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Pacem
Songs like
Pacem
by
Robert Spittal
Based on a tempo of (+/- 10%) and a similar genre
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Robert Spittal
Pacem
140 bpm • D# Maj • 04:11 • -20db
6% Popularity • 16% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Julie Giroux
Vigils Keep
140 bpm • D Maj • 10:17 • -18.01db
9% Popularity • 24% Danceability • 15% Energy • 21% Liveness
94% Instrumentalness • 10% Positiveness
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Alfred Reed
El Camino Real
140 bpm • D min • 10:44 • -18.26db
9% Popularity • 21% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor Overture (Arr. Lawrence for ...
140 bpm • A# Maj • 10:09 • -21.65db
9% Popularity • 26% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Dwayne S. Milburn
American Hymnsong Suite: III. Scherzo on...
141 bpm • D# Maj • 01:53 • -15.55db
16% Popularity • 51% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 41% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
141 bpm • C min • 02:53 • -25db
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
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Robert Spittal
Celestial Song (Live)
140 bpm • G min • 03:34 • -26.23db
0% Popularity • 14% Danceability • 8% Energy • 67% Liveness
87% Instrumentalness • 5% Positiveness
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Robert Russell Bennett
Suite of Old American Dances: III. Weste...
141 bpm • C Maj • 03:38 • -18db
13% Popularity • 45% Danceability • 26% Energy • 37% Liveness
80% Instrumentalness • 25% Positiveness
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Claude T. Smith
Fantasia for Alto Saxophone
139 bpm • F min • 10:38 • -26db
11% Popularity • 32% Danceability • 8% Energy • 66% Liveness
54% Instrumentalness • 4% Positiveness
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Bernhard Heiden
Diversion
141 bpm • D# min • 07:14 • -22db
8% Popularity • 28% Danceability • 10% Energy • 34% Liveness
87% Instrumentalness • 7% Positiveness
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Jacob Gade
Tango Jalousie: V
139 bpm • F min • 00:55 • -13.1db
16% Popularity • 50% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 64% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
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Peter Graham
Brillante
139 bpm • A# Maj • 05:48 • -20.34db
13% Popularity • 27% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Frank Ticheli
Sun Dance
139 bpm • F Maj • 05:16 • -19db
12% Popularity • 24% Danceability • 8% Energy • 26% Liveness
91% Instrumentalness • 5% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): II. Qua...
139 bpm • G# Maj • 05:41 • -25.37db
12% Popularity • 15% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Quintet: III. Con brio
141 bpm • F Maj • 03:12 • -21db
8% Popularity • 37% Danceability • 23% Energy • 18% Liveness
92% Instrumentalness • 20% Positiveness
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Ralph Vaughan Williams
3 Preludes on Welsh Hymn Tunes: II. Rhos...
139 bpm • F Maj • 03:47 • -24.5db
13% Popularity • 15% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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John Barnes Chance
Incantation and Dance
141 bpm • C min • 07:38 • -22.3db
24% Popularity • 32% Danceability • 16% Energy • 4% Liveness
57% Instrumentalness • 6% Positiveness
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Bert Appermont
Colors: III. Blue
139 bpm • D# Maj • 05:24 • -26.76db
15% Popularity • 15% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johan de Meij
The Wind in the Willows: II. Ratty and M...
142 bpm • C# Maj • 04:57 • -24db
11% Popularity • 24% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
138 bpm • C# Maj • 05:31 • -22.42db
10% Popularity • 35% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 2. Co...
142 bpm • C Maj • 01:29 • -19.42db
30% Popularity • 37% Danceability • 37% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
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Julie Giroux
Italian Rhapsody
142 bpm • A# Maj • 06:12 • -16.98db
19% Popularity • 32% Danceability • 29% Energy • 66% Liveness
4% Instrumentalness • 24% Positiveness
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Frank Ticheli
Wild Nights!
142 bpm • D min • 06:48 • -13db
12% Popularity • 40% Danceability • 40% Energy • 28% Liveness
65% Instrumentalness • 15% Positiveness
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Jacob Gade
Tango Jalousie: II
138 bpm • D# min • 00:53 • -12.41db
14% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Johan de Meij
Symphony No. 1, "The Lord of the Rings":...
142 bpm • E Maj • 05:59 • -22.66db
19% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Samuel Barber
Commando March
142 bpm • G# Maj • 03:35 • -18.85db
16% Popularity • 40% Danceability • 38% Energy • 66% Liveness
90% Instrumentalness • 30% Positiveness
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Band Of The Coldstream Guards
Mexican Hat Dance
138 bpm • D# Maj • 02:49 • -19.13db
11% Popularity • 57% Danceability • 34% Energy • 5% Liveness
19% Instrumentalness • 86% Positiveness
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Philip Sparke
Dance Movements: I. Ritmico
138 bpm • D Maj • 03:21 • -16.93db
10% Popularity • 41% Danceability • 24% Energy • 18% Liveness
78% Instrumentalness • 28% Positiveness
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United States Air Force Heritage of America Band
American Salute (America Medley)
142 bpm • G min • 04:22 • -16.38db
6% Popularity • 43% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
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Alfred Reed
A Jubilant Overture
143 bpm • D min • 05:57 • -18db
11% Popularity • 24% Danceability • 13% Energy • 29% Liveness
95% Instrumentalness • 7% Positiveness
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Arthur Pryor
Blue Bells of Scotland
137 bpm • F Maj • 05:33 • -22.39db
8% Popularity • 44% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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VÃtÄ›zslav Novák
Moravian-Slovak Suite, Op. 32 (version f...
137 bpm • D# Maj • 04:30 • -22.14db
17% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Katahj Copley
Serenade for Wind Nonet: II. Moderato
137 bpm • A# Maj • 02:30 • -16.42db
8% Popularity • 30% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Bruce Broughton
Oliver's Birthday
137 bpm • A# Maj • 03:46 • -19.44db
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
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Gioachino Rossini
Una Voce Poco Fa
137 bpm • D# Maj • 05:44 • -24.54db
32% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Dick Walter
Mini Sleeping Beauty
136 bpm • D# Maj • 01:02 • -24.05db
14% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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James Curnow
Symphonic Variants: I. Allegro con brio
136 bpm • C min • 05:18 • -17.49db
11% Popularity • 32% Danceability • 23% Energy • 23% Liveness
89% Instrumentalness • 16% Positiveness
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US Navy Band
Overture to "Colas Breugnon"
136 bpm • F Maj • 04:32 • -17.17db
9% Popularity • 34% Danceability • 34% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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The University of Illinois Symphonic Band
Candide Suite I. The Best Of All Possibl...
144 bpm • D# Maj • 01:47 • -18.53db
14% Popularity • 54% Danceability • 24% Energy • 18% Liveness
84% Instrumentalness • 60% Positiveness
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Ottorino Respighi
Belkis, regina di Saba, P 171: III. Danz...
144 bpm • G# min • 02:53 • -16.65db
18% Popularity • 36% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Szeged Trombone Ensemble
The Planets, Op. 32: I. Mars, the Bringe...
136 bpm • C Maj • 07:13 • -15.51db
8% Popularity • 43% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Candide, II. Westphalia Chorale and Batt...
136 bpm • F Maj • 01:50 • -15.33db
18% Popularity • 34% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Bernhard Herrmann
On Dangerous Ground
144 bpm • F Maj • 02:31 • -14.08db
8% Popularity • 44% Danceability • 36% Energy • 28% Liveness
83% Instrumentalness • 28% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
144 bpm • A# Maj • 02:27 • -19.33db
9% Popularity • 22% Danceability • 18% Energy • 25% Liveness
75% Instrumentalness • 24% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
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Gustav Holst
First Suite for Military Band, Op. 28 No...
145 bpm • C min • 02:47 • -25db
10% Popularity • 28% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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David Maslanka
Symphony No. 7: IV. Moderately slow
135 bpm • F Maj • 07:58 • -22db
8% Popularity • 15% Danceability • 2% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Ferdinand David
Trombone Concertino in E-Flat Major, Op....
135 bpm • C min • 04:29 • -22.96db
14% Popularity • 16% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Deunov
Weaving
135 bpm • D min • 01:58 • -20.12db
9% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Gioachino Rossini
La Danza
145 bpm • F min • 03:46 • -19.29db
11% Popularity • 53% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
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Martin Ellerby
Paris Sketches: No. 3. Pere Lachaise
135 bpm • A min • 03:20 • -28.34db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Clifton Williams
Symphonic Suite: III. March
135 bpm • A# Maj • 02:37 • -17.13db
12% Popularity • 33% Danceability • 37% Energy • 32% Liveness
90% Instrumentalness • 21% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
145 bpm • D Maj • 02:12 • -36db
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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US Air Force Air Mobility Command Band Of The Golden West
The Melody Shop
146 bpm • G# Maj • 02:08 • -20db
16% Popularity • 49% Danceability • 25% Energy • 7% Liveness
83% Instrumentalness • 23% Positiveness
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Julie Giroux
Shine
134 bpm • A# Maj • 08:26 • -21.87db
11% Popularity • 25% Danceability • 16% Energy • 7% Liveness
59% Instrumentalness • 19% Positiveness
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Zhou Tian
Sinfonia: II. Transit
134 bpm • A# Maj • 04:13 • -17.32db
8% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
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Martin Ellerby
Paris Sketches: No. 2. Pigalle
146 bpm • D Maj • 03:15 • -20.44db
11% Popularity • 46% Danceability • 26% Energy • 10% Liveness
73% Instrumentalness • 17% Positiveness
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US Air Force Concert Band
Symphony in Bb: Andantino Grazioso
146 bpm • G# Maj • 05:30 • -29.06db
0% Popularity • 27% Danceability • 7% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
146 bpm • F Maj • 03:11 • -19db
32% Popularity • 25% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Robert Spittal
Consort for Ten Winds: II. Aubade
134 bpm • C Maj • 04:04 • -18.96db
0% Popularity • 17% Danceability • 8% Energy • 10% Liveness
56% Instrumentalness • 5% Positiveness
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Julie Giroux
KHAN
134 bpm • D# Maj • 06:26 • -16.92db
22% Popularity • 27% Danceability • 29% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Leonard Bernstein
Slava!
146 bpm • C min • 03:28 • -16.5db
25% Popularity • 55% Danceability • 29% Energy • 26% Liveness
4% Instrumentalness • 22% Positiveness
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Clifton Williams
Symphonic Dance No. 3, "Fiesta"
146 bpm • A# Maj • 07:17 • -21.35db
26% Popularity • 32% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Bruce Broughton
Concert Piece for Eight Trumpets
134 bpm • F Maj • 01:41 • -16.65db
12% Popularity • 37% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Romance for horn & piano, Op. 36
134 bpm • F Maj • 03:48 • -22.62db
17% Popularity • 28% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Johan de Meij
Gandalf, the Wizard
147 bpm • D min • 06:09 • -20db
25% Popularity • 16% Danceability • 12% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
133 bpm • G# Maj • 02:58 • -16.8db
34% Popularity • 46% Danceability • 23% Energy • 20% Liveness
94% Instrumentalness • 40% Positiveness
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Leonard Bernstein
Slava!
147 bpm • B min • 03:35 • -12.8db
14% Popularity • 44% Danceability • 36% Energy • 34% Liveness
71% Instrumentalness • 28% Positiveness
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Gérard Besse
Suite française : V. Provence
134 bpm • G Maj • 02:58 • -15.83db
10% Popularity • 51% Danceability • 20% Energy • 14% Liveness
69% Instrumentalness • 36% Positiveness
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United States Marine Band
Overture To Candide
147 bpm • A# Maj • 04:22 • -21db
22% Popularity • 36% Danceability • 18% Energy • 18% Liveness
40% Instrumentalness • 40% Positiveness
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Joseph Alessi
Blue Bells of Scotland
133 bpm • F Maj • 06:07 • -18.82db
24% Popularity • 46% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
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James Curnow
Rhapsody for Euphonium
133 bpm • D min • 05:46 • -18db
17% Popularity • 27% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Malcolm Arnold
Quintet: I. Allegro vivace
148 bpm • A# Maj • 04:17 • -22db
8% Popularity • 36% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
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Leonard Bernstein
Candide: V. Make Our Garden Grow
133 bpm • C min • 03:36 • -20db
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
148 bpm • A Maj • 03:00 • -18db
9% Popularity • 35% Danceability • 25% Energy • 6% Liveness
96% Instrumentalness • 25% Positiveness
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Paul Hindemith
March from Symphonic Metamorfosis I
148 bpm • A# Maj • 01:01 • -15.67db
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
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Vladimir Cosma
Euphonium Concerto: III. Finale: Giocoso
148 bpm • D min • 05:52 • -22db
10% Popularity • 33% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Kevin Day
Concerto for Wind Ensemble: V. Jam
148 bpm • E min • 04:19 • -11.8db
10% Popularity • 38% Danceability • 46% Energy • 10% Liveness
35% Instrumentalness • 48% Positiveness
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Brooklyn Wind Symphony
Famishius Fantasticus
149 bpm • F Maj • 04:08 • -14.92db
8% Popularity • 41% Danceability • 61% Energy • 28% Liveness
42% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
132 bpm • A Maj • 01:22 • -17.27db
10% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
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Northwestern University Symphonic Wind Ensemble
Short Ride In A Fast Machine
149 bpm • E min • 04:12 • -17.4db
14% Popularity • 45% Danceability • 39% Energy • 15% Liveness
53% Instrumentalness • 15% Positiveness
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Mikhail Glinka
Russlan and Ludmilla Overture
149 bpm • F Maj • 05:39 • -19.39db
9% Popularity • 44% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 45% Positiveness
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Steven Bryant
Radiant Joy
131 bpm • D# Maj • 05:00 • -17.5db
10% Popularity • 35% Danceability • 17% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Joseph Willcox Jenkins
American Overture
132 bpm • F Maj • 04:52 • -16.62db
12% Popularity • 44% Danceability • 26% Energy • 15% Liveness
65% Instrumentalness • 30% Positiveness
► Preview
Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Norman Dello Joio
Satiric Dances: III. Allegro spumante
150 bpm • C min • 02:07 • -16db
13% Popularity • 50% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
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Julie Giroux
One Life Beautiful
131 bpm • C# Maj • 05:40 • -22db
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Robert Spittal
Consort for 10 Winds: III. Sautereau
131 bpm • G Maj • 03:49 • -20.81db
4% Popularity • 41% Danceability • 19% Energy • 32% Liveness
84% Instrumentalness • 24% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
130 bpm • F Maj • 01:47 • -17.55db
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
► Preview
Vincent Persichetti
Symphony No. 6, Op. 69 "Symphony for Ban...
130 bpm • A# Maj • 06:05 • -18.25db
11% Popularity • 31% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Singapore Symphony Orchestra
Peach Blossom Crosses The River
130 bpm • D Maj • 02:07 • -20.27db
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Oscar Navarro
Downey Overture
130 bpm • G Maj • 05:31 • -14.66db
14% Popularity • 39% Danceability • 30% Energy • 18% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Adam Gorb
Awayday
130 bpm • A min • 06:23 • -22db
9% Popularity • 34% Danceability • 18% Energy • 5% Liveness
64% Instrumentalness • 26% Positiveness
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John Cheetham
Scherzo
151 bpm • F Maj • 02:30 • -26db
8% Popularity • 46% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 59% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
130 bpm • D# Maj • 02:55 • -26.77db
22% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Christian Lindberg
Ecuus Ferus I
151 bpm • C Maj • 01:08 • -11db
15% Popularity • 32% Danceability • 59% Energy • 54% Liveness
81% Instrumentalness • 35% Positiveness
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Sanseti Sabaru
Ravi
151 bpm • D min • 02:10 • -33.62db
14% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Peter Graham
Hyperlink: III. Vivat
151 bpm • A# Maj • 04:32 • -17.2db
8% Popularity • 39% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Pacem