Songs like Palladio: 1. Allegretto (arr. for Strings Orchestra) by Karl Jenkins
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Karl Jenkins
Palladio - arr. for Strings Orchestra: 1...
90 bpm • D min • 03:45 • -16.97db
11% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
11% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Patrick Thomas Hawes
Premier Cru
90 bpm • C min • 02:24 • -11.76db
27% Popularity • 66% Danceability • 29% Energy • 22% Liveness
96% Instrumentalness • 61% Positiveness
27% Popularity • 66% Danceability • 29% Energy • 22% Liveness
96% Instrumentalness • 61% Positiveness
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Abel Korzeniowski
Charms
90 bpm • G# min • 04:03 • -13.57db
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Tomaso Albinoni
Adagio in G Minor
90 bpm • G min • 04:26 • -12.94db
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
42% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Karl Jenkins
Palladio: 1. Allegretto (arr. for String...
90 bpm • D min • 03:46 • -16.97db
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
56% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
Requiem: II. Dies irae "Dies irae"
91 bpm • C min • 02:00 • -15.2db
38% Popularity • 25% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
38% Popularity • 25% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: XII. B...
90 bpm • D Maj • 03:13 • -23.72db
32% Popularity • 50% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
32% Popularity • 50% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
89 bpm • G Maj • 02:19 • -17.77db
40% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Lacrimosa
89 bpm • D min • 02:53 • -8.9db
44% Popularity • 13% Danceability • 35% Energy • 30% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 35% Energy • 30% Liveness
88% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Moderato
89 bpm • D Maj • 03:14 • -21.21db
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
91 bpm • G Maj • 03:03 • -13.86db
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
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Karl Jenkins
Palladio: I. Allegretto
90 bpm • D min • 03:49 • -17db
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr lang...
91 bpm • F Maj • 09:00 • -29db
38% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Domenico Monleone
Intermezzo (Cavalleria Rusticana)
89 bpm • F Maj • 03:26 • -8db
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • A# min • 04:05 • -8.21db
35% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
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Karl Jenkins
Tikkun Olam (Repair the World)
90 bpm • D min • 04:08 • -18.88db
12% Popularity • 22% Danceability • 23% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 23% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Hans Zimmer
503
92 bpm • D min • 02:14 • -11.74db
51% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
51% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Karl Jenkins
Palladio: I. Allegretto
90 bpm • D min • 03:53 • -21db
22% Popularity • 43% Danceability • 25% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
22% Popularity • 43% Danceability • 25% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: III. Pe-loc...
88 bpm • C Maj • 01:06 • -37.89db
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Experience
92 bpm • D Maj • 05:15 • -10.63db
78% Popularity • 45% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
78% Popularity • 45% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne in C Sharp
87 bpm • F# min • 04:33 • -13.14db
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
54% Popularity • 26% Danceability • 28% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Karl Jenkins
Miserere: Songs of Mercy and Redemption:...
89 bpm • D# Maj • 02:38 • -18.16db
25% Popularity • 15% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
25% Popularity • 15% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
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Jóhann Jóhannsson
Chalkboard
93 bpm • A min • 01:05 • -15.93db
67% Popularity • 43% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
67% Popularity • 43% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Einaudi: Una mattina
87 bpm • A min • 03:10 • -34.14db
56% Popularity • 10% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
56% Popularity • 10% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Karl Jenkins
Concert Grosso for String Orchestra "Pal...
88 bpm • D min • 03:53 • -13.99db
32% Popularity • 43% Danceability • 41% Energy • 15% Liveness
93% Instrumentalness • 47% Positiveness
32% Popularity • 43% Danceability • 41% Energy • 15% Liveness
93% Instrumentalness • 47% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Nocturne, B. 49: Lento con gran espressi...
94 bpm • C# Maj • 04:06 • -25.67db
36% Popularity • 29% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
36% Popularity • 29% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Flight of the Bumblebee
94 bpm • D min • 01:17 • -11.65db
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
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Ludovico Einaudi
Life
93 bpm • G Maj • 04:22 • -15db
53% Popularity • 33% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
53% Popularity • 33% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
86 bpm • C Maj • 05:41 • -19.38db
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Laurent Aknin
L'étudiante et Monsieur Henri: ouvertur...
94 bpm • C min • 01:13 • -18.53db
56% Popularity • 48% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
56% Popularity • 48% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Dance For Me Wallis
86 bpm • G min • 03:08 • -14.69db
59% Popularity • 40% Danceability • 36% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
59% Popularity • 40% Danceability • 36% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
54% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Johann Strauss II
The Blue Danube
94 bpm • D Maj • 05:51 • -14.41db
32% Popularity • 27% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 26% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Karl Jenkins
Jenkins: Palladio
95 bpm • D min • 03:38 • -19db
39% Popularity • 48% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
39% Popularity • 48% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
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Tbilisi Symphony Orchestra
Peer Gynt Suite No. 1, Op. 46: IV. In th...
95 bpm • F# Maj • 02:46 • -22.47db
34% Popularity • 39% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
34% Popularity • 39% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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London Philharmonic Orchestra
Die Walkürie (The Valkyrie), Act 3: Rid...
95 bpm • B Maj • 05:11 • -12db
30% Popularity • 21% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
30% Popularity • 21% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Johann Strauss II
An der schönen blauen Donau, Op. 314
95 bpm • D Maj • 11:47 • -24.82db
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
61% Popularity • 23% Danceability • 3% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 2 in B...
95 bpm • B min • 02:43 • -16.21db
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
50% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
50% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
André Rieu
And The Waltz Goes On
85 bpm • G min • 05:55 • -8.42db
48% Popularity • 19% Danceability • 36% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
48% Popularity • 19% Danceability • 36% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Karl Jenkins
Requiem: IX. Pie Jesu
85 bpm • D# Maj • 04:34 • -19.79db
25% Popularity • 16% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 13% Energy • 10% Liveness
42% Instrumentalness • 5% Positiveness
► Preview
Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
85 bpm • B min • 10:40 • -19.88db
57% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Peter Samuels
Adagio For Strings
85 bpm • A# min • 10:00 • -17db
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
► Preview
Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Jacob's Piano
G Minor Bach
84 bpm • C min • 03:20 • -19.12db
51% Popularity • 25% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
51% Popularity • 25% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Karl Jenkins
Sarakiz: II. Romanza
97 bpm • D min • 08:05 • -17.89db
16% Popularity • 19% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
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London Symphony Orchestra
"Dance Of The Hours" from La Gioconda
84 bpm • C# min • 03:30 • -22.54db
36% Popularity • 31% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 13% Positiveness
36% Popularity • 31% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 13% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550 (1st ...
97 bpm • G min • 08:41 • -17.59db
35% Popularity • 28% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
35% Popularity • 28% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Masquerade, Ballet Music - Suite from th...
97 bpm • C Maj • 04:15 • -10db
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Karl Jenkins
The Peacemakers: IX. Solitude (For Chlo�...
84 bpm • A Maj • 04:17 • -18db
13% Popularity • 11% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
13% Popularity • 11% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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HAUSER
Swan Lake
83 bpm • B min • 02:52 • -9db
48% Popularity • 22% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
48% Popularity • 22% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Antonín Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Baroque Festival Orchestra
The Four Seasons (Concerti Op.8 Nos.1-4)...
98 bpm • E Maj • 03:26 • -22db
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
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Karl Jenkins
Palladio
97 bpm • D min • 03:31 • -14.91db
26% Popularity • 61% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
26% Popularity • 61% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Karl Jenkins
Over The Stone: IV. Tros y Garreg
83 bpm • F min • 04:10 • -22.23db
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
II. Adagio un poco moto - III. Rondo. Al...
98 bpm • B Maj • 11:26 • -24.68db
20% Popularity • 26% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
