Songs like Pájaro herido by Orquesta Rodolfo Biagi
Based on a tempo of (+/- 10%) and a similar genre
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Orquesta Rodolfo Biagi
Pajaro Herido
106 bpm • G Maj • 02:23 • -14.98db
1% Popularity • 59% Danceability • 34% Energy • 27% Liveness
5% Instrumentalness • 57% Positiveness
1% Popularity • 59% Danceability • 34% Energy • 27% Liveness
5% Instrumentalness • 57% Positiveness
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Orquesta tipica Rodolfo Biagi (Singer:Teofilo Ibanez)
Campo afuera
106 bpm • G min • 02:09 • -10.88db
17% Popularity • 70% Danceability • 35% Energy • 6% Liveness
43% Instrumentalness • 96% Positiveness
17% Popularity • 70% Danceability • 35% Energy • 6% Liveness
43% Instrumentalness • 96% Positiveness
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Orquesta TÃpica Andariega
Gira Gira
106 bpm • E min • 02:11 • -8db
32% Popularity • 69% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 69% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Francisco Lomuto
Bajo un Cielo de Estrella
107 bpm • A Maj • 02:48 • -11.63db
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
48% Instrumentalness • 81% Positiveness
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
48% Instrumentalness • 81% Positiveness
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Hyperion Ensemble
Temo
107 bpm • A Maj • 03:01 • -6.81db
12% Popularity • 42% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 42% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Lucio Demare
Dos Corazones
105 bpm • A min • 02:44 • -6.83db
13% Popularity • 56% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 56% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Orquesta Rodolfo Biagi
Campo Afuera - Remasterizado
106 bpm • G min • 02:08 • -9.16db
2% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Francisco Rotundo
El Viejo Vals
105 bpm • D min • 02:54 • -10db
23% Popularity • 62% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
23% Popularity • 62% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 82% Positiveness
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Orquesta Juan D' Arienzo
Valsecito de antes
107 bpm • A min • 02:18 • -10.99db
23% Popularity • 71% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 74% Positiveness
23% Popularity • 71% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 74% Positiveness
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Héctor Varela y su Orquesta TÃpica
Valsecito Criollo
105 bpm • C min • 02:13 • -9db
19% Popularity • 66% Danceability • 60% Energy • 16% Liveness
20% Instrumentalness • 90% Positiveness
19% Popularity • 66% Danceability • 60% Energy • 16% Liveness
20% Instrumentalness • 90% Positiveness
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Edgardo Donato & his orchestra
Estrellita Mia
104 bpm • D Maj • 02:38 • -12db
18% Popularity • 69% Danceability • 36% Energy • 16% Liveness
76% Instrumentalness • 80% Positiveness
18% Popularity • 69% Danceability • 36% Energy • 16% Liveness
76% Instrumentalness • 80% Positiveness
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Hyperion Ensemble
El Viejo Vals
105 bpm • D min • 02:53 • -6.94db
23% Popularity • 66% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 66% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Orquesta Rodolfo Biagi
El Ultimo Adios
105 bpm • D min • 02:05 • -16.88db
2% Popularity • 62% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
2% Popularity • 62% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
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Quinteto Francisco Canaro
La milonga optimista
108 bpm • G# Maj • 02:28 • -11.12db
8% Popularity • 66% Danceability • 37% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
8% Popularity • 66% Danceability • 37% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
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Orq.Reliquias Porteñas
La Naranja Nació Verde
104 bpm • C Maj • 01:58 • -7db
16% Popularity • 69% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 94% Positiveness
16% Popularity • 69% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 94% Positiveness
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Roberto Firpo y su cuarteto
El Porteñito
104 bpm • B min • 02:32 • -14.52db
4% Popularity • 75% Danceability • 42% Energy • 16% Liveness
83% Instrumentalness • 90% Positiveness
4% Popularity • 75% Danceability • 42% Energy • 16% Liveness
83% Instrumentalness • 90% Positiveness
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Orquesta TÃpica Francisco Canaro
Incomprensión
104 bpm • A Maj • 03:23 • -12db
12% Popularity • 50% Danceability • 28% Energy • 14% Liveness
63% Instrumentalness • 51% Positiveness
12% Popularity • 50% Danceability • 28% Energy • 14% Liveness
63% Instrumentalness • 51% Positiveness
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Orquesta TÃpica Andariega
Jamás Retornarás
104 bpm • G min • 02:40 • -5.47db
24% Popularity • 67% Danceability • 45% Energy • 5% Liveness
16% Instrumentalness • 87% Positiveness
24% Popularity • 67% Danceability • 45% Energy • 5% Liveness
16% Instrumentalness • 87% Positiveness
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Orquesta Rodolfo Biagi
Mañana Por La Mañana
105 bpm • F Maj • 02:28 • -12.57db
0% Popularity • 61% Danceability • 28% Energy • 63% Liveness
10% Instrumentalness • 54% Positiveness
0% Popularity • 61% Danceability • 28% Energy • 63% Liveness
10% Instrumentalness • 54% Positiveness
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Trio Hugo Diaz
Milonga de mis amores
108 bpm • A Maj • 02:55 • -8.78db
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 78% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 78% Positiveness
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Orquesta tipica de Juan D`Arienzo (Singer:Alberto Echague)
Estampa de varon
104 bpm • F Maj • 02:02 • -7db
19% Popularity • 67% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 67% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Orchestra Tipica Argentina (Dir. Donato Racciatti)
Tardecita Campera
108 bpm • D# min • 02:06 • -11.75db
20% Popularity • 67% Danceability • 50% Energy • 4% Liveness
54% Instrumentalness • 90% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 4% Liveness
54% Instrumentalness • 90% Positiveness
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Bandonegro
Silueta Porteña
104 bpm • E min • 02:50 • -11.12db
16% Popularity • 63% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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Francisco Lomuto
Cuando Estaba Enamorado
108 bpm • E min • 02:19 • -10.86db
20% Popularity • 56% Danceability • 29% Energy • 21% Liveness
2% Instrumentalness • 82% Positiveness
20% Popularity • 56% Danceability • 29% Energy • 21% Liveness
2% Instrumentalness • 82% Positiveness
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Héctor Mauré
Mi Dolor
108 bpm • C min • 03:00 • -13.41db
12% Popularity • 37% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 37% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Orquesta Rodolfo Biagi
Dejame Amarte Aunque Sea Un Dia
104 bpm • C Maj • 02:57 • -14.02db
1% Popularity • 76% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 80% Positiveness
1% Popularity • 76% Danceability • 23% Energy • 12% Liveness
62% Instrumentalness • 80% Positiveness
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Orquesta tipica de Juan D`Arienzo (Singer:Alberto Echague)
Milonga del corazon
108 bpm • C Maj • 02:26 • -11db
28% Popularity • 63% Danceability • 33% Energy • 14% Liveness
52% Instrumentalness • 88% Positiveness
28% Popularity • 63% Danceability • 33% Energy • 14% Liveness
52% Instrumentalness • 88% Positiveness
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Héctor Varela y su Orquesta TÃpica
Gota De Lluvia - Vals
104 bpm • D Maj • 02:57 • -8db
24% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Domingo Federico
Esa Noche
104 bpm • A# Maj • 02:36 • -8.89db
13% Popularity • 53% Danceability • 30% Energy • 17% Liveness
8% Instrumentalness • 64% Positiveness
13% Popularity • 53% Danceability • 30% Energy • 17% Liveness
8% Instrumentalness • 64% Positiveness
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Francisco Lomuto
Milongon
108 bpm • D Maj • 02:16 • -6.82db
13% Popularity • 76% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 97% Positiveness
13% Popularity • 76% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 97% Positiveness
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Fernando Serrano
El Lloron
104 bpm • D min • 03:36 • -8db
22% Popularity • 70% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 70% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Donato Racciatti y Su Orquesta TÃpica
Milonga del Uruguay
109 bpm • E min • 02:44 • -6.21db
16% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Quinteto Pirincho
Orillera
109 bpm • C Maj • 02:25 • -6.35db
26% Popularity • 73% Danceability • 58% Energy • 7% Liveness
71% Instrumentalness • 90% Positiveness
26% Popularity • 73% Danceability • 58% Energy • 7% Liveness
71% Instrumentalness • 90% Positiveness
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Lucio Demare
Al Pasar
103 bpm • G Maj • 02:37 • -9.69db
21% Popularity • 54% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 64% Positiveness
21% Popularity • 54% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 64% Positiveness
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Color Tango
Tango a Pugliese
109 bpm • D min • 03:34 • -11.27db
12% Popularity • 58% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 52% Positiveness
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Hyperion Ensemble
Reliquias porteñas
103 bpm • G# Maj • 02:43 • -8.22db
11% Popularity • 67% Danceability • 47% Energy • 14% Liveness
43% Instrumentalness • 40% Positiveness
11% Popularity • 67% Danceability • 47% Energy • 14% Liveness
43% Instrumentalness • 40% Positiveness
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Cuarteto Guardia Vieja
El aeroplano
103 bpm • F Maj • 02:22 • -8.94db
13% Popularity • 70% Danceability • 45% Energy • 9% Liveness
36% Instrumentalness • 77% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 9% Liveness
36% Instrumentalness • 77% Positiveness
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Ricardo Malerba
Corazón de Artista
109 bpm • F# min • 02:20 • -11db
25% Popularity • 73% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 69% Positiveness
25% Popularity • 73% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 69% Positiveness
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Edgardo Donato & his orchestra
La Milonga Que Faltaba
103 bpm • E Maj • 02:25 • -7db
25% Popularity • 70% Danceability • 51% Energy • 8% Liveness
24% Instrumentalness • 97% Positiveness
25% Popularity • 70% Danceability • 51% Energy • 8% Liveness
24% Instrumentalness • 97% Positiveness
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Orquesta TÃpica Andariega
Milomba
103 bpm • G Maj • 02:41 • -6.73db
28% Popularity • 71% Danceability • 47% Energy • 4% Liveness
2% Instrumentalness • 87% Positiveness
28% Popularity • 71% Danceability • 47% Energy • 4% Liveness
2% Instrumentalness • 87% Positiveness
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Francisco Lomuto y su Orquesta TÃpica
Serenata
109 bpm • G min • 02:13 • -11.89db
21% Popularity • 71% Danceability • 32% Energy • 14% Liveness
18% Instrumentalness • 74% Positiveness
21% Popularity • 71% Danceability • 32% Energy • 14% Liveness
18% Instrumentalness • 74% Positiveness
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Osvaldo Pugliese y su Orquesta
Los Largos Del Pibe
109 bpm • F min • 02:55 • -10db
21% Popularity • 45% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 45% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Color Tango
Los Mareados
109 bpm • C Maj • 03:17 • -11db
14% Popularity • 44% Danceability • 27% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
14% Popularity • 44% Danceability • 27% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
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Ricardo Malerba
Mariana
103 bpm • C Maj • 02:21 • -11db
20% Popularity • 72% Danceability • 44% Energy • 7% Liveness
46% Instrumentalness • 64% Positiveness
20% Popularity • 72% Danceability • 44% Energy • 7% Liveness
46% Instrumentalness • 64% Positiveness
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Héctor Varela y su Orquesta TÃpica
Tentadora
103 bpm • F Maj • 03:28 • -5.44db
8% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Edgardo Donato & his orchestra
Quien Sera
109 bpm • G min • 02:17 • -10db
22% Popularity • 80% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 76% Positiveness
22% Popularity • 80% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 76% Positiveness
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Roberto Firpo
El Aeroplano
109 bpm • C# min • 02:14 • -4db
19% Popularity • 59% Danceability • 70% Energy • 23% Liveness
37% Instrumentalness • 47% Positiveness
19% Popularity • 59% Danceability • 70% Energy • 23% Liveness
37% Instrumentalness • 47% Positiveness
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Julio De Caro
Morena del 900
110 bpm • D Maj • 02:49 • -12db
9% Popularity • 72% Danceability • 28% Energy • 21% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 72% Danceability • 28% Energy • 21% Liveness
90% Instrumentalness • 92% Positiveness
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Cuarteto Guardia Vieja
Desde el alma
109 bpm • B min • 02:09 • -9db
16% Popularity • 68% Danceability • 49% Energy • 30% Liveness
8% Instrumentalness • 74% Positiveness
16% Popularity • 68% Danceability • 49% Energy • 30% Liveness
8% Instrumentalness • 74% Positiveness
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Osvaldo Pugliese con Jorge Maciel
El Panuelito
110 bpm • F# Maj • 02:43 • -22.31db
13% Popularity • 45% Danceability • 9% Energy • 51% Liveness
4% Instrumentalness • 31% Positiveness
13% Popularity • 45% Danceability • 9% Energy • 51% Liveness
4% Instrumentalness • 31% Positiveness
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Rodolfo Biagi con Jorge Ortiz
Por un Beso de Amor
102 bpm • D# Maj • 02:46 • -9db
15% Popularity • 63% Danceability • 27% Energy • 8% Liveness
31% Instrumentalness • 56% Positiveness
15% Popularity • 63% Danceability • 27% Energy • 8% Liveness
31% Instrumentalness • 56% Positiveness
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Quinteto Pirincho
Soñar Y Nada Mas
102 bpm • D Maj • 03:11 • -12.59db
27% Popularity • 70% Danceability • 37% Energy • 6% Liveness
50% Instrumentalness • 67% Positiveness
27% Popularity • 70% Danceability • 37% Energy • 6% Liveness
50% Instrumentalness • 67% Positiveness
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Hyperion Ensemble
No Hay Tierra Como la MÃa
110 bpm • D min • 02:34 • -5.75db
25% Popularity • 61% Danceability • 70% Energy • 69% Liveness
5% Instrumentalness • 72% Positiveness
25% Popularity • 61% Danceability • 70% Energy • 69% Liveness
5% Instrumentalness • 72% Positiveness
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Orquesta Rodolfo Biagi
Por La Huella
102 bpm • F min • 02:45 • -9.96db
0% Popularity • 65% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 65% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Orquesta TÃpica Andariega
Balliamo
102 bpm • C min • 02:05 • -8.45db
22% Popularity • 62% Danceability • 43% Energy • 12% Liveness
78% Instrumentalness • 71% Positiveness
22% Popularity • 62% Danceability • 43% Energy • 12% Liveness
78% Instrumentalness • 71% Positiveness
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Orquesta Juan D' Arienzo
El esquinazo
110 bpm • C Maj • 01:43 • -5db
27% Popularity • 76% Danceability • 78% Energy • 15% Liveness
94% Instrumentalness • 88% Positiveness
27% Popularity • 76% Danceability • 78% Energy • 15% Liveness
94% Instrumentalness • 88% Positiveness
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Roberto Florio
Fumando Espero
102 bpm • G min • 01:54 • -8.35db
17% Popularity • 39% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 39% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Julio De Caro
No hay tierra como la mia
102 bpm • A Maj • 02:03 • -18.46db
16% Popularity • 63% Danceability • 29% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
16% Popularity • 63% Danceability • 29% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
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Orquesta tipica de Juan D`Arienzo
Milonga vieja milonga
101 bpm • F min • 02:36 • -11db
20% Popularity • 79% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 83% Positiveness
20% Popularity • 79% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 83% Positiveness
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Orquesta Rodolfo Biagi
Serenata Campera
102 bpm • A# min • 02:26 • -11.48db
0% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ricardo Tanturi y su Orquesta TÃpica Los Indios
Marisabel
101 bpm • D min • 02:22 • -9db
15% Popularity • 66% Danceability • 37% Energy • 12% Liveness
6% Instrumentalness • 81% Positiveness
15% Popularity • 66% Danceability • 37% Energy • 12% Liveness
6% Instrumentalness • 81% Positiveness
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Alfredo Gobbi
Adoración
101 bpm • F# min • 03:06 • -9.93db
32% Popularity • 58% Danceability • 31% Energy • 15% Liveness
63% Instrumentalness • 58% Positiveness
32% Popularity • 58% Danceability • 31% Energy • 15% Liveness
63% Instrumentalness • 58% Positiveness
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Orquesta Tipica Fervor de Buenos Aires
E.G.B.
111 bpm • G min • 02:26 • -6db
15% Popularity • 54% Danceability • 26% Energy • 5% Liveness
19% Instrumentalness • 36% Positiveness
15% Popularity • 54% Danceability • 26% Energy • 5% Liveness
19% Instrumentalness • 36% Positiveness
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Julio De Caro
Sacachispas
102 bpm • B Maj • 02:27 • -9.05db
21% Popularity • 58% Danceability • 46% Energy • 30% Liveness
35% Instrumentalness • 94% Positiveness
21% Popularity • 58% Danceability • 46% Energy • 30% Liveness
35% Instrumentalness • 94% Positiveness
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Francisco Lomuto
No Hay Tierra Como la Mia
101 bpm • A Maj • 02:31 • -10.54db
26% Popularity • 68% Danceability • 35% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
26% Popularity • 68% Danceability • 35% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
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Orquesta Rodolfo Biagi
Viejo Porton
111 bpm • G# Maj • 02:28 • -5.72db
5% Popularity • 64% Danceability • 48% Energy • 7% Liveness
39% Instrumentalness • 91% Positiveness
5% Popularity • 64% Danceability • 48% Energy • 7% Liveness
39% Instrumentalness • 91% Positiveness
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Roberto Florio
Cantemos Corazon
111 bpm • C# min • 03:10 • -7.16db
14% Popularity • 42% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 42% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Quinteto Pirincho
La trampera
111 bpm • D Maj • 02:33 • -11.19db
10% Popularity • 78% Danceability • 27% Energy • 8% Liveness
8% Instrumentalness • 77% Positiveness
10% Popularity • 78% Danceability • 27% Energy • 8% Liveness
8% Instrumentalness • 77% Positiveness
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Domingo Federico
A Lo Pirincho
112 bpm • D Maj • 02:26 • -12db
21% Popularity • 61% Danceability • 53% Energy • 32% Liveness
52% Instrumentalness • 73% Positiveness
21% Popularity • 61% Danceability • 53% Energy • 32% Liveness
52% Instrumentalness • 73% Positiveness
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Bandonegro
Milonga de Mis Amores
112 bpm • A Maj • 02:22 • -8db
17% Popularity • 60% Danceability • 45% Energy • 8% Liveness
46% Instrumentalness • 56% Positiveness
17% Popularity • 60% Danceability • 45% Energy • 8% Liveness
46% Instrumentalness • 56% Positiveness
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El Muro Tango
BahÃa Blanca
100 bpm • G min • 02:53 • -10.77db
13% Popularity • 45% Danceability • 25% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
13% Popularity • 45% Danceability • 25% Energy • 10% Liveness
16% Instrumentalness • 38% Positiveness
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Orquesta Rodolfo Biagi
Dichas Que Vivi
111 bpm • B min • 02:11 • -13.11db
1% Popularity • 74% Danceability • 37% Energy • 5% Liveness
21% Instrumentalness • 97% Positiveness
1% Popularity • 74% Danceability • 37% Energy • 5% Liveness
21% Instrumentalness • 97% Positiveness
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Roberto Florio
Derrotado
112 bpm • A Maj • 02:51 • -7.98db
22% Popularity • 45% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 45% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Quinteto Pirincho
Corralera
100 bpm • C Maj • 02:00 • -10.51db
26% Popularity • 73% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 73% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Florindo Sassone Y Su Orquesta
Nostalgias
112 bpm • C# min • 02:47 • -14db
19% Popularity • 48% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 59% Positiveness
19% Popularity • 48% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 59% Positiveness
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Roberto Firpo
Olga
112 bpm • F min • 02:11 • -8db
11% Popularity • 61% Danceability • 56% Energy • 25% Liveness
76% Instrumentalness • 66% Positiveness
11% Popularity • 61% Danceability • 56% Energy • 25% Liveness
76% Instrumentalness • 66% Positiveness
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Raul Aguirrezabalaga
La cicatriz (Arr. D'Arienzo)
112 bpm • D min • 02:14 • -14.38db
18% Popularity • 70% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 31% Energy • 22% Liveness
88% Instrumentalness • 93% Positiveness
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Orquesta Rodolfo Biagi
Adoracion
112 bpm • G min • 02:48 • -18.27db
1% Popularity • 44% Danceability • 33% Energy • 57% Liveness
23% Instrumentalness • 35% Positiveness
1% Popularity • 44% Danceability • 33% Energy • 57% Liveness
23% Instrumentalness • 35% Positiveness
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Trio Hugo Diaz
Payadora
112 bpm • G Maj • 02:40 • -13.15db
24% Popularity • 61% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 66% Positiveness
24% Popularity • 61% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 66% Positiveness
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Quinteto Pirincho
Arrabalera
101 bpm • A# min • 02:44 • -9.41db
16% Popularity • 77% Danceability • 64% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
16% Popularity • 77% Danceability • 64% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Roberto Firpo y su cuarteto
De Mi Arrabal
113 bpm • C min • 02:04 • -13.35db
12% Popularity • 79% Danceability • 48% Energy • 24% Liveness
87% Instrumentalness • 78% Positiveness
12% Popularity • 79% Danceability • 48% Energy • 24% Liveness
87% Instrumentalness • 78% Positiveness
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Francisco Lomuto
Parque Patricios
113 bpm • D min • 02:22 • -10db
29% Popularity • 79% Danceability • 39% Energy • 10% Liveness
65% Instrumentalness • 91% Positiveness
29% Popularity • 79% Danceability • 39% Energy • 10% Liveness
65% Instrumentalness • 91% Positiveness
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Ernesto Fama
Yo No Sé Por Qué Te Quiero
112 bpm • G# Maj • 03:12 • -10.72db
7% Popularity • 56% Danceability • 15% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 56% Danceability • 15% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Orquesta Carlos di Sarli
Donde estas
113 bpm • D min • 03:40 • -8db
14% Popularity • 40% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 40% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Héctor Varela y su Orquesta TÃpica
Como Tu Cariño
99 bpm • G min • 03:31 • -7.08db
15% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 61% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Bandonegro
La Mulateada
113 bpm • F min • 02:15 • -7db
23% Popularity • 84% Danceability • 40% Energy • 11% Liveness
75% Instrumentalness • 84% Positiveness
23% Popularity • 84% Danceability • 40% Energy • 11% Liveness
75% Instrumentalness • 84% Positiveness
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Quinteto Pirincho
A Mi Madre
99 bpm • F# min • 02:32 • -9db
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Color Tango
Milonga de Mis Amores
113 bpm • A Maj • 02:24 • -9.9db
18% Popularity • 59% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 58% Positiveness
18% Popularity • 59% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 58% Positiveness
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Florindo Sassone Y Su Orquesta
La Cumparsita
113 bpm • G min • 02:52 • -18.12db
15% Popularity • 44% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 48% Positiveness
15% Popularity • 44% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 48% Positiveness
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Francisco Lomuto y su Orquesta TÃpica
Parque Patricios
114 bpm • D min • 02:21 • -10db
19% Popularity • 74% Danceability • 54% Energy • 5% Liveness
71% Instrumentalness • 92% Positiveness
19% Popularity • 74% Danceability • 54% Energy • 5% Liveness
71% Instrumentalness • 92% Positiveness
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Julio De Caro
Flores Negras I
114 bpm • E Maj • 02:56 • -6.74db
9% Popularity • 35% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 35% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Forever Tango
El Marne
114 bpm • F min • 02:34 • -8db
25% Popularity • 44% Danceability • 52% Energy • 4% Liveness
2% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 52% Energy • 4% Liveness
2% Instrumentalness • 46% Positiveness
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Francisco Canaro Y Su Orquesta Tipica
Vibraciones Del Alma
99 bpm • F min • 03:30 • -11.92db
24% Popularity • 47% Danceability • 19% Energy • 13% Liveness
46% Instrumentalness • 54% Positiveness
24% Popularity • 47% Danceability • 19% Energy • 13% Liveness
46% Instrumentalness • 54% Positiveness
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Orquesta Carlos di Sarli
Indio Manso
114 bpm • A min • 02:48 • -7.42db
13% Popularity • 44% Danceability • 37% Energy • 45% Liveness
89% Instrumentalness • 42% Positiveness
13% Popularity • 44% Danceability • 37% Energy • 45% Liveness
89% Instrumentalness • 42% Positiveness
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Orquesta tipica Juan D`Arienzo (Singer: Alberto Echague)
Recuerdos de la pampa
114 bpm • F# min • 02:09 • -8.64db
17% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
17% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
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Florindo Sassone Y Su Orquesta
Una noche de Tokyo
114 bpm • G Maj • 02:23 • -9.41db
13% Popularity • 50% Danceability • 40% Energy • 13% Liveness
69% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 40% Energy • 13% Liveness
69% Instrumentalness • 44% Positiveness
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Julio De Caro
Morena del 900
114 bpm • D min • 02:42 • -10db
11% Popularity • 73% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
11% Popularity • 73% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
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Pablo Valle Sexteto
Viejo Portón
114 bpm • G# Maj • 02:20 • -6.22db
12% Popularity • 71% Danceability • 43% Energy • 9% Liveness
15% Instrumentalness • 96% Positiveness
12% Popularity • 71% Danceability • 43% Energy • 9% Liveness
15% Instrumentalness • 96% Positiveness
