Songs like Paal by Bickram Ghosh
Based on a tempo of (+/- 10%) and a similar genre
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Bickram Ghosh
Paal
174 bpm • G Maj • 04:32 • -8.76db
14% Popularity • 52% Danceability • 61% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
14% Popularity • 52% Danceability • 61% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
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Amjad Ali Khan
Bhajan - Vaishnav Jana To Tene Re Kahie
174 bpm • G min • 09:35 • -19.53db
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
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Ravi Freeman
Delhi Express
175 bpm • C Maj • 05:20 • -9db
4% Popularity • 28% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 36% Positiveness
4% Popularity • 28% Danceability • 57% Energy • 35% Liveness
90% Instrumentalness • 36% Positiveness
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Dream Journey
Kanhaiya Yaad Hai Kuchh Bhi Hamari
173 bpm • C min • 06:51 • -18db
18% Popularity • 30% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 30% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
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Ashit Desai
Hari Tu Gadu Maru
173 bpm • G Maj • 09:27 • -8.77db
8% Popularity • 32% Danceability • 42% Energy • 10% Liveness
13% Instrumentalness • 42% Positiveness
8% Popularity • 32% Danceability • 42% Energy • 10% Liveness
13% Instrumentalness • 42% Positiveness
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Gautam Kale
Manwa
173 bpm • B Maj • 03:59 • -10.7db
10% Popularity • 27% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 27% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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A.R. Rahman
Naina Neer Baha
176 bpm • C# Maj • 04:58 • -11.37db
21% Popularity • 29% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 29% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bickram Ghosh
Barsat Sawan
172 bpm • F# min • 05:55 • -9.36db
4% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Midival Punditz
Purvayi
172 bpm • F Maj • 05:10 • -6.77db
27% Popularity • 39% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 8% Positiveness
27% Popularity • 39% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 8% Positiveness
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Mughal-E-Funk
Shah Jahan
172 bpm • G min • 05:30 • -6.64db
16% Popularity • 35% Danceability • 62% Energy • 13% Liveness
67% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 62% Energy • 13% Liveness
67% Instrumentalness • 28% Positiveness
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Indosoul by Karthick Iyer
A Clowns Junket
172 bpm • G Maj • 04:21 • -15.41db
18% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Niladri Kumar
Lovers Dream
172 bpm • F# Maj • 06:24 • -11.47db
15% Popularity • 48% Danceability • 49% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
15% Popularity • 48% Danceability • 49% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
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Pandit Chhannulal Mishra
Gal-Bhujang Bhasm Ang Shankar Anuragi; S...
176 bpm • F min • 03:20 • -9db
21% Popularity • 43% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
21% Popularity • 43% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Bickram Ghosh
Baat Chalat
172 bpm • G# Maj • 04:34 • -7.75db
4% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Ricky Kej
The Awakening
170 bpm • F Maj • 02:21 • -8.19db
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
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Mahesh Raghvan
Siddhivinayakam: A New Beginning
170 bpm • C# min • 04:16 • -9.94db
29% Popularity • 56% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
29% Popularity • 56% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Advaita
MoFunk
170 bpm • G min • 06:06 • -8.01db
31% Popularity • 57% Danceability • 68% Energy • 9% Liveness
8% Instrumentalness • 66% Positiveness
31% Popularity • 57% Danceability • 68% Energy • 9% Liveness
8% Instrumentalness • 66% Positiveness
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Ssumier Pasricha
Jai Kali Jai Mahakali
170 bpm • G Maj • 04:46 • -8.97db
21% Popularity • 54% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 54% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Bickram Ghosh
Duo In 13 Beats
176 bpm • E Maj • 03:45 • -14.59db
1% Popularity • 66% Danceability • 59% Energy • 13% Liveness
84% Instrumentalness • 78% Positiveness
1% Popularity • 66% Danceability • 59% Energy • 13% Liveness
84% Instrumentalness • 78% Positiveness
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Rasika Shekar
Departure
170 bpm • G min • 03:58 • -15.33db
17% Popularity • 18% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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kSaya
Ae Ri Sakhi
170 bpm • A Maj • 04:14 • -5.96db
18% Popularity • 33% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 33% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nilotpal Sinha
Naino Ke Ishaare
170 bpm • D Maj • 04:37 • -10.77db
10% Popularity • 44% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
10% Popularity • 44% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Ketan Patwardhan
Om Chant
170 bpm • D Maj • 06:18 • -13.12db
19% Popularity • 32% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
19% Popularity • 32% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Shanjeet Teeluck
Raag Darbari
180 bpm • D min • 08:04 • -4.99db
15% Popularity • 40% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 40% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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Sona Mohapatra
Bajlo Madol
180 bpm • A Maj • 04:15 • -8.87db
2% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Niraj Chag
The Wedding
180 bpm • F min • 02:35 • -13.07db
17% Popularity • 68% Danceability • 53% Energy • 32% Liveness
2% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 53% Energy • 32% Liveness
2% Instrumentalness • 75% Positiveness
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Bickram Ghosh
Children of Hurt
180 bpm • D Maj • 06:49 • -12.4db
1% Popularity • 36% Danceability • 31% Energy • 9% Liveness
56% Instrumentalness • 12% Positiveness
1% Popularity • 36% Danceability • 31% Energy • 9% Liveness
56% Instrumentalness • 12% Positiveness
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Prashanth Srinivas
Thaare Bina
180 bpm • D Maj • 05:23 • -13db
16% Popularity • 30% Danceability • 45% Energy • 34% Liveness
2% Instrumentalness • 30% Positiveness
16% Popularity • 30% Danceability • 45% Energy • 34% Liveness
2% Instrumentalness • 30% Positiveness
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Honeysuckle Weekends
Malkauns
180 bpm • C# Maj • 05:00 • -9.49db
14% Popularity • 51% Danceability • 54% Energy • 11% Liveness
22% Instrumentalness • 23% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 11% Liveness
22% Instrumentalness • 23% Positiveness
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Indosoul by Karthick Iyer
Marubari
180 bpm • G Maj • 05:25 • -9.67db
6% Popularity • 50% Danceability • 51% Energy • 15% Liveness
67% Instrumentalness • 78% Positiveness
6% Popularity • 50% Danceability • 51% Energy • 15% Liveness
67% Instrumentalness • 78% Positiveness
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The Anirudh Varma Collective
Shuddh Kalyan
168 bpm • A# Maj • 05:15 • -10.51db
10% Popularity • 37% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 37% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Ravi Freeman
Himalaya
167 bpm • D# min • 04:45 • -11.94db
1% Popularity • 40% Danceability • 58% Energy • 6% Liveness
77% Instrumentalness • 30% Positiveness
1% Popularity • 40% Danceability • 58% Energy • 6% Liveness
77% Instrumentalness • 30% Positiveness
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Bickram Ghosh
The Song Of The Little Road
180 bpm • F# min • 01:34 • -8db
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
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Ujwal Nagar
Piya Ki Najariya
182 bpm • D Maj • 05:13 • -15.47db
7% Popularity • 39% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 9% Positiveness
7% Popularity • 39% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 9% Positiveness
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Mrigya
Ganga
166 bpm • G Maj • 05:35 • -7.78db
10% Popularity • 38% Danceability • 74% Energy • 39% Liveness
50% Instrumentalness • 54% Positiveness
10% Popularity • 38% Danceability • 74% Energy • 39% Liveness
50% Instrumentalness • 54% Positiveness
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Vilayat Khan
Raga Gauti
165 bpm • C# Maj • 10:55 • -9.98db
23% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
23% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
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The Anirudh Varma Collective
Jaijaiwanti
166 bpm • C Maj • 05:56 • -11.55db
17% Popularity • 42% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
17% Popularity • 42% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Timir Biswas
Tumi Padma Patay
165 bpm • C# Maj • 04:02 • -8.29db
3% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Bickram Ghosh
Gokul
180 bpm • D Maj • 05:38 • -12.98db
14% Popularity • 39% Danceability • 44% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 44% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Amjad Ali Khan
Calcutta City
165 bpm • B Maj • 06:14 • -8.15db
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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Pravin Godkhindi
Bhoop - Instrumental
165 bpm • D Maj • 07:07 • -7.46db
12% Popularity • 39% Danceability • 67% Energy • 21% Liveness
79% Instrumentalness • 46% Positiveness
12% Popularity • 39% Danceability • 67% Energy • 21% Liveness
79% Instrumentalness • 46% Positiveness
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Shadow and Light
Baras
184 bpm • D min • 04:58 • -10.74db
17% Popularity • 47% Danceability • 53% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
17% Popularity • 47% Danceability • 53% Energy • 9% Liveness
9% Instrumentalness • 38% Positiveness
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Shankar Tucker
Ae Re Chanda, Pt. 3 (Improvisation)
164 bpm • B min • 01:39 • -7.78db
21% Popularity • 46% Danceability • 48% Energy • 73% Liveness
3% Instrumentalness • 59% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 73% Liveness
3% Instrumentalness • 59% Positiveness
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Shubha Mudgal
Gahana Upavana
162 bpm • A# min • 03:43 • -9.77db
6% Popularity • 58% Danceability • 59% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
6% Popularity • 58% Danceability • 59% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
18% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
18% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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![Dream (Raag Tilak Nat) [Radio Edit] cover art](https://i.scdn.co/image/ab67616d00001e024dc733eec183d653293189a0)
Niladri Kumar
Dream (Raag Tilak Nat) [Radio Edit]
161 bpm • D Maj • 07:31 • -10.69db
28% Popularity • 27% Danceability • 61% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
28% Popularity • 27% Danceability • 61% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Saheb Chattopadhyay
Tui Bolli Jokhon
160 bpm • E Maj • 05:23 • -10.29db
1% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Keka Ghosal
Amaro Porano jaha chai
164 bpm • A# min • 05:21 • -9.52db
3% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Shankar Tucker
Ae Re Chanda, Pt. 1 (Alaap)
164 bpm • E min • 01:33 • -18.21db
24% Popularity • 27% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 27% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Phani Narayana
The Invisible Omnipresent One (Kurai Ond...
160 bpm • D min • 05:30 • -10.13db
9% Popularity • 69% Danceability • 57% Energy • 12% Liveness
24% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 57% Energy • 12% Liveness
24% Instrumentalness • 77% Positiveness
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Shashwat Singh
Albela
160 bpm • C# Maj • 02:15 • -8db
23% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Nirvair Khalsa Jatha UK
Sadhaa Sahai
160 bpm • E min • 03:35 • -10.92db
18% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Indosoul by Karthick Iyer
Manavyala in My Mind
158 bpm • D Maj • 08:56 • -13db
22% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 39% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Abi Sampa
Man Kunto Maula
158 bpm • E Maj • 09:22 • -5.93db
37% Popularity • 34% Danceability • 65% Energy • 31% Liveness
1% Instrumentalness • 18% Positiveness
37% Popularity • 34% Danceability • 65% Energy • 31% Liveness
1% Instrumentalness • 18% Positiveness
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Pandit Chhannulal Mishra
Jai Shiv Shankar Aughar Dani; Shiv Stuti...
157 bpm • D# Maj • 07:19 • -9db
14% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Rakesh Chaurasia
Yogeshwaraya Mahadevaya (Instrumental)
158 bpm • A Maj • 09:46 • -15.62db
29% Popularity • 31% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Pandit Debashish Bhattacharya
Raag Shankar Dhwani Taal-Teentaal Part 2
156 bpm • G Maj • 04:38 • -12.1db
8% Popularity • 43% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 59% Positiveness
8% Popularity • 43% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 59% Positiveness
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Ajoy Chakrabarty
Khelun Piya Sang Hori
156 bpm • F# Maj • 08:01 • -7db
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Veena Srivani
Bhagyada Lakshmi Baramma - Instrumental
155 bpm • E Maj • 05:52 • -7db
27% Popularity • 54% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 76% Positiveness
27% Popularity • 54% Danceability • 65% Energy • 9% Liveness
4% Instrumentalness • 76% Positiveness
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Bageshree Vaze
Lucknow's Jewel
155 bpm • B min • 06:28 • -8db
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bickram Ghosh
Nat Bhairavi
154 bpm • E min • 06:32 • -18.54db
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
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Ravi Freeman
God Is Sound
154 bpm • C min • 03:49 • -9.51db
2% Popularity • 32% Danceability • 64% Energy • 15% Liveness
82% Instrumentalness • 50% Positiveness
2% Popularity • 32% Danceability • 64% Energy • 15% Liveness
82% Instrumentalness • 50% Positiveness
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Kishori Amonkar
Sanwariya Sanjh
153 bpm • C# min • 04:44 • -15db
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Timir Biswas
Kashi Ki Jai Jai Jai Ho
153 bpm • G Maj • 03:09 • -9.69db
3% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Nusrat Fateh Ali Khan
Mast Mast Dam Mast
153 bpm • D# min • 06:31 • -13db
27% Popularity • 44% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 44% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Advaita
Meinda Ishq
153 bpm • A Maj • 05:01 • -9.43db
14% Popularity • 44% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
14% Popularity • 44% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
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Chirag Katti
Lat Ulajhi - Instrumental
152 bpm • A# Maj • 03:48 • -8.02db
18% Popularity • 59% Danceability • 61% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
18% Popularity • 59% Danceability • 61% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
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Langas
Lavarji
151 bpm • B min • 07:19 • -13db
10% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Maati Baani
O Re Jiya
150 bpm • A# min • 04:22 • -7.88db
15% Popularity • 79% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
15% Popularity • 79% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Bickram Ghosh
Talking Drums
150 bpm • C# Maj • 02:28 • -9.15db
4% Popularity • 74% Danceability • 72% Energy • 9% Liveness
84% Instrumentalness • 55% Positiveness
4% Popularity • 74% Danceability • 72% Energy • 9% Liveness
84% Instrumentalness • 55% Positiveness
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Nusrat Fateh Ali Khan
Dam Mast Qalander
152 bpm • D# min • 06:23 • -4.41db
16% Popularity • 42% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 42% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Anuradha Pal
Tabla Tonic
150 bpm • F# min • 03:23 • -8.22db
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
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Advaita
Rasiya
150 bpm • G# Maj • 05:38 • -12db
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 48% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Swarupa Ananth
Happy Dance
150 bpm • F min • 03:02 • -11.84db
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
87% Instrumentalness • 58% Positiveness
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
87% Instrumentalness • 58% Positiveness
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Anweshaa
Tum Jo Mile Ho
150 bpm • B Maj • 04:06 • -15.59db
10% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Sniti Mishra
Baju Band
150 bpm • F min • 04:18 • -5.77db
24% Popularity • 47% Danceability • 51% Energy • 25% Liveness
1% Instrumentalness • 41% Positiveness
24% Popularity • 47% Danceability • 51% Energy • 25% Liveness
1% Instrumentalness • 41% Positiveness
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Nusrat Fateh Ali Khan
Sanson Ki Mala Pey
150 bpm • G Maj • 07:15 • -14.07db
50% Popularity • 39% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 39% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Rupankar Bagchi
Amar Hiyar Majhe Lukiye Chhile
150 bpm • A min • 05:27 • -13.28db
25% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
