Songs like Pagliacci / Act 2: "No, Pagliaccio non son...Suvvia, cosi terribile" by Ruggero Leoncavallo
Based on a tempo of (+/- 10%) and a similar genre
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Ruggero Leoncavallo
Pagliacci / Act 2: "No, Pagliaccio non s...
126 bpm • D# Maj • 06:00 • -14db
21% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
23% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728 / Act 2: "Ah fug...
126 bpm • C Maj • 02:21 • -12.62db
22% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
10% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Salvatore Cardillo
Cardillo: Core n'grato
125 bpm • D# Maj • 04:44 • -11.72db
19% Popularity • 24% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 24% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Don, din, don - suon...
125 bpm • F Maj • 02:39 • -20.35db
10% Popularity • 32% Danceability • 11% Energy • 8% Liveness
9% Instrumentalness • 10% Positiveness
10% Popularity • 32% Danceability • 11% Energy • 8% Liveness
9% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 2: "Povero Ernesto! C...
127 bpm • G# Maj • 09:29 • -21.04db
9% Popularity • 30% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Orff
Carmina Burana: XXII. Tempus est iocundu...
127 bpm • D Maj • 02:25 • -23.06db
29% Popularity • 35% Danceability • 25% Energy • 91% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 35% Danceability • 25% Energy • 91% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 - Original ver...
125 bpm • C Maj • 03:35 • -12.81db
24% Popularity • 51% Danceability • 28% Energy • 28% Liveness
29% Instrumentalness • 33% Positiveness
24% Popularity • 51% Danceability • 28% Energy • 28% Liveness
29% Instrumentalness • 33% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "I zampognari!"
128 bpm • C Maj • 03:55 • -15.32db
2% Popularity • 26% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
2% Popularity • 26% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Claude Debussy
Pelléas et Mélisande, CD 93, Act III: ...
123 bpm • A min • 05:59 • -28db
30% Popularity • 29% Danceability • 5% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 29% Danceability • 5% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Da Tempeste Il Legno Infranto (Cleopatre...
129 bpm • D# Maj • 05:57 • -13db
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Léo Delibes
Air des clochettes (Extrait de Lakmé)
129 bpm • G Maj • 07:48 • -17db
14% Popularity • 40% Danceability • 12% Energy • 68% Liveness
36% Instrumentalness • 8% Positiveness
14% Popularity • 40% Danceability • 12% Energy • 68% Liveness
36% Instrumentalness • 8% Positiveness
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Mario del Monaco
Notturno d'amore
130 bpm • G Maj • 03:48 • -10db
13% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
13% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Ruggero Leoncavallo
Leoncavallo: Pagliacci, Act 1 Scene 1: "...
129 bpm • C Maj • 03:56 • -20.04db
0% Popularity • 28% Danceability • 12% Energy • 17% Liveness
31% Instrumentalness • 13% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 17% Liveness
31% Instrumentalness • 13% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
21% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
21% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Gioacchino Rossini
Rossini: La Cenerentola, Act 2: "Nacqui ...
122 bpm • E Maj • 06:22 • -15.82db
9% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Ruggero Leoncavallo
Leoncavallo: Pagliacci, Act 1 Scene 3: "...
129 bpm • C Maj • 01:24 • -21.29db
0% Popularity • 36% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: Sin...
131 bpm • D Maj • 06:19 • -22.58db
12% Popularity • 29% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 28% Positiveness
12% Popularity • 29% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 28% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 / Act 3: "Thy han...
131 bpm • G min • 05:23 • -19.48db
32% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
32% Popularity • 26% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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![Delibes : Lakmé : Act 2 The Bell Song [Lakmé] cover art](https://i.scdn.co/image/ab67616d00001e023400e891a312ae06f69d85af)
Léo Delibes
Delibes : Lakmé : Act 2 The Bell Song [...
131 bpm • G Maj • 07:42 • -25.48db
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana: II. Fortune plango vulne...
120 bpm • A min • 02:49 • -22.71db
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 2: "Presto, affrettiamoc...
121 bpm • E Maj • 02:58 • -18.28db
4% Popularity • 44% Danceability • 20% Energy • 64% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 44% Danceability • 20% Energy • 64% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: "Ah! mes ...
134 bpm • F Maj • 07:03 • -17.59db
19% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Ruggero Leoncavallo
No! Pagliaccio non son
132 bpm • D# Maj • 03:20 • -8.15db
0% Popularity • 31% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 31% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude To Act III
120 bpm • G Maj • 03:18 • -16db
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 27% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
135 bpm • C Maj • 10:52 • -18db
24% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 35% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto I Scene...
134 bpm • D Maj • 02:40 • -20.56db
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 45% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Mario del Monaco
Core 'ngrato
135 bpm • D# Maj • 02:51 • -11.09db
16% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
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Ruggero Leoncavallo
Mattinata
133 bpm • E Maj • 02:44 • -9.11db
8% Popularity • 27% Danceability • 42% Energy • 8% Liveness
8% Instrumentalness • 39% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 8% Liveness
8% Instrumentalness • 39% Positiveness
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Eduardo di Capua
'O sole mio (Arr. Chiaramello)
135 bpm • A Maj • 03:22 • -14db
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hamburg Symphony Orchestra
Pavana para una infanta difunta
136 bpm • G Maj • 07:01 • -34.34db
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
14% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Ruggero Leoncavallo
Mattinata
133 bpm • E Maj • 02:29 • -6.79db
20% Popularity • 29% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 29% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte / Act 2: "O Isis und Os...
115 bpm • F Maj • 03:12 • -22.86db
19% Popularity • 20% Danceability • 10% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 10% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
16% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: Cavatina...
136 bpm • G Maj • 07:29 • -17.89db
10% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 29% Positiveness
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Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jacques Offenbach
La belle Hélène: Overture
138 bpm • E Maj • 08:31 • -19.19db
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Ruggero Leoncavallo
Romanesca
135 bpm • C Maj • 02:54 • -27.75db
0% Popularity • 34% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
115 bpm • A# Maj • 02:55 • -19db
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Francesco Paolo Tosti
Tosti / Arr. Schifrin: Around the World:...
139 bpm • G# min • 03:09 • -19.79db
23% Popularity • 35% Danceability • 24% Energy • 79% Liveness
13% Instrumentalness • 52% Positiveness
23% Popularity • 35% Danceability • 24% Energy • 79% Liveness
13% Instrumentalness • 52% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
139 bpm • D Maj • 02:41 • -24.99db
17% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci / Act 2: "Suvvia, cosi terribl...
136 bpm • D min • 02:56 • -9.55db
2% Popularity • 37% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 37% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Vincenzo Bellini
Norma: Sinfonia
140 bpm • G Maj • 06:08 • -17.53db
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
27% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
► Preview
Léo Delibes
Les filles de Cadix
140 bpm • F# min • 03:25 • -18.05db
25% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci / Act 1: "E allor perché, di'...
140 bpm • G# Maj • 04:30 • -20.5db
6% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Carl Orff
Orff: Carmina Burana, Pt. 4, Blanziflor ...
142 bpm • E min • 01:46 • -14db
22% Popularity • 19% Danceability • 29% Energy • 76% Liveness
30% Instrumentalness • 23% Positiveness
22% Popularity • 19% Danceability • 29% Energy • 76% Liveness
30% Instrumentalness • 23% Positiveness
► Preview
Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
142 bpm • C Maj • 04:39 • -14.33db
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci / Act 2: "Arlecchin! Colombina...
136 bpm • E Maj • 02:48 • -23.86db
5% Popularity • 38% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 38% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Davide penitente, K. 469: Si pur sempre ...
144 bpm • D min • 00:57 • -25db
50% Popularity • 16% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 16% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Libiamo ne'lieti ca...
110 bpm • A# Maj • 02:47 • -16.6db
51% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Johann Strauss II
Voices of Spring, Op. 410
110 bpm • A# Maj • 05:53 • -14db
27% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
27% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
41% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Ruggero Leoncavallo
Leoncavallo: Pagliacci, Act 1 Scene 1: "...
117 bpm • D# Maj • 03:12 • -14.83db
0% Popularity • 47% Danceability • 40% Energy • 83% Liveness
4% Instrumentalness • 41% Positiveness
0% Popularity • 47% Danceability • 40% Energy • 83% Liveness
4% Instrumentalness • 41% Positiveness
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Dame Joan Sutherland
Ah! Tardai troppo… O luce di quest ani...
109 bpm • C Maj • 06:13 • -18.65db
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
17% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
La Norma: Ouverture
146 bpm • G Maj • 05:17 • -16db
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
Aida / Act 1: "Celeste Aida"
109 bpm • A# Maj • 03:36 • -17.48db
24% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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New Philharmonia Orchestra London
The Sleeping Beauty, Ballet Suite, op. 6...
108 bpm • A# Maj • 04:23 • -24db
21% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
21% Popularity • 23% Danceability • 8% Energy • 18% Liveness
96% Instrumentalness • 39% Positiveness
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Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
25% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
25% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 2: "Presto, affrettiamoc...
117 bpm • E Maj • 04:13 • -14.99db
7% Popularity • 37% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
7% Popularity • 37% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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George Gershwin
Gershwin: Porgy and Bess: "Summertime"
153 bpm • F# min • 02:54 • -13.92db
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
La gazza ladra (The Thieving Magpie): Ov...
159 bpm • G Maj • 10:10 • -20.85db
36% Popularity • 30% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 43% Positiveness
36% Popularity • 30% Danceability • 16% Energy • 12% Liveness
36% Instrumentalness • 43% Positiveness
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Johann Strauss II
Vienna Blood, Op. 354
165 bpm • C Maj • 07:36 • -22.49db
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
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Orquesta de la asociacion de conciertos de Berlin
La urraca ladrona
166 bpm • D Maj • 10:11 • -17.13db
8% Popularity • 28% Danceability • 24% Energy • 35% Liveness
23% Instrumentalness • 24% Positiveness
8% Popularity • 28% Danceability • 24% Energy • 35% Liveness
23% Instrumentalness • 24% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 2: "Versa il filtro ne l...
136 bpm • E min • 02:49 • -20.62db
15% Popularity • 33% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 33% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
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Enrico Toselli
Serenata
167 bpm • E Maj • 02:59 • -9.27db
12% Popularity • 19% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
12% Popularity • 19% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
107 bpm • F Maj • 01:13 • -14.64db
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Alfredo Kraus
Los Pescadores de Perlas "Mi Par D'udir ...
168 bpm • D Maj • 04:37 • -8db
14% Popularity • 17% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Léo Delibes
Lakmé / Act 2: "Où va la jeune Indoue"...
168 bpm • D min • 08:38 • -15db
18% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Manon Lescaut / Act II: "In quelle trine...
168 bpm • A# min • 02:47 • -17.47db
39% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Leoncavallo: I pagliacci, Act 2: "Presto...
116 bpm • E Maj • 04:09 • -13.48db
0% Popularity • 47% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 28% Positiveness
0% Popularity • 47% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 28% Positiveness
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Berliner Philharmoniker
Violin Concerto In D Major, Op. 61
169 bpm • E min • 06:15 • -17db
8% Popularity • 19% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
