Songs like Paloma Blanca by André Rieu
Based on a tempo of (+/- 10%) and a similar genre
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Percy Faith
Born Free
128 bpm • D Maj • 02:32 • -12.29db
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
77% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
77% Instrumentalness • 47% Positiveness
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Combo Alfredo
Traum Melodien - Medley - Blue Spanish e...
128 bpm • A# Maj • 03:16 • -9.21db
29% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Jan Smit
Wij Zijn Nederland
128 bpm • D Maj • 03:24 • -5.38db
31% Popularity • 45% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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André Rieu
Paloma Blanca
128 bpm • F Maj • 02:23 • -7.98db
27% Popularity • 53% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 70% Positiveness
27% Popularity • 53% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 70% Positiveness
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Ludwig van Beethoven
Beethoven Symphony No. 9: "All Men Shall...
127 bpm • G Maj • 03:33 • -9.14db
24% Popularity • 26% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 26% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 17% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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André Popp
Beer Barrel Polka
126 bpm • F Maj • 02:40 • -9db
32% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 56% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Pascual Marquina
Espana Cani
126 bpm • F Maj • 02:05 • -7db
28% Popularity • 48% Danceability • 69% Energy • 71% Liveness
28% Instrumentalness • 38% Positiveness
28% Popularity • 48% Danceability • 69% Energy • 71% Liveness
28% Instrumentalness • 38% Positiveness
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Sweet People
La Foret Enchantee
130 bpm • G# Maj • 03:06 • -15.33db
27% Popularity • 17% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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André Rieu
Valencia
128 bpm • F Maj • 02:36 • -5.81db
20% Popularity • 48% Danceability • 74% Energy • 28% Liveness
73% Instrumentalness • 81% Positiveness
20% Popularity • 48% Danceability • 74% Energy • 28% Liveness
73% Instrumentalness • 81% Positiveness
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Leroy Anderson
Blue Tango
130 bpm • D Maj • 02:43 • -12.68db
33% Popularity • 48% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
33% Popularity • 48% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
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Johann Strauss Orchestra Netherlands
The Gypsy Princess Medley - Live
126 bpm • D Maj • 04:52 • -11.86db
13% Popularity • 27% Danceability • 45% Energy • 97% Liveness
14% Instrumentalness • 44% Positiveness
13% Popularity • 27% Danceability • 45% Energy • 97% Liveness
14% Instrumentalness • 44% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:19 • -8.08db
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 70% Energy • 15% Liveness
38% Instrumentalness • 84% Positiveness
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The Strings Of Paris
Ballade Pour Adeline
130 bpm • C Maj • 02:32 • -13db
48% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
48% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Miguel Nacel
Juegos Prohibidos
131 bpm • C Maj • 02:59 • -7.99db
29% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Roger Williams
Tchaikovsky Piano Concerto #1
131 bpm • F Maj • 02:58 • -12.79db
31% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 18% Liveness
30% Instrumentalness • 22% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Al Caiola
Bonanza
126 bpm • C Maj • 02:18 • -9db
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
23% Popularity • 43% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 90% Positiveness
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André Rieu
Mexico
131 bpm • C Maj • 03:53 • -9.56db
22% Popularity • 36% Danceability • 54% Energy • 33% Liveness
88% Instrumentalness • 52% Positiveness
22% Popularity • 36% Danceability • 54% Energy • 33% Liveness
88% Instrumentalness • 52% Positiveness
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Ricci Ferra
Eine Kleine Nachtmusik (Serenade G-dur K...
132 bpm • C Maj • 03:19 • -10.91db
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
24% Popularity • 35% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Leroy Anderson
Blue Tango
124 bpm • D Maj • 02:49 • -22db
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Richard Abel
L'Amour en héritage (Only Love)
132 bpm • G Maj • 04:25 • -12db
31% Popularity • 42% Danceability • 38% Energy • 60% Liveness
94% Instrumentalness • 19% Positiveness
31% Popularity • 42% Danceability • 38% Energy • 60% Liveness
94% Instrumentalness • 19% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Tol & Tol
Kiriaki
132 bpm • F# min • 03:37 • -11.6db
17% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 42% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Guy Denys
Obladi Oblada
132 bpm • F Maj • 02:37 • -5.53db
21% Popularity • 80% Danceability • 82% Energy • 18% Liveness
73% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 82% Energy • 18% Liveness
73% Instrumentalness • 96% Positiveness
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Francis Dupont
Cherry Pink and apple blossom
124 bpm • F Maj • 03:15 • -13.1db
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 37% Liveness
82% Instrumentalness • 86% Positiveness
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Nikos Ignatiadis
The Red Carnation
124 bpm • D Maj • 04:03 • -14.39db
29% Popularity • 31% Danceability • 20% Energy • 16% Liveness
80% Instrumentalness • 11% Positiveness
29% Popularity • 31% Danceability • 20% Energy • 16% Liveness
80% Instrumentalness • 11% Positiveness
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Henry Arland
Du bist mein erster Gedanke
124 bpm • D# Maj • 03:30 • -6.49db
15% Popularity • 59% Danceability • 60% Energy • 27% Liveness
57% Instrumentalness • 51% Positiveness
15% Popularity • 59% Danceability • 60% Energy • 27% Liveness
57% Instrumentalness • 51% Positiveness
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André Rieu
Die Mädis vom Chantant
124 bpm • C Maj • 03:50 • -8.76db
13% Popularity • 43% Danceability • 47% Energy • 31% Liveness
81% Instrumentalness • 26% Positiveness
13% Popularity • 43% Danceability • 47% Energy • 31% Liveness
81% Instrumentalness • 26% Positiveness
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Billy Vaughn y su Orquesta
Wheels
123 bpm • D Maj • 02:07 • -8db
36% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
36% Popularity • 74% Danceability • 49% Energy • 11% Liveness
39% Instrumentalness • 94% Positiveness
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Eduardo di Capua
O sole mio (arr. P. Breiner)
123 bpm • A Maj • 03:33 • -20db
33% Popularity • 21% Danceability • 16% Energy • 9% Liveness
50% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 16% Energy • 9% Liveness
50% Instrumentalness • 6% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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Nikos Ignatiadis
Adio
133 bpm • A# Maj • 02:57 • -11.54db
31% Popularity • 41% Danceability • 40% Energy • 21% Liveness
85% Instrumentalness • 36% Positiveness
31% Popularity • 41% Danceability • 40% Energy • 21% Liveness
85% Instrumentalness • 36% Positiveness
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Gentlemen Of Trumpets
Eviva Espana
134 bpm • C Maj • 02:47 • -7db
30% Popularity • 71% Danceability • 80% Energy • 14% Liveness
87% Instrumentalness • 86% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 14% Liveness
87% Instrumentalness • 86% Positiveness
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André Rieu
Ballade pour Adeline - Live
133 bpm • C Maj • 04:50 • -19.31db
31% Popularity • 37% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 37% Danceability • 28% Energy • 76% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Abel
Balade pour Adeline
134 bpm • C Maj • 02:43 • -13.67db
41% Popularity • 48% Danceability • 38% Energy • 14% Liveness
96% Instrumentalness • 28% Positiveness
41% Popularity • 48% Danceability • 38% Energy • 14% Liveness
96% Instrumentalness • 28% Positiveness
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Ronald Valentino
Marcha Turca
122 bpm • A min • 02:35 • -6db
47% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
47% Popularity • 65% Danceability • 69% Energy • 23% Liveness
77% Instrumentalness • 97% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
27% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
27% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Percy Faith
Love Theme from the Godfather
135 bpm • D# min • 03:26 • -11.45db
30% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
30% Popularity • 23% Danceability • 42% Energy • 7% Liveness
30% Instrumentalness • 14% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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André Rieu
Funiculi Funicula - Live
134 bpm • F Maj • 03:45 • -14.05db
30% Popularity • 41% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 41% Danceability • 54% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Dirk Schiefen
Funiculi, Funicula
121 bpm • D# Maj • 02:30 • -7db
28% Popularity • 68% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
28% Popularity • 68% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Johann Strauss II
Der Zigeunerbaron: Wer Uns Getraut
135 bpm • D# Maj • 03:56 • -9.36db
9% Popularity • 21% Danceability • 31% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 31% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Ricci Ferra
Eine Kleine Nachtmusik - Serenade G-Dur ...
135 bpm • G Maj • 04:10 • -13.81db
20% Popularity • 58% Danceability • 30% Energy • 9% Liveness
72% Instrumentalness • 67% Positiveness
20% Popularity • 58% Danceability • 30% Energy • 9% Liveness
72% Instrumentalness • 67% Positiveness
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Robert Stolz
Adieu, Mein Kleiner Gardeoffizier - Live...
121 bpm • D# Maj • 03:27 • -10.22db
12% Popularity • 40% Danceability • 62% Energy • 97% Liveness
80% Instrumentalness • 59% Positiveness
12% Popularity • 40% Danceability • 62% Energy • 97% Liveness
80% Instrumentalness • 59% Positiveness
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André Rieu
With A Little Bit Of Luck
135 bpm • C Maj • 01:55 • -7.56db
15% Popularity • 52% Danceability • 56% Energy • 23% Liveness
2% Instrumentalness • 72% Positiveness
15% Popularity • 52% Danceability • 56% Energy • 23% Liveness
2% Instrumentalness • 72% Positiveness
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Henry Dubois
Balada para Adelina
136 bpm • C Maj • 02:41 • -13.7db
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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Dirk Schiefen
Einsamer Hirte
136 bpm • F min • 04:05 • -11db
21% Popularity • 23% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
21% Popularity • 23% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
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Carl Michael Ziehrer
Schönfeld-Marsch, Op. 422
120 bpm • D Maj • 02:54 • -12.32db
14% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 24% Liveness
86% Instrumentalness • 70% Positiveness
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Henry Salomon y su Orquesta
Si Yo Fuera Rico - De: " El Violinista e...
137 bpm • C Maj • 02:47 • -15.39db
44% Popularity • 39% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
44% Popularity • 39% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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André Rieu
Czardasfürstin - Live
121 bpm • D Maj • 04:59 • -13.74db
27% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Carlos Velasco
El Barrilito
120 bpm • G# Maj • 03:21 • -6.65db
40% Popularity • 58% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 68% Positiveness
40% Popularity • 58% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 68% Positiveness
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Sweet People
A Wonderful Day - Instrumental
120 bpm • G# Maj • 04:22 • -17.24db
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 15% Liveness
93% Instrumentalness • 12% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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The Strings Of Paris
Couleur Trendesse
137 bpm • D# Maj • 03:14 • -12.45db
44% Popularity • 28% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 12% Positiveness
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Pierre Charlon
Balada Para Adelina
137 bpm • C Maj • 02:40 • -9.41db
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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André Rieu
Blaze Away - Live
120 bpm • D Maj • 04:06 • -14.62db
31% Popularity • 49% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 49% Danceability • 53% Energy • 77% Liveness
0% Instrumentalness • 20% Positiveness
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Frank Chacksfield
Marylin
120 bpm • F Maj • 02:27 • -18db
32% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
32% Popularity • 37% Danceability • 13% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Leroy Anderson
Blue Tango
119 bpm • D Maj • 03:04 • -22.71db
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Franz Schubert
Marche Militaire - Live In Netherlands, ...
118 bpm • D Maj • 04:00 • -12.76db
12% Popularity • 46% Danceability • 42% Energy • 96% Liveness
74% Instrumentalness • 55% Positiveness
12% Popularity • 46% Danceability • 42% Energy • 96% Liveness
74% Instrumentalness • 55% Positiveness
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Caravelli
Chariots de feu
138 bpm • C# Maj • 03:33 • -8.99db
21% Popularity • 38% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
21% Popularity • 38% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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André Rieu
The Way Old Friends Do
118 bpm • F Maj • 04:06 • -9.41db
25% Popularity • 22% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
25% Popularity • 22% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
33% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
33% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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Al Caiola
Adelita
118 bpm • D# Maj • 02:07 • -13.17db
34% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 14% Liveness
82% Instrumentalness • 95% Positiveness
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Wolfgang Amadeus Mozart
Eine kleine Salonmusik - Live Version
139 bpm • G Maj • 02:44 • -12.47db
9% Popularity • 55% Danceability • 51% Energy • 93% Liveness
77% Instrumentalness • 49% Positiveness
9% Popularity • 55% Danceability • 51% Energy • 93% Liveness
77% Instrumentalness • 49% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Henry Dubois
Romeo y Julieta
139 bpm • G# Maj • 02:20 • -12.22db
54% Popularity • 66% Danceability • 17% Energy • 16% Liveness
50% Instrumentalness • 27% Positiveness
54% Popularity • 66% Danceability • 17% Energy • 16% Liveness
50% Instrumentalness • 27% Positiveness
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André Rieu
André Goes Marching On
118 bpm • A# Maj • 04:37 • -7.05db
20% Popularity • 58% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 58% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Nikos Ignatiadis
The White Boats Of Piraeus
140 bpm • A Maj • 03:47 • -14.53db
27% Popularity • 49% Danceability • 38% Energy • 18% Liveness
51% Instrumentalness • 17% Positiveness
27% Popularity • 49% Danceability • 38% Energy • 18% Liveness
51% Instrumentalness • 17% Positiveness
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Tol & Tol
Pavane
140 bpm • G Maj • 03:05 • -15.19db
31% Popularity • 20% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
31% Popularity • 20% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Sweet People
Elodie - Instrumental
140 bpm • C Maj • 02:43 • -11.53db
33% Popularity • 48% Danceability • 30% Energy • 7% Liveness
72% Instrumentalness • 37% Positiveness
33% Popularity • 48% Danceability • 30% Energy • 7% Liveness
72% Instrumentalness • 37% Positiveness
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Saxo
Candilejas
117 bpm • A Maj • 03:20 • -13.57db
41% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
41% Popularity • 26% Danceability • 47% Energy • 15% Liveness
98% Instrumentalness • 50% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
45% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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André Rieu
Adieu, Little Captain Of My Heart
118 bpm • D# Maj • 03:28 • -9.25db
20% Popularity • 46% Danceability • 48% Energy • 18% Liveness
90% Instrumentalness • 49% Positiveness
20% Popularity • 46% Danceability • 48% Energy • 18% Liveness
90% Instrumentalness • 49% Positiveness
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Nikos Ignatiadis
Italian Medley
141 bpm • F Maj • 04:23 • -12.12db
14% Popularity • 34% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
14% Popularity • 34% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
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Pop Strings Orchestra
El Padrino
141 bpm • F min • 03:08 • -9db
35% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
35% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Tol & Tol
Siciliano
116 bpm • D Maj • 02:55 • -12.87db
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Gilbert
Im weißen Rössl
116 bpm • C Maj • 07:21 • -13.36db
19% Popularity • 25% Danceability • 31% Energy • 42% Liveness
74% Instrumentalness • 22% Positiveness
19% Popularity • 25% Danceability • 31% Energy • 42% Liveness
74% Instrumentalness • 22% Positiveness
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Franz Lambert
Malaika
116 bpm • G# Maj • 03:13 • -7db
17% Popularity • 84% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 93% Positiveness
17% Popularity • 84% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 93% Positiveness
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Ricci Ferra
Radetzky-Marschpolka, Op.228 (Radetzky M...
116 bpm • A Maj • 02:13 • -11.53db
19% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
19% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
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Daniela de Santos
Hawaii Träume
116 bpm • C Maj • 03:10 • -6.82db
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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André Rieu
The Last Rose, ARV_17
141 bpm • C Maj • 03:56 • -11.79db
35% Popularity • 18% Danceability • 38% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 38% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Nikos Ignatiadis
Pireaus (Never On A Sunday)
116 bpm • A Maj • 02:59 • -11.63db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jean Claude Borelly
Amarcord
116 bpm • B Maj • 02:29 • -8db
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
35% Popularity • 46% Danceability • 43% Energy • 17% Liveness
55% Instrumentalness • 53% Positiveness
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Symphonia
Villa Rides
116 bpm • C Maj • 02:20 • -8.92db
21% Popularity • 59% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 59% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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Jorge Espinoza Y Su Violin
2 Mov. Concierto De Mozart N. 21 Frag
142 bpm • F Maj • 03:40 • -8.19db
40% Popularity • 15% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
40% Popularity • 15% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Tol & Tol
A New Irish Tune
142 bpm • A Maj • 03:10 • -9.7db
23% Popularity • 46% Danceability • 27% Energy • 12% Liveness
56% Instrumentalness • 26% Positiveness
23% Popularity • 46% Danceability • 27% Energy • 12% Liveness
56% Instrumentalness • 26% Positiveness
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Percy Faith
The Song from Moulin Rouge (Alternate Ta...
142 bpm • G Maj • 03:50 • -15.98db
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 26% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Henry Salomon y su Orquesta
Los Paraguas de Cherburgo - De "Los Para...
115 bpm • C min • 02:23 • -16.23db
36% Popularity • 28% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
36% Popularity • 28% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 35% Positiveness
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Nikos Ignatiadis
Flight To Rhodos
115 bpm • F Maj • 03:31 • -13db
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Cicci Guitar Condor
Jhonny Guitar
115 bpm • A# min • 03:48 • -8db
26% Popularity • 69% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 84% Positiveness
26% Popularity • 69% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 84% Positiveness
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Jorge Espinoza Y Su Violin
Al Ritmo De La Lluvia
115 bpm • E Maj • 02:16 • -6.06db
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
48% Popularity • 75% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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Dirk Schiefen
Blue Spanish eyes
115 bpm • D# Maj • 02:42 • -9.95db
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
