Songs like PALACE ADVENTURE by Henry Jack Toll
Based on a tempo of (+/- 10%) and a similar genre
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Henry Jack Toll
XXXpillkillerXXX
122 bpm • D Maj • 01:55 • -14.53db
10% Popularity • 76% Danceability • 46% Energy • 10% Liveness
36% Instrumentalness • 79% Positiveness
10% Popularity • 76% Danceability • 46% Energy • 10% Liveness
36% Instrumentalness • 79% Positiveness
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Whistler Isaiah
Say My Name
122 bpm • C# Maj • 04:17 • -19.65db
9% Popularity • 66% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
9% Popularity • 66% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Children of Indigo
Straight Line
122 bpm • E min • 03:08 • -12.46db
22% Popularity • 66% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 66% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Baby Wave
Green Girls
122 bpm • E Maj • 03:46 • -12.13db
10% Popularity • 77% Danceability • 31% Energy • 39% Liveness
30% Instrumentalness • 33% Positiveness
10% Popularity • 77% Danceability • 31% Energy • 39% Liveness
30% Instrumentalness • 33% Positiveness
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Lawrence Angele
someday i'll get it (for rachel)
122 bpm • D# Maj • 02:11 • -28.14db
13% Popularity • 58% Danceability • 2% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 2% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Concrete Sunsets
A Little While
122 bpm • D# Maj • 03:21 • -12.97db
14% Popularity • 48% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 48% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Henry Jack Toll
that 1995 love
122 bpm • E Maj • 02:23 • -12.15db
1% Popularity • 67% Danceability • 53% Energy • 12% Liveness
58% Instrumentalness • 55% Positiveness
1% Popularity • 67% Danceability • 53% Energy • 12% Liveness
58% Instrumentalness • 55% Positiveness
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The Neighbourhood Watch
Walking on the Water (Midnight Duet)
122 bpm • G# Maj • 03:32 • -10db
12% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Atwater
Caleb
123 bpm • D Maj • 02:34 • -6.87db
17% Popularity • 53% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 46% Positiveness
17% Popularity • 53% Danceability • 47% Energy • 15% Liveness
11% Instrumentalness • 46% Positiveness
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Holden McRae
I Hate Everything
122 bpm • D Maj • 02:09 • -12.68db
26% Popularity • 44% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 44% Danceability • 39% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
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runo plum
don't toy with me
123 bpm • F# Maj • 02:37 • -10.71db
41% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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YONAH
Old Man's Machine
121 bpm • D Maj • 03:25 • -9.63db
21% Popularity • 82% Danceability • 42% Energy • 10% Liveness
23% Instrumentalness • 48% Positiveness
21% Popularity • 82% Danceability • 42% Energy • 10% Liveness
23% Instrumentalness • 48% Positiveness
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Henry Jack Toll
PALACE ADVENTURE
122 bpm • G Maj • 02:00 • -8.22db
0% Popularity • 35% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 35% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Concrete Sunsets
Like We're The Only Ones
123 bpm • D Maj • 02:39 • -12.6db
14% Popularity • 50% Danceability • 50% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
14% Popularity • 50% Danceability • 50% Energy • 10% Liveness
42% Instrumentalness • 36% Positiveness
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yeemz
Hey, You
123 bpm • G Maj • 03:15 • -13db
17% Popularity • 77% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 77% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cam Cool
With /
121 bpm • F# Maj • 02:53 • -11.32db
13% Popularity • 46% Danceability • 35% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 46% Danceability • 35% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
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Musogabi
Morning Bed
121 bpm • G# Maj • 03:04 • -10db
15% Popularity • 51% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 6% Positiveness
15% Popularity • 51% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 6% Positiveness
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Kynda
The Wind
123 bpm • B min • 01:57 • -21.44db
17% Popularity • 41% Danceability • 16% Energy • 12% Liveness
15% Instrumentalness • 11% Positiveness
17% Popularity • 41% Danceability • 16% Energy • 12% Liveness
15% Instrumentalness • 11% Positiveness
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Henry Jack Toll
GARDENS IN THE OCEAN
122 bpm • F Maj • 02:04 • -13.27db
0% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Will McCartt
Whispering Love
123 bpm • A Maj • 03:15 • -14.49db
11% Popularity • 40% Danceability • 28% Energy • 11% Liveness
12% Instrumentalness • 9% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 11% Liveness
12% Instrumentalness • 9% Positiveness
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Andrew Schaeffer
late night letters
123 bpm • D Maj • 02:26 • -21.44db
12% Popularity • 54% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
12% Popularity • 54% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 6% Positiveness
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vern matz
Fox
120 bpm • E Maj • 02:10 • -12.07db
7% Popularity • 45% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 45% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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yeemz
In The City
123 bpm • G Maj • 03:19 • -14.26db
31% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 38% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Okay Alright
magnesium
124 bpm • D Maj • 02:45 • -11.9db
10% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Christian Alexander
Lucky One
120 bpm • G Maj • 01:58 • -9.85db
20% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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remote
CAN'T DO THIS WITHOUT YOU
120 bpm • G# Maj • 02:32 • -13.46db
31% Popularity • 53% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 18% Positiveness
31% Popularity • 53% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 18% Positiveness
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Hot Left Pole
The Road Less Travelled
120 bpm • G# Maj • 02:58 • -22.27db
24% Popularity • 62% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 62% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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BB Wisely
Vegas Nerve
124 bpm • B min • 03:22 • -12.23db
11% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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chrysalis
crazy
124 bpm • G# Maj • 03:20 • -15.48db
10% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Timothy Edward Carpenter
emiliejane
120 bpm • C# Maj • 03:39 • -7.02db
24% Popularity • 40% Danceability • 62% Energy • 12% Liveness
77% Instrumentalness • 21% Positiveness
24% Popularity • 40% Danceability • 62% Energy • 12% Liveness
77% Instrumentalness • 21% Positiveness
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Cathal Francis
Inner Child
120 bpm • G min • 03:37 • -12.87db
18% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
18% Popularity • 63% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
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Kye Kepler
Emerald Eyes
120 bpm • E Maj • 03:27 • -13.16db
8% Popularity • 56% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
8% Popularity • 56% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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MyKey
Rainbow Connection
120 bpm • A Maj • 02:56 • -10.34db
13% Popularity • 52% Danceability • 37% Energy • 5% Liveness
14% Instrumentalness • 36% Positiveness
13% Popularity • 52% Danceability • 37% Energy • 5% Liveness
14% Instrumentalness • 36% Positiveness
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mae marie
birthday candle wishes
124 bpm • F Maj • 02:39 • -10.6db
12% Popularity • 49% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 49% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Bella Fiske
For Once
120 bpm • C Maj • 03:40 • -15.94db
19% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lil Slayyy
Edge of the World
120 bpm • A# Maj • 02:46 • -18.69db
9% Popularity • 78% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 78% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Stray Currents
How To Quit You
120 bpm • C# Maj • 03:57 • -8.75db
10% Popularity • 61% Danceability • 46% Energy • 18% Liveness
14% Instrumentalness • 21% Positiveness
10% Popularity • 61% Danceability • 46% Energy • 18% Liveness
14% Instrumentalness • 21% Positiveness
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SCHMOOG
Follia
120 bpm • F# Maj • 04:42 • -12.51db
18% Popularity • 57% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
18% Popularity • 57% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
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Foxwood
Owlbears
120 bpm • D Maj • 02:42 • -12.86db
12% Popularity • 58% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
12% Popularity • 58% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
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Hot Left Pole
Luck of the Draw
120 bpm • E Maj • 02:22 • -17.49db
23% Popularity • 81% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 87% Positiveness
23% Popularity • 81% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 87% Positiveness
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The Johns
Peace Of Mine
120 bpm • C Maj • 05:06 • -11.15db
10% Popularity • 36% Danceability • 28% Energy • 10% Liveness
29% Instrumentalness • 5% Positiveness
10% Popularity • 36% Danceability • 28% Energy • 10% Liveness
29% Instrumentalness • 5% Positiveness
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frances mistry
letters
120 bpm • G min • 02:12 • -8.77db
19% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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alybob
Why Should I
120 bpm • G# Maj • 02:26 • -19.11db
8% Popularity • 70% Danceability • 13% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
8% Popularity • 70% Danceability • 13% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
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Sack Lunch!
Italy, Texas
120 bpm • D Maj • 02:00 • -14.05db
15% Popularity • 67% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 67% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Tomás Paúl
where we are supposed to be
120 bpm • F# Maj • 03:03 • -11.07db
13% Popularity • 59% Danceability • 45% Energy • 44% Liveness
30% Instrumentalness • 17% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 44% Liveness
30% Instrumentalness • 17% Positiveness
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grave market
Vultures
120 bpm • A Maj • 03:51 • -17.57db
9% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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George David
Blackhorse Road
120 bpm • B min • 02:53 • -18.23db
14% Popularity • 63% Danceability • 13% Energy • 8% Liveness
52% Instrumentalness • 26% Positiveness
14% Popularity • 63% Danceability • 13% Energy • 8% Liveness
52% Instrumentalness • 26% Positiveness
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Superkick
requiem
124 bpm • B Maj • 04:14 • -15.58db
7% Popularity • 60% Danceability • 15% Energy • 8% Liveness
6% Instrumentalness • 18% Positiveness
7% Popularity • 60% Danceability • 15% Energy • 8% Liveness
6% Instrumentalness • 18% Positiveness
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chrysalis
meeting you
124 bpm • G# Maj • 02:21 • -11.82db
19% Popularity • 46% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 46% Danceability • 29% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
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ian encinares
the one they forget
120 bpm • D# Maj • 04:32 • -13.49db
11% Popularity • 61% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 61% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Old Friends, New Friends
8th & Pine
120 bpm • G Maj • 03:25 • -15.95db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
16% Instrumentalness • 13% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
16% Instrumentalness • 13% Positiveness
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Philip Brooks
charlie
119 bpm • B Maj • 03:04 • -20.16db
23% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rocco Frattasio
You Shall Drive Once More
125 bpm • C Maj • 02:24 • -17.12db
11% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 59% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Sophie May
Tiny Dictator
125 bpm • F# Maj • 03:26 • -9.56db
28% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Flynn
Tried And Failed
125 bpm • C Maj • 02:32 • -12.07db
18% Popularity • 71% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 71% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Harvey Trisdale
Say When
125 bpm • D Maj • 02:46 • -12.7db
17% Popularity • 36% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Claire Boyer
I'll Promise You
125 bpm • B min • 04:46 • -12.69db
24% Popularity • 46% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 46% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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nasha
i still think of you sometimes - demo
125 bpm • F# Maj • 03:08 • -14.21db
11% Popularity • 63% Danceability • 19% Energy • 10% Liveness
37% Instrumentalness • 26% Positiveness
11% Popularity • 63% Danceability • 19% Energy • 10% Liveness
37% Instrumentalness • 26% Positiveness
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Charlie Martin
Daisy - Piano Version
125 bpm • G# Maj • 04:49 • -11.01db
12% Popularity • 44% Danceability • 27% Energy • 20% Liveness
56% Instrumentalness • 20% Positiveness
12% Popularity • 44% Danceability • 27% Energy • 20% Liveness
56% Instrumentalness • 20% Positiveness
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Julie Ellinor
True to You
125 bpm • D Maj • 03:00 • -14.92db
8% Popularity • 70% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 70% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Pleasure Systems
When Your Beard Fell Out
125 bpm • D Maj • 02:54 • -15.45db
16% Popularity • 65% Danceability • 25% Energy • 12% Liveness
35% Instrumentalness • 32% Positiveness
16% Popularity • 65% Danceability • 25% Energy • 12% Liveness
35% Instrumentalness • 32% Positiveness
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Dress Warm
At Least You Tried
126 bpm • B Maj • 03:19 • -13.32db
9% Popularity • 56% Danceability • 41% Energy • 18% Liveness
52% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 41% Energy • 18% Liveness
52% Instrumentalness • 24% Positiveness
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Prill
Kiss
126 bpm • C# Maj • 02:44 • -11.26db
8% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 55% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Tanner Peterson
At It Again
119 bpm • D Maj • 02:59 • -10.7db
20% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Julian Spector
A Little Light in the Room
126 bpm • D# Maj • 01:34 • -11.08db
12% Popularity • 48% Danceability • 21% Energy • 11% Liveness
28% Instrumentalness • 33% Positiveness
12% Popularity • 48% Danceability • 21% Energy • 11% Liveness
28% Instrumentalness • 33% Positiveness
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Endless Strafford
over again
126 bpm • A# Maj • 02:47 • -13.01db
16% Popularity • 51% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 51% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Tessa Rae
Secret Language
118 bpm • G Maj • 03:19 • -16.14db
18% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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where the spiders hide
sunday flowers
126 bpm • C min • 03:24 • -22.2db
16% Popularity • 46% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 46% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Elizabeth Hume
fact or fiction
126 bpm • D# Maj • 03:51 • -12.07db
21% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cole Swensen
Great Big Life
126 bpm • D Maj • 04:04 • -15.76db
12% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Baggs
Happy Pill
126 bpm • G min • 03:11 • -10.62db
10% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kev Koko
Footprints
126 bpm • G Maj • 02:32 • -8.38db
28% Popularity • 37% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 37% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Fuvk
call me
126 bpm • F# Maj • 01:41 • -14.2db
9% Popularity • 72% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 72% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Topeka Clementine
Capt. Sugarfoot
126 bpm • D Maj • 02:36 • -21.97db
24% Popularity • 49% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 49% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Emma Geiger
Reverse Bloom
126 bpm • F# Maj • 04:53 • -14.36db
15% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Soft Crystals
Alex
118 bpm • D# Maj • 02:58 • -18db
9% Popularity • 78% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 80% Positiveness
9% Popularity • 78% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 80% Positiveness
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Pluto & Charon
Seams
118 bpm • B Maj • 02:03 • -10.57db
22% Popularity • 70% Danceability • 54% Energy • 17% Liveness
7% Instrumentalness • 18% Positiveness
22% Popularity • 70% Danceability • 54% Energy • 17% Liveness
7% Instrumentalness • 18% Positiveness
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deadman æ»äºº
like i used to
118 bpm • E Maj • 01:05 • -16.77db
26% Popularity • 78% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 78% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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simon robert french
for whatever it's worth (voice memo)
126 bpm • F Maj • 03:14 • -29.87db
13% Popularity • 44% Danceability • 1% Energy • 10% Liveness
9% Instrumentalness • 29% Positiveness
13% Popularity • 44% Danceability • 1% Energy • 10% Liveness
9% Instrumentalness • 29% Positiveness
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Oranje Space
Open
127 bpm • B Maj • 03:06 • -13.08db
11% Popularity • 38% Danceability • 19% Energy • 26% Liveness
2% Instrumentalness • 32% Positiveness
11% Popularity • 38% Danceability • 19% Energy • 26% Liveness
2% Instrumentalness • 32% Positiveness
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Jackson August
LONG DISTANCE
117 bpm • D Maj • 02:13 • -14.66db
7% Popularity • 39% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 39% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Fudge
when it's over
127 bpm • D Maj • 03:58 • -12.19db
12% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Timothy Edward Carpenter
Rice Paper Rehab
127 bpm • G# Maj • 03:58 • -14.56db
13% Popularity • 47% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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harf.
your patience, it ran so high
117 bpm • F# Maj • 02:48 • -12.13db
14% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Mallbangs
Tongue In Cheek
117 bpm • F Maj • 03:05 • -9.03db
7% Popularity • 58% Danceability • 47% Energy • 59% Liveness
13% Instrumentalness • 54% Positiveness
7% Popularity • 58% Danceability • 47% Energy • 59% Liveness
13% Instrumentalness • 54% Positiveness
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Straats
About You
117 bpm • G Maj • 02:12 • -11.09db
19% Popularity • 45% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 45% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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imagiro
where you want me
128 bpm • G Maj • 01:52 • -11.58db
14% Popularity • 81% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
14% Popularity • 81% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 22% Positiveness
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Rocco!
Big Man
128 bpm • A Maj • 03:23 • -10.84db
13% Popularity • 64% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 29% Positiveness
13% Popularity • 64% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 29% Positiveness
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Mildfire
How To Be An Astronaut - Part III
128 bpm • D# Maj • 01:34 • -12.31db
32% Popularity • 47% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
32% Popularity • 47% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
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Jordan Soulman
Growing Up
128 bpm • C Maj • 03:45 • -8.18db
6% Popularity • 54% Danceability • 43% Energy • 8% Liveness
23% Instrumentalness • 24% Positiveness
6% Popularity • 54% Danceability • 43% Energy • 8% Liveness
23% Instrumentalness • 24% Positiveness
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MyKey
Wrecking Crew
128 bpm • F Maj • 02:27 • -9.48db
13% Popularity • 53% Danceability • 40% Energy • 28% Liveness
23% Instrumentalness • 15% Positiveness
13% Popularity • 53% Danceability • 40% Energy • 28% Liveness
23% Instrumentalness • 15% Positiveness
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Hudson Freeman
I Am All the Ages I've Ever Been
128 bpm • C Maj • 03:46 • -16.27db
11% Popularity • 62% Danceability • 40% Energy • 13% Liveness
57% Instrumentalness • 39% Positiveness
11% Popularity • 62% Danceability • 40% Energy • 13% Liveness
57% Instrumentalness • 39% Positiveness
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Norbert Lukacs
balcony
128 bpm • D Maj • 02:40 • -13.45db
17% Popularity • 60% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 26% Positiveness
17% Popularity • 60% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 26% Positiveness
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Henry Jack Toll
GOODNESS GRACIOUS, paul withdrawal!
128 bpm • F min • 01:23 • -3.78db
0% Popularity • 95% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 95% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ethan Tasch
Good News
128 bpm • C# Maj • 04:15 • -8.84db
28% Popularity • 71% Danceability • 38% Energy • 10% Liveness
34% Instrumentalness • 49% Positiveness
28% Popularity • 71% Danceability • 38% Energy • 10% Liveness
34% Instrumentalness • 49% Positiveness
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LONG
The Day We Fall In Love
116 bpm • E Maj • 02:45 • -18.8db
8% Popularity • 62% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 62% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Paul Moody
Merciful Bloom
128 bpm • B Maj • 04:15 • -17.28db
9% Popularity • 69% Danceability • 24% Energy • 12% Liveness
13% Instrumentalness • 52% Positiveness
9% Popularity • 69% Danceability • 24% Energy • 12% Liveness
13% Instrumentalness • 52% Positiveness
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Jacklen Ro
Take Me With You
116 bpm • B min • 04:33 • -11.01db
11% Popularity • 48% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 48% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
