Songs like Papa Was a Rodeo by Sara Lov
Based on a tempo of (+/- 10%) and a similar genre
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Sara Lov
Papa Was a Rodeo
148 bpm • G# Maj • 05:00 • -11.98db
21% Popularity • 56% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
21% Popularity • 56% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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昨夜派对
All about Anna
148 bpm • C Maj • 04:28 • -8.36db
31% Popularity • 73% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 73% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Vessel
Non sei più tu
148 bpm • G min • 04:06 • -13.1db
0% Popularity • 32% Danceability • 22% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
0% Popularity • 32% Danceability • 22% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Edwina Hayes
Tell Me So
147 bpm • F Maj • 03:58 • -7.72db
8% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Belle and Sebastian
Little Lou, Ugly Jack, Prophet John - Li...
148 bpm • D# Maj • 05:15 • -11.51db
13% Popularity • 37% Danceability • 44% Energy • 95% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 37% Danceability • 44% Energy • 95% Liveness
0% Instrumentalness • 35% Positiveness
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Emi Fujita
Longer
149 bpm • E Maj • 03:26 • -14.74db
13% Popularity • 46% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Susie Suh
Canopy
150 bpm • D Maj • 03:05 • -13.08db
23% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Vienna Teng
Green Island Serenade (Hidden Track)
150 bpm • C# Maj • 03:16 • -12.43db
22% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Pajaro Sunrise
Automatic
150 bpm • D Maj • 03:13 • -10.61db
29% Popularity • 72% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 50% Positiveness
29% Popularity • 72% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 50% Positiveness
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Maximilian Hecker
Summer Days in Bloom
146 bpm • C Maj • 03:52 • -10.94db
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Christa Wells
You Are My Defense
146 bpm • B Maj • 03:47 • -12.05db
16% Popularity • 55% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
16% Popularity • 55% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Jia Jia
Once the night comes
146 bpm • G# Maj • 02:38 • -8.39db
12% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Sara Lov
Just Beneath the Chords
146 bpm • G# min • 03:20 • -6.3db
3% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Pancakes
a
150 bpm • E Maj • 01:27 • -14.4db
15% Popularity • 88% Danceability • 44% Energy • 11% Liveness
28% Instrumentalness • 96% Positiveness
15% Popularity • 88% Danceability • 44% Energy • 11% Liveness
28% Instrumentalness • 96% Positiveness
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AGA
Lost Star
146 bpm • C Maj • 05:59 • -11.25db
8% Popularity • 37% Danceability • 45% Energy • 80% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 45% Energy • 80% Liveness
0% Instrumentalness • 26% Positiveness
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Tamas Wells
When We Do Fail Abigail
145 bpm • A# Maj • 02:53 • -16.04db
12% Popularity • 45% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 45% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Eleni Mandell
Wings in his Eyes
151 bpm • D Maj • 02:14 • -15.74db
14% Popularity • 48% Danceability • 25% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
14% Popularity • 48% Danceability • 25% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
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Kayee Tam
Can You See - 劇集 "律政強人" 插�...
152 bpm • A# Maj • 03:22 • -9.9db
31% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Lov
Square Heart
144 bpm • A min • 03:06 • -11.9db
7% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kjartan Salvesen
Then Silence
152 bpm • D Maj • 04:37 • -10.67db
12% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Haroula Rose
Free to Be Me
144 bpm • C# min • 03:59 • -8.42db
16% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Asher Monroe
Try Me
144 bpm • C Maj • 03:39 • -3.69db
10% Popularity • 48% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Johnny Aries
Great Expectations
144 bpm • D Maj • 04:02 • -8.64db
15% Popularity • 53% Danceability • 52% Energy • 8% Liveness
31% Instrumentalness • 33% Positiveness
15% Popularity • 53% Danceability • 52% Energy • 8% Liveness
31% Instrumentalness • 33% Positiveness
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The Silent League
Conversation
144 bpm • D Maj • 03:32 • -10.17db
14% Popularity • 68% Danceability • 43% Energy • 8% Liveness
83% Instrumentalness • 52% Positiveness
14% Popularity • 68% Danceability • 43% Energy • 8% Liveness
83% Instrumentalness • 52% Positiveness
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Sara Lov
A Thousand Bees
152 bpm • G# Maj • 03:52 • -6.54db
3% Popularity • 54% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 54% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Faye Wong
天空 - Unplugged
143 bpm • A Maj • 03:36 • -12.53db
27% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Thomas Junior
Blame The Weather
143 bpm • D Maj • 04:52 • -13.99db
8% Popularity • 42% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Minnutes
Ican
154 bpm • C Maj • 03:05 • -8.29db
15% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Vienna Teng
The Tower
154 bpm • F# min • 03:50 • -7.35db
24% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Maximilian Hecker
Anaesthesia
154 bpm • A# Maj • 04:32 • -15.53db
19% Popularity • 53% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 23% Positiveness
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Sara Lov
Old Friends
143 bpm • D Maj • 02:53 • -10.43db
2% Popularity • 29% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 16% Positiveness
2% Popularity • 29% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 16% Positiveness
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Five For Fighting
Tuesday
142 bpm • A min • 03:29 • -6.15db
28% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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瑞瑪席丹Rima Zeidan
Ordinary People
142 bpm • D Maj • 03:45 • -8.47db
8% Popularity • 40% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 15% Positiveness
8% Popularity • 40% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 15% Positiveness
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Eason Chan
Sleep Alone
155 bpm • G# Maj • 02:25 • -8.35db
24% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kulu Liang
I wish you come before I am getting old
141 bpm • A Maj • 04:22 • -13.14db
7% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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From Your Balcony
The Leaver And The Left
141 bpm • D# Maj • 05:59 • -12.82db
13% Popularity • 50% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 20% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 20% Positiveness
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左小祖咒
小莉
156 bpm • C Maj • 05:47 • -7.86db
11% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Susie Suh
Feather In the Wind
156 bpm • G Maj • 04:01 • -9.15db
32% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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A Si
Get Up
140 bpm • C Maj • 03:20 • -6db
30% Popularity • 77% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 77% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ding Ke
Orange
140 bpm • B Maj • 04:41 • -11.91db
12% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
12% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
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Luke Thompson
Keep Rolling On
140 bpm • E Maj • 03:07 • -13.19db
26% Popularity • 61% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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昨夜派对
A Sad Me In Your Eyes
140 bpm • B Maj • 04:18 • -10.17db
38% Popularity • 73% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
38% Popularity • 73% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Vessel
Il soffio
140 bpm • A min • 03:34 • -14.77db
0% Popularity • 40% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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盘尼西林乐队
再谈记忆
140 bpm • C Maj • 05:38 • -6.88db
36% Popularity • 59% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 59% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Emma Stevens
It's Obvious
140 bpm • C Maj • 02:45 • -7.72db
14% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Ding Ke
Bird
140 bpm • A Maj • 04:44 • -12.85db
8% Popularity • 37% Danceability • 18% Energy • 13% Liveness
6% Instrumentalness • 19% Positiveness
8% Popularity • 37% Danceability • 18% Energy • 13% Liveness
6% Instrumentalness • 19% Positiveness
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Yico Tseng
Give You All
140 bpm • C# Maj • 03:13 • -12.04db
13% Popularity • 42% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 42% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Lov
Depth of Night
140 bpm • G min • 03:37 • -7.45db
2% Popularity • 50% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
2% Popularity • 50% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Luke Thompson
Darkness and the Way We Are
140 bpm • B min • 03:44 • -13.46db
17% Popularity • 53% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
17% Popularity • 53% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
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Maximilian Hecker
The Whereabouts of Love
140 bpm • F min • 05:00 • -8.56db
26% Popularity • 48% Danceability • 45% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
26% Popularity • 48% Danceability • 45% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Emily Hearn
I'm Fine
140 bpm • B min • 03:36 • -6.26db
11% Popularity • 58% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 58% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Di Ma
Outro
140 bpm • C Maj • 02:23 • -15db
38% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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SLO
Nothing Hurts Like This
140 bpm • G Maj • 03:14 • -9.76db
23% Popularity • 44% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
23% Popularity • 44% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
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Sandy Lam
breathe in... breathe out
139 bpm • D Maj • 02:50 • -15.59db
26% Popularity • 52% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 52% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Eman Lam
Little Girl in the World
138 bpm • C Maj • 03:50 • -11db
10% Popularity • 56% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
10% Popularity • 56% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
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The Candle Thieves
Keys to My World
138 bpm • G Maj • 03:20 • -12.3db
15% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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昨夜派对
The Season Of Us
138 bpm • D Maj • 04:18 • -7.65db
16% Popularity • 59% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 59% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Tizzy Bac
Shall We Dance
159 bpm • C# Maj • 06:21 • -7.63db
9% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Azure Ray
A Thousand Years
159 bpm • F Maj • 02:41 • -19.48db
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
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Rosie Thomas
Bicycle Tricycle
137 bpm • C Maj • 06:04 • -13.11db
9% Popularity • 47% Danceability • 24% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 47% Danceability • 24% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Aoi Teshima
Beauty and the Beast
138 bpm • G# Maj • 04:31 • -15.71db
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Amber Kuo
Bird N' Tree
160 bpm • F# Maj • 05:11 • -13.39db
19% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Right Away, Great Captain!
What a Pity
160 bpm • F Maj • 02:01 • -22.15db
8% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Devics
Just One Breath
137 bpm • A min • 03:55 • -7.4db
21% Popularity • 56% Danceability • 62% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
21% Popularity • 56% Danceability • 62% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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YOUMOU TO OHANA
Don't Look Back In Anger
160 bpm • D Maj • 04:55 • -10db
30% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Rosie Thomas
October
137 bpm • B Maj • 02:21 • -16.37db
17% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Zee Avi
I Am Me Once More
160 bpm • B min • 02:35 • -10db
28% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brazzaville
3Jane
160 bpm • E min • 04:14 • -10.77db
11% Popularity • 69% Danceability • 30% Energy • 7% Liveness
22% Instrumentalness • 53% Positiveness
11% Popularity • 69% Danceability • 30% Energy • 7% Liveness
22% Instrumentalness • 53% Positiveness
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Allan Taylor
Some Dreams
136 bpm • D Maj • 04:30 • -16.02db
19% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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萨吉
On My Way - 《唐人街探案3》电影...
136 bpm • F# Maj • 05:04 • -10.69db
30% Popularity • 64% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 64% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Brett Anderson
One Lazy Morning
136 bpm • B Maj • 03:20 • -7.82db
10% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Joshua Hyslop
Come Away
136 bpm • B Maj • 03:43 • -14.31db
21% Popularity • 59% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
21% Popularity • 59% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Rachael Yamagata
You Won't Let Me
136 bpm • F Maj • 03:32 • -7.72db
37% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Emi Fujita
Proud of You
136 bpm • A Maj • 03:47 • -12.87db
33% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Rosie Thomas
Have You Seen My Love?
136 bpm • G Maj • 02:56 • -10db
11% Popularity • 46% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 46% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Elsa Kopf
DAYS and MOONS
136 bpm • A# min • 03:46 • -11db
25% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Stephy Tang
Colors
136 bpm • D Maj • 01:41 • -18db
9% Popularity • 50% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Travis Fiehler
Letter to America
135 bpm • B Maj • 04:39 • -14.25db
14% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Emily Hearn
Darlin'
135 bpm • C Maj • 03:08 • -7.11db
15% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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The Innocence Mission
Over The Rainbow
135 bpm • G Maj • 02:54 • -16.36db
28% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ding Ke
Maitri
134 bpm • C# Maj • 03:00 • -13.75db
9% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jeff Pianki
Paper Window Dreams
134 bpm • G Maj • 03:21 • -21.21db
19% Popularity • 50% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 50% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Egil Olsen
sleep with you
134 bpm • C Maj • 02:20 • -16.93db
9% Popularity • 70% Danceability • 8% Energy • 14% Liveness
51% Instrumentalness • 28% Positiveness
9% Popularity • 70% Danceability • 8% Energy • 14% Liveness
51% Instrumentalness • 28% Positiveness
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naomi & goro
top of the world
134 bpm • A# Maj • 04:14 • -9db
27% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Trent Dabbs
Time Decides
134 bpm • E Maj • 03:46 • -12.09db
22% Popularity • 52% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
22% Popularity • 52% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
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To Be Frank
Somebody Like You
134 bpm • F Maj • 03:13 • -17db
10% Popularity • 48% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
10% Popularity • 48% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
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Chris Garneau
Relief
134 bpm • D# min • 03:45 • -12.32db
19% Popularity • 58% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
19% Popularity • 58% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Kate Havnevik
So:Lo
164 bpm • D Maj • 03:04 • -9db
22% Popularity • 49% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 49% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Maximilian Hecker
Untouchable - Kastrup, Pt. 2
164 bpm • E Maj • 03:46 • -14.06db
27% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Priscilla Ahn
サヨナラCOLOR - English version
133 bpm • D Maj • 04:49 • -13.63db
17% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ding Ke
We
132 bpm • B min • 04:46 • -11.96db
13% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Suzie Ungerleider
Sleepy Little Sailor
133 bpm • F# min • 03:31 • -13.57db
9% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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KillerSoap
Distance
132 bpm • D Maj • 04:58 • -8.1db
17% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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昨夜派对
Cloud
132 bpm • A# Maj • 03:53 • -8.48db
18% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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AGA
Better Me - Home demo : Butterscotch
132 bpm • C Maj • 03:17 • -15db
28% Popularity • 64% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 64% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Rachael Yamagata
Miles On a Car
132 bpm • F# Maj • 04:14 • -6.45db
18% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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柯智棠
Down Oh Down
131 bpm • F Maj • 03:23 • -10.4db
19% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Leslie Cheung
I Honestly Love You
131 bpm • D Maj • 03:55 • -15.32db
15% Popularity • 34% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 34% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
