Songs like Pachelbel Canon in D by Jim Wolfe
Based on a tempo of (+/- 10%) and a similar genre
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Jim Wolfe
Old Dog New Tricks
151 bpm • D Maj • 02:50 • -9.87db
1% Popularity • 60% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 60% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Stonewall Jackson
Have Your Next Affair with Me
151 bpm • E Maj • 02:19 • -12db
10% Popularity • 58% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 58% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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The Coasters
Searchin'
151 bpm • D# min • 02:48 • -10.41db
12% Popularity • 78% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 78% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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David Mansfield
George & Tammy Main Theme
152 bpm • G Maj • 01:11 • -7.92db
15% Popularity • 24% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Sonny James
A World Of Our Own
152 bpm • C Maj • 02:30 • -8.48db
32% Popularity • 40% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 40% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Roy Orbison
There Won't Be Many Coming Home - Remast...
152 bpm • C Maj • 02:46 • -10.77db
34% Popularity • 31% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 31% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Jim Wolfe
Old Dog New Tricks
151 bpm • D Maj • 02:48 • -5.85db
1% Popularity • 58% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 58% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Stonewall Jackson
Come On Home And Have Your Next Affair W...
151 bpm • E Maj • 02:21 • -9.76db
10% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Williams
Where Do I Go From Here
150 bpm • F Maj • 02:54 • -9.31db
23% Popularity • 58% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 58% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Jerry Burnham
Swingin' out West
149 bpm • A# Maj • 02:48 • -10.09db
15% Popularity • 56% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 56% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Michael Brotman
Rockin' da Island
153 bpm • C Maj • 02:59 • -5.79db
0% Popularity • 74% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 74% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
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Mike Donovan
A Thousand Ages From The Sun
154 bpm • C Maj • 02:59 • -8.42db
14% Popularity • 49% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 49% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Jim Wolfe
Pullin' Me Down
152 bpm • D min • 03:16 • -3.62db
3% Popularity • 51% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 51% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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The Montgomery Brothers
Sinner, You'd Better Get Ready
153 bpm • F# Maj • 02:41 • -7.98db
17% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Ed Bruce
Mama's Don't Let Your Babies Grow Up To ...
155 bpm • C Maj • 03:20 • -10.01db
44% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Elton Britt
Side by Side
148 bpm • A Maj • 02:26 • -8.16db
15% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Assaf Ayalon
It Blows My Mind
155 bpm • A# Maj • 02:05 • -3.52db
23% Popularity • 55% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 82% Positiveness
23% Popularity • 55% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 82% Positiveness
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Jerry Burnham
Let's Ride into the Sunset Together
147 bpm • D Maj • 03:03 • -14db
35% Popularity • 43% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 43% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Whitey Shafer
Ole Drug Store
146 bpm • F Maj • 02:16 • -13.66db
19% Popularity • 59% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Tennessee Ernie Ford
Kiss Me Big
158 bpm • A# Maj • 02:22 • -11.37db
15% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Ted Daffan's Texans
Born to lose
145 bpm • C Maj • 02:43 • -14db
8% Popularity • 61% Danceability • 14% Energy • 12% Liveness
28% Instrumentalness • 62% Positiveness
8% Popularity • 61% Danceability • 14% Energy • 12% Liveness
28% Instrumentalness • 62% Positiveness
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David Lawrence
Whiskey and Moonshine
158 bpm • F# Maj • 02:42 • -7.79db
9% Popularity • 61% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 61% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
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Elton Britt
Give Me a Pinto Pal
144 bpm • G Maj • 02:24 • -9db
23% Popularity • 49% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 49% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Jerry Burnham
Buddy Leave My Little Jeep Alone
146 bpm • C min • 02:08 • -10.05db
15% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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John C. Reilly
Let's Duet
144 bpm • D Maj • 03:32 • -6.49db
33% Popularity • 52% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 52% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Roy Drusky
Peel Me a Nanner
144 bpm • E Maj • 01:43 • -10.65db
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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John Prine
Day Is Done
143 bpm • D Maj • 03:33 • -20.3db
33% Popularity • 56% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Wolfe
Float Downstream
143 bpm • F Maj • 03:00 • -5.82db
1% Popularity • 70% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 70% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Elton Britt
Cannonball Yodel
143 bpm • G# Maj • 02:57 • -13.1db
9% Popularity • 54% Danceability • 41% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Red Revision
Lucky Man
160 bpm • C Maj • 02:38 • -5.85db
13% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Earl Scruggs
Foggy Mountain Breakdown - 2001 Earl Scr...
160 bpm • G Maj • 04:49 • -7.45db
33% Popularity • 46% Danceability • 88% Energy • 21% Liveness
88% Instrumentalness • 87% Positiveness
33% Popularity • 46% Danceability • 88% Energy • 21% Liveness
88% Instrumentalness • 87% Positiveness
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San Fernando Symphonic Assembly
DARK STAR: Benson Arizona (End Title)
160 bpm • G Maj • 02:32 • -16.27db
9% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Daniel Lanois
Red
142 bpm • C Maj • 02:15 • -16db
50% Popularity • 41% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 41% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Fern Jones
Be Thankful You're You
142 bpm • G# Maj • 02:26 • -14.13db
30% Popularity • 60% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Ronnie Dawson
Action Packed
142 bpm • G Maj • 02:12 • -7.35db
32% Popularity • 59% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 59% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Jim Wolfe
All I Know
161 bpm • G Maj • 02:49 • -9.15db
4% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Quebe Sisters
Cold, Cold Heart
142 bpm • D Maj • 03:04 • -7.99db
12% Popularity • 56% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 56% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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The Flying Baby
Don't Wanna Leave My Girl
141 bpm • B min • 03:43 • -10db
13% Popularity • 63% Danceability • 48% Energy • 35% Liveness
2% Instrumentalness • 63% Positiveness
13% Popularity • 63% Danceability • 48% Energy • 35% Liveness
2% Instrumentalness • 63% Positiveness
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Bo the Drifter
Where the Neon Stars Shine
162 bpm • D Maj • 03:49 • -7.05db
12% Popularity • 46% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 45% Positiveness
12% Popularity • 46% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 45% Positiveness
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Jimmie Rodgers
Daddy and Home
140 bpm • D# Maj • 02:55 • -9.92db
18% Popularity • 63% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 63% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Rex Allen
Crying In The Chapel
140 bpm • E Maj • 03:10 • -13.25db
11% Popularity • 46% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 46% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Jim Wolfe
Headin' Back to Texas
140 bpm • D Maj • 01:59 • -5.24db
2% Popularity • 66% Danceability • 81% Energy • 36% Liveness
3% Instrumentalness • 95% Positiveness
2% Popularity • 66% Danceability • 81% Energy • 36% Liveness
3% Instrumentalness • 95% Positiveness
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Pat Boone
Moody River
139 bpm • F min • 02:33 • -7.37db
27% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Michael Brotman
Together
139 bpm • B Maj • 03:07 • -6.59db
1% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 75% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Mack Fields
Bowling Ball Blues
138 bpm • C Maj • 01:57 • -8.86db
16% Popularity • 64% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 64% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Tennessee Ernie Ford
I’m A Bad Man
139 bpm • F min • 02:59 • -5.13db
9% Popularity • 83% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 83% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Faron Young
There's Not Any Like You Left
138 bpm • E Maj • 01:58 • -10.43db
31% Popularity • 53% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 53% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Jim Wolfe
Triangle
140 bpm • A Maj • 02:21 • -6.67db
0% Popularity • 56% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Daniel Farrant
Ding Ding
165 bpm • G min • 01:57 • -8.82db
20% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 47% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Roy Head And The Traits
One More Time - Back Beat Records versio...
165 bpm • A Maj • 02:16 • -10.17db
15% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Pokey LaFarge
Banks Of The Ohio
165 bpm • D Maj • 02:31 • -11.77db
15% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Roues Brothers
(You Let the Blues Move In) Now I'm Movi...
165 bpm • C Maj • 02:54 • -6db
42% Popularity • 58% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 58% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Fantasy Reborn
A Quiet Time
166 bpm • B min • 02:48 • -19.9db
12% Popularity • 82% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
12% Popularity • 82% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
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Jim Wolfe
Comin' Back to You
140 bpm • F Maj • 02:50 • -6.4db
5% Popularity • 63% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 63% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Doug Perkins
Calling for Your Heart to Fall in Love -...
137 bpm • G Maj • 01:03 • -8.51db
16% Popularity • 73% Danceability • 47% Energy • 14% Liveness
80% Instrumentalness • 33% Positiveness
16% Popularity • 73% Danceability • 47% Energy • 14% Liveness
80% Instrumentalness • 33% Positiveness
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The Limeliters
Hammer Song
137 bpm • D# Maj • 02:31 • -6.35db
17% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Stedapol C.C. Watt
Caught In The Wrong Direction
166 bpm • G# Maj • 04:42 • -15.92db
13% Popularity • 66% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
13% Popularity • 66% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Tim Blake Nelson
Cool Water
136 bpm • C Maj • 01:43 • -10.89db
44% Popularity • 70% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 70% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sanford Clark
The Big Lie
168 bpm • A Maj • 01:59 • -12.17db
16% Popularity • 59% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 59% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Jim Wolfe
I Still Got My Truck
140 bpm • E Maj • 02:15 • -6.27db
0% Popularity • 66% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 66% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Danny Chaimson & The 11th Hour
Cold Night In Chicago
136 bpm • D Maj • 04:29 • -5.68db
24% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Duke And The Drivers
60 Minute Man
135 bpm • C Maj • 02:50 • -8.26db
17% Popularity • 68% Danceability • 58% Energy • 3% Liveness
13% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 58% Energy • 3% Liveness
13% Instrumentalness • 72% Positiveness
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The Desert Rose Band
One Step Forward
135 bpm • B Maj • 03:22 • -11.36db
43% Popularity • 66% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 66% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Willie Watson & Tim Blake Nelson
When A Cowboy Trades His Spurs For Wings
135 bpm • C Maj • 02:34 • -12.64db
49% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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George Jones
How Wonderful A Poor Man's Life Can Be
169 bpm • E Maj • 02:16 • -10.29db
12% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 52% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jim Wolfe
Old Guitar
164 bpm • D Maj • 03:46 • -7db
0% Popularity • 55% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 55% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Charles Michael Brotman
Hawaiian Drinking Song
135 bpm • C Maj • 03:50 • -5.89db
1% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Ed McCurdy
Poor Lonesome Cowboy
135 bpm • G min • 02:22 • -15.37db
17% Popularity • 59% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
17% Popularity • 59% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Billy Walker
Cattle Call
170 bpm • E Maj • 01:36 • -17.61db
24% Popularity • 32% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
24% Popularity • 32% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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The Best Ofs
Hot Stuff Goin' On
170 bpm • D# Maj • 01:46 • -7db
12% Popularity • 60% Danceability • 68% Energy • 13% Liveness
98% Instrumentalness • 82% Positiveness
12% Popularity • 60% Danceability • 68% Energy • 13% Liveness
98% Instrumentalness • 82% Positiveness
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Cliff Carlisle
Goin' Down The Road Feelin' Bad
134 bpm • F Maj • 02:51 • -14.05db
24% Popularity • 72% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Wolfe
Country Girl at Heart
136 bpm • A# Maj • 02:39 • -4.92db
2% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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George Simpson
Honky Tonk Star
170 bpm • E Maj • 03:09 • -6.19db
19% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Ragged Jubilee
Country Roads
170 bpm • D Maj • 04:33 • -11db
17% Popularity • 37% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 37% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Harmonizing Four
All Things Are Possible
171 bpm • E Maj • 03:04 • -13.56db
29% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Crystal Gayle
Ready for the Times to Get Better (Live)
171 bpm • B min • 03:19 • -16.8db
3% Popularity • 44% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 44% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Williams
You're the One I've Been Searching For
134 bpm • F Maj • 02:57 • -5.65db
9% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 60% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Jim Wolfe
On My Terms
170 bpm • B Maj • 03:25 • -5.27db
1% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Del Reeves
This Must Be The Bottom
171 bpm • A# Maj • 02:14 • -15.35db
36% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
36% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
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Lincoln Grounds
Life’s A Lottery
133 bpm • C Maj • 02:50 • -9.84db
8% Popularity • 78% Danceability • 46% Energy • 12% Liveness
82% Instrumentalness • 91% Positiveness
8% Popularity • 78% Danceability • 46% Energy • 12% Liveness
82% Instrumentalness • 91% Positiveness
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Hasil Adkins
Get Outta My Car
171 bpm • E Maj • 03:50 • -4.25db
31% Popularity • 43% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 43% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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James Hand
Here Lies A Good Old Boy
133 bpm • E Maj • 03:21 • -8.77db
13% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Clyde Ferrell Jr.
Birmingham Jail
133 bpm • C Maj • 03:41 • -13.91db
5% Popularity • 55% Danceability • 32% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
5% Popularity • 55% Danceability • 32% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Jim Wolfe
Hey Pretty Mama
170 bpm • C Maj • 02:16 • -7.1db
0% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Guy Mitchell
Heartaches By The Number
172 bpm • F Maj • 02:33 • -11.68db
4% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
4% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Wayne Hancock
Thunderstorms & Neon Signs
132 bpm • E Maj • 04:59 • -9.32db
12% Popularity • 57% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 57% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 66% Positiveness
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The Osborne Brothers
Love Hurts
132 bpm • B Maj • 02:51 • -10.22db
23% Popularity • 57% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 57% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Sanford Clark
Climbin' the Walls
132 bpm • G Maj • 02:16 • -16.16db
10% Popularity • 70% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Don Burnham
California Skies
132 bpm • G Maj • 04:04 • -10.82db
18% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jim Wolfe
In My Dreams
170 bpm • A min • 03:02 • -8.54db
1% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Malcolm Lockyer Orchestra
The Third Man (The Harry Lime Theme)
132 bpm • C Maj • 02:29 • -18db
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Wylie & The Wild West
The Yodeling Fool
132 bpm • E Maj • 03:32 • -7.64db
10% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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NRBQ
I Like That Girl
174 bpm • G# Maj • 02:37 • -9.87db
9% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Stampeders
Sweet City Woman
175 bpm • A min • 03:29 • -4.8db
22% Popularity • 65% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 65% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Don Gibson
You Don't Knock
174 bpm • G Maj • 02:07 • -12.88db
15% Popularity • 38% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 38% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Jim Wolfe
Two Worlds Colliding
132 bpm • G Maj • 02:38 • -9.69db
0% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 74% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Gianfranco & Gianpiero Reverberi
You'd Better Smile
131 bpm • A# min • 02:15 • -16.75db
15% Popularity • 40% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Bostick
Work, Sleep, Repeat
130 bpm • G Maj • 03:37 • -6.65db
18% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 72% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
