
121 bpm • G Maj • 04:50 • -5.89db
7% Popularity • 83% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 83% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Orquesta Dicupé
Son De La Dicupé
132 bpm • E Maj • 05:11 • -17.89db
9% Popularity • 66% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 66% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Al Escobar & His Orchestra
Tighten Up
132 bpm • C Maj • 02:54 • -20.09db
14% Popularity • 78% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 68% Positiveness
14% Popularity • 78% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 68% Positiveness
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Tommy Olivencia
Historia De Un Condenado
120 bpm • C Maj • 05:01 • -6.87db
11% Popularity • 77% Danceability • 65% Energy • 6% Liveness
4% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 65% Energy • 6% Liveness
4% Instrumentalness • 94% Positiveness
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Monguito "El Unico" y Su Conjunto
Tonada Guajira
120 bpm • C min • 04:33 • -8.4db
10% Popularity • 74% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
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Sonora Ponceña
Suena Tu Bongó
132 bpm • D# Maj • 04:43 • -9.43db
23% Popularity • 75% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 75% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Mongo Santamaria
In the Mood
132 bpm • F min • 03:28 • -8.94db
12% Popularity • 81% Danceability • 58% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
12% Popularity • 81% Danceability • 58% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
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Ray Olan y Su Sason
Swing
132 bpm • C Maj • 03:08 • -13.31db
7% Popularity • 70% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 70% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Frankie Dante & Orquesta Flamboyan
Ay Qué Felicidad
120 bpm • A# Maj • 03:34 • -7.22db
16% Popularity • 73% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 73% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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The Lebron Brothers Orchestra
Son Sabrosón
132 bpm • C min • 04:24 • -6.25db
24% Popularity • 82% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 82% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
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Alfredito
Gozen Boogaloo
120 bpm • C Maj • 02:33 • -7db
12% Popularity • 79% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 92% Positiveness
12% Popularity • 79% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 92% Positiveness
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Ruben Gonzalez
Cumbanchero
132 bpm • D Maj • 04:35 • -10.27db
42% Popularity • 48% Danceability • 58% Energy • 22% Liveness
36% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 58% Energy • 22% Liveness
36% Instrumentalness • 56% Positiveness
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Pérez Prado
Mambo #8
132 bpm • B Maj • 02:51 • -12.32db
12% Popularity • 55% Danceability • 71% Energy • 16% Liveness
62% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 71% Energy • 16% Liveness
62% Instrumentalness • 67% Positiveness
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Orquesta Akokán
El Inflador
120 bpm • D# min • 04:09 • -4.6db
8% Popularity • 54% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 54% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Louie Ramirez
Tocoloro
120 bpm • F Maj • 04:02 • -5.09db
10% Popularity • 83% Danceability • 64% Energy • 6% Liveness
79% Instrumentalness • 97% Positiveness
10% Popularity • 83% Danceability • 64% Energy • 6% Liveness
79% Instrumentalness • 97% Positiveness
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Willie Colón
No Me Den Candela
120 bpm • C Maj • 07:09 • -6.88db
29% Popularity • 83% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 83% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Alegre All Stars
Guajira In "F"
120 bpm • F min • 06:49 • -13.74db
9% Popularity • 80% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 88% Positiveness
9% Popularity • 80% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 88% Positiveness
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Puerto Rico All Stars
Canto a Borinquen
120 bpm • A min • 06:08 • -13db
9% Popularity • 81% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
9% Popularity • 81% Danceability • 44% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Tito Rodriguez & His Orchestra
The Magnificent Seven
133 bpm • A# Maj • 01:59 • -10.12db
18% Popularity • 80% Danceability • 56% Energy • 6% Liveness
9% Instrumentalness • 97% Positiveness
18% Popularity • 80% Danceability • 56% Energy • 6% Liveness
9% Instrumentalness • 97% Positiveness
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Johnny Colon
Mira Ven Acá
120 bpm • D min • 05:54 • -10db
25% Popularity • 91% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
25% Popularity • 91% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
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Orquesta Riverside
Ritmando Cha Cha Cha
133 bpm • C Maj • 03:10 • -7db
23% Popularity • 74% Danceability • 70% Energy • 27% Liveness
44% Instrumentalness • 97% Positiveness
23% Popularity • 74% Danceability • 70% Energy • 27% Liveness
44% Instrumentalness • 97% Positiveness
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Pete Rodriguez
I Like It Like That
133 bpm • F min • 03:04 • -14db
18% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Alfredo Linares
A Dónde Vas
119 bpm • F Maj • 05:02 • -6.22db
20% Popularity • 76% Danceability • 68% Energy • 50% Liveness
11% Instrumentalness • 83% Positiveness
20% Popularity • 76% Danceability • 68% Energy • 50% Liveness
11% Instrumentalness • 83% Positiveness
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The Lebron Brothers Orchestra
Boogaloo Pa Mi San Juan
133 bpm • G Maj • 02:59 • -7.19db
12% Popularity • 64% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 64% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Orquesta Harlow
Sin Ti
133 bpm • C Maj • 04:15 • -17.84db
28% Popularity • 68% Danceability • 37% Energy • 19% Liveness
7% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 37% Energy • 19% Liveness
7% Instrumentalness • 94% Positiveness
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Cachao
Centro San Augustin (2012 - Remaster)
133 bpm • C Maj • 05:34 • -8.45db
11% Popularity • 46% Danceability • 73% Energy • 22% Liveness
60% Instrumentalness • 96% Positiveness
11% Popularity • 46% Danceability • 73% Energy • 22% Liveness
60% Instrumentalness • 96% Positiveness
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Héctor Lavoe
Yo 'Ta Cansa
133 bpm • A# Maj • 07:38 • -6.16db
14% Popularity • 80% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
14% Popularity • 80% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Roberto Torres
Como Camina Maria
133 bpm • C Maj • 05:08 • -13.42db
10% Popularity • 80% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 96% Positiveness
10% Popularity • 80% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 96% Positiveness
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Bobby Capo
Lo Que Quiera Lola
133 bpm • C Maj • 02:46 • -12db
35% Popularity • 78% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 78% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Pete Rodriguez
No Quiero Líos
133 bpm • B min • 02:53 • -5.27db
8% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Machito Orchestra
Rico Vacilon
133 bpm • F# min • 02:44 • -6db
32% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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George Guzman
Lazy Boogaloo
133 bpm • C Maj • 02:30 • -11db
30% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Louie Ramirez
Ungawa
119 bpm • D min • 03:11 • -10db
29% Popularity • 71% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 71% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Ralph Robles
Taking Over
134 bpm • C min • 03:18 • -8.44db
14% Popularity • 63% Danceability • 74% Energy • 34% Liveness
7% Instrumentalness • 98% Positiveness
14% Popularity • 63% Danceability • 74% Energy • 34% Liveness
7% Instrumentalness • 98% Positiveness
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La Playa Sextet
Tú No Vale Un Kilo
134 bpm • C Maj • 03:53 • -7.47db
12% Popularity • 78% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 78% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness