Songs like Panama Jack by Jack Brass Band
Based on a tempo of (+/- 10%) and a similar genre
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John Boutté
Hot Time in the Old Town Tonight
122 bpm • C Maj • 02:22 • -10.99db
14% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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David "Fathead" Newman
Weird Beard - Remaster
122 bpm • A# min • 04:46 • -15.52db
10% Popularity • 57% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 57% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jack Brass Band
Panama Jack
122 bpm • A# min • 04:14 • -8.6db
0% Popularity • 66% Danceability • 76% Energy • 11% Liveness
78% Instrumentalness • 48% Positiveness
0% Popularity • 66% Danceability • 76% Energy • 11% Liveness
78% Instrumentalness • 48% Positiveness
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Mama Digdown's Brass Band
Voodoo Groove (Slight Return)
122 bpm • G# min • 04:16 • -4.4db
10% Popularity • 60% Danceability • 89% Energy • 5% Liveness
37% Instrumentalness • 73% Positiveness
10% Popularity • 60% Danceability • 89% Energy • 5% Liveness
37% Instrumentalness • 73% Positiveness
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Tom Cunningham Orchestra
Shout And Feel It
121 bpm • C Maj • 02:30 • -11db
17% Popularity • 66% Danceability • 60% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 66% Danceability • 60% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
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Ray Gelato
The Joint is Jumpin'
123 bpm • F Maj • 02:45 • -7.58db
26% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lionel Hampton
Hot Mallets
123 bpm • A# min • 02:16 • -11db
40% Popularity • 76% Danceability • 56% Energy • 7% Liveness
57% Instrumentalness • 96% Positiveness
40% Popularity • 76% Danceability • 56% Energy • 7% Liveness
57% Instrumentalness • 96% Positiveness
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Ronnie Magri
Black & Tan Fantasy
123 bpm • F# Maj • 03:05 • -11.27db
13% Popularity • 70% Danceability • 28% Energy • 18% Liveness
72% Instrumentalness • 67% Positiveness
13% Popularity • 70% Danceability • 28% Energy • 18% Liveness
72% Instrumentalness • 67% Positiveness
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Albert Ammons
The Blues, Part One
121 bpm • C Maj • 04:14 • -17.79db
9% Popularity • 62% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
9% Popularity • 62% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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Joe Williams
Smack Dab In The Middle
123 bpm • C min • 03:29 • -11.63db
13% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Ray Charles
Rockhouse, Pt. 1 & 2
121 bpm • C Maj • 03:54 • -10.45db
31% Popularity • 72% Danceability • 25% Energy • 14% Liveness
59% Instrumentalness • 63% Positiveness
31% Popularity • 72% Danceability • 25% Energy • 14% Liveness
59% Instrumentalness • 63% Positiveness
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Pee Wee Russell
If I Had You
121 bpm • D# Maj • 03:22 • -12.78db
14% Popularity • 70% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 70% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Jack Brass Band
Caravan
123 bpm • C min • 06:15 • -11.04db
0% Popularity • 62% Danceability • 55% Energy • 12% Liveness
76% Instrumentalness • 31% Positiveness
0% Popularity • 62% Danceability • 55% Energy • 12% Liveness
76% Instrumentalness • 31% Positiveness
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Sam Levine
Birth Of The Blues
121 bpm • A# Maj • 05:23 • -12.22db
12% Popularity • 60% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 43% Positiveness
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Eddie "Lockjaw" Davis
Leapin' on Lenox
120 bpm • C# Maj • 05:06 • -12.69db
11% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Blue
Blue Mance
120 bpm • D min • 04:31 • -12.99db
11% Popularity • 50% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
11% Popularity • 50% Danceability • 47% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
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Earl Hines
My Monday Date
120 bpm • F Maj • 06:41 • -11.74db
10% Popularity • 74% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
10% Popularity • 74% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
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Louis Jordan & His Tympany Five
Early in the Morning
120 bpm • D min • 03:22 • -10db
8% Popularity • 77% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 77% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Jack Brass Band
Beautiful Girls
120 bpm • F min • 04:54 • -8.75db
0% Popularity • 70% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 30% Positiveness
0% Popularity • 70% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 30% Positiveness
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James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
36% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
36% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
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Miss Sophie Lee
It's Only a Paper Moon
120 bpm • G Maj • 03:34 • -6.84db
10% Popularity • 76% Danceability • 40% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
10% Popularity • 76% Danceability • 40% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
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John Boutté
Accentuate The Positive
120 bpm • G# Maj • 02:24 • -10.1db
24% Popularity • 83% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 83% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Wilbur De Paris
Mardi Gras Rag
120 bpm • F min • 05:00 • -9.79db
12% Popularity • 66% Danceability • 35% Energy • 4% Liveness
40% Instrumentalness • 74% Positiveness
12% Popularity • 66% Danceability • 35% Energy • 4% Liveness
40% Instrumentalness • 74% Positiveness
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Bridgetown Sextet
That's When I'll Come Back to You
124 bpm • F Maj • 03:06 • -11.75db
13% Popularity • 71% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 65% Positiveness
13% Popularity • 71% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 65% Positiveness
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Jack Brass Band
Part Time Lover
120 bpm • G# Maj • 04:13 • -6.76db
1% Popularity • 64% Danceability • 64% Energy • 15% Liveness
91% Instrumentalness • 60% Positiveness
1% Popularity • 64% Danceability • 64% Energy • 15% Liveness
91% Instrumentalness • 60% Positiveness
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LaVern Baker
Gimme a Pigfoot - Mono
120 bpm • F min • 03:07 • -7.71db
27% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Louis Jordan
Early In The Mornin'
120 bpm • F Maj • 03:22 • -6.55db
11% Popularity • 79% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 79% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Shakin' All
Hey Now, Hey Now!
120 bpm • F min • 03:10 • -5.77db
15% Popularity • 75% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 75% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Firecracker Jazz Band
Firecrackers Explode in a Minor Mode
124 bpm • A# Maj • 03:14 • -6.52db
9% Popularity • 58% Danceability • 81% Energy • 40% Liveness
92% Instrumentalness • 96% Positiveness
9% Popularity • 58% Danceability • 81% Energy • 40% Liveness
92% Instrumentalness • 96% Positiveness
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Buddy Johnson
Walk 'Em
125 bpm • A# Maj • 02:50 • -10db
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Bridgetown Sextet
Old Fashioned Love
119 bpm • F Maj • 04:26 • -12.98db
9% Popularity • 74% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 50% Positiveness
9% Popularity • 74% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 50% Positiveness
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Le Dancing Pepa Swing Band
Splanky
119 bpm • F# Maj • 04:17 • -5.81db
12% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Brass Band
Everything's Lovely
125 bpm • F# Maj • 03:40 • -13.47db
0% Popularity • 75% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 68% Positiveness
0% Popularity • 75% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 68% Positiveness
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Firecracker Jazz Band
Sleepy Head
125 bpm • F Maj • 05:29 • -8db
16% Popularity • 68% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
16% Popularity • 68% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Kermit Ruffins
Rebirth Medley: My Song, Pie Pt. 2, Mexi...
119 bpm • F# Maj • 07:04 • -6.69db
29% Popularity • 62% Danceability • 75% Energy • 42% Liveness
81% Instrumentalness • 42% Positiveness
29% Popularity • 62% Danceability • 75% Energy • 42% Liveness
81% Instrumentalness • 42% Positiveness
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Eyal Vilner Big Band
Call Me Tomorrow, I Come Next Week
119 bpm • C# Maj • 03:22 • -9.58db
19% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
19% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
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The Veterinary Street Jazz Band
Grandpa's spells
125 bpm • G Maj • 02:55 • -14.45db
14% Popularity • 80% Danceability • 47% Energy • 11% Liveness
67% Instrumentalness • 98% Positiveness
14% Popularity • 80% Danceability • 47% Energy • 11% Liveness
67% Instrumentalness • 98% Positiveness
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Jack Brass Band
Hindustan
119 bpm • C min • 04:08 • -10.9db
0% Popularity • 74% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 82% Positiveness
0% Popularity • 74% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 82% Positiveness
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Canal Street Jazz Band
New Orleans Function
119 bpm • F min • 05:57 • -12.61db
17% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Glenn Crytzer
Harlem Mad
126 bpm • A min • 02:40 • -13.44db
10% Popularity • 60% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 60% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Liggins
Sugar (1947)
126 bpm • F Maj • 02:49 • -10.38db
14% Popularity • 71% Danceability • 24% Energy • 20% Liveness
35% Instrumentalness • 78% Positiveness
14% Popularity • 71% Danceability • 24% Energy • 20% Liveness
35% Instrumentalness • 78% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Michael Gamble & The Rhythm Serenaders
Man About Town
118 bpm • A# Maj • 03:51 • -20.03db
20% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
20% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
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Earl Hines
G.T. Stomp
126 bpm • G# Maj • 02:45 • -10.89db
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Tom McDermott
Heavy Henry
118 bpm • F Maj • 03:19 • -8.36db
10% Popularity • 61% Danceability • 37% Energy • 13% Liveness
83% Instrumentalness • 68% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 13% Liveness
83% Instrumentalness • 68% Positiveness
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Jack Brass Band
Off the Wall
118 bpm • F# Maj • 05:59 • -8.08db
0% Popularity • 70% Danceability • 60% Energy • 10% Liveness
72% Instrumentalness • 56% Positiveness
0% Popularity • 70% Danceability • 60% Energy • 10% Liveness
72% Instrumentalness • 56% Positiveness
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Catherine Russell
You Got To Swing And Sway
118 bpm • C Maj • 03:09 • -7db
15% Popularity • 80% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 80% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Jones-Smith, Incorporated
Shoe Shine Boy (Alternate Take)
127 bpm • F Maj • 02:58 • -10.5db
9% Popularity • 62% Danceability • 38% Energy • 9% Liveness
77% Instrumentalness • 81% Positiveness
9% Popularity • 62% Danceability • 38% Energy • 9% Liveness
77% Instrumentalness • 81% Positiveness
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Wilbur De Paris
Shreveport Stomp
127 bpm • A# Maj • 03:00 • -12db
20% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
20% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
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The Basin Street Brawlers
It's Tight Like That!
127 bpm • G Maj • 03:12 • -13.32db
15% Popularity • 86% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 71% Positiveness
15% Popularity • 86% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 71% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Jack Brass Band
Shake Your Body Down To The Ground
126 bpm • F# min • 03:57 • -7.15db
0% Popularity • 69% Danceability • 68% Energy • 6% Liveness
80% Instrumentalness • 51% Positiveness
0% Popularity • 69% Danceability • 68% Energy • 6% Liveness
80% Instrumentalness • 51% Positiveness
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Sippie Wallace
A Man That Don't Want Me
127 bpm • A# Maj • 02:43 • -11.56db
10% Popularity • 73% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Illinois Jacquet
Port Of Rico (07-22-52)
127 bpm • C Maj • 02:44 • -11.14db
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
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Jeremy Davenport
Mr. New Orleans
117 bpm • C Maj • 03:39 • -10.63db
10% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Woody Herman
Greasy Sack Blues
127 bpm • C# Maj • 05:38 • -11.84db
9% Popularity • 74% Danceability • 38% Energy • 98% Liveness
1% Instrumentalness • 52% Positiveness
9% Popularity • 74% Danceability • 38% Energy • 98% Liveness
1% Instrumentalness • 52% Positiveness
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Artie Shaw
Special Delivery Stomp
127 bpm • D Maj • 02:44 • -7db
19% Popularity • 62% Danceability • 62% Energy • 12% Liveness
45% Instrumentalness • 91% Positiveness
19% Popularity • 62% Danceability • 62% Energy • 12% Liveness
45% Instrumentalness • 91% Positiveness
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Lillian Boutté
Go Back Whree You Stayed Last Night
127 bpm • F Maj • 03:28 • -13db
11% Popularity • 67% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 67% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Wilbur De Paris
Are You from Dixie
128 bpm • D# Maj • 04:56 • -8db
15% Popularity • 61% Danceability • 60% Energy • 20% Liveness
12% Instrumentalness • 94% Positiveness
15% Popularity • 61% Danceability • 60% Energy • 20% Liveness
12% Instrumentalness • 94% Positiveness
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Illinois Jacquet
On The Sunny Side Of The Street - Alt 1
117 bpm • C Maj • 04:35 • -10db
29% Popularity • 66% Danceability • 31% Energy • 15% Liveness
4% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 31% Energy • 15% Liveness
4% Instrumentalness • 61% Positiveness
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Sonny Thompson
Screamin' Boogie
116 bpm • D min • 02:39 • -11.2db
1% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
1% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
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Buddy Johnson
You Gotta Walk That Chalk Line
116 bpm • F# Maj • 02:38 • -10db
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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The Veterinary Street Jazz Band
Down and out blues
128 bpm • F Maj • 05:23 • -16db
15% Popularity • 74% Danceability • 22% Energy • 29% Liveness
23% Instrumentalness • 64% Positiveness
15% Popularity • 74% Danceability • 22% Energy • 29% Liveness
23% Instrumentalness • 64% Positiveness
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California Feetwarmers
Michigan Water Blues
116 bpm • G Maj • 03:51 • -9db
15% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Swing Ninjas
Five Foot Two, Eyes of Blue
116 bpm • G Maj • 03:30 • -6db
11% Popularity • 77% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 77% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Louis Jordan
Knock Me a Kiss
116 bpm • D# Maj • 02:48 • -11.59db
20% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
20% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
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The Stolen Sweets
Willie the Weeper, the Chinatown Creeper
116 bpm • A Maj • 03:21 • -10db
14% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Wild Magnolias
All On A Mardi Gras Day
116 bpm • F min • 03:36 • -9.55db
27% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Aurora Nealand & The Royal Roses
Shag
129 bpm • G# Maj • 02:53 • -9.08db
17% Popularity • 70% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 70% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Les Brown
The Claw
129 bpm • G# Maj • 03:27 • -18db
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Lionel Hampton
Drinkin' Wine, Spo-Dee-O-Dee
129 bpm • C Maj • 03:22 • -13.4db
22% Popularity • 83% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 83% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Charlie Parker
Now's The Time - Original Take 4
129 bpm • F Maj • 03:18 • -10.08db
27% Popularity • 62% Danceability • 24% Energy • 9% Liveness
14% Instrumentalness • 57% Positiveness
27% Popularity • 62% Danceability • 24% Energy • 9% Liveness
14% Instrumentalness • 57% Positiveness
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The Soul Rebels
Living for the City
115 bpm • A# Maj • 03:35 • -13.7db
14% Popularity • 70% Danceability • 53% Energy • 5% Liveness
60% Instrumentalness • 51% Positiveness
14% Popularity • 70% Danceability • 53% Energy • 5% Liveness
60% Instrumentalness • 51% Positiveness
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Paul Reeves
Swingin' Out
129 bpm • E min • 01:03 • -9.59db
35% Popularity • 79% Danceability • 52% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
35% Popularity • 79% Danceability • 52% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
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Aurora Nealand & The Royal Roses
Ferry Man
129 bpm • C Maj • 05:34 • -9.84db
13% Popularity • 56% Danceability • 62% Energy • 36% Liveness
5% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 62% Energy • 36% Liveness
5% Instrumentalness • 71% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Gentlemen Of Jazz
It's a Sin to Tell a Lie
129 bpm • A# Maj • 07:05 • -14.18db
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
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Helen Humes
Flippity Flop Flop
130 bpm • C Maj • 02:03 • -10.21db
32% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Beryl Bryden
Coney Island Washboard
115 bpm • G Maj • 03:25 • -10.07db
8% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
28% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Jack Brass Band
Bad Mama Jama
115 bpm • D Maj • 04:58 • -7.94db
0% Popularity • 79% Danceability • 63% Energy • 15% Liveness
24% Instrumentalness • 32% Positiveness
0% Popularity • 79% Danceability • 63% Energy • 15% Liveness
24% Instrumentalness • 32% Positiveness
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Dizzy Gillespie
Doodlin'
114 bpm • F# Maj • 03:55 • -12db
29% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Stockholm Swing All Stars
Wings and Things
130 bpm • F# Maj • 04:42 • -10db
9% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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New Orleans Nightcrawlers
Oye Como Va
130 bpm • G Maj • 07:01 • -9.66db
14% Popularity • 78% Danceability • 59% Energy • 91% Liveness
7% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 59% Energy • 91% Liveness
7% Instrumentalness • 96% Positiveness
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The Dry Throat Fellows
Red Hot Band
114 bpm • F Maj • 03:18 • -14db
13% Popularity • 67% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 90% Positiveness
13% Popularity • 67% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 90% Positiveness
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California Feetwarmers
Oozlin' Stomp
114 bpm • A# Maj • 03:15 • -9.01db
14% Popularity • 84% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
14% Popularity • 84% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
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The Swing Ninjas
Salad Days
114 bpm • C# Maj • 02:54 • -8.34db
16% Popularity • 76% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
16% Popularity • 76% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Dillard Center for the Arts Jazz Ensemble
Cobblestones
114 bpm • C# Maj • 05:26 • -15db
8% Popularity • 60% Danceability • 52% Energy • 68% Liveness
65% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 52% Energy • 68% Liveness
65% Instrumentalness • 68% Positiveness
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Willie "The Lion" Smith
On the Sunny Side of the Street Take, Pt...
130 bpm • C Maj • 02:46 • -14.16db
17% Popularity • 67% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
17% Popularity • 67% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
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Woody Herman
Sister Sadie
131 bpm • A min • 03:26 • -12.09db
13% Popularity • 58% Danceability • 54% Energy • 85% Liveness
18% Instrumentalness • 86% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 85% Liveness
18% Instrumentalness • 86% Positiveness
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Jack Brass Band
Brownout
131 bpm • F min • 03:54 • -8.32db
0% Popularity • 54% Danceability • 68% Energy • 8% Liveness
42% Instrumentalness • 27% Positiveness
0% Popularity • 54% Danceability • 68% Energy • 8% Liveness
42% Instrumentalness • 27% Positiveness
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Swingerhead
Candy for Breakfast
114 bpm • C Maj • 02:41 • -7.08db
13% Popularity • 75% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 75% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
