Songs like Pancakes for Dinner by Lizzy McAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
76% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
80% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Lizzy McAlpine
March
142 bpm • G# Maj • 02:41 • -16.29db
62% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
58% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
77% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Conan Gray
Forever With Me
144 bpm • B Maj • 03:35 • -4.3db
67% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
67% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
59% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Wasia Project
My Lover Is Sleeping
140 bpm • G# Maj • 03:46 • -9.54db
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
74% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
68% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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Conan Gray
Winner
140 bpm • C Maj • 03:36 • -5.08db
65% Popularity • 44% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
65% Popularity • 44% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.22db
60% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Mon RovÃŽa
To Watch the World Spin Without You
145 bpm • D Maj • 02:32 • -9.42db
53% Popularity • 76% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 38% Positiveness
53% Popularity • 76% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 38% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Dacus
Brando
145 bpm • A Maj • 03:00 • -8.49db
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 63% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Sadie Jean
Aisle 6
145 bpm • C Maj • 03:05 • -14.29db
50% Popularity • 52% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 52% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Kacey Musgraves
Giver / Taker
139 bpm • D# Maj • 03:10 • -9.89db
69% Popularity • 66% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 66% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Lizzy McAlpine
Broken Glass
139 bpm • D Maj • 03:40 • -9.52db
64% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
75% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Paris Paloma
yeti
139 bpm • B min • 04:12 • -11.3db
56% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sabrina Carpenter
I Knew You Were Trouble - Spotify Single...
145 bpm • F# Maj • 03:53 • -6.63db
64% Popularity • 34% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
64% Popularity • 34% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
75% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Wasia Project
impossible
146 bpm • F Maj • 04:29 • -7.88db
53% Popularity • 31% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 31% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Zeph
my fault
138 bpm • G Maj • 01:00 • -14db
65% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Conan Gray
Fainted Love
138 bpm • F Maj • 02:50 • -5.66db
72% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
72% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Beyoncé
II MOST WANTED
138 bpm • G# Maj • 03:28 • -6.13db
76% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
63% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
54% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
54% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Sabrina Carpenter
things i wish you said
147 bpm • E Maj • 02:42 • -12db
65% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Holly Humberstone
Easy Tiger
137 bpm • A# Maj • 04:37 • -9.86db
50% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
79% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
79% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Tiny Habits
Flicker
137 bpm • F# min • 03:44 • -8.32db
41% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Wasia Project
Petals on the Moon
148 bpm • D Maj • 04:16 • -7.02db
59% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
75% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
75% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Mon RovÃŽa
Don't Lose A Good Thing
136 bpm • C Maj • 03:14 • -13.12db
47% Popularity • 51% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
47% Popularity • 51% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
78% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
78% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Rainbow Kitten Surprise
Overtime
136 bpm • E Maj • 02:53 • -10.98db
66% Popularity • 67% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 67% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 76% Positiveness
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Olivia Rodrigo
teenage dream
136 bpm • C Maj • 03:42 • -10.21db
75% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
75% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lizzy McAlpine
Staying
136 bpm • E Maj • 02:31 • -10.71db
65% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
65% Popularity • 50% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Tiny Habits
I Don't Have The Heart
148 bpm • D Maj • 03:37 • -6.85db
49% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Beatty
Andromeda
149 bpm • D Maj • 03:15 • -10.03db
48% Popularity • 35% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 35% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Japanese House
Morning Pages
135 bpm • A Maj • 03:47 • -10.41db
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Mon RovÃŽa
Big Love Ahead
149 bpm • F Maj • 01:48 • -6.78db
58% Popularity • 55% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 55% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Vincent Lima
Orpheus
150 bpm • C Maj • 03:17 • -9.32db
57% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Alfie Jukes
Spiderwebs
150 bpm • G Maj • 02:33 • -9.39db
51% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Swift
peace
150 bpm • F Maj • 03:54 • -12.91db
70% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maya Hawke
Dark
134 bpm • D# Maj • 03:13 • -11.63db
50% Popularity • 71% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 71% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Beatty
Little Faith
134 bpm • G# Maj • 03:44 • -8.32db
44% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lizzy McAlpine
firearm
134 bpm • D Maj • 03:02 • -7.73db
52% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gracie Abrams
Cedar
134 bpm • G Maj • 04:12 • -8.65db
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
61% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
ICU
134 bpm • D Maj • 03:10 • -8.08db
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Olivia Rodrigo
making the bed
133 bpm • G Maj • 03:18 • -7.74db
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Leith Ross
Monogamy
133 bpm • C# Maj • 03:16 • -13.93db
41% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 52% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Bebe Stockwell
Love Me Back
152 bpm • G min • 02:28 • -14.54db
53% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Holly Humberstone
Kissing In Swimming Pools
152 bpm • E Maj • 04:47 • -8.37db
53% Popularity • 38% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 38% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
74% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
74% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Lizzy McAlpine
an ego thing
152 bpm • G# Maj • 02:50 • -8.86db
50% Popularity • 67% Danceability • 50% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
50% Popularity • 67% Danceability • 50% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Medium Build
Crying Over U
132 bpm • F Maj • 03:54 • -8.69db
48% Popularity • 57% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
48% Popularity • 57% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
60% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
60% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lizzy McAlpine
A Little Bit of Everything - Spotify Sin...
132 bpm • C Maj • 05:17 • -13.15db
53% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Paris Paloma
my mind (now)
154 bpm • C# Maj • 02:56 • -7.05db
58% Popularity • 25% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
58% Popularity • 25% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness