Songs like Pandemonium Institute by Lee Gamble
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Naples
El Portal Pt. II
81 bpm • D min • 02:57 • -16.99db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
87% Instrumentalness • 21% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
87% Instrumentalness • 21% Positiveness
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Laurel Halo
Abandon
81 bpm • C# Maj • 04:01 • -16.5db
35% Popularity • 7% Danceability • 60% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 60% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
2c
81 bpm • F min • 07:52 • -13.58db
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 28% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Huerco S.
Kraanvogel
81 bpm • A min • 05:38 • -17db
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
19% Popularity • 24% Danceability • 52% Energy • 8% Liveness
86% Instrumentalness • 51% Positiveness
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Lanark Artefax
Voices Near The Hypocentre
81 bpm • C Maj • 06:10 • -7db
16% Popularity • 22% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 9% Positiveness
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Kelman Duran
For Whitney
81 bpm • F min • 02:24 • -15.32db
13% Popularity • 29% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
13% Popularity • 29% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
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Sky H1
Tell Me
81 bpm • C Maj • 02:26 • -10db
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 16% Positiveness
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
48% Instrumentalness • 16% Positiveness
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Steve Hauschildt
Poinsettia
80 bpm • C# min • 01:01 • -12.38db
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 23% Danceability • 70% Energy • 7% Liveness
90% Instrumentalness • 17% Positiveness
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Lee Gamble
Pandemonium Institute
82 bpm • G min • 02:13 • -18.54db
17% Popularity • 21% Danceability • 31% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 31% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
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Andrew Pekler
Los Jardines
80 bpm • G# Maj • 03:39 • -21db
12% Popularity • 30% Danceability • 34% Energy • 15% Liveness
68% Instrumentalness • 39% Positiveness
12% Popularity • 30% Danceability • 34% Energy • 15% Liveness
68% Instrumentalness • 39% Positiveness
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µ-Ziq
Mesolithic Jungle
80 bpm • B min • 04:16 • -5.51db
13% Popularity • 56% Danceability • 98% Energy • 36% Liveness
93% Instrumentalness • 51% Positiveness
13% Popularity • 56% Danceability • 98% Energy • 36% Liveness
93% Instrumentalness • 51% Positiveness
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Lukid
End Melody
80 bpm • E min • 03:08 • -8.86db
17% Popularity • 43% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
17% Popularity • 43% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Flora Yin-Wong
Vale
82 bpm • D min • 04:34 • -25.89db
7% Popularity • 9% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Space Afrika
Sd/Tl
82 bpm • C# Maj • 05:26 • -25db
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 33% Liveness
81% Instrumentalness • 7% Positiveness
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Anthony Naples
Alto
80 bpm • A min • 02:58 • -17.02db
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 13% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Roméo Poirier
Neos Kosmos
80 bpm • C Maj • 02:48 • -16.55db
16% Popularity • 30% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 30% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Pye Corner Audio
The Long Now
79 bpm • F# Maj • 01:05 • -24db
35% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
35% Popularity • 25% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Ulla
blush
83 bpm • F Maj • 03:33 • -20.09db
16% Popularity • 33% Danceability • 18% Energy • 9% Liveness
43% Instrumentalness • 23% Positiveness
16% Popularity • 33% Danceability • 18% Energy • 9% Liveness
43% Instrumentalness • 23% Positiveness
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Lee Gamble
Untitled Reversion
83 bpm • B min • 02:58 • -21.04db
11% Popularity • 20% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
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Flora Yin-Wong
All My Dreams Are Nightmares
83 bpm • G min • 03:59 • -16.43db
12% Popularity • 17% Danceability • 63% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
12% Popularity • 17% Danceability • 63% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Perila
Time Date
83 bpm • C# Maj • 02:41 • -21.82db
9% Popularity • 36% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
9% Popularity • 36% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Roméo Poirier
Porte contre
79 bpm • A Maj • 03:54 • -20.53db
11% Popularity • 10% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 30% Positiveness
11% Popularity • 10% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 30% Positiveness
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Sky H1
Huit
79 bpm • F# Maj • 03:50 • -21db
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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E-Saggila
Stars Dying In Succession
78 bpm • F# min • 03:45 • -6db
8% Popularity • 10% Danceability • 72% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 10% Danceability • 72% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
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SSIEGE
Veyl
78 bpm • F Maj • 02:22 • -9.62db
24% Popularity • 30% Danceability • 80% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 30% Danceability • 80% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Flora Yin-Wong
Martyrr
84 bpm • C# Maj • 02:32 • -23.26db
8% Popularity • 20% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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µ-Ziq
Reference Gravy
78 bpm • A# Maj • 02:34 • -7.95db
14% Popularity • 24% Danceability • 64% Energy • 30% Liveness
86% Instrumentalness • 19% Positiveness
14% Popularity • 24% Danceability • 64% Energy • 30% Liveness
86% Instrumentalness • 19% Positiveness
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Oval
Do While ⌘X
77 bpm • D min • 04:50 • -22db
35% Popularity • 31% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
35% Popularity • 31% Danceability • 25% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
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Rainy Miller
Summon the Spirit / Demon
77 bpm • A# min • 05:20 • -11.94db
22% Popularity • 18% Danceability • 29% Energy • 13% Liveness
31% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 29% Energy • 13% Liveness
31% Instrumentalness • 10% Positiveness
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Torus
Enter The Sun
77 bpm • A# Maj • 03:58 • -13.77db
12% Popularity • 25% Danceability • 23% Energy • 32% Liveness
51% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 23% Energy • 32% Liveness
51% Instrumentalness • 4% Positiveness
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Croatian Amor
Still Possible
77 bpm • D min • 03:17 • -11.92db
19% Popularity • 18% Danceability • 33% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 33% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Demdike Stare
Sourcer
77 bpm • C# Maj • 05:28 • -7.96db
9% Popularity • 47% Danceability • 66% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
9% Popularity • 47% Danceability • 66% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
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Mark Fell
Untitled 1
85 bpm • A# min • 01:44 • -11.54db
10% Popularity • 67% Danceability • 44% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 67% Danceability • 44% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Ulla
popping out
85 bpm • C Maj • 02:28 • -17.67db
18% Popularity • 62% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
18% Popularity • 62% Danceability • 8% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
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Andrea
Dove Mai
85 bpm • D# Maj • 05:53 • -14.58db
10% Popularity • 13% Danceability • 60% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
10% Popularity • 13% Danceability • 60% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
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Laurel Halo
Public Art - Mixed
86 bpm • C min • 01:08 • -9.71db
31% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
31% Popularity • 36% Danceability • 91% Energy • 45% Liveness
87% Instrumentalness • 9% Positiveness
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Gooooose
Burning Smartphones at a Sunset Desert
76 bpm • E Maj • 02:03 • -12.69db
12% Popularity • 19% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
12% Popularity • 19% Danceability • 26% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
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Huerco S.
Chunkee Player
77 bpm • B min • 01:39 • -20.67db
31% Popularity • 46% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
31% Popularity • 46% Danceability • 29% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
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Klein
storm
76 bpm • C Maj • 05:12 • -13.3db
11% Popularity • 18% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
11% Popularity • 18% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Lee Gamble
Emu
76 bpm • F Maj • 05:22 • -21.68db
6% Popularity • 9% Danceability • 14% Energy • 24% Liveness
88% Instrumentalness • 6% Positiveness
6% Popularity • 9% Danceability • 14% Energy • 24% Liveness
88% Instrumentalness • 6% Positiveness
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Vladislav Delay
Untitled Track
86 bpm • F# min • 01:38 • -30.18db
32% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
32% Popularity • 28% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Laurel Halo
Atlas
86 bpm • D Maj • 06:53 • -18.42db
33% Popularity • 9% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 9% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Eli Keszler
The Vaulting Sky
86 bpm • A# min • 03:49 • -17db
28% Popularity • 38% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
28% Popularity • 38% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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Farben
Powerbaum
87 bpm • C# min • 01:44 • -12.07db
19% Popularity • 45% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
19% Popularity • 45% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Klein
redemption tour
76 bpm • F# Maj • 01:44 • -7.26db
32% Popularity • 18% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
32% Popularity • 18% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Roméo Poirier
Le bématiste
75 bpm • G# Maj • 03:27 • -15.3db
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
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Lee Gamble
Yehudi Lights Over Tottenham
86 bpm • C# Maj • 06:49 • -16.82db
2% Popularity • 20% Danceability • 44% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 44% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Powell
13, 12
75 bpm • A# min • 02:38 • -24.85db
15% Popularity • 39% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 39% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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SSIEGE
Fata Foresta
87 bpm • A min • 03:32 • -14.07db
20% Popularity • 29% Danceability • 27% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
20% Popularity • 29% Danceability • 27% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Andrea
Jaim
88 bpm • F min • 05:30 • -13.12db
14% Popularity • 22% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 22% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Not Waving
While My Heart Is Still Beating
75 bpm • G# Maj • 04:09 • -10db
14% Popularity • 17% Danceability • 41% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 41% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Anthony Naples
Gem
88 bpm • A Maj • 02:27 • -15.22db
23% Popularity • 19% Danceability • 31% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
23% Popularity • 19% Danceability • 31% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
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Pavel Milyakov
Untitled 5
88 bpm • F Maj • 03:47 • -19.32db
9% Popularity • 27% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 27% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Honour
U&Me (decemberseventeen)
88 bpm • B Maj • 03:57 • -4.55db
13% Popularity • 35% Danceability • 92% Energy • 27% Liveness
32% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 92% Energy • 27% Liveness
32% Instrumentalness • 20% Positiveness
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Huerco S.
Plonk III
89 bpm • A min • 06:22 • -13.02db
15% Popularity • 42% Danceability • 69% Energy • 32% Liveness
88% Instrumentalness • 96% Positiveness
15% Popularity • 42% Danceability • 69% Energy • 32% Liveness
88% Instrumentalness • 96% Positiveness
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SND
00020 a
74 bpm • G min • 06:50 • -37.79db
11% Popularity • 39% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 68% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 68% Positiveness
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Laurel Halo
Supine
89 bpm • F Maj • 01:27 • -19.27db
28% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 32% Positiveness
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Toxe
Be By The Sea
89 bpm • E min • 02:03 • -11db
30% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
30% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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upsammy
Germ in a Population of Buildings
89 bpm • A# min • 01:33 • -16.97db
13% Popularity • 53% Danceability • 46% Energy • 36% Liveness
20% Instrumentalness • 31% Positiveness
13% Popularity • 53% Danceability • 46% Energy • 36% Liveness
20% Instrumentalness • 31% Positiveness
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Lanark Artefax
Ferthenheap
74 bpm • D min • 03:01 • -15.77db
11% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
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Roméo Poirier
Du rocher
89 bpm • E min • 04:24 • -18.16db
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 22% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Mark Fell
Untitled 3
90 bpm • B min • 04:42 • -12.49db
8% Popularity • 66% Danceability • 40% Energy • 41% Liveness
1% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 41% Liveness
1% Instrumentalness • 51% Positiveness
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Lukid
The Great Schlep
73 bpm • C# Maj • 02:43 • -11.83db
12% Popularity • 22% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
12% Popularity • 22% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Lorenzo Senni
Elegant, And Never Tiring - mixed
73 bpm • E Maj • 02:44 • -7.1db
18% Popularity • 37% Danceability • 74% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
18% Popularity • 37% Danceability • 74% Energy • 27% Liveness
86% Instrumentalness • 36% Positiveness
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Anthony Naples
Casia
90 bpm • E min • 01:03 • -17.76db
39% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 12% Energy • 36% Liveness
98% Instrumentalness • 5% Positiveness
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Natural Wonder Beauty Concept
Clear
90 bpm • E min • 03:04 • -7.99db
22% Popularity • 78% Danceability • 72% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
22% Popularity • 78% Danceability • 72% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Andy Stott
Leaving
90 bpm • C min • 03:42 • -11.89db
27% Popularity • 30% Danceability • 34% Energy • 26% Liveness
75% Instrumentalness • 5% Positiveness
27% Popularity • 30% Danceability • 34% Energy • 26% Liveness
75% Instrumentalness • 5% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Demdike Stare
New Fakes
72 bpm • C Maj • 02:48 • -25.03db
11% Popularity • 21% Danceability • 16% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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DJ Lostboi
All The Clouds Disturbed
92 bpm • A min • 03:49 • -19.49db
17% Popularity • 34% Danceability • 35% Energy • 6% Liveness
54% Instrumentalness • 23% Positiveness
17% Popularity • 34% Danceability • 35% Energy • 6% Liveness
54% Instrumentalness • 23% Positiveness
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Khotin
Computer Break - Late Mix
92 bpm • A Maj • 04:42 • -15.47db
17% Popularity • 54% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
17% Popularity • 54% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Lanark Artefax
Corra Linn
93 bpm • G# min • 05:08 • -6db
16% Popularity • 37% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 44% Positiveness
16% Popularity • 37% Danceability • 91% Energy • 34% Liveness
84% Instrumentalness • 44% Positiveness
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HTRK
Over The Rainbow
72 bpm • A# min • 04:28 • -25.8db
19% Popularity • 15% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
19% Popularity • 15% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Perila
Room To Room
71 bpm • C# min • 03:08 • -22db
19% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Dylan Henner
I Watched Them Jump into the Creek
93 bpm • G# min • 05:48 • -22.69db
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
18% Popularity • 30% Danceability • 24% Energy • 16% Liveness
44% Instrumentalness • 5% Positiveness
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DJ Lostboi
Ordinary People
71 bpm • E min • 03:22 • -18.69db
18% Popularity • 11% Danceability • 18% Energy • 38% Liveness
84% Instrumentalness • 34% Positiveness
18% Popularity • 11% Danceability • 18% Energy • 38% Liveness
84% Instrumentalness • 34% Positiveness
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Vladislav Delay
Raamat - 2020 Remaster
93 bpm • A min • 07:18 • -16.69db
7% Popularity • 35% Danceability • 47% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
7% Popularity • 35% Danceability • 47% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Purelink
Fine Pink Mist - Low Flung version
93 bpm • D Maj • 04:49 • -13.81db
17% Popularity • 61% Danceability • 62% Energy • 8% Liveness
29% Instrumentalness • 42% Positiveness
17% Popularity • 61% Danceability • 62% Energy • 8% Liveness
29% Instrumentalness • 42% Positiveness
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Sky H1
Arctis
93 bpm • G Maj • 02:49 • -19db
31% Popularity • 17% Danceability • 37% Energy • 36% Liveness
98% Instrumentalness • 23% Positiveness
31% Popularity • 17% Danceability • 37% Energy • 36% Liveness
98% Instrumentalness • 23% Positiveness
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Klein
Listen and See as They Take
93 bpm • F Maj • 05:02 • -12.73db
12% Popularity • 25% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Astrid Sonne
Palmistry
70 bpm • B min • 03:48 • -22.15db
26% Popularity • 21% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Inga Copeland
Faith OG X
70 bpm • A# Maj • 05:21 • -17.09db
14% Popularity • 34% Danceability • 47% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
14% Popularity • 34% Danceability • 47% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Roméo Poirier
Anna
70 bpm • G Maj • 03:14 • -18.56db
12% Popularity • 46% Danceability • 22% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 46% Danceability • 22% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Croatian Amor
Kites (A Part of You in Everything)
94 bpm • C# Maj • 04:48 • -11.41db
17% Popularity • 29% Danceability • 56% Energy • 21% Liveness
85% Instrumentalness • 26% Positiveness
17% Popularity • 29% Danceability • 56% Energy • 21% Liveness
85% Instrumentalness • 26% Positiveness
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Minor Science
Life Texture
94 bpm • G Maj • 05:26 • -17.85db
9% Popularity • 11% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Lee Gamble
Digbeth
70 bpm • D Maj • 02:28 • -16.62db
11% Popularity • 32% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 32% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Jan Jelinek
Lady Gaga, You Once Said In An Interview...
94 bpm • D min • 02:17 • -15.64db
20% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 25% Danceability • 45% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Peder Mannerfelt
Lucid in the Sky
69 bpm • A min • 05:10 • -11.52db
10% Popularity • 15% Danceability • 62% Energy • 79% Liveness
75% Instrumentalness • 14% Positiveness
10% Popularity • 15% Danceability • 62% Energy • 79% Liveness
75% Instrumentalness • 14% Positiveness
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Roméo Poirier
Statuario
69 bpm • B Maj • 03:57 • -22.34db
15% Popularity • 14% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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Space Afrika
Uwëm/Creātiōn
69 bpm • G Maj • 05:21 • -20.69db
20% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
20% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Sky H1
Topaz
95 bpm • G Maj • 06:41 • -13.76db
16% Popularity • 60% Danceability • 56% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
16% Popularity • 60% Danceability • 56% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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SSIEGE
Il Peso
95 bpm • B min • 04:00 • -14.7db
29% Popularity • 76% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
29% Popularity • 76% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Kangding Ray
Persan
95 bpm • G# Maj • 01:58 • -21db
38% Popularity • 51% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
38% Popularity • 51% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Pearson Sound
Raindrops, Pt. II
97 bpm • A# min • 02:39 • -23db
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
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TSVI
Trust
97 bpm • C Maj • 02:14 • -15db
34% Popularity • 24% Danceability • 31% Energy • 34% Liveness
90% Instrumentalness • 45% Positiveness
34% Popularity • 24% Danceability • 31% Energy • 34% Liveness
90% Instrumentalness • 45% Positiveness
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Space Afrika
Meet Me At Sachas
97 bpm • B Maj • 02:06 • -17.67db
36% Popularity • 67% Danceability • 27% Energy • 34% Liveness
87% Instrumentalness • 50% Positiveness
36% Popularity • 67% Danceability • 27% Energy • 34% Liveness
87% Instrumentalness • 50% Positiveness
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Vladislav Delay
Untitled Track
97 bpm • F min • 01:39 • -30.98db
28% Popularity • 39% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
28% Popularity • 39% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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SSIEGE
Boxe
95 bpm • G min • 02:43 • -9.96db
18% Popularity • 44% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
