Songs like Paganini: Cantabile in D Major, Op. 17 by Niccolò Paganini
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
Debussy / Arr. Roques: La plus que lente...
109 bpm • G Maj • 04:37 • -22.83db
4% Popularity • 29% Danceability • 7% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
4% Popularity • 29% Danceability • 7% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in G Minor, HWV 4...
109 bpm • G min • 06:56 • -18db
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
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Édouard Lalo
Symphonie espagnole, Op. 21: V. Rondo
109 bpm • D Maj • 07:57 • -19db
17% Popularity • 47% Danceability • 19% Energy • 18% Liveness
43% Instrumentalness • 68% Positiveness
17% Popularity • 47% Danceability • 19% Energy • 18% Liveness
43% Instrumentalness • 68% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B.150: 1. All...
110 bpm • A# Maj • 03:10 • -25.17db
19% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Itzhak Perlman
3 Violin Duets (1996 Digital Remaster): ...
110 bpm • A Maj • 02:15 • -20.6db
23% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
108 bpm • D Maj • 07:33 • -16.66db
14% Popularity • 43% Danceability • 27% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
14% Popularity • 43% Danceability • 27% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
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Isaac Albéniz
Albéniz / Arr. Heifetz: Sevilla
110 bpm • C min • 04:32 • -21.3db
3% Popularity • 45% Danceability • 17% Energy • 15% Liveness
24% Instrumentalness • 29% Positiveness
3% Popularity • 45% Danceability • 17% Energy • 15% Liveness
24% Instrumentalness • 29% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
21% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Niccolò Paganini
24 Caprices for Violin, Op. 1: No. 4 in ...
110 bpm • C min • 06:13 • -18db
17% Popularity • 42% Danceability • 14% Energy • 5% Liveness
62% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 14% Energy • 5% Liveness
62% Instrumentalness • 15% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Samuel Sanders
Prelude and Allegro in the style of Pugn...
107 bpm • E min • 05:18 • -15.23db
26% Popularity • 41% Danceability • 32% Energy • 24% Liveness
32% Instrumentalness • 56% Positiveness
26% Popularity • 41% Danceability • 32% Energy • 24% Liveness
32% Instrumentalness • 56% Positiveness
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Fritz Kreisler
Schön Rosmarin
107 bpm • G Maj • 01:58 • -21db
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
107 bpm • D# Maj • 06:45 • -30db
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Sonata No. 16 in E Major: II. Minuetto a...
107 bpm • E Maj • 03:49 • -19.83db
23% Popularity • 60% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 60% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 in E Major, BWV 10...
107 bpm • E Maj • 06:55 • -13.52db
32% Popularity • 55% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
32% Popularity • 55% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
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Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
106 bpm • G min • 06:37 • -15db
22% Popularity • 36% Danceability • 31% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
22% Popularity • 36% Danceability • 31% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
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Niccolò Paganini
Trio in D Major for Violin, Cello and Gu...
107 bpm • D Maj • 02:52 • -15.7db
26% Popularity • 55% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
26% Popularity • 55% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
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Henryk Wieniawski
Wieniawski / Arr. Kreisler: Caprice in E...
112 bpm • D# Maj • 02:05 • -23.18db
12% Popularity • 52% Danceability • 24% Energy • 8% Liveness
34% Instrumentalness • 49% Positiveness
12% Popularity • 52% Danceability • 24% Energy • 8% Liveness
34% Instrumentalness • 49% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
29% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
29% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
112 bpm • E Maj • 03:16 • -16.45db
34% Popularity • 46% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 46% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Niccolò Paganini
Sonata a Preghiera for the Fourth String...
107 bpm • D Maj • 07:24 • -13.08db
24% Popularity • 45% Danceability • 24% Energy • 68% Liveness
24% Instrumentalness • 47% Positiveness
24% Popularity • 45% Danceability • 24% Energy • 68% Liveness
24% Instrumentalness • 47% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: III. Lento assai
106 bpm • C Maj • 02:07 • -26.47db
28% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Henryk Wieniawski
Wieniawski: 8 Etudes-Caprices, Op. 18: N...
106 bpm • D min • 01:40 • -18db
31% Popularity • 64% Danceability • 34% Energy • 27% Liveness
10% Instrumentalness • 91% Positiveness
31% Popularity • 64% Danceability • 34% Energy • 27% Liveness
10% Instrumentalness • 91% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
27% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
27% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Violin Concerto in D Minor, BWV 1052: I....
106 bpm • D min • 07:22 • -17db
46% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
46% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
24% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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RCA Victor Symphony Orchestra & William Steinberg
Introduction et rondo capriccioso in A m...
105 bpm • A min • 01:25 • -26.17db
17% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
17% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
105 bpm • A min • 03:23 • -14.4db
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
37% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
37% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
35% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Niccolò Paganini
Sonata No. 12: Andante cantabile
113 bpm • A Maj • 03:33 • -19.18db
26% Popularity • 38% Danceability • 9% Energy • 26% Liveness
4% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 9% Energy • 26% Liveness
4% Instrumentalness • 41% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: 2. Liebesleid
105 bpm • A Maj • 03:56 • -23.8db
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
34% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
34% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Henryk Wieniawski
Violin Concerto No. 1 in F Sharp Minor, ...
105 bpm • F# min • 07:09 • -21db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Jenő Hubay
Carmen (Bizet) - Fantasie brillante
114 bpm • D Maj • 08:52 • -18db
22% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
22% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
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Niccolò Paganini
Sonata 'a preghiera', MS 23 (Moses Fanta...
105 bpm • C Maj • 09:33 • -20.4db
9% Popularity • 33% Danceability • 11% Energy • 15% Liveness
25% Instrumentalness • 38% Positiveness
9% Popularity • 33% Danceability • 11% Energy • 15% Liveness
25% Instrumentalness • 38% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
114 bpm • G min • 03:16 • -18db
36% Popularity • 27% Danceability • 22% Energy • 8% Liveness
63% Instrumentalness • 49% Positiveness
36% Popularity • 27% Danceability • 22% Energy • 8% Liveness
63% Instrumentalness • 49% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
29% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Havanaise, Op. 83: Allegro
104 bpm • A Maj • 04:54 • -20.64db
10% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Nathan Milstein
Paganiniana (Variations) For Violin Solo
104 bpm • A min • 07:32 • -22.02db
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
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Niccolò Paganini
Introduction & Variations on Di tanti pa...
113 bpm • A Maj • 09:48 • -19.99db
23% Popularity • 42% Danceability • 10% Energy • 6% Liveness
3% Instrumentalness • 31% Positiveness
23% Popularity • 42% Danceability • 10% Energy • 6% Liveness
3% Instrumentalness • 31% Positiveness
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Leopold Godowsky
Triakontameron: No. 11, Alt-Wien (Arr. J...
104 bpm • G Maj • 02:16 • -17db
24% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
24% Popularity • 34% Danceability • 13% Energy • 16% Liveness
70% Instrumentalness • 23% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky / Arr. Parhamovsky: Souvenir...
104 bpm • D# Maj • 03:48 • -17.62db
9% Popularity • 23% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 23% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Henryk Wieniawski
Scherzo-tarantelle in G Minor, Op.16 - 1...
114 bpm • D Maj • 04:32 • -16.37db
26% Popularity • 42% Danceability • 25% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
26% Popularity • 42% Danceability • 25% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
► Preview
Pablo de Sarasate
Sarasate: Spanish Dances, Op. 23: II. Za...
114 bpm • A Maj • 03:15 • -18.13db
17% Popularity • 66% Danceability • 29% Energy • 10% Liveness
60% Instrumentalness • 82% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 10% Liveness
60% Instrumentalness • 82% Positiveness
► Preview
Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
► Preview
Niccolò Paganini
Caprice No. 17
114 bpm • D# Maj • 04:01 • -20.33db
25% Popularity • 50% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 44% Positiveness
► Preview
Mela Tenenbaum
Albeniz Tango from España OP. 165 No.2:...
104 bpm • G Maj • 02:34 • -22.93db
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 28% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
► Preview
Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
31% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Cellos in G Minor, RV 531...
115 bpm • G min • 03:30 • -18db
37% Popularity • 55% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
► Preview
AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
36% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Robert Schumann
Fantasiestücke, Op. 73: I. Zart und mit...
104 bpm • A min • 03:33 • -27.12db
19% Popularity • 18% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
29% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
103 bpm • D Maj • 09:52 • -23.9db
19% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
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Louis Spohr
Spohr : Sonata for Cello & Harp in G maj...
116 bpm • E Maj • 05:04 • -24.76db
19% Popularity • 28% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
19% Popularity • 28% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Charles-Auguste de Bériot
Bériot: Scène de ballet, Op. 100
102 bpm • A Maj • 09:55 • -16.99db
19% Popularity • 34% Danceability • 18% Energy • 14% Liveness
39% Instrumentalness • 28% Positiveness
19% Popularity • 34% Danceability • 18% Energy • 14% Liveness
39% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Sonata for Violin Solo No. 1 in G Minor,...
116 bpm • G min • 05:25 • -16.03db
32% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Heinrich Wilhelm Ernst
The Last Rose of Summer "Étude No. 6"
102 bpm • G Maj • 07:27 • -24.23db
8% Popularity • 43% Danceability • 6% Energy • 17% Liveness
32% Instrumentalness • 45% Positiveness
8% Popularity • 43% Danceability • 6% Energy • 17% Liveness
32% Instrumentalness • 45% Positiveness
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Henryk Wieniawski
Polonaise No. 1 in D Op. 4 - 1985 Remast...
117 bpm • D Maj • 04:41 • -16db
15% Popularity • 47% Danceability • 23% Energy • 9% Liveness
58% Instrumentalness • 56% Positiveness
15% Popularity • 47% Danceability • 23% Energy • 9% Liveness
58% Instrumentalness • 56% Positiveness
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Fritz Kreisler
Schön Rosmarin
102 bpm • G Maj • 02:14 • -23.25db
21% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Niccolò Paganini
Centone di sonate, Op. 64, MS 112: Sonat...
101 bpm • A Maj • 05:42 • -15.77db
25% Popularity • 44% Danceability • 23% Energy • 10% Liveness
33% Instrumentalness • 43% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 10% Liveness
33% Instrumentalness • 43% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In D Major, Op. 3...
117 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
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![Zigeunermelodien, Op. 55, B. 104, No. 4. Als die alte Mutter (Songs my Mother Taught Me): Songs My Mother Taught Me, Op. 55, No. 4 [arr. F. Kreisler for violin and piano] cover art](https://i.scdn.co/image/ab67616d00001e025d2504146fb0cef59c3d481e)
AntonÃn Dvořák
Zigeunermelodien, Op. 55, B. 104, No. 4....
101 bpm • C min • 02:51 • -15.86db
28% Popularity • 27% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 27% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Ilya Kaler
24 Caprices, Op. 1: No. 1 in E major
101 bpm • E Maj • 01:56 • -19.17db
39% Popularity • 57% Danceability • 28% Energy • 32% Liveness
85% Instrumentalness • 57% Positiveness
39% Popularity • 57% Danceability • 28% Energy • 32% Liveness
85% Instrumentalness • 57% Positiveness
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Niccolò Paganini
Violin Concerto No. 5 in A Minor, MS 78:...
101 bpm • A min • 11:03 • -15.29db
28% Popularity • 48% Danceability • 24% Energy • 8% Liveness
41% Instrumentalness • 31% Positiveness
28% Popularity • 48% Danceability • 24% Energy • 8% Liveness
41% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Romances, Op. 6, TH 93: VI. None but...
101 bpm • C# Maj • 03:03 • -21.8db
27% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Pablo de Sarasate
Navarra, Op. 33
101 bpm • A Maj • 06:11 • -15.08db
27% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
27% Popularity • 50% Danceability • 25% Energy • 16% Liveness
75% Instrumentalness • 58% Positiveness
► Preview
Jascha Heifetz
Contemplation (After Brahms' Op. 105 No....
101 bpm • C# Maj • 02:48 • -21.54db
21% Popularity • 20% Danceability • 11% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
21% Popularity • 20% Danceability • 11% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
119 bpm • A min • 04:57 • -20db
29% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
29% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
