Songs like Palais de Mari by Morton Feldman
Based on a tempo of (+/- 10%) and a similar genre
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Arvo Pärt
Pari intervallo
137 bpm • D# min • 07:50 • -45db
21% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
21% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
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Morton Feldman
Palais de Mari
137 bpm • F min • 28:46 • -50.23db
14% Popularity • 43% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 26% Positiveness
14% Popularity • 43% Danceability • 0% Energy • 6% Liveness
73% Instrumentalness • 26% Positiveness
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Philip Glass
Four Movements for Two Pianos: IV. —
137 bpm • G min • 05:15 • -12.57db
5% Popularity • 36% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 36% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Lento in due movimenti: I. Adagio
137 bpm • F min • 04:27 • -33db
12% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
12% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Franz Schubert
Der Doppelgänger, S . 560, No. 12 (Arr....
138 bpm • E min • 05:31 • -25.33db
15% Popularity • 50% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
15% Popularity • 50% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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György Ligeti
Violin Concerto: I. Praeludium
138 bpm • C Maj • 04:11 • -30.84db
10% Popularity • 38% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Caroline Shaw
Valencia
137 bpm • F Maj • 05:49 • -19db
21% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Morton Feldman
Piano Piece 1952 - Version 2
137 bpm • G# Maj • 06:24 • -25.55db
12% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Dowland
Flow My Tears (Lachrimae)
138 bpm • A min • 03:55 • -23.31db
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Philip Glass
Four Movements for Two Pianos: III. —
136 bpm • D# Maj • 06:47 • -11.74db
4% Popularity • 49% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
4% Popularity • 49% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Valentin Silvestrov
Post Scriptum - Sonata For Violin And Pi...
138 bpm • G# Maj • 03:50 • -38.34db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
10 Chorale Preludes, BV B 27: No. 2, Wac...
136 bpm • D# Maj • 03:16 • -35.93db
36% Popularity • 25% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
36% Popularity • 25% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22: 20. Lento irr...
136 bpm • A Maj • 02:07 • -31db
8% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
136 bpm • D Maj • 01:33 • -40db
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Olivier Messiaen
Preludes: Les sons impalpables du reve (...
135 bpm • E Maj • 03:46 • -26.61db
12% Popularity • 36% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Anja Lechner
Prélude en berceuse
135 bpm • C Maj • 03:14 • -30.54db
7% Popularity • 31% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Gesänge der Frühe, Op. 133: ...
135 bpm • D Maj • 03:20 • -33db
7% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Claude Debussy
Pour le piano, L. 95: III. Toccata
140 bpm • C# Maj • 04:01 • -20db
12% Popularity • 26% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 26% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 35% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
37% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
134 bpm • E min • 02:58 • -39.07db
9% Popularity • 32% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 32% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
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Morton Feldman
For Bunita Marcus (1985): page 21
133 bpm • C# Maj • 02:49 • -46.05db
3% Popularity • 51% Danceability • 0% Energy • 5% Liveness
49% Instrumentalness • 9% Positiveness
3% Popularity • 51% Danceability • 0% Energy • 5% Liveness
49% Instrumentalness • 9% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VI. Des pas ...
134 bpm • D min • 03:52 • -37.27db
6% Popularity • 44% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
6% Popularity • 44% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Ferruccio Busoni
Fantasia after J. S. Bach, BV 253
133 bpm • F min • 14:33 • -28.64db
10% Popularity • 30% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Jean Sibelius
Kyllikki - Three Lyrical Pieces for Pian...
133 bpm • D# min • 03:10 • -22.13db
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Anton Webern
4 Pieces for Violin and Piano, Op. 7: No...
133 bpm • F# min • 01:08 • -30db
20% Popularity • 30% Danceability • 2% Energy • 29% Liveness
51% Instrumentalness • 9% Positiveness
20% Popularity • 30% Danceability • 2% Energy • 29% Liveness
51% Instrumentalness • 9% Positiveness
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Ronald Stevenson
Passacaglia on DSCH: Pars Altera: Fanfar...
133 bpm • G Maj • 02:12 • -23.43db
2% Popularity • 44% Danceability • 10% Energy • 30% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 44% Danceability • 10% Energy • 30% Liveness
95% Instrumentalness • 4% Positiveness
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John Adams
China Gates
133 bpm • C# Maj • 05:54 • -33db
9% Popularity • 54% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 9% Positiveness
9% Popularity • 54% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 9% Positiveness
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György Kurtág
Játékok / 3.: 39. Hommage à Christian...
141 bpm • D min • 01:07 • -45.02db
19% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
19% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 0% Positiveness
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Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
21% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Les Cinq Doights (1921): Larghetto - Pro...
142 bpm • E min • 01:06 • -36db
19% Popularity • 39% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 64% Positiveness
19% Popularity • 39% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 64% Positiveness
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Kaikhosru Sorabji
100 Transcendental Studies: No. 18: Lisc...
142 bpm • E min • 05:18 • -27.05db
11% Popularity • 32% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
11% Popularity • 32% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Ronald Stevenson
Passacaglia on DSCH: Pars Prima: Pibroch...
133 bpm • E min • 02:48 • -41.81db
2% Popularity • 30% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
2% Popularity • 30% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Philip Glass
Four Movements for Two Pianos: I. —
142 bpm • D# Maj • 05:59 • -11.57db
4% Popularity • 42% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
4% Popularity • 42% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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György Kurtág
A Voice in the Distance - Grand Piano
133 bpm • C Maj • 01:51 • -39db
23% Popularity • 53% Danceability • 0% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
23% Popularity • 53% Danceability • 0% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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John Cage
Cage: A Room
132 bpm • D Maj • 01:16 • -33.38db
18% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 57% Positiveness
18% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 57% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: X. La cathé...
132 bpm • C Maj • 07:05 • -22db
18% Popularity • 52% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 52% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Fugue No...
133 bpm • E min • 04:45 • -23.34db
8% Popularity • 31% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
8% Popularity • 31% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
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Max Reger
Nachtlied, Op. 138/3 (Transcription for ...
132 bpm • B min • 03:05 • -29.76db
10% Popularity • 59% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
10% Popularity • 59% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Valentin Silvestrov
Elegie
132 bpm • C min • 06:17 • -28.92db
8% Popularity • 49% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 14% Positiveness
8% Popularity • 49% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 14% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 3 in E Mi...
132 bpm • E min • 03:18 • -21.2db
23% Popularity • 55% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 55% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Leo Smit
Divertimento: II. Lento
132 bpm • C# Maj • 05:13 • -38.36db
10% Popularity • 27% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
String Quartet No. 4, BB 95: IV. Allegre...
131 bpm • F min • 03:03 • -26db
9% Popularity • 55% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 52% Positiveness
9% Popularity • 55% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 52% Positiveness
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Claude Debussy
Children's Corner, L. 113: IV. The Snow ...
131 bpm • D min • 02:24 • -28.25db
6% Popularity • 27% Danceability • 13% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
6% Popularity • 27% Danceability • 13% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
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Robert Schumann
Variations in E-Flat Major on an Origina...
131 bpm • D# Maj • 11:24 • -34.64db
10% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Fugue No...
131 bpm • C# min • 01:36 • -26.28db
7% Popularity • 50% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 93% Positiveness
7% Popularity • 50% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 93% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: III. Abîm...
131 bpm • G Maj • 08:09 • -22db
18% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
18% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Caroline Shaw
Plan & Elevation: II. The Cutting Garden
144 bpm • A min • 02:56 • -19.59db
19% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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György Ligeti
Etudes, Book 1: No. 5, Arc-en-ciel
130 bpm • A Maj • 04:07 • -24db
21% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 53: No. 5 in A Mi...
144 bpm • A min • 02:31 • -20.71db
23% Popularity • 35% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 35% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Terry Riley
In C
130 bpm • C Maj • 04:33 • -21.74db
6% Popularity • 71% Danceability • 20% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
6% Popularity • 71% Danceability • 20% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
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Ronald Stevenson
Passacaglia on DSCH: Pars Altera: Sympho...
131 bpm • A Maj • 01:55 • -25.36db
2% Popularity • 40% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
2% Popularity • 40% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Caroline Shaw
Punctum
130 bpm • D Maj • 09:32 • -20.22db
18% Popularity • 36% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
String Quartet in E-Flat Major: IV. Alle...
145 bpm • C min • 05:30 • -16.47db
4% Popularity • 39% Danceability • 36% Energy • 32% Liveness
75% Instrumentalness • 60% Positiveness
4% Popularity • 39% Danceability • 36% Energy • 32% Liveness
75% Instrumentalness • 60% Positiveness
► Preview
Frederic Rzewski
The People United Will Never Be Defeated...
145 bpm • D min • 01:15 • -19.48db
6% Popularity • 41% Danceability • 25% Energy • 46% Liveness
92% Instrumentalness • 30% Positiveness
6% Popularity • 41% Danceability • 25% Energy • 46% Liveness
92% Instrumentalness • 30% Positiveness
► Preview
Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
129 bpm • G Maj • 02:46 • -28db
26% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
26% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Ronald Stevenson
Passacaglia on DSCH: Pars Tertia: Adagio...
131 bpm • A# Maj • 01:57 • -24.03db
2% Popularity • 56% Danceability • 3% Energy • 18% Liveness
78% Instrumentalness • 13% Positiveness
2% Popularity • 56% Danceability • 3% Energy • 18% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
32% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Préludes / Book 2, L. 123: 5. Bruyères
146 bpm • G# Maj • 03:37 • -21.97db
13% Popularity • 36% Danceability • 6% Energy • 23% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 6% Energy • 23% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Franz Schubert
Winterreise, D. 911: 24. Der Leiermann (...
128 bpm • D Maj • 03:58 • -32db
11% Popularity • 29% Danceability • 1% Energy • 20% Liveness
90% Instrumentalness • 17% Positiveness
11% Popularity • 29% Danceability • 1% Energy • 20% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Carl Philipp Emanuel Bach
Presto in C Minor, H.230 Wq.114/3
146 bpm • C# Maj • 01:51 • -36.46db
25% Popularity • 39% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
25% Popularity • 39% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
► Preview
Federico Mompou
Impresiones intimas: II. Pajaro triste
128 bpm • C# min • 02:49 • -34.29db
15% Popularity • 47% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 47% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Ronald Stevenson
Passacaglia on DSCH: Pars Prima: Episode
144 bpm • D# Maj • 01:09 • -36.89db
3% Popularity • 23% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 19% Positiveness
3% Popularity • 23% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 19% Positiveness
► Preview
John Cage
A Room: From She Is Asleep
147 bpm • C# min • 02:18 • -44.83db
20% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6 in F-Sh...
148 bpm • F# min • 03:22 • -32.43db
25% Popularity • 28% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 28% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Caroline Shaw
Limestone & Felt
147 bpm • D Maj • 05:42 • -25.22db
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Georg Friedrich Haas
In Nomine (2001) for bass flute, english...
127 bpm • G min • 03:55 • -29db
8% Popularity • 17% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
György Kurtág
Játékok / Book 1: Sleepily - Upright P...
127 bpm • C# Maj • 01:18 • -36.01db
12% Popularity • 23% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Ronald Stevenson
Passacaglia on DSCH: Pars Tertia: Triple...
129 bpm • G Maj • 05:18 • -24.15db
1% Popularity • 39% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
1% Popularity • 39% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
John Cage
Sonatas and Interludes for Prepared Pian...
126 bpm • D min • 03:10 • -24db
13% Popularity • 62% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
13% Popularity • 62% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
► Preview
François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Leopold Godowsky
Jave Suite: Part I. Wayang-Purwa: Puppet...
124 bpm • A min • 03:49 • -30.71db
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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John Adams
China Gates
152 bpm • C# Maj • 05:24 • -26db
25% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
25% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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John Taverner
In Nomine-Instrumentation colorée I (20...
122 bpm • D min • 02:09 • -35db
13% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 8% Liveness
22% Instrumentalness • 9% Positiveness
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Ronald Stevenson
Passacaglia on DSCH: Pars Altera: Pedal-...
125 bpm • F Maj • 02:03 • -20.5db
2% Popularity • 29% Danceability • 26% Energy • 28% Liveness
77% Instrumentalness • 7% Positiveness
2% Popularity • 29% Danceability • 26% Energy • 28% Liveness
77% Instrumentalness • 7% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
123 bpm • C# Maj • 02:32 • -29.06db
18% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
18% Popularity • 40% Danceability • 21% Energy • 8% Liveness
67% Instrumentalness • 23% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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Philip Glass
Études: No. 2
122 bpm • C Maj • 06:00 • -25db
30% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Violin Sonata No. 2 in G Major, M...
120 bpm • D# Maj • 05:10 • -21db
8% Popularity • 46% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 23% Positiveness
8% Popularity • 46% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 23% Positiveness
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John Adams
Harmonielehre: 3. Meister Eckhardt and Q...
156 bpm • C Maj • 11:48 • -21.73db
23% Popularity • 18% Danceability • 16% Energy • 23% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 23% Liveness
92% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Rain Tree Sketch II
120 bpm • F# min • 05:25 • -31.27db
7% Popularity • 47% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
7% Popularity • 47% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Howard Skempton
Well, well Cornelius
120 bpm • D# Maj • 03:06 • -32db
11% Popularity • 44% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 44% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Fugue No...
120 bpm • D min • 01:26 • -23.91db
9% Popularity • 58% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
9% Popularity • 58% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
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Meredith Monk
Phantom Waltz
120 bpm • C Maj • 07:14 • -25.32db
11% Popularity • 43% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 43% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
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Frederic Rzewski
The People United Will Never Be Defeated...
157 bpm • D min • 03:11 • -21.76db
10% Popularity • 37% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
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Jessie Montgomery
Strum
158 bpm • A min • 06:53 • -18.89db
17% Popularity • 34% Danceability • 17% Energy • 7% Liveness
82% Instrumentalness • 35% Positiveness
17% Popularity • 34% Danceability • 17% Energy • 7% Liveness
82% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
10 Chorale Preludes, BV B 27: No. 6, Her...
118 bpm • A min • 02:47 • -30.67db
17% Popularity • 23% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
24% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
24% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
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Morton Feldman
Triadic Memories: I
160 bpm • G# Maj • 08:09 • -26.54db
8% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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John Cage
The Seasons: 4. Spring
118 bpm • D min • 02:26 • -31.16db
13% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
13% Popularity • 37% Danceability • 2% Energy • 18% Liveness
93% Instrumentalness • 8% Positiveness
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Kaija Saariaho
7 Papillons: No. 2. —
117 bpm • D Maj • 01:30 • -25db
30% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
