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Packing
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Carter Burwell
Based on a tempo of (+/- 10%) and a similar genre
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The Newton Brothers
The Great, Good Place
75 bpm • G min • 01:35 • -18.57db
31% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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David Carbonara
Lights Out
75 bpm • A# Maj • 01:31 • -20.01db
13% Popularity • 17% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
46% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Carter Burwell
Packing
75 bpm • A min • 01:10 • -27.95db
25% Popularity • 18% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 9% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
44% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Hans Zimmer
Sapper's Tree
74 bpm • C Maj • 01:36 • -22.36db
42% Popularity • 17% Danceability • 14% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Eastwood
I Want To Go Home
74 bpm • E Maj • 01:01 • -25.14db
19% Popularity • 12% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Dan Romer
Love Unconditionally
74 bpm • F min • 02:24 • -24.75db
25% Popularity • 7% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Carter Burwell
The Bank [The Man who wasn't there - Ori...
74 bpm • C min • 01:03 • -25.04db
12% Popularity • 11% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Graham Reynolds
I'm Not In Love With You Anymore
74 bpm • C Maj • 02:46 • -15.81db
12% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Justin Hurwitz
Sep Ballet [Bonus Track]
74 bpm • G# Maj • 01:17 • -29.35db
39% Popularity • 10% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Amelia Warner
Mary's Nightmare
76 bpm • A min • 02:59 • -18.23db
16% Popularity • 18% Danceability • 13% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
Countermove
74 bpm • A min • 01:59 • -20.1db
20% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
36% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Thomas Adès
Colette Is Free
76 bpm • G# Maj • 01:24 • -20.29db
9% Popularity • 15% Danceability • 9% Energy • 21% Liveness
57% Instrumentalness • 5% Positiveness
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Elliot Goldenthal
Still Life
74 bpm • G min • 01:31 • -25db
35% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 46% Positiveness
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John Ottman
He Lost Everything
74 bpm • A min • 01:51 • -37db
28% Popularity • 7% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Carter Burwell
The Deer
74 bpm • A min • 02:09 • -21db
26% Popularity • 14% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Oscar in Love
76 bpm • D min • 02:11 • -29.62db
17% Popularity • 14% Danceability • 7% Energy • 14% Liveness
20% Instrumentalness • 6% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Clint Eastwood
May Have To Lose It
77 bpm • C Maj • 01:08 • -21.6db
24% Popularity • 14% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Cliff Martinez
Will She Come Back
73 bpm • A min • 05:00 • -25db
35% Popularity • 7% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
36% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Carter Burwell
The Trial of Ed Crane [The Man who wasn'...
74 bpm • C Maj • 03:52 • -18.94db
27% Popularity • 18% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
30% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Conrad Pope
Vivian Screens Marilyn
73 bpm • E min • 01:38 • -31.66db
11% Popularity • 18% Danceability • 2% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
46% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
48% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement III
73 bpm • A min • 02:29 • -22.72db
29% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
39% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Conrad Pope
Overdose
77 bpm • C Maj • 03:31 • -27.42db
8% Popularity • 15% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dead Myrtle
73 bpm • C# Maj • 04:07 • -27.51db
15% Popularity • 6% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
38% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Carter Burwell
Visitation
74 bpm • G min • 01:29 • -17.88db
26% Popularity • 24% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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The Newton Brothers
Go Tomorrow
77 bpm • D Maj • 02:37 • -32.27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Nathan Barr
Marlo and Ray
73 bpm • D min • 02:24 • -26.43db
17% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Filharmonie Brno
The Lamb (For String Orchestra)
77 bpm • E min • 03:20 • -27.36db
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Then We Are Together
73 bpm • A# Maj • 02:41 • -28.89db
20% Popularity • 18% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Carter Burwell
Mildred Pierce Opening Titles
73 bpm • D min • 01:42 • -19db
28% Popularity • 23% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Patrick Doyle
Confession
77 bpm • F# min • 01:49 • -28.36db
22% Popularity • 18% Danceability • 7% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Isham
Harbor Neuroscience
78 bpm • A min • 01:19 • -25.6db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Alberto Iglesias
The Beach
78 bpm • A min • 02:06 • -31.62db
29% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Giacchino
A Butterfly's Wings
72 bpm • F Maj • 01:16 • -25.06db
34% Popularity • 26% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Carter Burwell
Fruit Loops
77 bpm • E min • 01:32 • -23.72db
19% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Randy Newman
Last Critique
78 bpm • C Maj • 01:41 • -18db
25% Popularity • 33% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Cliff Martinez
I Drive
78 bpm • C Maj • 02:03 • -26.23db
46% Popularity • 20% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Conrad Pope
Rushes
72 bpm • B Maj • 01:28 • -27.83db
9% Popularity • 21% Danceability • 2% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
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Carter Burwell
Goes to Town in a Golden Gown
78 bpm • G Maj • 01:06 • -22.52db
14% Popularity • 19% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Ending
78 bpm • A min • 03:01 • -14.31db
11% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: 3. Clair de lu...
72 bpm • C# Maj • 04:46 • -32.07db
31% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Randy Newman
New House
78 bpm • F min • 01:32 • -16db
21% Popularity • 28% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 11% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
31% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Maurice Jarre
Death of a Child
72 bpm • F Maj • 05:06 • -23.98db
19% Popularity • 17% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Carter Burwell
Letter
72 bpm • D min • 03:25 • -19.77db
24% Popularity • 19% Danceability • 5% Energy • 51% Liveness
77% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
31% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Nicholas Britell
Lavender Oil
71 bpm • G Maj • 02:07 • -33.01db
31% Popularity • 9% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Carter Burwell
Save the Next Boy
72 bpm • B min • 01:19 • -29.94db
17% Popularity • 13% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Phantom Thread II
79 bpm • E min • 03:54 • -16.19db
30% Popularity • 37% Danceability • 7% Energy • 8% Liveness
28% Instrumentalness • 14% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
52% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Patrick Doyle
Gosford Park
80 bpm • A Maj • 02:22 • -17.92db
13% Popularity • 34% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Nicholas Britell
Chef's Special
80 bpm • G# min • 01:10 • -24.38db
27% Popularity • 10% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 17% Positiveness
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Jed Kurzel
Chest Burster
71 bpm • D# Maj • 01:24 • -25.37db
34% Popularity • 16% Danceability • 7% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Jeff Beal
I Know What I Have To Do
71 bpm • G# Maj • 02:43 • -23.55db
33% Popularity • 23% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Carter Burwell
The Train
71 bpm • G min • 02:30 • -20.12db
26% Popularity • 17% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Magnificent, Isn't It
71 bpm • E min • 02:11 • -18.96db
34% Popularity • 21% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
23% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme (Just Piano) III
70 bpm • D min • 07:29 • -26.09db
20% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Britell
Bonus Track: The Culmination
80 bpm • A min • 01:55 • -17.49db
28% Popularity • 20% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 15% Positiveness
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Carter Burwell
View from the Tower
80 bpm • C min • 01:03 • -27.13db
20% Popularity • 14% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Angelo Badalamenti
Main Title / The Trenches
70 bpm • E min • 04:54 • -17.59db
14% Popularity • 11% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 3% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Nathan Johnson
The Wake
70 bpm • G min • 01:32 • -22.61db
35% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Clint Mansell
The Painter On His Way To Work On The Ro...
80 bpm • C# Maj • 03:48 • -22.53db
21% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
43% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
37% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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Alex Weston
Ye Ye
70 bpm • F Maj • 01:00 • -22db
29% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Clint Eastwood
Book Signing
70 bpm • C Maj • 01:00 • -21.9db
28% Popularity • 58% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
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Jeff Beal
Claire And Adam
70 bpm • C min • 03:04 • -26.54db
26% Popularity • 7% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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